November 1, 1915|
St. Rose, Louisiana, U.S.
|Died||November 21, 2010
Chicago, Illinois, U.S.
|Alma mater||The Art Institute of Chicago|
|Organization||The DuSable Museum of African American History|
Charles Gordon Burroughs
Gayle Goss Toller
Octavia Pierre Taylor
Margaret Taylor-Burroughs (November 1, 1915 – November 21, 2010), also known as Margaret Taylor Goss, Margaret Taylor Goss Burroughs or Margaret T G Burroughs; was an African-American artist and writer and a co-founder of the DuSable Museum of African American History. She also helped to establish the South Side Community Art Center, whose opening on May 1, 1941  was dedicated by the First Lady of the United States Eleanor Roosevelt. There at the age of 23 Burroughs served as the youngest member of its board of directors. She was a prolific writer, with her efforts directed toward the exploration of the Black experience and to children, especially to their appreciation of their cultural identity and to their introduction and growing awareness of art.
She is also credited with the founding of Chicago's Lake Meadows Art Fair in the early 1950s. At its inception there were very limited venues and galleries for African American Artists to exhibit and sell their artwork, so she launched the Fair, which rapidly grew in popularity and became one of the most anticipated exhibitions for artists, collectors and others throughout the greater Chicago area. After a brief hiatus beginning in the early 1980s, it was resurrected by Helen Y. West in 2005 - and another of Margaret Burroughs' legacies lives on.
Early life and education
Burroughs was born Victoria Margaret Taylor in St. Rose, Louisiana where her father worked as a farmer and laborer at a railroad warehouse and her mother as a domestic. The family moved to Chicago in 1920 when she was five years old. There she attended Englewood High School along with Gwendolyn Brooks, who in 1985-1986 served as consultant in poetry to the Library of Congress (now United States Poet Laureate). As classmates, the two joined the NAACP Youth Council. She earned teacher's certificates from Chicago Teachers College in 1937. She helped found the South Side Community Arts Center in 1939 to serve as a social center, gallery, and studio to showcase African American artists. In 1946, Taylor-Burroughs earned a Bachelor of Arts degree in art education from the School of the Art Institute of Chicago where she also earned her Master of Arts degree in art education, in 1948. Taylor-Burroughs married the artist Bernard Goss (1913–1966), in 1939, and they divorced in 1947. In 1949, she married Charles Gordon Burroughs and they remained married for 45 years, until his death, in 1994.
Taylor-Burroughs taught at DuSable High School from 1946 to 1969, and from 1969 to 1979 was a professor of humanities at Kennedy-King College, a community college in Chicago. She also taught African American Art and Culture at Elmhurst College in 1968. She was named Chicago Park District Commissioner by Harold Washington in 1985, a position she held until 2010.
She died on November 21, 2010.
The DuSable Museum
Margaret and her husband Charles co-founded what is now called the DuSable Museum of African American History in Chicago in 1961. The institution was originally known as the Ebony Museum of Negro History and Art and made its debut in the living room of their house at 3806 S. Michigan Avenue in the Bronzeville neighborhood on Chicago's south side, and Taylor-Burroughs served as its executive director for the first ten years of its existence. She was proud of the institution's grass-roots beginnings: "we’re the only one that grew out of the indigenous Black community. We weren’t started by anybody downtown; we were started by ordinary folks." Burroughs served as Executive Director until 1984 and was then named Director Emeritus, remaining active in the museum's operations and fundraising efforts.
The museum moved to its current location at 740 E. 56th Place in Washington Park in 1973, and today is the oldest museum of black culture in the United States. Both the current museum building, and the Burroughs' S. Michigan Avenue home are now listed on the National Register of Historic Places.
Spanning the racial divide through art
Margaret Burroughs has created many of her own works of art as well. In one of Burroughs' linocuts, Birthday Party, both black and white children are seen celebrating. The black and white children are not isolated from each other; instead they are intermixed and mingling around the table together waiting for birthday cake. An article published by The Art Institute of Chicago described Burroughs' Birthday Party and said, "Through her career, as both a visual artist and a writer, she has often chosen themes concerning family, community, and history. 'Art is communication,' she has said. 'I wish my art to speak not only for my people - but for all humanity.' This aim is achieved in Birthday Party, in which both black and white children dance, while mothers cut cake in a quintessential image of neighbors and family enjoying a special day together".
Burroughs was impacted by Harriet Tubman, Gerard L. Lew, Sojourner Truth, Frederick Douglass, and W.E.B. Du Bois. In Eugene Feldman’s The Birth and Building of the DuSable Museum Feldman writes about the influence Du Bois had on Burroughs’ life. He believes that Burroughs greatly admired Du Bois and writes that she campaigned to bring him to Chicago to lecture to audiences. Feldman wrote, “If we read about ‘cannabalistic and primitive Africa,’…It is a deliberate effort to put down a whole people and Dr. Du Bois fought this… Dr. Burroughs saw Dr. Du Bois and what he stood for and how he suffered himself to attain exposure of his views. She identified entirely with this important effort." Therefore, Burroughs clearly believed in Dr. Du Bois and the power of his message.
In many of Burroughs' pieces, she depicts people with half black and half white faces. In The Faces of My People Burroughs carved five people staring at the viewer. One of the women is all black, three of the people are half black and half white and one is mostly white. While Burroughs is attempting to blend together the black and white communities, she also shows the barriers that stop the communities from uniting. None of the people in The Faces of My People are looking at each other, and this implies a sense of disconnect among them. On another level, The Faces of My People deals with diversity. An article from the Collector magazine website describes Burroughs' attempts to unify in the picture. The article says, "Burroughs sees her art as a catalyst for bringing people together. This tableau of diverse individuals illustrates her commitment to mutual respect and understanding".
Burroughs once again depicts faces that are half black and half white in My People. Even though the title is similar to the previously referenced piece, the woodcut has some differences. In this scene, there are four different faces – each of which is half white and half black. The head on the far left is tilted to the side and close to the head next to it. It seems as both heads are coming out of the same body – taking the idea of split personalities to the extreme. The women are all very close together, suggesting that they relate to each other. In The Faces of My People there were others pictured with different skin tones, but in My People all of the people have the same half black and half white split. Therefore, My People focuses on a common conflict that all the women in the picture face.
Public art and recognition
In 1975, Taylor-Burroughs received the President's Humanitarian Award.
In 1988 she was awarded the Lifetime Achievement Award by the Women's Caucus for Art
- Jasper, the drummin' boy (1947)
- Whip me whop me pudding, and other stories of Riley Rabbit and his fabulous friends (1966)
- What shall I tell my children who are Black? (1968)
- Did you feed my cow? Street games, chants, and rhymes (1969)
- For Malcolm; poems on the life and the death of Malcolm X Dudley Randall and Margaret G. Burroughs, editors (1969)
- Africa, my Africa (1970)
- What shall I tell my children?: An addenda (1975)
- Interlude: seven musical poems by Frank Marshall Davis, Margaret T. Burroughs, editor. (1985)
- Minds flowing free: original poetry by "The Ladies" women's division of Cook County Department of Corrections, Margaret Taylor-Burroughs, editor (1986)
- The Family Linocut (1986)
- A very special tribute in honor of a very special person, Eugene Pieter Romayn Feldman, b. 1915-d. 1987 - poems, essays, letters by and to Eugene Pieter Romayn Feldman Margaret T. Burroughs, editor (1988)
- His name was Du Sable and he was the first (1990)
- Africa name book (1994)
- A shared heritage: art by four African Americans by William E. Taylor and Harriet G. Warkel with essays by Margaret T. G. Burroughs and others (1996)
- The Beginner's Guide to Collecting Fine Art, African American Style Ana M. Allen and Margaret Taylor Burroughs (1998)
- The tallest tree in the forest (1998)
- Humanist and glad to be (2003)
- My first husband & his four wives (me, being the first) (2003)
- "Library of Congress Authority Record for Burroughs, Margaret Taylor, 1915-2010".
- Grimes, William. "Margaret T. Burroughs, Archivist of Black History, Dies at 95". New York Times. Retrieved July 20, 2012.
- Mullen, Bill V. (1999). Popular Fronts: Chicago and African-American Cultural Politics, 1935-46. Champaign: The University of Illinois Press. p. 1. ISBN 0-252-02440-0.
- ""Big Shoulders": The South Side Community Art Center, A Cultural Institution". Chicago Now. Retrieved November 22, 2010.
- Gumbo Ya Ya: Anthology of Contemporary African-American Women Artists. MidMarch: New York, 1995
- "DuSable Museum founder was 'a model for dreaming big'". The Chicago Breaking News Center. Retrieved November 22, 2010.
- "Pioneering Dusable Museum Founder Dead At 93". National Public Radio. November 22, 2010. Retrieved September 13, 2012.
Margaret Burroughs, an artist, poet and founder of one of the oldest African-American History museums in the US, has died. Burroughs co-founded the Dusable Museum of African American History in Chicago along with her late husband Charles Burroughs in 1961. She was 95.
- Simpson, Moira G. (1966). Making Representations - Museums in the Post-Colonial Era. London: Routledge. p. 97.
- "DuSable Museum Announces the Passing of Founder Dr. Margaret T. Burroughs". The DuSable Museum. Retrieved November 25, 2010.
- "Margaret Burroughs papers", 07/06/2012. Finding aid at the DuSable Museum of African American History, Chicago, IL.
- "Margaret Burroughs Collection".
- Barnwell, Andrea. "A Portfolio of Works by African Artists Continuing the Dialogue: A Work in Progress".
- Feldman, Eugene (1981). The Birth and the Building of the DuSable Museum. DuSable Museum Press. pp. 25–29.
- "Margaret Burroughs Collection".
- "The Kinsey Collection: Shared Treasures of Bernard and Shirley Kinsey".
- "White Linen Nights". Thelma Harris Arts Gallery.
- "Koehnline Museum of Art: Permanent Collection - Margaret Burroughs Collection". Oakton Community College. Retrieved November 23, 2010.
- Chapman, Emily (October 14, 2010). "Dr. Margaret Burroughs (MAAE 1948) To Receive Legacy Award". The Art Institute of Chicago. Retrieved September 14, 2012.
- Farris, Phoebe (1999). Women Artists of Color: A Bio-Critical Sourcebook to 20th Century Artists in the Americas. Greenwood Publishing Group. pp. 247–. ISBN 9780313303746. Retrieved November 29, 2012.
- Beaulieu, Elizabeth Ann (April 2006). Writing African American Women. Greenwood Publishing Group. pp. 135–. ISBN 9780313024627. Retrieved November 29, 2012.