|Birth name||Mary Faldermeyer|
|Born||July 1, 1958|
|Origin||Rockland County, NY, U.S.|
|Genres||Adult Contemporary music, folk, world|
|Occupation(s)||Singer, songwriter, guitarist, actress|
|Years active||1990–1996 (group)
|Associated acts||October Project Solo artist|
Mary Fahl (born Mary Faldermeyer, July 1, 1958) is an American singer, songwriter and actress known for her work with October Project in the mid-1990s. More recently she is known for her solo singing and acting career. She released an EP Lenses of Contact in 2001, and a full album The Other Side of Time in 2003 on Sony Classical. From the Dark Side of the Moon, was released on May 10, 2011. She teamed up with producer John Lissauer, who also produced Leonard Cohen's "Hallelujah," for her fifth full-length album, Love & Gravity, due out in 2013. Her music has been featured in the film Gods and Generals, as well as the film version of the play The Guys. She also wrote the theme song, "Exiles: The Wolves of Midwinter," for the audiobook version of Anne Rice's novel The Wolves of Midwinter, which was released on Oct. 15. 2013.
- 1 Early life, education
- 2 October Project
- 3 Commercial work
- 4 Solo career
- 5 Musical style, influences
- 6 Theater
- 7 Personal life
- 8 Discography
- 9 Videography
- 10 See also
- 11 References
- 12 Further reading
- 13 External links
Early life, education
Mary Fahl was born Mary Faldermeyer in Rockland County, New York on July 1, 1958. She was raised in a large Irish/German family in Stony Point, New York; Fahl has stated that as a child she used to sing along with her older sibling's records to practice her voice. She formed her first makeshift recording studio in the household bathroom. She attended Albertus Magnus High School, and graduated from North Rockland High School. She later attended McGill University to study medieval literature.
After graduating, Fahl and her sister left the United States to spend 1½ years in Europe; she said that she received an "informal graduate degree in music" by checking out vinyl records at a library in the Netherlands and listening to and analyzing them. She also earned money by house-sitting and singing in cafes.
In 1990, Fahl briefly considered attending a post-grad pre-med program at Columbia University. Upon returning to New York City, she was introduced to lyricist Julie Flanders by a friend. Flanders introduced Fahl to Flanders' collaborator and boyfriend Emil Adler, a composer. Together with guitarist Dave Sabatino they formed the early incarnation of the band October Project, with Fahl handling lead vocals. Fahl stated they "rehearsed forever, a year and a half sort of finding where we were." They soon added vocalist Marina Belica and began touring the coffee house scene with their original music, eventually releasing their self-titled debut in 1993 on Epic Records. They released a second full album, Falling Farther In, in 1995 on Epic, and the album made it to the Billboard 200. The group toured with acts such as Sarah McLachlan and Crash Test Dummies. The group disbanded in 1996, reforming in 2001 with Belica (lead vocals), Flanders and Adler.
While she was the lead singer of the October Project, the media occasionally depicted Fahl as "a goddess of Goth, a figure admired by followers of the vampire movement." Fahl, however, has stated she does not identify as Goth. She has theorized that because she had little money at the time, leaving her unable to afford any more than one black dress, and chiefly wore that one black dress to all her public appearances, the media misinterpreted her image.
Lenses of Contact (2001)
Fahl released an EP, Lenses of Contact, in early 2000 for Rough Mix Records. It featured four songs: "Raging Child", "Paolo", "Meant to Say", and "Redemption"; the title of the EP came from a line in "Paolo". The EP contained elements of folk music, rock 'n' roll, and pop. Jeffrey Lesser, a producer/engineer who has previously worked with Barbra Streisand, Joni Mitchell, Lou Reed, and The Chieftains, produced the EP. She toured to promote the EP backed a by a five piece band of rock musicians. Many of the members of her newly formed backing band later became the band Ollabelle.
The EP was released to favorable reviews. Allmusic gave it 4½ out of 5 stars. They compared her to Mitchell and Judy Collins, although noting that she belted more than Mitchell, and concluded, "This promising solo debut demonstrates that Fahl is a very spiritual and moving storyteller in her own right."
In a live review of a Lenses of Contact show, Billboard stated "while her former band was sometimes categorized as new age, progressive, or art rock because of its classical leanings, the solo Fahl has her feet firmly planted in classic rock, pop, and folk terrain."
The New York Press wrote the EP "makes us embarrassed for both the mincing stampede of girl singers on the charts and for Fahl herself, who actually cares enough to sing, literally, from her guts, while daringly carving every phrase into dizzying terrain."
The Other Side of Time (2003)
Shortly after 9/11, Fahl auditioned with a compilation of demo material for executives at Sony Classical in New York, including Peter Gelb. She earned an album contract, and after several months working on material in studio, released her first full-length album in winter 2003. The Other Side of Time had 14 songs in all (three of which were originally featured on Lenses of Contact). She shares writing credits on 12 of the 14 tracks on album. It was again produced and engineered by Jeffrey Lesser, formerly responsible for her EP. Fahl toured across the country in support of the album's release.
Two songs on the album featured prominently on soundtracks. "Going Home" was written by Fahl to appear in the opening of the Civil War film Gods and Generals. The album's closing track, Fahl's version of the traditional Irish tune "The Dawning of the Day," was featured in the film version of the Broadway play The Guys, along with several reprises of the song.
- Style, themes
Fahl wrote her lyrics to "The Dawning of the Day" to honor firefighters who died in the September 11, 2001, attacks. Ronan Tynan performed the song at the re-opening dedication for the Seven World Trade Center.
The Other Side of Time showed some additional sides to Fahl's style, bringing in opera styles in "Una furtiva lagrima" and Middle Eastern influences in "Ben Aindi Habibi". These two tracks, which Fahl sang in Italian and Mozarabic respectively, were the first non-English language songs to appear on her records. "Ben Aindi Habibi" was a traditional kharja written in the 11th century. Fahl said in an interview that she had discovered "Ben Aindi Habibi" while on tour with October Project and considered it her favorite song on The Other Side of Time. In an interview with Liane Hansen of National Public Radio, Fahl stated that she performed these songs on The Other Side of Time because she was signed to a classical label and a pop label would not have let her make that type of record.
Overall, The Other Side of Time met with largely positive reviews. The Salt Lake Tribune gave the Other Side of Time an "A" grade in a review, and Film Score Monthly called her "a brasher, more exciting version of Enya and Sissel" and concluded "Mary Fahl, thankfully, is not your typical pop singer. Somewhat unwieldy, but always interesting. More filmmakers should pay attention to the vocal talent on display in this CD."
A live Boston Globe review from August 2003 stated "Fahl has a voice for the gods. It is a compelling operatic pop instrument that can transport listeners to other realms. Her new album, The Other Side of Time, is a fascinating if sometimes slightly stiff mix of orchestral pop and riveting Celtic stylings a la Sandy Denny of Fairport Convention, with occasional hints of Sinéad O'Connor." A live review from June 13, 2003 show stated the concert "let loose Fahl's deep, almost operatic vocal range. Usually such stylized music doesn't lend itself to variation...Fahl broke free of all stylistic restraints."
A July 2003 review stated that Fahl is "Most certainly an Artist of the highest caliber," and "this is not rock and roll. No dance moves or funky grooves, either. She is unlike any other popular performer today. Her lyrics are deeper and richer, like a Marc Cohen or a less self-involved Joni Mitchell. Her voice is a real treat, though. It is a force of nature, pulling you along as she rages against the heavens in full throttle; or softly, intimately singing to a private part of your soul that only she knew was there."
All-Music Guide praised her past work with October Project and her first solo EP but gave her only 2 out of 5 stars for The Other Side of Time, saying, "She still has the big voice, but she's opting for an easier course of being eclectic by tossing faint nods at different styles while trying to hew firmly to the center of the road."
From the Dark Side of the Moon (2011)
As of September 2006 Fahl completed the recording of From the Dark Side of the Moon, produced by Mark Doyle and David Werner and mixed by Bob Clearmountain. Doyle also provided nearly all of the instrumentation. The album is a song-by-song "re-imagining" of Pink Floyd's classic album The Dark Side of the Moon. Advance copies were not sent out, and the album remained unreleased for several years after V2 Records went out of business right before her release. Fahl self-released the album on May 10, 2011.
Love & Gravity (2013)
Fahl teamed up with producer John Lissauer, who also produced Leonard Cohen's "Hallelujah," for her fifth full-length album, Love & Gravity, a spare and meditative record about finding love later in life while maintaining a sense of optimism amid chaos. See http://maryfahl.com/
O For a Muse of Fire
In March of 2015, Fahl performed as the vocal soloist in the premiere performances of the symphonic overture O For a Muse of Fire by American composer Darryl Kubian. The work was commissioned by the New Jersey Symphony Orchestra, and is based on the play Henry V by William Shakespeare. Kubian composed the piece with Fahl's voice in mind, and the vocal part features select lines from Shakespeare's play.
The premiere performances was very well received, and met with positive reviews in the press. From Broadway World publication: "The overall composition is dramatic with flurries of vibrant musicality especially among the violins and brass. ... Mary Fahl has a dramatic, beautiful voice. This is a cinematic composition that builds steadily and majestically. One wishes Kubian had fleshed it out more. He will be a composer to keep one's eye on whether he pursues dramatic or cinema scores or continues in a classical venue." From The New Jersey Star Ledger: "As the composer noted in an articulate pre-performance introduction, the music dealt with the conscience of the king, exploring matters earthly and spiritual and taking on sounds of both warfare and contemplation. ... a cinematic fabric with deep lower strings and soaring brass. Dissonant threads in sustained chords and warlike percussion contrasted warm, meditative passages. In an earthy alto, vocalist Mary Fahl sang passages of Shakespeare text and keened wordlessly in the work's more impassioned moments. A waterphone added an otherworldly tinge before a frenetic rise and the pound of battle drums led to a fittingly heroic conclusion."
Musical style, influences
Fahl has stated that she grew up listening heavily to her brothers' Bob Dylan and Pink Floyd records, as well as her sisters' Joni Mitchell and Dusty Springfield albums. She's specifically cited Joni Mitchell as being highly influential in her music. She's also referenced Nico and various film scores. Reviewers regularly have compared her to Enya, saying "both have a vocal grace and rich melodic sense that verges on Classical Music." Fahl has stated she and Enya are not really alike, as Enya is a mezzo-soprano, while Fahl's voice is "earthier, a dusky contralto. Her sound is more worldless vocales, my material is much more rooted in the storytelling, singer/songwriter tradition."
After the release of The Other Side of Time, Fahl acted in a production of Murder Mystery Blues, a comedy which is based on short stories by Woody Allen. Fahl and the other actors also served as musicians who performed the play's score. The play was originally performed at The Warehouse Theater in London and later moved to a theater in New York City.
- October Project, October Project (1993)
- Falling Farther In, October Project (1996)
|Lenses of Contact EP (2000)|
|1.||"Raging Child" (with Riley)||4:36|
|3.||"Meant to Say" (with Healy/Moss)||3:37|
|4.||"Redemption" (with McLean)||4:52|
|The Other Side of Time (2003)|
|1.||"In The Great Unknown"||4:44|
|2.||"Going Home" (used on Gods and Generals)||4:56|
|4.||"Ben Aindi Habibi"||4:08|
|7.||"Una Furtiva Lagrima"||3:50|
|8.||"Other Side of Time"||4:13|
|10.||"Annie Roll Down Your Window"||3:58|
|12.||"Kindness Can Be Cruel"||4:20|
|13.||"Dream of You"||3:44|
|14.||"Dawning of the Day"||4:35|
|From the Dark Side of the Moon (2011)|
|1.||"Speak to Me"||1:13|
|3.||"On the Run"||3:23|
|5.||"The Great Gig in the Sky"||4:58|
|7.||"Us and Them"||7:13|
|8.||"Any Colour You Like"||3:35|
- Gods & Generals Soundtrack (2003) – "Going Home"
- The Guys: Original Motion Picture Soundtrack (2003), Sony Classical – "The Dawning of the Day", "My Beautiful, Gleaming...", "What They Were Waiting For", "Patrick"
- Classics for a New Century (2003), Sony Classical – "Una furtiva lagrima"
- "Going Home" (2003) – from The Other Side of Time
- Shustack, Mary (May 31, 2001). "Mary Fahl returns to her roots". The Journal News.
- Bankard, Bob (August 13, 2003). "Rise and Fahl". Bucks County Courier News.
- Mark Doyle, official website
- "Voice of America". 2003.
- Mulero, Eugene (August 27, 2003). "Looking for the 'Other Side of Time' ". Hudson Current.
- Sullivan, Al (June 7, 2001). "Out on her Own - Hoboken's Mary Fahl releases solo CD". Hudson Reporter. Retrieved 2011-05-02.
- Simmonsen, Derek (May 19, 2001). "Fahl's solo voice powers her return". The Washington Times.
- "On the CD Watch: Mary Fahl Emerges". The Electric Review. November 2003. Retrieved 2011-05-02.
- "Talk Today: Singer Mary Fahl". USA Today. January 21, 2005. Retrieved 13 December 2006.
- Boehm, Mike (November 11, 1995). "Meeting October Projections : Pop music: Mary Fahl and partners, at the Coach House tonight, follow through on their goals.". Los Angeles Times. Retrieved 2011-06-27.
- Takiff, Jonathan (May 30, 2003). "Mary Fahl finds her voice". Philadelphia Daily News.
- Pensiero, Nicole (April 19, 2001). "Music Picks: Mary Fahl". City Paper. Retrieved 13 December 2006.
- Oldsmith, Kase (August 14, 2003). "The other side of Fahl". Weekend Magazine (New York).
- "Nothing for granted". Lexington Herald-Leader. June 13, 2003.
- Spielman, Cheryl (June 12, 2001). "Live Reviews: Mary Fahl". Billboard.
- Hnderson, Alex (January 16, 2001). "Lenses of Contact". All Music Guide.
- "Allmusic". Allmusic ((( Lenses of Contact > Overview ))). Retrieved 13 December 2006.
- "Best Contralto: Mary Fahl". New York Press. October 3, 2001.
- Vincent, Ed (May 2003). "The Other Side of Time by Mary Fahl". Oak Park Journal. Retrieved 2011-05-02.
- Renzhofer, Martin (2003). "Mary Fahl: "The Other Side of Times"". The Salt Lake Tribune.
- Bessman, Jim (June 14, 2003). "Films Herald Fahl Solo Set". Billboard.
- "Linda Eder's Official Fan Newsletter". The Voice Vol. 7 Ed 1. Fall 2006. Retrieved 11 February 2010.
- Rowe, Matt (June 11, 2003). "Mary Fahl: Other Side of Time". MusicTap. Retrieved 2011-05-02.
- "NPR". Mary Fahl. Retrieved 13 December 2006.
- Wong, Cary (May 14, 2003). "Film Score Divas -- Past, Present and Future". Film Score Daily. Retrieved 13 December 2006.
- "Mary Fahl at the House of Blues". Boston Globe. August 16, 2003.
- Park, Bill (July 2003). "Mary Fahl". ProRec.
- "Allmusic". Allmusic (The Other Side of Time Overview). Retrieved 13 December 2006.
- "Singer Mary Fahl on performing new album, and Hoboken". Hudson Current Vol. 13, No. 16. November 21, 2003.
- "Mark Doyle". Mary Fahl's Dark Side of the Moon: A Backgrounder. Retrieved 13 December 2006.
- "V2 Restructured" Billboard.com
- "Interview: Mary Fahl". Nippertown. September 22, 2010. Archived from the original on 2011-06-18. Retrieved 2011-05-02.
- Rowe, Matt (July 24, 2011). "Mary Fahl Finally Delivers Brilliant From the Dark Side of the Moon Album". The Morton Report. Retrieved 2011-07-24.
- Prisco, Jaime (16 Feb 2015). "New Jersey Symphony Orchestra Shows World Premiere of Darryl Kubian's 'O for a Muse of Fire'". Classicalite. Retrieved 31 March 2015.
- Cohen, Adam (23 March 2015). "KUBIAN, RACHMANINOFF & TCHAIKOVSKY NJSO at BergenPAC". Broadway World. Retrieved 31 March 2015.
- Reich, Ronnie (24 March 2015). "The NJSO plays Rachmaninoff, Tchaikovsky and Kubian". The Star Ledger. Retrieved 31 March 2015.
- Perlmutter, Adam (July 2003). "Meet and Greet: Mary Fahl". Women Who Rock.
- "A Baker's Dozen Divas". Windy City Times. August 5, 2003.
- Hernandez, Ernio (December 7, 2006). "Playbill News: Murder Mystery Blues – Woody Allen Shorts on Stage". Playbill News. Retrieved 2011-05-02.
- "59E59". I'm a Camera presents Murder Mystery Blues. Retrieved 13 December 2006.[dead link]
- Ponti, Aimsel (July 16, 2010). "Face the Music: Hard not to fall for this Mary and her soul-permeating pipes". The Portland Press Herald. Retrieved 2011-05-02.
- "Mary Fahl Discography". MaryFahl.com. Retrieved 2010-02-02.
- Nippertown: Mary Fahl Interview (September 22, 2010)
- Chicago Music Guide|Chicago Music Guide: Interview with Mary Fahl (May 2011)