Mark Wunderlich

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Mark Wunderlich (born 1968), is an American poet. He was born in Winona, Minnesota and grew up in a rural setting near the town of Fountain City, Wisconsin. He attended Concordia College's Institute for German Studies, before transferring to the University of Wisconsin, where he studied English and German literature. After moving to New York City, he attended Columbia University from which he received an MFA (Master of Fine Arts) degree.

Mark Wunderlich has published two collections of poetry, most recently Voluntary Servitude (Graywolf Press, 2004). He worked on his first book, The Anchorage, as his MFA thesis at Columbia University and finished it while living in Provincetown, Massachusetts.[1] There he was friends with the poet Stanley Kunitz (1905–2006)[1]. A third book of poems, The Earth Avails, is forthcoming from Graywolf Press.

Life[edit]

Wunderlich has published individual poems, essays, reviews and interviews in the Paris Review, Yale Review, Boston Review, Chicago Review, Fence and AGNI.[2] Wunderlich has taught at Stanford, San Francisco State University, Ohio University, Barnard College, and Columbia University. Since 2004, he has been a member of the literature faculty at Bennington College in Vermont,[3] where he is also a member of the faculty of the Graduate Writing Seminars. He lives in New York's Hudson River Valley near the town of Catskill.

Books[edit]

Honors and awards[edit]

  • The Anchorage (1999), which won the Lambda Literary Award.
  • two fellowships from the Fine Arts Work Center in Provincetown[4]
  • The Wallace Stegner Fellowship from Stanford University
  • the Writers at Work Fellowship
  • Poetry Fellowship from the National Endowment for the Arts
  • Poetry Fellowship from the Massachusetts Cultural Council

Reviews[edit]

Poetry magazine wrote,

"Mark Wunderlich's first book, The Anchorage, is a vigorous, necessary attempt to make our words catch up with our changing world: 'This is America--beetles clustered with the harvest, dust roads trundling off at perfect angles, and signs proclaiming unbearable roadside attractions.' The poems are extravagantly -- perhaps I should say fiercely -- autobiographical."[5]

References[edit]

External links[edit]

Poems in Periodicals

Criticism