Manitas de Plata
|Manitas de Plata|
Manitas de Plata in 1968
|Birth name||Ricardo Baliardo|
7 August 1921|
|Died||5 November 2014
|Associated acts||Los Reyes, Gipsy Kings|
|Website||Website on Manitas de Plata|
Manitas de Plata (born Ricardo Baliardo; 7 August 1921 – 5 November 2014) was a French flamenco guitarist. Despite achieving worldwide fame, he was known for disrespecting certain rhythmic rules (compás) that are traditional in flamenco.
Ricardo Baliardo was born in a gypsy caravan in Sète in southern France. He became famous by playing each year at the Saintes-Maries-de-la-Mer gypsy pilgrimage in Camargue, where he was recorded live by Deben Bhattacharya.
Manitas de Plata ("Little Hands of Silver") only agreed to play in public ten years after the death of Django Reinhardt, unanimously considered the king of gypsy guitarists. One of his recordings earned him a letter from Jean Cocteau acclaiming him as a creator.
Manitas de Plata garnered fame in the United States only after a photography exhibition in New York, organized by his friend Lucien Clergue. He had recorded his first official album in the chapel of Arles in France, in 1963, for the Phillips label. It was later re-released, in 1967, by the Connoisseur Society label and sold through the Book of the Month Club. This was a popular LP that brought him to the attention of an American audience. An American manager obtained a booking for him to play a concert in Carnegie Hall in New York on November 24, 1965.
Manitas de Plata was the father of Jacques, Maurice, and Tonino Baliardo and uncle to Paul, François (Canut), Patchaï, Nicolas and André Reyes (the sons of flamenco artist José Reyes), all members of the rumba flamenca band Gipsy Kings. Australian multi-instrumentalist Chris Freeman, his student in 1971, acknowledged de Plata's influence and teachings.
- Juerga! (1963, Philips, 844 535 PY)
- Flamenco Guitar (1965)
- Flamenco Guitar
- Manitas de Plata - The world's greatest living flamenco artist (1966, Phillips, BL 7787)
- Manitas et les siens (1967, Columbia Records, FL 363)
- The Art of the Guitar (1968, Everest Records, SDBR 3201)
- La guitare d'or de Manitas (1970, Columbia Records, S 63915)
- Et Ses Guitares Gitanes (1972, CBS, S65020)
- Excitement of Manitas De Plata (1973, RCA Camden, CDS 1139)
- Hommages (1973, Embassy Records, S EMB 31003)
- Soleil des Saintes-Maries (1978)
- Feria Gitane (1994)
- Olé (1994)
- Manitas de Plata at Carnegie Hall (1995)
- Flaming Flamenco (1997)
- Manitas de Plata (1998)
- Camargue de Manitas (1999)
- Guitare D'Or Manitas de Plata (1999)
- Flores de mi corazon (1999, Troubadour Records)
- Guitarra Flamenco (2001)
- Manitas de Plata y los Plateros (2004)
- Live performance, 1997 at fr.kat.ph
- Pohren, Donn (1972), The Art of Flamenco, 3rd Edition, p. 79; "And the famous Manitas de Plata? A farce among flamenco guitarists, alarmingly deficient in his knowledge of flamenco, generally off even in his compás, of mediocre technique, but good, if nothing else, for a laugh."
- esbb.net; Biography of Manitas de Plata, accessed 6 November 2014. (French)
- "Who makes music and where". New York Times. 21 November 1965.
- McFarlane, 'Chris Freeman' entry at the Wayback Machine (archived August 3, 2004). Archived from the original on 3 August 2004; retrieved 27 June 2013.
- Bolton, Matthew (1 April 1982). "Show Scene". The Age (Fairfax Media). Retrieved 27 June 2013.
- Recorded in Arles, France, in October 1963, and featured Jose Reyes and Manero Baliardo, and the gypsies of Les Saintes Maries de la Mer. Producer E. Alan Silver; recording Engineer David B. Jones. Re-released by Connoisseur Society in 1967 as CS2003.
|Wikimedia Commons has media related to Manitas de Plata.|
- Profile, Foroflamenco.com; accessed 6 November 2014