The mariner's astrolabe, also called sea astrolabe, was an inclinometer used to determine the latitude of a ship at sea by measuring the sun's noon altitude (declination) or the meridian altitude of a star of known declination. Not an astrolabe proper, the mariner's astrolabe was rather a graduated circle with an alidade used to measure vertical angles. They were designed to allow for their use on boats in rough water and/or in heavy winds, which astrolabes are ill equipped to handle. In the sixteenth century, the instrument was also called a ring.
Many dates can be found for the appearance of the first mariner's astrolabes. The earliest date, 1295, is offered by the Majorcan astronomer Ramon Llull. Later dates centre around the late 15th century, with Samuel Purchas claiming that it was adapted for marine navigation by Martin Behaim, a mariner not considered a trustworthy source by some historians. In any event, the instrument was certainly known by the end of the 15th century. Nevertheless, the creation and perfectioning of the mariner's astrolabe is attributed to Portuguese navigators during the beginning of Portuguese discoveries. The earliest known description of how to make and use a sea astrolabe comes from Martín Cortés de Albacar’s Arte de Navegar published in 1551, although the basic principle is the same as that of the archipendulum used in constructing the Egyptian pyramids.
There is strong evidence that the mariner's astrolabe was derived directly from the planispheric astrolabe, as the earliest examples retain some of the markings (e.g. umbra recta and umbra versa) of the prior device without having the same components.
The mariner's astrolabe would have replaced or complemented instruments such as the cross staff or quadrant as a navigator's instrument. The mariner's astrolabe was used until the middle or, at the latest, the end of the 17th century. It was replaced by more accurate and easier-to-use instruments such as the Davis quadrant.
Mariner's astrolabes are very rare today. In 1979, only 35 were known to exist, while 65 were known by 1988. The biggest collection remains in museums in Portugal. Fortunately, as more marine archaeology is done, more mariner's astrolabes will likely be found. Their heavy brass construction permits their longevity in marine environments.
Mariner's astrolabes were made of brass. Since weight was advantageous when using the instrument on the heaving deck of a ship or in high winds, other materials, such as wood or ivory, were not desirable though some wood sea astrolabes were made. Early sea astrolabes were made from sheets of brass. Due to their light weight, they tended to perform poorly at sea. Heavier cast brass frames began to be made in the mid-sixteenth century and were considerably better. As the accuracy of the instrument is related to the radius of the divided circle, these were made as large as practical.
Since the large plate form of the planispheric astrolabe makes it sensitive to the wind, the mariner's astrolabe is made with a frame form. The openings in the frame allow wind to pass through, inducing less motion in the instrument.
The essential function of the device was to measure angles. Thus the instrument featured a ring graduated in degrees. Early instruments were only graduated for 90°; later instruments were graduated for the full 360° circle around the limb. The sole purpose of the spokes was to support the pivot point for the alidade. In order to lower the centre of gravity of the device and thus increase its period of motion as a means of stabilizing it, extra brass was usually added to the bottom of the instrument inside the ring. This is clearly evident in the lower left instrument seen in the photograph above.
The alidade was free to rotate about a pin through the centre of the instrument. The vanes of the alidade were either slotted or pierced with a hole to allow the user to align the alidade.
The astrolabe had a ring attached to the top of the instrument to allow it to hang vertically.
In order to use the astrolabe, the navigator would hold the instrument by the ring at the top. This caused the instrument to remain in a vertical plane. He would align the plane of the astrolabe to the direction of the object of interest. The alidade was aligned to point at the object and the altitude was read off the outer degree scale.
If observing a dim object such as a star, the navigator would observe the object directly through the alidade. If observing the sun, it was both safer and easier to allow the shadow of one of the alidade's vanes to be cast onto the opposite vane.
The mariner's astrolabe needed to be suspended vertically in order to measure the altitude of the celestial object. This meant it could not be used easily on the deck in windy conditions. It could not easily be used to measure the angle between two objects, which was necessary for longitude calculations by the lunar distance method (though that technique was not used when the instrument was developed). Another limitation was that the instrument's angular accuracy was directly proportional to the length of the alidade, which was not very long.
- Waters, David Watkin, The Art of Navigation in England in Elizabethan and Early Stuart Times, Yale University Press, 1958
- The Oxford Companion to Ships and the Sea, Peter Kemp ed., 1976 ISBN 0-586-08308-1
- Comandante Estácio dos Reis (2002). Astrolábios Náuticos. INAPA. ISBN 9727970370.
- See es:Martín Cortés de Albacar for the Spanish Wikipedia biography
- Swanick, Lois Ann. An Analysis Of Navigational Instruments In The Age Of Exploration: 15th Century To Mid-17th century, MA Thesis, Texas A&M University, December 2005
- Daumas, Maurice, Scientific Instruments of the Seventeenth and Eighteenth Centuries and Their Makers, Portman Books, London 1989 ISBN 978-0-7134-0727-3
- Turner, Gerard L'E. Antique Scientific Instruments, Blandford Press Ltd. 1980 ISBN 0-7137-1068-3
- A. Stimson, The Mariner's Astrolabe. A survey of known, surviving sea astrolabes. Hes & De Graff Pub B V (March 1988) ISBN 978-90-6194-017-3
- Make your own mariner's astrolabe
- Champlain's astrolabe at the Canadian Museum of Civilization Believed to be Samuel de Champlain's lost astrolabe.