Mario Bava
| Mario Bava | |
|---|---|
| Born | 31 July 1914 San Remo, Liguria, Italy |
| Died | 25 April 1980 (aged 65) Rome, Italy |
| Occupation | Film director |
Mario Bava (31 July 1914 – 25 April 1980) was an Italian director, screenwriter, and cinematographer remembered as one of the greatest names from the "golden age" of Italian horror films.
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[edit] Biography
Mario Bava was born in San Remo, Liguria, Italy. The son of Eugenio Bava, a sculptor who became a pioneer of special effects photography and subsequently one of the great cameramen of Italian silent pictures, Mario Bava's first ambition was to become a painter. Unable to turn out paintings at a profitable rate, he went into his father's business, working as an assistant to other Italian cinematographers like Massimo Terzano, while also offering assistance to his father who headed the special effects department at Benito Mussolini's film factory, the Istituto LUCE.
Bava became a cinematographer in his own right in 1939, shooting two short films with Roberto Rossellini. He made his feature debut in the early 1940s. Bava's camerawork was an instrumental factor in developing the screen personas of such stars of the period as Gina Lollobrigida, Steve Reeves and Aldo Fabrizi.
Bava completed filming I Vampiri (aka The Devil's Commandment) for director Riccardo Freda in 1956, now referred to as the first Italian horror film. Bava was originally hired as the cinematographer, but when Freda walked out on the project midway through production, Bava completed the film in several days, even creating the innovative special effects that were needed. He also handled the cinematography and special effects on the 1957 Steve Reeves classic Hercules, a film credited with sparking the Italian peplum genre.
Bava co-directed Le morte viene dallo spazio (The Day the Sky Exploded) in 1958, the first Italian science fiction film. Because he had no earlier credited experience as a director, it was credited solely to Paolo Heusch. In 1959, Bava completed Caltiki, The Immortal Monster, again for Riccardo Freda. In 1960, he directed Black Sunday, which made a horror genre star out of Barbara Steele. His use of light and dark in black and white films is widely acclaimed along with his use of color in films such as I tre volti della paura (Black Sabbath) (1963) and La Frusta e il corpo (The Whip and the Body) (1963).
His work has proved very influential: Bava directed what is called the first Italian giallo film, La ragazza che sapeva troppo (The Girl Who Knew Too Much) (1963), and his 1965 sci-fi horror Terrore nello spazio (Planet of the Vampires) was a probable influence on Alien (1979). Although comic books had served as the basis for countless serials and children's films in Hollywood, Bava's Diabolik (1968) brought an adult perspective to the genre. 1971's Reazione a catena/ Bay of Blood (also known as Twitch of the Death Nerve) is considered to be one of the earliest slasher films, and was imitated in the first two American-made Friday the 13th movies. Many elements of his 1966 film Operazione paura (Kill, Baby... Kill!), regarded by Martin Scorsese as Bava's masterpiece, also appear in the Asian strain of terror film known as J-Horror.
Mario Bava was very disappointed with the distribution of some of his later films (which caused him to retire in 1978 at age 63). Lisa and the Devil (1972) was never picked up by a distrbutor, and had to be later re-edited (with new 1975 footage) into an Exorcist-clone retitled House of Exorcism in order to get released. Bava's Semaforro Rosso (1974) was never released theatrically during his lifetime; the film only appeared on DVD in the late 1990s, re-edited a bit with some new footage, as Rabid Dogs and then released again in 2007 in a slightly altered version under the title Kidnapped. Bava retired in 1978 after co-directing his last horror film Shock with his son Lamberto (although he did some special effects matte work on Dario Argento's movie Inferno). Bava died of natural causes in 1980 at age 65.
Mario Bava's son, Lamberto Bava, worked for 14 years as Bava's assistant director, and went on to become a horror film director on his own. On several of his movies, Bava was credited as John M. Old.[1] Later, Lamberto Bava was sometimes credited as John M. Old, Jr.[2]
Several books have been published about Mario Bava: Mario Bava by Pascal Martinet (Edilig, 1984) and Mario Bava edited by Jean-Louis Leutrat (Éditions du Céfal, 1994) in French; Mario Bava by Alberto Pezzotta (Il Castoro Cinema, 1995) in Italian; The Haunted Worlds of Mario Bava by Troy Howarth (Fab Press, 2002), and most recently, the massive critical biography Mario Bava All the Colors of the Dark[3] by Tim Lucas (Video Watchdog, 2007; ISBN 0-9633756-1-X).
[edit] Filmography
| Year | Film | Worked as | Notes | ||
|---|---|---|---|---|---|
| Director | Writer | Cinematographer | |||
| 1943 | L'Avventura di Annabella | Yes | |||
| 1943 | Sant'Elena, piccola isola | Yes | |||
| 1946 | L'Elisir d'amore | Yes | |||
| 1947 | Uomini e cieli | Yes | |||
| 1948 | Natale al campo 119 | Yes | |||
| 1948 | Pagliacci | Yes | |||
| 1949 | Antonio di Padova | Yes | |||
| 1949 | Follie per l'opera | Yes | |||
| 1950 | Miss Italia | Yes | |||
| 1950 | È arrivato il cavaliere! | Yes | |||
| 1950 | Canzone di primavera | Yes | |||
| 1950 | Vita da cani | Yes | |||
| 1950 | Quel bandito sono io | Yes | |||
| 1951 | La Famiglia Passaguai | Yes | |||
| 1951 | Amor non ho... però... però | Yes | |||
| 1951 | Guardie e ladri | Yes | |||
| 1951 | La Famiglia Passaguai fa fortuna | Yes | |||
| 1952 | Papà diventa mamma | Yes | |||
| 1952 | Gli Eroi della domenica | Yes | |||
| 1953 | Balocchi e Profumi | Yes | |||
| 1953 | Il Bacio dell'Aurora | Yes | |||
| 1953 | Perdonami! | Yes | |||
| 1953 | Il Viale della speranza | Yes | |||
| 1953 | Villa Borghese | Yes | |||
| 1954 | Terza liceo | Yes | |||
| 1954 | Hanno rubato un tram | Yes | |||
| 1954 | Graziella | Yes | |||
| 1954 | Cose da pazzi | Yes | |||
| 1955 | Buonanotte... avvocato! | Yes | |||
| 1955 | Le avventure di Giacomo Casanova | Yes | |||
| 1955 | Ulysses | Yes | Yes | ||
| 1956 | I Vampiri | Yes | Yes |
Alternative titles
* The Devil's Commandment
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| 1956 | Roland the Mighty | Yes |
Alternative titles
Orlando e i Paladini di Francia
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| 1956 | Città di notte | Yes | |||
| 1956 | Beautiful But Dangerous | Yes | |||
| 1956 | Mio figlio Nerone | Yes |
Alternative titles
* Nero's Mistress
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| 1957 | Hercules | Yes | Yes |
Alternative titles
* Le Fatiche di Ercole
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| 1958 | The Day the Sky Exploded | Yes |
Alternative titles
* Death Comes From Space
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| 1959 | Hercules Unchained | Yes | Yes | ||
| 1959 | Caltiki - The Immortal Monster | Yes | Yes | ||
| 1959 | The Giant of Marathon | Yes | Yes |
Alternative titles
* The Battle of Marathon
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| 1959 | The White Warrior | Yes | Yes |
Alternative titles
* Agi Murad, the White Devil
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| 1960 | Black Sunday | Yes | Yes | Yes |
Alternative titles
* Mask of the Demon
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| 1960 | Esther and the King | Yes | Yes | ||
| 1961 | Hercules in the Haunted World | Yes | Yes | Yes |
Alternative titles
* Hercules at the Center of the Earth
|
| 1961 | Erik the Conqueror | Yes | Yes | Yes |
Alternative titles
* Fury of the Vikings
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| 1961 | The Wonders of Aladdin | Yes | |||
| 1961 | The Last of the Vikings | Yes | |||
| 1963 | The Girl Who Knew Too Much | Yes | Yes | Yes |
Alternative titles
Evil Eye
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| 1963 | Black Sabbath | Yes | Yes | Yes |
Alternative titles
* Three Faces of Fear
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| 1963 | Blood and Black Lace | Yes | Yes | Yes |
Alternative titles
Six Women for the Murderer
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| 1963 | The Whip and the Body | Yes | Yes | Yes |
Alternative titles
What?
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| 1964 | The Road to Fort Alamo | Yes | Yes | ||
| 1964 | Planet of the Vampires | Yes | Yes | Yes |
Alternative titles
* Demon Planet
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| 1964 | Knives of the Avenger | Yes | Yes | Yes |
Alternative titles
* Bladestorm
|
| 1966 | Kill, Baby, Kill | Yes | Yes | Yes |
Alternative titles
* Curse of the Living Dead
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| 1966 | Dr. Goldfoot and the Girl Bombs | Yes | Yes |
Alternative titles
* Dr. Goldfoot and the Love Bomb
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| 1966 | Gunman called Nebraska | Yes | Yes |
Alternative titles
* Ringo from Nebraska
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| 1968 | Danger: Diabolik | Yes | Yes | Yes |
Alternative titles
* Diabolik
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| 1968 | Naked you die | Yes |
Alternative titles
* Nude... si muore"
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| 1970 | Five Dolls for an August Moon | Yes | Yes |
Alternative titles
Island of Terror
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| 1970 | Hatchet for the Honeymoon | Yes | Yes | Yes |
Alternative titles
* Blood Brides
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| 1970 | Roy Colt and Winchester Jack | Yes | Yes | Yes | |
| 1971 | Twitch of the Death Nerve | Yes | Yes | Yes |
Alternative titles
* A Bay of Blood
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| 1972 | Baron Blood | Yes | Yes |
Alternative titles
* The Torture Chamber of Baron Blood
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| 1972 | Four Times That Night | Yes | Yes | ||
| 1973 | Lisa and the Devil | Yes | Yes |
Alternative titles
* The Devil Carries the Dead
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| 1974 | Rabid Dogs | Yes | Yes | Yes |
Alternative titles
* Kidnapped
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| 1977 | Shock | Yes | Yes | Yes |
Alternative titles
* Beyond the Door II
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| 1979 | The Venus of Ille | Yes | Yes | Yes |
Alternative titles
* La Venere d'Ille
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| 1980 | Inferno | No | Yes | ||
[edit] References
[edit] Sources
- Mario Bava Maestro of Macabre (2001), directed by Garry S.Grant
- Mario Bava Operazione paura (2004), directed by Gabriele Acerbo & Roberto Pisoni
- Mario Bava All the Colors of the Dark (2007) by Tim Lucas
- Kill, Baby, Kill! Il cinema di Mario Bava (2007) by Gabriele Acerbo & Roberto Pisoni
- Le ombre della paura - Il cinema italiano del terrore 1960/1980 (2002) by Paolo Fazzini & Marco Cruciani
[edit] External links
- Mario Bava at the Internet Movie Database
- Biography of Bava
- Images - Mario Bava, short biography
- Senses of Cinema - about his films
- Yellow, a short film dedicated to Mario Bava
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