Mary O'Hara

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For other uses, see Mary O'Hara (disambiguation).

Mary O'Hara (born 12 May 1935) is an Irish soprano and harpist from County Sligo. She achieved fame on both sides of the Atlantic in the late 1950s and early 1960s. Her recordings of that period influenced a generation of Irish female singers who credit O'Hara with influencing their style, among them Carmel Quinn, Mary Black, and Moya Brennan. In his autobiography Memoirs of an Irish Troubadour (2002), Liam Clancy wrote how her music inspired and influenced him and others of the Folk Revival period.

Biography[edit]

Mary won her first competitions, Sligo's annual Music and Drama singing competition, at the age of eight,[1] and made her first radio broadcast on Radio Éireann[2] before she left school at the age of 16.[3] She went on to perform at Edinburgh International Fringe Festival with the Dublin University Players,[4] BBC's Quite Contrary and The Ed Sullivan Show, before she starred in her own BBC television series. Her first recording contract was with Decca Records. Part of her extensive music career included spending a considerable amount of time on the Aran Islands collecting folk music and acquiring fluent Gaelic.[citation needed]

Personal life[edit]

She was introduced to American poet Richard Selig by Irish poet Thomas Kinsella[5] and she married Selig in 1956.[3] She moved to the United States with him. Selig died of Hodgkin's disease 15 months after their marriage. O'Hara continued to tour and record for four years.

In 1962, she became a Benedictine nun[3] at Stanbrook Abbey in England,[1] where she stayed for 12 years. Her wedding band was melted down and made into a ring to celebrate her profession of solemn vows as a member of the Benedictine Order in 1967.[6][7]

O'Hara's initial speedy rise to fame was repeated in 1974 when she left the monastery for the sake of her health, found that her musical reputation had grown during her time in the cloister, and returned to performing.[8] In a matter of months, she become one of the biggest international recording stars to come out of Ireland.[1][4][9]

The title of her autobiography, The Scent of the Roses, is taken from one of her favourite songs by Irish poet Thomas Moore.[9] Her other books include A Celebration of Love,[10] and the coffee table book, A Song for Ireland.

She continued her singing career for a further 16 years, retiring from performing in 1994.[citation needed] In 1985, she re-married, to Dr Pádraig O'Toole, who was instrumental in the development of her career from 1974. They spent six years in Tanzania[4] where her husband taught at the Tanzania School of Journalism (University of Dar es Salaam). A musical play about her life, Harp on the Willow, was a great success in Australia in early 2007.[11] Mary O'Hara completed five volumes of her harp accompaniments, and still travels, giving talks at locales such as the Yeats International Summer School, Sligo (2007), the O'Carolan Festival, Keadue, County Cavan (2008), Northern Lights Harp Festival, Ottawa (2009), New York University (2009), and Boston College (2009). The Burns Library at Boston College houses her papers, and held a "Mary O'Hara" exhibition ending 30 April 2010.

O'Hara divides her time with her husband between a 17th-century thatched cottage in Berkshire, England, and on the Aran Islands, overlooking Kilronan harbour.[12]

Relatives[edit]

The daughter of Major John Charles O'Hara, an officer in the British Corps of Royal Engineers and his wife, Mai (née Kirwan), one of O'Hara's nephews is playwright/author Sebastian Barry,[13] one of her sister (actress Joan O'Hara)'s sons.

Influence in modern culture[edit]

O'Hara's recording of "Óró Mo Bháidín" is sampled in Passion Pit's 2008 single "Sleepyhead" and Sub Focus' song "Safe in Sound" from the album Torus.

Discography[edit]

  • Songs of Erin, Decca-Beltona 1957
  • Love Songs of Ireland, Decca-Beltona 1958
  • Songs of Ireland, Tradition-Everest 1958
  • Songs of Ireland, Decca-Emerald 1967
  • The Folk Song Tradition (one track), Tradition-Everest 1960
  • Mary O'Hara's Ireland, Decca Emerald-Gem 1973
  • Mary O'Hara's Scotland, Decca Emerald-Gem 1974
  • Monday Tuesday, Decca Emerald-Gem 1977
  • Songs for Children, Decca Emerald 1977
  • Mary O'Hara at the Royal Festival Hall, Chrysalis 1977 – UK No. 37[14]
  • Focus on Mary O'Hara, Decca 1978
  • Music Speaks Louder Than Words, Chrysalis 1978
  • In Harmony, Chrysalis 1979
  • Farewell, But Whenever / Reminiscing, Hammer 1979
  • Tranquility, Warwick 1979 – UK No. 12[14]
  • The Last Rose of Summer French Everest Records
  • The Scent of Roses, Chrysalis 1980
  • Colours, Images 1981
  • A Song for Ireland, Valentine 1982
  • Recital, Valentine 1983
  • Live at Carnegie Hall, Valentine 1983
  • Live at National Gallery Dublin, Gael-Linn 1987
  • Spread a Little Happiness, Telestar 1985
  • Celebration of Love, Word 1989
  • World of Music, EMI 1989
  • Mary O'Hara Song for Ireland, Shanachie Records 1993
  • Down by the Glenside, Rykodisc 1997
  • Mary O'Hara at Carnegie Hall, Sanctuary Records 2000

References[edit]

  1. ^ a b c Catholic Weekly biodata on Mary O'Hara
  2. ^ [1], news.google.com; accessed 14 March 2014.
  3. ^ a b c Sligo Weekender, accessed 14 March 2014.
  4. ^ a b c Official Mary O'Hara website
  5. ^ Meeting Richard Selig, future husband
  6. ^ Chicago Tribune archives
  7. ^ O'Hara's final vows at Stanbrook Abbey; news.google.com; accessed 14 March 2014.
  8. ^ Chicago Tribune archives
  9. ^ a b Handmusic website
  10. ^ Celebration of Love
  11. ^ Harp on the Willow
  12. ^ Profile, Catholic Weekly, ibid.
  13. ^ Sebastian O'Barry website; accessed 14 March 2014.
  14. ^ a b Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 405. ISBN 1-904994-10-5. 

External links[edit]