Marg Moll

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Lovis Corinth, Portrait of Margarethe Moll (1907), oil on canvas, 160 x 120 cm.

Marg Moll (Born Margarethe Haeffner, 2 August 1884, Mühlhausen — 15 March 1977, Munich) was a German sculptor, painter, and author. Moll worked with many German artists throughout her life and was known as a sculptress. She stated once that she would rather do sculptures because she tried to avoid competition between her and her husband, a painter.

Moll was highly inspired by Henri Matisse as a young artist and spent her life contributing to his form of art, although at times her art was destroyed and criticized by Nazis because it was modern art. Moll was known for being very high spirited when it came to Matisse, was known as the “Director’s Wife” during some time of her later life and known for making an “ultra-modern house” in Berlin designed by Hans Scharoun, German architect best known for his design on the Berlin Philharmonic concert hall in Berlin, Germany.[1]

Inspiration[edit]

Young Marg was highly influenced by Henri Matisse’s modern art, which included bright pieces that captured her attention. From 1907 to 1908 Marg studied at Studied at Academie Matisse, Paris and founded the Matisse School in Paris with her husband Oskar Moll in 1908 to educate and promote the modernist aesthetics in arts that including Matisse’s form of art.[2] In 1908, Marg and her husband met Henri Matisse. In the same year, Matisse painted his famous portrait of Greta Moll, Located in the National Gallery in London. When Marg began to work with Matisse she concentrated more heavily on sculpture, perfecting his technique and using all sorts of sculpting materials.[1]

Personal life[edit]

Marg attended the Stadelsches Institut in Frankfurt am Main from 1903 to 1905 and studied under painter Hans Volker in Wiesbaden. She also studied painting in Bavaria under Oskar Moll, who she later married. Additionally, Marg studied sculpture under Louise Schmidt in Frankfurt am Main. In 1905, Marg traveled to Rome and later studied at Lovis Corinth's famous school for women in Berlin from 1906 to 1907.[1]

Margarethe married Oskar Moll, a professor and director at the Breslau Academy, and became known as the Director’s Wife due to her husband's position. Margarethe and Oskar had two daughters: Melita, born in 1908, and Brigitte, born in 1918. Marg lived in several cities throughout her life, including Berlin, where she lived from 1908 to 1919, and Breslau, where she moved in 1919 and remained until 1932. In 1934 she returned to Berlin and lived there throughout World War II. Though her family hid from the Nazis during the war, the Molls built a house in Berlin in 1943 designed by the German architect Hans Scharoun. The Molls filled their home with paintings by Matisse, Fernand Léger, Georges Braque, and Picasso. Their home, along with many of Marg's works, was destroyed by the bombing of Berlin in 1943. Marg traveled to Europe and the United States after Oskar died in 1947.[1] She lived in both Dusseldorf and Munich after 1952.

Art[edit]

Marg painted and did sculptors her entire life but her focus, sculptors, transitioned between Matisse-like figurative arts to a much modern form of art like Constantin Brâncuși’s works. Her other forms of arts incorporated different styles of German art, including Expressionism and Bauhaus style. She experienced these forms of arts as the wife of Oskar Moll who was the director of Breslau Academy. Marg one time took an Eheferien, German for a vacation from marriage and went to Paris to finish some of her works in 1928, as stated in her autobiographical notes. Marg wanted to separate her works from her husband but at times they did exhibit their works together. The earliest exhibitions of art were with other artists like the Novembergruppe in Berlin and with Oskar Schlemmer, a Breslau artist at the Galerie Flechtheim in 1931.[1] Her works were bought by museums throughput Germany, unfortunately they were later removed and destroyed by the Nazis. One of her sculptors, “The Dancer” was found in the ruins while digging for a new train station in Germany, along with 10 other works, according to an article written by the New York Times in December 2010.[3] Her work was a victim of Hitler’s campaign against degenerate art”. Marg’s sculptor is featured at Berlin’s Neues Museum in Germany.[4]

Recognition and legacy[edit]

After her husband’s death in 1947, she exhibited her works several times and returned to Germany in 1951. She traveled to the United states where she was recognized as an artist who pushed the importance of modern art in Germany and throughout the world. She continued to work with GEDOK, the organization that helped female artist’s exhibit their work freely from 1930 to 1970. She was a recipient of Groupe 1940 metal in Paris. When she was 70, she gave lectures at Wayne State University in Detroit. By the 1950’s her works were exhibited along with her husband’s paintings. In 1950 she also met famous sculptor Henry Moore. In 1951, she became a member of the Women’s International Art Club in London and received a medal. She died in Munich, Germany in 1977.[1]

References[edit]

  1. ^ a b c d e f Wilson, H. W. (1997). "Moll, Marg". Biography Reference Bank: Dictionary of Woman Artists. Fitzroy Dearborn Publishers. 
  2. ^ Berg, Hubert Van Den (2012). "Académie Matisse and Its Relevance In The Life and Work of Sigrid Hjertén". A Cultural History of the Avant-garde in the Nordic Countries 1900-1925. Rodopi. pp. 149–151. ISBN 9789401208918. Retrieved 1 December 2013. 
  3. ^ Kimmelman, Michael (1 December 2010). "Berlin Find: Art's Survivors Of Hitler's War". New York Times. Retrieved 1 December 2013. 
  4. ^ Barndt, Kerstin (8 Dec 2011). "Working through Ruins: Berlin's Neues Museum". The Germanic Review: Literature, Culture, Theory 86 (4): 294–307. doi:10.1080/00168890.2011.618439. Retrieved 1 December 2013. 

Further reading[edit]

  • Exhibition catalog: Die große Inspiration. Deutsche Künstler in der Académie Matisse, Part III, Kunst-Museum Ahlen 2004
  • Gora Jain: Marg Moll - 'Konturen' des bildhauerischen Werks, in: Exhibition catalog Die große Inspiration, Part I, Kunst-Museum Ahlen 1997, pp. 107–122

External links[edit]