Marty
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| Marty | |
|---|---|
| Directed by | Delbert Mann |
| Produced by | Harold Hecht |
| Written by | Paddy Chayefsky |
| Starring | Ernest Borgnine Betsy Blair Frank Sutton Karen Steele Esther Minciotti Augusta Ciolli |
| Distributed by | United Artists |
| Release date(s) | April 11, 1955 (NYC premiere) |
| Running time | 94 min |
| Country | |
| Language | English |
| Budget | $343,000 (US) |
Marty is a teleplay by Paddy Chayefsky which was telecast live May 24, 1953, on The Goodyear Television Playhouse with Rod Steiger in the title role. The 1955 film adaptation was directed by Delbert Mann, and starred Ernest Borgnine and Betsy Blair.
The film enjoyed international success, winning the 1955 Academy Award for Best Picture and becoming the second American film to win the Palme d'Or at the Cannes Film Festival. Marty and The Lost Weekend (1945) are the only two films to win both organizations' grand prizes.
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[edit] Plot
The film stars Borgnine as Marty Piletti, a heavy-set Italian-American butcher who lives in the Bronx with his mother. Unmarried at 34, the good-natured but socially awkward man faces constant badgering from family and friends to get married. Not averse to marriage but disheartened by his lack of prospects, Marty has reluctantly resigned himself to bachelorhood.
| “ | Ma, sooner or later, there comes a point in a man's life when he's gotta face some facts. And one fact I gotta face is that, whatever it is that women like, I ain't got it. | ” |
After being importuned by his mother into going to the Stardust Ballroom one Saturday night, Marty connects with Clara—a plain school teacher who has been nastily abandoned by her blind date. Spending the evening together, Clara and Marty realize their emotional connection. The two part with Marty's promise to call the next day.
Fearing the romance could spell her abandonment, Marty's mother belittles Clara. Likewise, Marty's friends are unimpressed with her plainness, and try to convince Marty to forget about her. Harangued into submission, Marty doesn't call Clara.
Back in the same lonely rut, Marty realizes that he is giving up a chance at love with a wonderful woman. Over the objections of his friends, he impulsively dashes to a phone booth to give Clara a call.
| “ | You don't like her. My mother don't like her. She's a dog. And I'm a fat, ugly man. Well, all I know is I had a good time last night. I'm gonna have a good time tonight. If we have enough good times together, I'm gonna get down on my knees. I'm gonna beg that girl to marry me. If we make a party on New Year's, I got a date for that party. You don't like her? That's too bad. | ” |
[edit] Reception
Critical opinion was positive. Ronald Holloway of Variety wrote, "If Marty is an example of the type of material that can be gleaned, then studio story editors better spend more time at home looking at television."[1] Time described the film as "wonderful".[2] Louella Parsons enjoyed the film, although she felt that it would not likely be nominated for Oscars.[3] At a budget of $343,000 (USD) the film generated revenues of $3,000,000 in the USA alone, making it a box office success.
[edit] TV to film
Esther Minciotti, Augusta Ciolli and others repeated their roles from the live television production. Jerry Orbach made his debut in an uncredited role as a ballroom guest. For the film adaptation, the role of Clara was expanded, and subplots about Marty's career and his mother and her sister were added.
[edit] Cultural legacy
One line of dialogue, "So what do you feel like doing tonight?", was often satirized and became a catch phrase during the 1950s. Marty is referenced in the movie Quiz Show as the answer to the question "Which movie won the Academy Award for Best Picture for 1955?". Herb Stempel is strong-armed into answering it incorrectly though it was one of his favorite films.
In 1994, Marty was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for preservation in the National Film Registry.
[edit] Awards and recognition
[edit] Academy Awards
| Award[4] | Result | Winner |
|---|---|---|
| Best Motion Picture | Won | United Artists (Harold Hecht, producer) |
| Best Director | Won | Delbert Mann |
| Best Actor | Won | Ernest Borgnine |
| Best Writing, Adapted Screenplay | Won | Paddy Chayefsky |
| Best Supporting Actor | Nominated | Joe Mantell Winner was Jack Lemmon – Mister Roberts |
| Best Supporting Actress | Nominated | Betsy Blair Winner was Jo Van Fleet – East of Eden |
| Best Art Direction-Set Decoration, Black-and-White | Nominated | Ted Haworth Robert Priestley Walter M. Simonds Winner was Hal Pereira, Tambi Larsen, Samuel M. Comer, Arthur Krams – The Rose Tattoo |
| Best Cinematography, Black-and-White | Nominated | Joseph LaShelle Winner was James Wong Howe – The Rose Tattoo |
[edit] Cannes Film Festival
Winner Palme d'Or[5]
[edit] References
- ^ Review by Ronald Holloway, Variety, March 23, 1955.
- ^ "The New Pictures", Time, April 18, 1955.
- ^ Mann, Delbert. Looking Back, at Live Television and Other Matters. Directors Guild of America, 1998.
- ^ "NY Times: Marty". NY Times. http://movies.nytimes.com/movie/31612/Marty/awards. Retrieved 2008-12-21.
- ^ "Festival de Cannes: Marty". festival-cannes.com. http://www.festival-cannes.com/en/archives/ficheFilm/id/3716/year/1955.html. Retrieved 2009-02-01.
[edit] External links
- Marty (1955) at IMDB
- Marty (1953 TV production) at IMDB
- Marty at Allmovie
- Marty at the TCM Movie Database
| Awards and achievements | ||
|---|---|---|
| Preceded by On the Waterfront |
Academy Award for Best Picture 1955 |
Succeeded by Around the World in Eighty Days |
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