Music of the Spheres, 2003: Glass Tesserae, Carnelian stone, and more
|Alma mater||BFA, Tyler School of Art ; MFA in Sculpture and Ceramics, Antioch University|
Martha Jackson-Jarvis (born 1952, Lynchburg, Virginia; grew up in Philadelphia, based in the Washington D.C. area) is an American artist. Jackson-Jarvis is known for using a variety of natural materials particularly recycled stone, glass, wood, and clay. Her outdoor urban public sculpture, site-specific rural sculpture, and more portable sculpture addresses issues of culture, particularly Southern African-American, and history. She is best known for her enduring outdoor public sculptures including "Music of the Spheres" Fannie Mae Plaza, by University of the District of Columbia and Van Ness Metro station, Washington, D.C. 20003 and "Crossroads/Trickster I," North Carolina Museum of Art, Raleigh, 200.
Michelle Joan Wilkerson, curator of the Reginald F. Lewis Museum of Maryland African American History & Culture wrote "Jackson Jarvis works with natural materials, including clay, glass, wood, and stone, to create sculpture in the round, using traditional African dung firing and Japanese raku techniques. By incorporating the clay shards that scatter in the firing process into her mosaics, the artist draws on African and African American burial traditions that similarly adorn gravesites with broken plates and crockery."
The artist's first thirteen years in the southern United States in an era when southern folkways prevailed, and integration had not yet taken place,has exerted an enduring influence upon her art. The family moved to Philadelphia when she was thirteen.
Her freshman year at Howard University in the exciting era of 1970 was very influential thanks to the active presence of artists including Lois Mailou Jones, Ed Love, Jeff Donaldson, and Elizabeth Catlett. Nevertheless she transferred to Tyler University, Philadelphia, to delve deeply into ceramics.
Jackson married Bernard Jarvis, the cousin of her writer friend Bebe Moore Campbell; she continued her studio work while her children Njena and [?] were young.
- 1996 - Retrospective at the Corcoran Gallery, Washington, DC
- Addison-Ripley Fine Arts, Washington D.C.,
- Swarthmore College, Pennsylvania
- Crossroads/Trickster I, 2005, Commissioned by the North Carolina Museum of Art 
- Swift, Mary (1995). "The Power of One: Martha Jackson-Jarvis". Washington Review (February/March).
- "Crossroads/Trickster". ArtNC. Retrieved 2014-02-01.
- Reginald F. Lewis Museum of Maryland African American History and Culture (2011). Material Girls: Contemporary Black Women Artists (1st ed ed.). Baltimore, Md: Reginald F. Lewis Museum of Maryland African American History & Culture. ISBN 9780615436142.
- James, Curtia (2004-02). "Martha Jackson-Jarvis: The Process of Discovery". Sculpture.org 22 (1). Retrieved 2014-02-01. Check date values in:
- Weaver, A.M. (2013-01-08). "Martha Jackson Jarvis - Newark, at University of Deleware". Art in America = Reviews. Retrieved 2014-02-01.
- "Martha Jackson-Jarvis - Biography". Artfacts.net. 2013-02-17. Retrieved 2014-02-01.
- "Martha Jackson-Jarvis - Stories - Who We Are". Institute of International Education. Retrieved 2014-02-01.
- Trescott, Jacqueline (2011-08-12). "‘Material Girls’: 8 African American artists update a tradition". The Washington Post. Retrieved 2014-02-01.
- Glover, Jeanette (2013). "Public Art by Martha Jackson-Jarvis." YouTube [interview with the artist]