Margot Loyola

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Margot Loyola

Margot Loyola Palacios (born September 15, 1918 in Linares, Chile) is a musician, folk singer and researcher of the folklore of Chile and Latin America in general.

Loyola has been active as a musician and musical ethnographer/anthropologist for many decades.[citation needed] She has published a large body of work dealing with musical styles, folk music and customs of all Chilean regions as well as other South American countries.[citation needed] She has also taught music.[citation needed]

Early career[edit]

Loyola studied piano with Rosita Renard and Elisa Gayán at the National Conservatory of Music of Chile, and studied song with Blanca Hauser.[citation needed] In 1952 she immersed herself in researching the typical Peruvian dances and musical forms, the marinera and the resbalosa. This allowed her to study the origins of these dances and to characterize the simililarities between the Peruvian and Chilean ones (resfalosa and cueca).[citation needed] Subsequently, she worked with Porfirio Vásquez, the patriarch of black music in Peru, and then went on to study the indigenous culture of Peru with José Maria Arguedas.[citation needed]

Later, Loyola studied Argentine and Uruguayan traditional and folk music, with Carlos Vega and Lauro Ayestarán, respectively.[citation needed] In 1952, she began her celebrated research on the ceremonial dances of the Chilean north, with Rogelia Perez and other musicians and groups.[citation needed] Loyola has researched the folklore and traditional musical styles of all the regions of Chile as well as Easter Island (a Chilean province, located in the south Pacific Ocean). She has compiled and published a great deal of valuable material obtained from her scholarly research and is regarded as an artist and researcher of great authority.[citation needed] Among the art expressions she has researched, some were virtually rescued from oblivion and extinction by her work.[citation needed]

Legacy and recognition[edit]

Loyola created Chile's first traditional music and dance group, The Conjunto de Alumnos de Margot Loyola (Student Group of Margot Loyola),[1] through which she effectively became an unofficial ambassadress of the Chilean culture.

In 1972, Loyola became a Professor of the University of Chile,[citation needed] and in 1998 she was made a Professor emeritus of the Catholic University of Valparaíso.[citation needed] She was awarded the coveted (Chilean) National Prize of Art (mention in Music) in 1994 and the "Premio a lo Chileno" in 2001.[citation needed]

Works[edit]

Loyola's activities have resulted in several books, videos, LPs, cassettes and CDs.

Bibliography[edit]

  • "Bailes de tierra" (Earth dances), (1980)
  • "El Cachimbo", (1994)

Videography[edit]

  • "Danzas tradicionales de Chile" (Traditional dances of Chile), (1994)
  • "La Zamacueca" (1999)
  • "Los del Estribo: Cantos y Danzas Populares de Chile", (2001)

Discography[edit]

  • 14 LPs, 6 cassettes and 7 CDs, in addition to other editions in various other countries

Notes[edit]

  1. ^ Schechter, John Mendell (1999). Music in Latin American culture: regional traditions. Schirmer Books. ISBN 978-0-02-864750-0.