Mannes College The New School for Music

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Mannes College The New School For Music
Established 1916[1]
Type Private
Dean Richard Kessler
Students

1,135 across three divisions:[1]

  • College: 320
  • Preparatory: 435
  • Extension: 150
Location New York City, New York, United States
40°47′12″N 73°58′28″W / 40.786587°N 73.97454°W / 40.786587; -73.97454Coordinates: 40°47′12″N 73°58′28″W / 40.786587°N 73.97454°W / 40.786587; -73.97454
Campus Urban
Colors New School Yellow, Orange, and Red                  
Website http://www.newschool.edu/mannes

Mannes College The New School for Music /ˈmænɨs/ is The New School university's music conservatory. While the university's main campus is located in Greenwich Village, New York City, Mannes maintains its main academic building on the Upper West Side of Manhattan.

Mission[edit]

As written on their website, the school's mission statement is: "Mannes College The New School for Music is dedicated to advancing the creative role of music in all aspects of a rapidly changing society. Mannes seeks to develop citizen artists who engage with the world around them in and through music, in traditional, new, and emergent forms of practice. "[2]

History[edit]

Mannes College The New School for Music.

Originally called The David Mannes Music School, it was founded in 1916 by David Mannes, concertmaster of the New York Symphony Orchestra and Clara Damrosch, sister of Walter Damrosch, then conductor of that orchestra. Originally housed on East 70th Street (later occupied by the Dalcroze School), the campus was created out of three brownstones on East 74th Street, in Manhattan's Upper East Side. After 1938, the school was known as the Mannes Music School (possibly in conjunction with the retirement of David and Clara Mannes from active teaching). In 1953 Mannes began offering degrees and changed its name to the Mannes College of Music. It later merged with the Chatham Square Music School. In 1984 the school moved to its current home on West 85th Street, though it will be moving to a new home, Arnhold Hall, in the East Village as of September 2014.[3] In 1989 Mannes joined The New School, comprising eight schools (including Parsons School of Design, Eugene Lang College, and the New School for Drama). In 2005, Mannes changed its name to Mannes College the New School for Music.

Programs[edit]

Three academic divisions constitute the conservatory:[1]

  • College — the academic spine of the school, conferring undergraduate and graduate degrees and diplomas.
  • Preparatory — provides pre-college training for children and adolescents.
  • Extension — offers continuing education programs for adults, from beginner to established musicians, including Mannes's newest program ESL+M, a one-year English-language-plus-music study program for international students who do not yet possess English-language skills to enter an American conservatory.[4]

The Techniques of Music program is the foundation for academic musical study at all three divisions at Mannes, encompassing the range of elementary to advanced music theory and aural skills classes.

Music theory was taught at Mannes from its inception, with David Mannes hiring important figures such as Ernest Bloch and Rosario Scalero to teach theory and composition. in 1931 Hans Weisse was hired, one of the leading students of Heinrich Schenker.[5] Over the following nine years, Weisse promoted not just the study of Schenkerian analysis but the incorporation of it into the musical life of the school, including performance and composition. Because of his association with the school, Schenker's publication Five Graphic Music Analyses (Fünf Urlinie-Tafeln) was published jointly by his regular publisher, Universal-Edition and the David Mannes School in 1932.[6]

In 1940, Weisse died unexpectedly and was replaced by Felix Salzer. Salzer, also a student of Schenker, built upon Weisse's foundation by reorganizing the theory program into the Techniques of Music department. The philosophy behind this move was and is to integrate musicianship, theory, and performance, which was based on Schenker's concept of the role of theory in tonal music.[7] Salzer's leading student, Carl Schachter, as well as his students, continued and strengthened the department.

Today the Mannes program is rapidly evolving and expanding in both the study of performance and theory. Mannes has revised its curriculum to include the incorporation of music technology classes, improvisation ensembles, film music composition, and more, all tied to a new commitment to contemporary music well beyond the tonal-based approach of Schenker. The Mannes of today includes an ever increasing number of programs in partnership with its sister school, The New School for Jazz and Contemporary Music.[8]

Notable people[edit]

College faculty[edit]

For more details on this topic, see List of The New School people § Faculty.

Alumni[edit]

For more details on this topic, see List of The New School people § Alumni.

References[edit]

  1. ^ a b c http://www.newschool.edu/mannes/subpage.aspx?id=2760
  2. ^ http://www.newschool.edu/mannes/
  3. ^ http://www.newschoolfreepress.com/2013/04/29/the-war-for-space/
  4. ^ http://www.newschool.edu/mannes/extension-division/
  5. ^ Historical information is derived from annual Mannes catalogs.
  6. ^ As indicated on the cover of the publication's first edition.
  7. ^ See David Carson Berry, "Hans Weisse and the Dawn of American Schenkerism," Journal of Musicology 20, no. 1 (Winter 2003): 104-156.
  8. ^ http://www.operanews.com/Opera_News_Magazine/2013/8/Features/Mannes_Enters_the_Modern_Era.html

External links[edit]