Mani Ratnam at the premiere of Raavan in 2010
|Born||Gopala Ratnam Subramaniam
2 June 1956
Madurai, Tamil Nadu, India
|Residence||Alwarpet, Chennai, India|
Gopala Ratnam Subramaniam (born 2 June 1956) is an Indian film director, screenwriter and producer, predominantly working in Tamil cinema, based in Chennai, India. Born into a Tamil Brahmin family in Madurai, Ratnam worked as a management consultant before entering the film industry. Widely regarded as one of the leading directors in Indian cinema, he made his directorial debut with the Kannada film Pallavi Anu Pallavi in 1983. The film though not a commercial success earned critical acclaim and fetched the Karnataka State Film Award for Best Screenplay for Ratnam. His following efforts were the Malayalam film Unaru (1984) and the Tamil film Pagal Nilavu (1985). However, it was after Mouna Ragam (1986) – The film dealt with the friction between a newly–wed couple – Ratnam came into prominence. He entered Telugu cinema with the National Film Award winning Geethanjali (1989), a major commercial success. Ratnam is also known for his "terrorism trilogy" consisting of Roja (1992), Bombay (1995) and Dil Se.. (1998). He is widely credited with having revolutionised the Tamil film industry and altering the profile of Indian cinema.
Ratnam's Nayagan (1987) and Anjali (1990) were submitted by India for the Academy Award consideration in the category of Best Foreign Language Film. His Tamil film Nayagan along with Satyajit Ray's The Apu Trilogy (1955–1959) and Guru Dutt's Pyaasa (1957) are the only Indian films to have appeared in Time magazine's All-Time 100 Greatest Movies.
Ratnam is married to actress Suhasini. In 2002 he was honoured with the Padma Shri, the fourth-highest civilian award given by the Government of India. Ratnam has won several film awards, including six National Film Awards. In addition to these, he is a recipient of a number of awards at various international film festivals. He has also been instrumental in organising Netru, Indru, Naalai, a stage musical which has helped mentally affected women and children.
Early life and background 
Mani Ratnam was born as Gopala Ratnam Subramaniam in Madurai, Madras Presidency, the present day Tamil Nadu His father, Ratnam Iyer, was a film producer who worked under the banner of production company, Venus Pictures. Ratnam grew up in Chennai, doing his schooling there completed his graduation with a degree in commerce at Ramakrishna Mission Vivekananda College which is affiliated with Madras University, Chennai and then obtained an MBA from Jamnalal Bajaj Institute of Management Studies, after which he worked as a management consultant before becoming a filmmaker.
Ratnam had two brothers—G. Venkateswaran and G. Srinivasan—both of them film producers. The former was a prominent personality who produced many of Ratnam's films, Mouna Ragam, Nayagan, Agni Natchathiram, Thalapathi, and Anjali, later committed suicide in 2003, reportedly because of financial problems. His younger brother, G. Srinivasan died in an accident while trekking in Manali on 27 May 2007. In 1988 Ratnam married Suhasini, the niece of Kamal Haasan and daughter of Charuhasan. Suhasini is a National Award-winning actress and a well-known filmmaker as well. They have a son named Nandhan Maniratnam. Charuhasan, his father-in-law, is a National Award-winning actor. Ratnam lives in Alwarpet, Chennai, where he runs Madras Talkies, his production company.
Early years: 1983–85 
Unlike many film-makers, Ratnam neither assisted in film-making nor worked as a cinematographer before making a name for himself in the industry. He made his directorial debut in 1983 with the Kannada film Pallavi Anu Pallavi, which starred Anil Kapoor and Lakshmi. The film explored the relationship between a young man and an older woman. Ratnam persuaded acclaimed director and cinematographer Balu Mahendra to serve as his cinematographer. Ratnam's screenplay won a Karnataka State Film Award for Best Screenplay. His second film was a Malayalam production titled Unaru. It explored the trade union problems in Kerala. His next film, Pagal Nilavu starring Murali and Revathi, marked his directional debut in Tamil cinema. The same year, he directed another Tamil film Idaya Kovil, a romantic drama which proved to be a major box-office success.
Breakthrough: 1986–1991 
In 1986, Ratnam directed the Tamil romantic drama Mouna Ragam, which starred Revathi and Mohan. The film was critically acclaimed for portraying urban Tamils in a "realistic" manner. Specifically, it told the story of the friction between a newlywed couple. Its score by Ilaiyaraaja was highly appreciated and became popular upon release. Mouna Raagam was subsequently dubbed into Telugu under the same title and became a hit in Andhra Pradesh. The film elevated Ratnam's status as a director and won the National Film Award for Best Feature Film in Tamil at the 34th National Film Awards. Ratnam won his first Filmfare Award for Best Tamil Director for the film.
In 1987, Ratnam directed Nayagan starring Kamal Haasan, and the film became a huge success and brought him recognition at the national level. Inspired by the 1972 American epic crime film, The Godfather, the film was based on the real-life story of underworld king Varadarajan Mudaliar, and tells the story of an orphaned slum-dweller and his rise to top of the Mumbai underworld hierarchy, was included in Time magazine's All-Time 100 Greatest Movies in 2005. Satyajit Ray's The Apu Trilogy and Guru Dutt's Pyaasa are the only other Indian films that have appeared in the list. Indian critics dubbed the film as India's answer to The Godfather. Nayagan was both commercially successful and critically acclaimed winning three National Awards—Best Actor, Best Cinematography and Best Art Direction—at the 35th National Film Awards. The film was India's official entry to the Oscars for Best Foreign Language Film at the 60th Academy Awards.
Following these two commercial successes, Ratnam wrote and directed Agni Natchathiram in 1988. The film deals with the story of step-brothers played by Prabhu and Karthik and is notable for its use of new techniques in camera framework, especially during the songs. The film had a successful run in the box office.
In 1989 Ratnam opted to make his next project, Geethanjali, his maiden venture in Telugu. Starring Nagarjuna in the lead role, the film told the story of an ill-fated couple, both of whom are suffering from terminal diseases. Geethanjali was critically acclaimed and won the National Film Award for Best Popular Film Providing Wholesome Entertainment in 1990 and fetched the Nandi Award for Best Story Writer for Ratnam. Ratnam maintained a momentum of making emotional stories of under-served people through the film Anjali in 1990, which starred Raghuvaran and told the story of an autistic child who changed the lives of people around her. The film proved to be a commercial success and was nominated as India's official entry to the Oscars in the Best Foreign Language Film category at the 63rd Academy Awards. Following Anjali's release, Ratnam later made another underworld-themed Tamil film, Thalapathi (1991), starring Rajinikanth and Mammootty. The film was an adaptation of Mahabharata, dealt with the friendship between Karna and Duryodhana portrayed by Rajinikanth and Mammmooty respectively. The film met with both critical acclaim and commercial success upon release. Ilaiyaraaja's musical score and Ratnam's work were highly appreciated as they both went on to win the Music Director and Best Director awards respectively at the 39th Filmfare Awards.
International acclaim: 1992–99 
With Thalapathi, Mani Ratnam ended his long-term association with music director Ilaiyaraaja, bringing in debutant music director A. R. Rahman to score his Tamil classic Roja (1992). The venture was successful, earning Ratnam various awards. Roja, a romantic film, was about terrorism in the Kashmir region. Starring Arvind Swamy and Madhoo, it was nominated for the Golden St. George Award at the 18th Moscow International Film Festival. It became highly popular, gaining an iconic status in Indian cinema and was dubbed into other languages and met similar success in other regions. Ratnam took a more light-hearted approach with his next film —Thiruda Thiruda (1993). Scripted by Ram Gopal Varma, it explored the action and thriller genres, was a departure from Ratnam's previous style and fared moderately well at the box office. A retrospective of his Tamil films was held at the Toronto International Film Festival in 1994.
Ratnam again teamed up with Ram Gopal Varma to provide the screenplay for the latter's Telugu film Gaayam, a socio-politico film loosely based on The Godfather. In 1995, Ratnam returned to Tamil language drama through Bombay starring Arvind Swamy and Manisha Koirala, which told the story of a Hindu-Muslim couple in the midst of the 1993 religious Bombay riots and bombings. It was also the first Indian film to focus on marriage between Hindu and Muslim people. The film met with controversy and censorship upon release, was subsequently dubbed into Hindi and was commercially successful and appreciated by critics. It won a number of awards, such as Nargis Dutt Award for Best Feature Film on National Integration, Special Award from the Political Film Society, In the Spirit of Freedom Award at the Jerusalem International Film Festival and the Gala Award at the Edinburgh International Film Festival.
Ratnam produced his wife's directorial debut film, Indira, and the critical success Iruvar with Mohanlal, Aishwarya Rai and Prakash Raj in the lead, his next film as director. Iruvar was honoured the Best Film at the "Festival of the Auteur Films" at the FEST film festival held in Belgrade. In 1998 came the third part of his "terrorism trilogy", named Dil Se.. and starring Shahrukh Khan and Manisha Koirala, with the latter fabricating the second collaboration. It showed the relationship between a young man and a dangerous, disturbed woman. Although they fall in love, she is unable to take the romance further due to her bleak past. The soundtrack album, again composed by A. R. Rahman, gained mass appeal and gave Rahman his next Filmfare Award for Best Music Direction in 1999. Unlike his previous two projects, Dil Se.. opened with well note among the film critics and the film poorly performed in the domestic market, despite being a success overseas. It was screened in many international film festivals, and won the Netpac award (Ex-Aqueo) in the Berlin International Film Festival. In 2000, Ratnam directed the romantic drama Alaipayuthey that starred R. Madhavan and Shalini. The film focussed on marriage and explored relationships and their consequences, and garnered critical recognition. It was also screened at the Berlin International Film Festival.
Along with Vasanth, he was instrumental in organising Netru, Indru, Naalai, a stage musical that marked the first theatre production, with numerous other artistes, to aid The Banyan, an organisation that rehabilitates women and children with mental illness.
Kannathil Muthamittal and onwards: 2002–present 
Ratnam's following project, Kannathil Muthamittal, dealt with the story of a child of Sri Lankan Tamil parentage adopted by Indian parents, who wishes to meet her biological mother during the Sri Lankan Civil War. The film was critically lauded and commercially successful, winning six National Film Awards, Filmfare Award for Best Direction in Tamil, In the Spirit of Freedom Award at the Jerusalem Film Festival and an award at the Indian Film Festival of Los Angeles. In 2004, he made a Hindi film titled Yuva, his second venture into Bollywood. The film, which tells the story of how one incident sends the lives of three youths on a collision course, received positive reviews and was a hit in the box office. Ratnam made the film simultaneously in Tamil as Aaytha Ezhuthu, starring Surya Sivakumar, R. Madhavan and Siddharth replacing Ajay Devgn, Abhishek Bachchan and Vivek Oberoi respectively from the Hindi version. The Tamil version was appreciated by critics, unlike the Hindi version, which was a failure at the box office. Ratnam suffered his first heart attack while shooting for Yuva.
In 2007, Ratnam made Guru, a biographical film based on the life of Dhirubhai Ambani, a business magnate from India. starring Abhishek Bachchan and Aishwarya Rai, through his production house, Madras Talkies. The film is set in the early 1950s, became a box office success, and received critical acclaim.
In 2010, Ratnam worked on a bilingual film, titled Raavanan in Tamil and Raavan in Hindi. The Tamil version was dubbed into Telugu and titled Villain. The film was released worldwide on 18 June 2010. The film is loosely based on the Hindu epic Ramayana; its narrative occurs over 14 days when a revolutionist named Veera, who lives in a forest, kidnaps a policeman's wife to avenge his sister's death. The Tamil version received positive reviews from the critics compared to its other versions. The New York Times called the movie a "critics' pick". However, the reviewers of the Hindi version panned the film; Rajeev Masand said it was "a crushing bore of a film, a disappointment on virtually every count" The Tamil version was declared a box office success. Ratnam's forthcoming film, Kadal, earlier titled Pookadai, is said to be set against the backdrop of fishermen in and around Rameswaram. It will signify the acting debut of Gautham, son of veteran actor Karthik. The film was released worldwide on 1 February 2013. But unfortunately, it received a lukewarm response at the box office and mixed reviews from critics.
Ratnam is highly credited for having revolutionised the Tamil film industry and altering the profile of Indian cinema. He has made films with a variety of genres and a majority of his films are characterized by a string of Socio-political themes. It was mainly because of this most of his films have garnered both critical acclaim and commercial success.
With his idea of combining art and commercial elements, Ratnam was referred for bringing new dimension to the South Asian film industry. Many of his films have taken inspirations from real-life incidents such as Nayagan, Bombay, Iruvar and films like Thalapathi and Raavan were based on Indian epics. He is lauded for his casting in each of his films—he said in an interview, "I am not a director who performs and shows. I discuss the role, the scene with my actors and let them bring life to it".
Ratnam is also well recognised outside India with a retrospective of his films held at various film festivals around the world such as Toronto International Film Festival, Pusan International Film Festival, Tokyo Filmex and Birmingham International Film Festival. His films are being screened regularly at many film festivals such as Cannes Film Festival, Venice Film Festival, Rotterdam Film Festival, Montreal Film Festival and Palm Springs International Film Festival.
Ratnam's aspiration towards films grew up watching films of K. Balachander, Guru Dutt and Sivaji Ganesan. His is greatly influenced by the film-making styles of Akira Kurosawa, Martin Scorsese, Krzysztof Kieślowski and Ingmar Bergman.
The Government of India honoured Ratnam with Padma Shri in 2002. He has won several National Film Awards, Filmfare Awards, Filmfare Awards South and state awards. Apart from these awards, many of his films have been screened at various film festivals and have won numerous accolades. Geethanjali, directed by him won the Golden Lotus Award for Best Popular Film at the 37th National Film Awards. Other films like Mouna Ragam, Anjali, and Kannathil Muthamittal have won the Best Regional Film awards at the National Film Awards. Two of his films, Roja and Bombay have won the Nargis Dutt Award for Best Feature Film on National Integration. The former was also nominated for Best Film category at the 18th Moscow International Film Festival. In 2010, Ratnam was honoured with Jaeger-Lecoultre Glory to the Filmmaker at the 67th Venice International Film Festival.
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Further reading 
- Benjamin, S. (2006 15(4), 423–435.). A rose by any other name: exploring the politics of Mani Ratnam's Roja. Contemporary South Asia,.
- Mallhi, Angie (2006). The Illusion of Secularism: Mani Ratnam's Bombay and the Consolidation of Hindu Hegemony. University of Victoria: CAPI Occasional Paper #31.Victoria: Centre for Asia-Pacific Initiatives.
- Terska Ciecko, Anne (2006). "National Cinema and State Authority". Contemporary Asian Cinema: Popular culture in a Global Frame. Berg: Berg Publishers. ISBN 978-1-84520-237-8.
- Gopalan, Lalitha (2005). Bombay: BFI Film Classics. London: BFI Publishing. ISBN 978-0-85170-956-7.
- Nagappan, Ramu (2005). "Momentary Pleasures of Reconciliation". Speaking Havoc: Social Suffering & South Asian Narratives. Washington: University of Washington Press. ISBN 978-0-295-98488-9.
- Velayutham, Selvaraj (2008). Tamil Cinema: The Cultural Politics of India's Other Film Industry. Routledge. ISBN 978-0-415-39680-6.
- Rangan, Baradwaj (2012). Conversations with Mani Ratnam. Penguin Books India. ISBN 9780670085200.