||This biographical article needs additional citations for verification. (November 2013)|
Atwood at Eden Mills Writers' Festival 2006, Blackwattle Bay
|Born||Margaret Eleanor Atwood
November 18, 1939
Ottawa, Ontario, Canada
|Alma mater||Victoria College|
|Period||1953 to present|
|Genres||historical fiction, speculative fiction, science fiction, dystopian fiction|
|Notable work(s)||The Handmaid's Tale, Cat's Eye, Alias Grace, The Blind Assassin, Oryx and Crake, Surfacing|
Margaret Eleanor Atwood, CC OOnt FRSC (born November 18, 1939) is a Canadian poet, novelist, literary critic, essayist, and environmental activist. She is a winner of the Arthur C. Clarke Award and Prince of Asturias Award for Literature, has been shortlisted for the Booker Prize five times, winning once, and has been a finalist for the Governor General's Award several times, winning twice. She is also a co-founder of the Writers' Trust of Canada, a non-profit literary organization that seeks to encourage Canada's writing community.
While she is best known for her work as a novelist, she has also published fifteen books of poetry. Many of her poems have been inspired by myths and fairy tales, which have been interests of hers from an early age. Atwood has published short stories in Tamarack Review, Alphabet, Harper's, CBC Anthology, Ms., Saturday Night, and many other magazines. She has also published four collections of stories and three collections of unclassifiable short prose works.
- 1 Early life
- 2 Education
- 3 Personal life
- 4 Critical reception
- 5 Atwood and science fiction
- 6 Atwood and feminism
- 7 Contribution to the theorizing of Canadian identity
- 8 Atwood and animals
- 9 Chamber opera
- 10 Political involvement
- 11 Works
- 12 Awards and honours
- 13 Further reading
- 14 References
- 15 External links
Born in Ottawa, Ontario, Canada, Atwood is the second of three children of Margaret Dorothy (née Killam), a former dietitian and nutritionist from Woodville, Nova Scotia and Carl Edmund Atwood, an entomologist. Due to her father’s ongoing research in forest entomology, Atwood spent much of her childhood in the backwoods of Northern Quebec and traveling back and forth between Ottawa, Sault Ste. Marie, and Toronto. She did not attend school full-time until she was in grade 8. She became a voracious reader of literature, Dell pocketbook mysteries, Grimm's Fairy Tales, Canadian animal stories, and comic books. She attended Leaside High School in Leaside, Toronto, and graduated in 1957. Atwood began writing at the age of six.
She realized she wanted to write professionally when she was 16. In 1957, she began studying at Victoria College in the University of Toronto, where she published poems and articles in Acta Victoriana, the college literary journal. Her professors included Jay Macpherson and Northrop Frye. She graduated in 1961 with a Bachelor of Arts in English (honours) and a minor in philosophy and French.
In late 1961, after winning the E.J. Pratt Medal for her privately printed book of poems, Double Persephone, she began graduate studies at Harvard's Radcliffe College with a Woodrow Wilson fellowship. She obtained a master's degree (MA) from Radcliffe in 1962 and pursued further graduate studies at Harvard University for two years but did not finish her dissertation, “The English Metaphysical Romance." She has taught at the University of British Columbia (1965), Sir George Williams University in Montreal (1967–68), the University of Alberta (1969–70), York University in Toronto (1971–72), the University of Alabama in Tuscaloosa (1985), where she was visiting M.F.A. Chair, and New York University, where she was Berg Professor of English.
In June 2011, Atwood was conferred with an honorary degree of Doctor of Literature (honoris causa) from the National University of Ireland, Galway. On November 16, 2012, Atwood received an honorary degree from the Royal Military College of Canada. She also holds honorary degrees from several other Canadian universities, as well as Oxford University, Cambridge University, and the Sorbonne.
In 1968, Atwood married Jim Polk; they were divorced in 1973. She formed a relationship with fellow novelist Graeme Gibson soon after and moved to a farm near Alliston, Ontario, north of Toronto, where their daughter Eleanor Jess Atwood Gibson was born in 1976. The family returned to Toronto in 1980.
The Economist called her a "scintillating wordsmith" and an "expert literary critic", but commented that her logic does not match her prose in Payback: Debt and the Shadow Side of Wealth, a book which commences with the conception of debt and its kinship with justice. Atwood claims that this concept is ingrained in the human psyche, that it is apparent in early historical peoples, who associated their understanding of debt with that of justice, ideas that are typically exemplified by a female deity. Atwood holds that, with the rise of Ancient Greece, and especially the installation of the court system detailed in Aeschylus' Oresteia, this deity has been replaced by a more thorough conception of debt.
In 1984, she was the subject of a documentary film by Michael Rubbo, Margaret Atwood: Once in August. In 2003, Shaftesbury Films produced an anthology series, The Atwood Stories, which dramatized six of Atwood's short stories.
Atwood and science fiction
The Handmaid's Tale received the first Arthur C. Clarke Award in 1987. The award is given for the best science fiction novel that was first published in the United Kingdom during the previous year. It was also nominated for the 1986 Nebula Award, and the 1987 Prometheus Award, both science fiction awards.
Atwood has resisted the suggestion that The Handmaid's Tale and Oryx and Crake are science fiction, suggesting to The Guardian that they are speculative fiction instead: "Science fiction has monsters and spaceships; speculative fiction could really happen." She told the Book of the Month Club: "Oryx and Crake is a speculative fiction, not a science fiction proper. It contains no intergalactic space travel, no teleportation, no Martians." On BBC Breakfast she explained that science fiction, as opposed to what she herself wrote, was "talking squids in outer space." The latter phrase particularly rankled advocates of science fiction and frequently recurs when her writing is discussed.
Atwood has since said that she does at times write social science fiction and that Handmaid's Tale and Oryx and Crake can be designated as such. She clarified her meaning on the difference between speculative and science fiction, admitting that others use the terms interchangeably: "For me, the science fiction label belongs on books with things in them that we can't yet do.... speculative fiction means a work that employs the means already to hand and that takes place on Planet Earth." She said that science fiction narratives give a writer the ability to explore themes in ways that realistic fiction cannot.
Atwood and feminism
Atwood, who was surrounded by the intellectual dialogue of the female faculty members at Victoria College at University of Toronto, often portrays female characters dominated by patriarchy in her novels. Still, Atwood denies that The Edible Woman, for example, published in 1969 and coinciding with the early second wave of the feminist movement, is feminist and claims that she wrote it four years before the movement. Atwood believes that the feminist label can only be applied to writers who consciously work within the framework of the feminist movement.
Contribution to the theorizing of Canadian identity
Atwood’s contributions to the theorizing of Canadian identity have garnered attention both in Canada and internationally. Her principal work of literary criticism, Survival: A Thematic Guide to Canadian Literature, is considered outdated in Canada but remains the standard introduction to Canadian literature in Canadian Studies programs internationally. In Survival, Atwood postulates that Canadian literature, and by extension Canadian identity, is characterized by the symbol of survival. This symbol is expressed in the omnipresent use of “victim positions” in Canadian literature. These positions represent a scale of self-consciousness and self-actualization for the victim in the “victor/victim” relationship. The "victor" in these scenarios may be other humans, nature, the wilderness or other external and internal factors which oppress the victim. Atwood’s Survival bears the influence of Northrop Frye’s theory of garrison mentality; Atwood instrumentalizes Frye’s concept to a critical tool. More recently, Atwood has continued her exploration of the implications of Canadian literary themes for Canadian identity in lectures such as Strange Things: The Malevolent North in Canadian Literature (1995).
Atwood’s contribution to the theorizing of Canada is not limited to her non-fiction works. Several of her works, including The Journals of Susanna Moodie, Alias Grace, The Blind Assassin and Surfacing, are examples of what postmodern literary theorist Linda Hutcheon calls “Historiographic Metafiction”. In such works, Atwood explicitly explores the relation of history and narrative and the processes of creating history.
Ultimately, according to her theories in works such as Survival and her exploration of similar themes in her fiction, Atwood considers Canadian literature as the expression of Canadian identity. According to this literature, Canadian identity has been defined by a fear of nature, by settler history and by unquestioned adherence to the community.
Atwood and animals
Margaret Atwood has repeatedly made observations about our relationships to animals in her works. In Surfacing, one character remarks about eating animals: "The animals die that we may live, they are substitute people...And we eat them, out of cans or otherwise; we are eaters of death, dead Christ-flesh resurrecting inside us, granting us life." Some characters in her books link sexual oppression to meat-eating and consequently give up meat-eating. In The Edible Woman, Atwood's character Marian identifies with hunted animals and cries after hearing her fiancé's experience of hunting and eviscerating a rabbit. Marian stops eating meat but then later returns to it.
In Cat's Eye, the narrator recognizes the similarity between a turkey and a baby. She looks at "the turkey, which resembles a trussed, headless baby. It has thrown off its disguise as a meal and has revealed itself to me for what it is, a large dead bird." In Atwood's Surfacing, a dead heron represents purposeless killing and prompts thoughts about other senseless deaths.
In March 2008 Atwood announced that she had accepted her first chamber opera commission. Pauline will be on the subject of Pauline Johnson, a writer and Canadian artist long a subject of fascination to Atwood. It will star Rose-Ellen Nichols, with music by Tobin Stokes, and be produced by City Opera of Vancouver. Pauline will be set in Vancouver, British Columbia, in March 1913, in the last week of Johnson's life. "Pauline" has been announced for premiere on 23 May 2014, at the York Theatre in Vancouver.
Although Atwood's politics are commonly described as being left-wing, she has indicated in interviews that she considers herself a Red Tory in the historical sense of the term. Atwood and her partner Graeme Gibson are members of the Green Party of Canada (GPC) and strong supporters of GPC leader Elizabeth May. Atwood has strong views on environmental issues, and she and her partner are the joint honorary presidents of the Rare Bird Club within BirdLife International. She has been chair of the Writers' Union of Canada and president of PEN Canada, and is currently a vice president of PEN International. In the 2008 federal election she attended a rally for the Bloc Québécois, a Quebec separatist party, because of her support for their position on the arts, and stated that she would vote for the party if she lived in Quebec. In a Globe and Mail editorial, she urged Canadians to vote for any other party to stop a Conservative majority.
During the debate in 1987 over a free trade agreement between Canada and the United States, Atwood spoke out against the deal, and wrote an essay opposing the agreement.
Atwood celebrated her 70th birthday at a gala dinner at Laurentian University in Sudbury, Ontario, marking the final stop of her international tour to promote The Year of the Flood. She stated that she had chosen to attend the event because the city has been home to one of Canada's most ambitious environmental reclamation programs: "When people ask if there's hope (for the environment), I say, if Sudbury can do it, so can you. Having been a symbol of desolation, it's become a symbol of hope."
Atwood's reputed left wing attitudes may have been changing in recent times. Despite calls for a boycott by Gazan students, Atwood visited Israel and accepted the $1,000,000 Dan David Prize along with Indian author Amitav Ghosh at Tel Aviv University in May 2010. Atwood commented that "we don't do cultural boycotts." She is a supporter of convicted felon Conrad Black in his attempts to remain a member of the Order of Canada.
In the Wake of the Flood, a documentary film by Canadian director Ron Mann released in October 2010, followed Atwood on the unusual book tour for her novel The Year of the Flood. During this innovative book tour, Atwood created a theatrical version of her novel, with performers borrowed from the local areas she was visiting. The documentary is described as "a fly-on-the-wall film vérité."
Since February 2013, Atwood made it clear via Twitter that she strongly opposed the University of Toronto putting in an artificial turf field and hinted that she might write the university out of her will if it proceeded with the plan. This was not the first time she had openly challenged the university.
Short fiction collections
Awards and honours
Atwood has won more than 55 awards in Canada and internationally, including:
- Bauch, Marc A. (2012), Canadian self-perception and self-representation in English-Canadian drama after 1967, Köln, Germany: Wiku Verlag, ISBN 9783865534071
- Carrington de Papp, I. Margaret Atwood and Her Works. Toronto: EWC, 1985.
- Clements, Pam. "Margaret Atwood and Chaucer: Truth and Lies," in: Cahier Calin: Makers of the Middle Ages. Essays in Honor of William Calin, ed. Richard Utz and Elizabeth Emery (Kalamazoo, MI: Studies in Medievalism, 2011), pp. 39–41.
- Cooke, N. Margaret Atwood: A Biography. Toronto: ECW, 1998.
- Hengen, Shannon and Ashley Thomson. Margaret Atwood: A Reference Guide, 1988–2005. Lanham, MD: Scarecrow Press, 2007.
- Howells, Coral Ann. Margaret Atwood. New York: St. Martin’s, 1996.
- Howells, Coral Ann. The Cambridge Companion to Margaret Atwood. Cambridge: Cambridge University Press, 2006. ISBN 0-521-54851-9
- Nischik, Reingard M. Margaret Atwood: Works & Impact. Rochester, NY: Camden House, 2000. ISBN 1-57113-269-4
- Nischik, Reingard M. Engendering Genre: The Works of Margaret Atwood. Ottawa: University of Ottawa Press, 2009. ISBN 0-7766-0724-3
- Rigney, B. Margaret Atwood. Totowa, NJ: Barnes & Noble, 1987.
- Rosenburg H. J. Margaret Atwood. Boston: Twayne, 1984.
- Grace, Sherrill E and Lorraine Weir, eds. Margaret Atwood: Language, Text and System. Vancouver: UBC Press, 1983.
- Weir, Lorraine. "Meridians of Perception: A Reading of The Journals of Susanna Moodie" in The Achievement of Margaret Atwood ed. Arnold E. Davidson and Cathy N. Davidson. Toronto: Anansi, 1981.
- Sullivan, Rosemary. The Red Shoes: Margaret Atwood Starting Out. Toronto: HarperFlamingoCanada, 1998. ISBN 0-00-255423-2
- Cooke, Nathalie. Margaret Atwood: A Critical Companion. Connecticut: Greenwood Press, 2004. Print.
- Tolan, Fiona. Margaret Atwood: Feminism and Fiction. Netherlands: Rodopi B.V., 2007. Print.
- VanSpanckeren, Kathryn, and Jan Garden Castro. Margaret Atwood: Vision and Forms. USA: Southern Illinois University Press, 1988. Print.
- E. Grace, Sherrill, and Lorraine Weir. Margaret Atwood: Language, Text and System. Vancouver: UBC Press, 1983. Print.
- "Front Row". 24 July 2007. BBC Radio 4. http://www.bbc.co.uk/programmes/b00dbcdn. Retrieved January 18, 2014.
- "About Us: The Writers' Trust of Canada". Retrieved 18 February 2014.
- "Margaret Atwood". Academy of American Poets. Retrieved August 9, 2009.
- Holcombe, Garan (2005). "Margaret Atwood". Contemporary Writers. London: British Arts Council. Retrieved October 22, 2008.
- Oates, Joyce Carol. 'Margaret Atwood: Poet', The New York Times, May 21, 1978
- Margaret Atwood: Queen of CanLit. CBC Archives. Retrieved April 6, 2011.
- Hazel Foote, The Homes of Woodville, M.A. Jorgenson, Woodville, NS (1997), p. 109
- "Luminarium Margaret Atwood Page". Luminarium.org. Retrieved October 26, 2009.
- Thomas, Paul Lee (2007). Reading, Learning, Teaching Margaret Atwood. Peter Lang Publishing. p. 7. Retrieved 2013-08-08.
- Potts, Robert (2003-04-26). "Light in the wilderness". The Guardian. Retrieved 2013-05-30.
- "Humanists of the Year list". American Humanist Association. Retrieved October 16, 2013.
- "Premium content". The Economist. October 16, 2008. Retrieved October 26, 2009.
- Michael Rubbo (1984). Margaret Atwood: Once in August (Docuimentary film). National Film Board of Canada.
- Yorke, Lorraine (2006). "Biography/autobiography". In Coral Ann Howells. The Cambridge Companion to Margaret Atwood. Cambridge University Press. p. 40. ISBN 978-0521839662.
- Langford, David, "Bits and Pieces" SFX magazine No. 107, August 2003 
- Atwood, Margaret. "Aliens have taken the place of angels: Margaret Atwood on why we need science fiction", The Guardian, June 17, 2005.
- Cooke, Nathalie. Margaret Atwood: A Critical Companion. Connecticut: Greenwood Press, 2004. Print.
- Tolan, Fiona. Margaret Atwood: Feminism and Fiction. Netherlands: Rodopi B.V., 2007. Print.
- Moss, Laura; John Moss and Tobi Kozakewich, Eds. (2006). "Margaret Atwood: Branding an Icon Abroad" in Margaret Atwood: The Open Eye. Ottawa: University of Ottawa Press. p. 28.
- Atwood, Margaret (1972). Survival: A Thematic Guide to Canadian Literature. Toronto: Anansi. p. 32.
- Atwood, M. (1972), 36–42.
- Pache, Walter; Reingard M. Nischik, Ed. (2002). "A Certain Frivolity: Margaret Atwood's Literary Criticism" in Margaret Atwood: Works and Impact. Toronto: Anansi. p. 122.
- Howells, Coral Ann; John Moss and Tobi Kozakewich, Eds. (2006). "Writing History from The Journals of Susanna Moodie to The Blind Assassin" in Margaret Atwood: The Open Eye. Ottawa: University of Ottawa Press. p. 111.
- Carol J. Adams. 2006. The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory. The Continuum International Publishing Group. p141-142, 152, 195, 197.
- Knelman, Martin (2008-03-12). "After earlier perils, Atwood's opera Pauline to open". The Toronto Star. Retrieved 2013-05-30.
- Smith, Janet (2013-02-27). "Norman Armour slated to direct Margaret Atwood opera Pauline in 2014". The Georgia Straight. Retrieved 2013-05-30.
- Mother Jones:Margaret Atwood: The activist author of Alias Grace and The Handmaid's Tale discusses the politics of art and the art of the con. July/August 1997
- "Canada Votes — Atwood backs Bloc on arts defence". Canadian Broadcasting Corporation. October 4, 2008. Retrieved October 26, 2009.[dead link]
- Margaret, Atwood. Anything but a Harper majority. The Globe and Mail. October. 6, 2008.
- "Sudbury a symbol of hope: Margaret Atwood". Northern Life, November 23, 2009.
- "Gaza students to Margaret Atwood: reject Tel Aviv U. prize". ei.
- Ackerman, Gwen (May 9, 2010). "Atwood Accepts Israeli Prize, Defends 'Artists Without Armies': Interview". Bloomberg. Retrieved September 19, 2010.
- Toronto Star, July 25 2012 "Conrad Black says stripping his Order of Canada would add ‘insult upon injury’
- In the Wake of the Flood. Website for "The Year of the Flood." Retrieved March 30, 2011.
- Kalinowski, Tess (2013-03-24). "Margaret Atwood tweets opposition to U of T’s plan for artificial turf". The Toronto Star. Retrieved 2013-08-08.
- Margaret, Atwood. "Snake Poems by Margaret Atwood". Biblio.com. Retrieved August 27, 2011.
- Wandering Wenda and Widow Wallop’s Wunderground Washery. Quill & Quire, December 2011. Retrieved 1 January 2012.
- "One Ring Zero with Margaret Atwood in Toronto". YouTube. August 26, 2006. Retrieved August 27, 2011.
- Office of the Governor General of Canada. Order of Canada citation. Queen's Printer for Canada. Retrieved May 24, 2010
- "How Atwood became a writer". Harvard University Gazette. November 8, 2001. Retrieved September 19, 2010.
- "Book of Members, 1780–2010: Chapter A". American Academy of Arts and Sciences. Retrieved April 27, 2011.
- "Diamond Jubilee Gala toasts exceptional Canadians". Canadian Broadcasting Corporation. 18 June 2012. Retrieved 19 June 2012.
- Staff writer (April 19, 2013). "Announcing the 2012 Los Angeles Times Book Prize winners". LA Times. Retrieved April 21, 2013.
- Walsh, Caroline. "Margaret Atwood to be honoured by NUI Galway". The Irish Times. Retrieved on June 18, 2011.
|Wikiquote has a collection of quotations related to: Margaret Atwood|
- Official website
- Margaret Atwood at British Council: Literature
- Margaret Atwood at the Internet Movie Database
- An interview with Margaret Atwood, Narrative Magazine, (Fall 2010).
- The Power of the Pen by: Margaret Atwood at the 2005 PEN World Voices Festival of International Literature.
- The 48th Congress of International PEN, a conversation with Margaret Atwood, Grace Paley, and Norman Mailer, 1986
- Reading of her poem From an Italian Postcard Factory
- Margaret Atwood: Bio, excerpts, interviews and articles in the archives of the Prague Writers' Festival
- Mary Morris (Winter 1990). "Margaret Atwood, The Art of Fiction No. 121". The Paris Review.
- Margaret Atwood at the Internet Speculative Fiction Database
- The Margaret Atwood Society home page
- Profile from The Guardian
- CBC Digital Archives – Margaret Atwood: Queen of CanLit
- Margaret Atwood Papers at Thomas Fisher Rare Book Library, University of Toronto
- Audio: Margaret Atwood in conversationon the BBC World Service discussion show The Forum
- Margaret Atwood at University of Toronto Libraries