Manos Hatzidakis

From Wikipedia, the free encyclopedia
  (Redirected from Manos Hadjidakis)
Jump to: navigation, search
Manos Hatzidakis
(Μάνος Χατζιδάκις)
Manos hadjidakis.jpg
Background information
Born (1925-10-23)October 23, 1925
Origin Xanthi, Greece
Died June 15, 1994(1994-06-15) (aged 68)
Athens, Greece
Occupations Musician, composer
Website http://www.hadjidakis.gr

Manos Hatzidakis (also spelled Hadjidakis; Greek: Μάνος Χατζιδάκις; October 23, 1925 – June 15, 1994) was a Greek composer and theorist of Greek music. He was also one of the main prime movers of the "Éntekhno" song (along with Mikis Theodorakis). In 1960 he received an Academy Award for Best Original Song for his song Never on Sunday from the film of the same name.

Biography[edit]

Manos Hatzidakis.

His very first work was the tune for the song "Paper Moon" ("Χάρτινο το Φεγγαράκι"), from Tennessee Williams' A Streetcar Named Desire staged by Karolos Koun's Art Theatre of Athens, a collaboration which continued for 15 years. His first piano piece, "For a Small White Seashell" ("Για μια Μικρή Λευκή Αχιβάδα"), came out in 1947 and in 1948 he shook the musical establishment by delivering his legendary lecture on rembetika, the urban folk songs that flourished in Greek cities, mainly Piraeus, after the Asia Minor refugee influx in 1922 and until then had heavy underworld and cannabis use connections and were consequently looked down upon.[citation needed] Hatzidakis focused on the economy of expression, the deep traditional roots and the genuineness of emotion displayed in rembetika, and exalted the likes of composers like Markos Vamvakaris and Vassilis Tsitsanis. Putting theory to practice, he adapted classic rembetika in his 1951 piano work, Six Folk Paintings (Έξι Λαϊκές Ζωγραφιές), which was later also presented as a folk ballet. In 1949 he co-founded the Greek Dance Theatre Company with the choreographer Rallou Manou.[1]

At this point he began writing immensely popular "pop" songs and movie soundtracks alongside more serious works, such as 1954's The C.N.S. Cycle (O Kyklos tou C.N.S.), a song cycle for piano and voice recalling the German lied in its form, if not in style. In 1955 he wrote the score for Michael Cacoyannis' film Stella, with actress Melina Mercouri, singing the movie's trademark song "Love that became a double-edged knife" ("Αγάπη που 'γινες δίκοπο μαχαίρι"). Hatzidakis always maintained that he wrote his serious pieces for himself and his less serious ones to make a living.[citation needed]

In 1959, Hatzidakis met Nana Mouskouri, his first "ideal interpreter", a skilled vocalist who shaped the sounds of his music.[citation needed] It was 1960 that brought him international success, as his song "Never on Sunday" ("Τα παιδιά του Πειραιά"), from Jules Dassin's film Never on Sunday (Ποτέ την Κυριακή), won him an Academy Award and became a worldwide hit.

In 1962, he produced the musical Street of Dreams (Οδός Ονείρων)[2] and completed his score for Aristophanes' Birds (Όρνιθες), another Art Theater production which caused an uproar over Karolos Koun's revolutionary direction. The score was also used later by Maurice Béjart's 20th Century Ballets. He also wrote the music for a song which Arthur Altman added English lyrics to and gave to Brenda Lee. The song was "All Alone Am I". In 1964 he released the album 15 Vespers (Δεκαπέντε Εσπερινοί) with the famous song "Mr Antonis ("Ο Κυρ Αντώνης").[3]

In 1965, his LP Gioconda's Smile (Το Χαμόγελο της Τζιοκόντας)[4] was released on Minos-EMI. In 2004, it was re-released, digitally remastered as an audiophile LP and a CD in the EMI Classics collection. In 1966 he travelled to New York City for the premiere of Illya Darling, a Broadway musical based on Never on Sunday, which starred Mercouri. He did not return to Greece until 1972 due to his opposition to Greece's military dictatorship.

In exile[edit]

While in the United States he completed several more major compositions, including Rhythmology (Rythmologia) for solo piano, his compilation, Gioconda's Smile (produced by Quincy Jones), and the song cycle, Magnus Eroticus (Megalos Erotikos), in which he used ancient (Sappho, Euripides), medieval (stanzas from folk songs and George Hortatzis' romance Erophile) and modern (Dionysios Solomos, Constantine Cavafy, Odysseus Elytis, Nikos Gkatsos) Greek poems, as well as an excerpt from the Old Testament book "Wisdom of Solomon". His LP Reflections with the New York Rock & Roll Ensemble contained several of his most beautiful songs, either in orchestral form or with English lyrics written by the band – a record that preceded fusion trends by several decades.[citation needed]

Later years[edit]

Hatzidakis returned to Greece in 1972 and recorded Magnus Eroticus with singer Fleury Dantonaki, an opera-trained alto and singer Dimitris Psarianos. Following the junta's overthrow, he became active in public life and assumed a number of positions in the Athens State Orchestra (KOA), the National Opera (ELS), and the National Radio (ERT). In 1985 he launched his own record company "Seirios" (Sirius). In 1988 he helped Foivos Delivorias get started in his singing career. In 1989 he founded and directed the Orchestra of Colours (Orchistra ton Chromaton), a small symphonic orchestra.[citation needed]

On 3 July, 1990 he gave together with Ástor Piazzolla, a legendary concert in Odeon of Herodes Atticus in Athens, Greece, with the Athens Orchestra of Colours, conducted by him.[5] The extent to which Hadjidakis may or may not have contributed to the arrangements for his strings, piano, and percussion orchestra, we don't know.[5] It was Piazzolla's last concert/live recording.[5]

Death[edit]

He died on June 15, 1994 in Athens, aged 68, from heart disease and type 2 diabetes. His estate and archives were bequeathed to his adopted son, George Theophanopoulos-Hatzidakis.[citation needed] In 1999 the City of Athens dedicated Technopolis in his memory.

Musical scores[edit]

References[edit]

  1. ^ Hatzidakis's biodata
  2. ^ Οδός Ονείρων/Dream Street (music/video)
  3. ^ Ο Κυρ Αντώνης/Mr Antonis (music/video)
  4. ^ Το Χαμόγελο της Τζιοκόντας/Gioconda's Smile (music/video)
  5. ^ a b c Greco, Pablito (2014). Tango FAQs & Facts. New York [u.a.]: SmilyTango Publications. p. 192. ISBN 9780988555976.