|This article needs additional citations for verification. (January 2014)|
31 July 1914|
Sanremo, Liguria, Italy
|Died||25 April 1980
|Occupation||Film director, screenwriter, special effects artist and cinematographer|
Mario Bava (31 July 1914 – 25 April 1980) was an Italian director, screenwriter, special effects artist and cinematographer from the "golden age" of Italian horror films. His work kick-started the giallo film genre and the modern "slasher film".
Mario Bava was born in Sanremo, Liguria on July 31, 1914. He is the son of Eugenio Bava". , a sculptor who also worked as a special effects photographer and cameraman in the Italian silent movie industry. Mario Bava's first ambition was to become a painter. Unable to turn out paintings at a profitable rate, he went into his father's business, working as an assistant to other Italian cinematographers like Massimo Terzano. He also helped his father at the special effects department at Benito Mussolini's film factory, the Istituto LUCE.
Bava became a cinematographer in his own right in 1939, shooting two short films with Roberto Rossellini. He made his feature debut in the early 1940s. Bava's camerawork was an instrumental factor in developing the screen personas of such stars of the period as Gina Lollobrigida, Steve Reeves and Aldo Fabrizi.
Bava completed filming I vampiri (aka The Devil's Commandment) for director Riccardo Freda in 1956, a movie now referred to as the first Italian horror film. Bava was originally hired as the cinematographer, but when Freda walked out on the project midway through production, Bava completed the film in several days, even creating the innovative special effects that were needed. He also handled the cinematography and special effects on the 1957 Steve Reeves classic Hercules, a film credited with sparking the Italian sword and sandal genre.
Bava co-directed The Day the Sky Exploded in 1958, the first Italian science fiction film, predating even the sci-fi films of Antonio Margheriti. Because he had no earlier credited experience as a director, the film was credited solely to Paolo Heusch. In 1959, Bava completed Caltiki - the Immortal Monster, again for Riccardo Freda who left the project prematurely, and also worked on the lighting and special effects for Hercules Unchained and The Giant of Marathon.
In 1960, Bava directed the gothic horror classic Black Sunday, his first solo directorial effort, which made a genre star out of Barbara Steele. His use of light and dark in black-and-white films is widely acclaimed along with his spectacular use of color in films such as Black Sabbath, Kill, Baby... Kill!, Blood and Black Lace and The Whip and the Body.
His work has proved very influential. Bava directed what is now regarded as the first of the Italian giallo films, The Girl Who Knew Too Much (1963) and Blood and Black Lace (1964), and his 1965 sci-fi horror film Planet of the Vampires was a thematic precursor to Alien (1979). Although comic books had served as the basis for countless serials and children's films in Hollywood, Bava's Danger: Diabolik (1968) brought an adult perspective to the genre. Many elements of his 1966 film Kill, Baby... Kill!, regarded by Martin Scorsese as Bava's masterpiece, also appear in the Asian strain of terror film known as J-horror. 1971's Twitch of the Death Nerve is considered one of the earliest slasher films, and was explicitly imitated in Friday the 13th Part 2.
Mario Bava was very disappointed with the distribution of some of his later films. His Lisa and the Devil (1972) was never picked up by a distributor, and had to be later re-edited (with new 1975 footage) into an Exorcist-clone retitled House of Exorcism in order to get released. Bava's Semaforo Rosso (1974) was never released theatrically during his lifetime; the film only appeared on DVD in the late 1990s, re-edited with some new footage as Rabid Dogs, and was released again in 2007 in a slightly altered version under the title Kidnapped.
Bava retired in 1978 (at age 63) after co-directing his last horror film, Shock, with his son Lamberto Bava (although he also did some special effects matte work on Dario Argento's 1980 movie Inferno). Bava died of natural causes in 1980 at age 65. His doctor had given him a physical just days before he died from a heart attack, and had pronounced him in perfect health.
Mario Bava's son Lamberto Bava worked for fourteen years as Bava's assistant director (beginning with Planet of the Vampires), and went on to become a horror film director on his own. On several of Mario's movies, Mario was credited as John M. Old. Later, Lamberto was sometimes credited as John M. Old, Jr. When Lamberto directed his first solo film Macabre in 1980, Mario commented "Now I can die in peace". (He actually did die several months later.)
Several books have been published about Mario Bava: Mario Bava by Pascal Martinet (Edilig, 1984) and Mario Bava edited by Jean-Louis Leutrat (Éditions du Céfal, 1994) in French; Mario Bava by Alberto Pezzotta (Il Castoro Cinema, 1995) in Italian; The Haunted Worlds of Mario Bava by Troy Howarth (FAB Press, 2002) and most recently, the massive critical biography Mario Bava: All the Colors of the Dark by Tim Lucas (Video Watchdog, 2007; ISBN 0-9633756-1-X).
|1943||L'Avventura di Annabella||Yes|
|1943||Sant'Elena, piccola isola||Yes|
|1947||Uomini e cieli||Yes|
|1948||Natale al campo 119||Yes|
|1949||Anthony of Padua||Yes|
|1949||Follie per l'opera||Yes|
|1950||È arrivato il cavaliere!||Yes|
|1950||Canzone di primavera||Yes|
|1950||Vita da cani||Yes|
|1950||Her Favourite Husband||Yes|
|1951||La Famiglia Passaguai||Yes|
|1951||Amor non ho... però... però||Yes|
|1951||Cops and Robbers||Yes|
|1951||La Famiglia Passaguai fa fortuna||Yes|
|1952||Papà diventa mamma||Yes|
|1952||Gli Eroi della domenica||Yes|
|1953||Balocchi e Profumi||Yes|
|1953||Il Bacio dell'Aurora||Yes|
|1953||Il Viale della speranza||Yes|
|1954||Hanno rubato un tram||Yes|
|1954||Cose da pazzi||Yes|
|1955||Le avventure di Giacomo Casanova||Yes|
|1956||Roland the Mighty||Yes|
|1956||Città di notte||Yes|
|1956||Beautiful But Dangerous||Yes|
|1956||Mio figlio Nerone||Yes|
|1958||The Day the Sky Exploded||Yes|
|1959||Caltiki - The Immortal Monster||Yes||Yes|
|1959||The Giant of Marathon||Yes||Yes|
|1959||The White Warrior||Yes||Yes|
|1960||Esther and the King||Yes||Yes|
|1961||Hercules in the Haunted World||Yes||Yes||Yes|
|1961||Erik the Conqueror||Yes||Yes||Yes|
|1961||The Wonders of Aladdin||Yes|
|1961||The Last of the Vikings||Yes|
|1963||The Girl Who Knew Too Much||Yes||Yes||Yes|
|1963||The Whip and the Body||Yes||Yes||Yes|
|1964||Blood and Black Lace||Yes||Yes||Yes|
|1964||The Road to Fort Alamo||Yes||Yes|
|1965||Planet of the Vampires||Yes||Yes||Yes|
|1966||Knives of the Avenger||Yes||Yes||Yes|
|1966||Kill, Baby, Kill||Yes||Yes||Yes|
|1966||Dr. Goldfoot and the Girl Bombs||Yes||Yes|
|1966||A Gunman called Nebraska||Yes||Yes|
|1968||The Odyssey (made for Italian TV)||Yes||Yes|
|1970||Five Dolls for an August Moon||Yes||Yes|
|1970||Hatchet for the Honeymoon||Yes||Yes||Yes|
|1970||Roy Colt and Winchester Jack||Yes||Yes||Yes|
|1971||Twitch of the Death Nerve||Yes||Yes||Yes|
|1972||Four Times That Night||Yes||Yes|
|1972||Lisa and the Devil||Yes||Yes|
|1974||Rabid Dogs (aka Kidnapped)||Yes||Yes||Yes|
|1979||The Venus of Ille||Yes||Yes||Yes|
- Hughes, Howard (2011). Cinema Italiano - The Complete Guide From Classics To Cult. London - New York: I.B.Tauris. ISBN 978-1-84885-608-0.
- "Mario Bava". The New York Times.
- Hughes, p.79
- Johnson, Gary. "The Golden-Age of Italian Horror: c. 1957-1979". imagesjournal.com. Retrieved 15 August 2012.
- "BAVA, Lamberto". bfi.org.uk. Retrieved 1 July 2012.