Mary and Max

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Mary and Max
Mary and max poster.jpg
Australian theatrical release poster
Directed by Adam Elliot
Produced by Melanie Coombs
Written by Adam Elliot
Starring Bethany Whitmore
Toni Collette
Philip Seymour Hoffman
Eric Bana
Barry Humphries
Narrated by Barry Humphries
Music by Dale Cornelius
Cinematography Gerald Thompson
Edited by Bill Murphy
Distributed by Icon Entertainment International
Release dates
Running time 90 minutes
Country Australia
Language English
Yiddish
Budget A$8,240,000[1]
Box office $1,725,381[2]

Mary and Max is a 2009 Australian clay-animated black comedy-drama film written and directed by Adam Elliot and produced by Melanie Coombs. The voice cast included Philip Seymour Hoffman, Toni Collette, Eric Bana, Bethany Whitmore, with narration by Barry Humphries.

The film premiered on the opening night of the 2009 Sundance Film Festival.[3] The film won the Annecy Cristal in June 2009 from the Annecy International Animated Film Festival, and Best Animated Feature Film at the Asia Pacific Screen Awards in November 2009. The film was given a PG-13 rating by the Motion Picture Association of America.

Plot[edit]

In 1976, eight-year-old Mary Daisy Dinkle (Bethany Whitmore) lives a lonely life in Mount Waverley, Australia. At school, she is teased by her classmates because of an unfortunate birthmark on her forehead; while at home, her distant father, Noel, and alcoholic, kleptomaniac mother, Vera, provide little support. Her only comforts are her pet rooster, Ethel; her favorite food, sweetened condensed milk; and a Smurfs-like cartoon show called The Noblets. One day, while at the post office with her mother, Mary spots a New York City telephone book and, becoming curious about Americans, decides to write to one. She randomly chooses Max Jerry Horowitz's name from the phone book and writes him a letter telling him about herself, sending it off in the hope that he will become her pen friend.

Max (Philip Seymour Hoffman) is a morbidly obese 44-year-old Jewish atheist who has trouble forming close bonds with other people, due to various mental and social problems. Though Mary's letter initially gives him an anxiety attack, he decides to write back to her, and the two quickly become friends (partly due to their shared love of chocolate and The Noblets). Due to Vera's disapproval of Max, Mary tells him to send his letters to her agoraphobic neighbor, Len Hislop, whose mail she collects regularly. When Mary later asks Max about love, he suffers a severe anxiety attack and is institutionalized for eight months. After his release, he is hesitant to write to Mary again for some time. On his 48th birthday, he wins the New York lottery, using his winnings to buy a lifetime supply of chocolate and an entire collection of Noblet figurines. He gives the rest of his money to his elderly neighbour Ivy, who uses most of it to pamper herself before dying in an accident with a malfunctioning jet pack. Meanwhile, Mary becomes despondent, thinking Max has abandoned her.

On the advice of his therapist, Max finally writes back to Mary and explains he has been diagnosed with Asperger syndrome. Mary is thrilled to hear from him again, and the two continue their correspondence for the next several years. As she ages into an adult, Mary (Toni Colette) has her birthmark surgically removed, and develops a crush on her Greek Australian neighbor, Damien Popodopoulos (Eric Bana). When Noel retires from his job at a tea bag factory, he takes up metal detecting, but is soon swept away (and presumably killed) by a big tidal bore while on a beach. Drunk and guilt-ridden over her husband's death, Vera dies herself after she accidentally drinks embalming fluid. Mary and Damien grow closer following Vera's death and are later married.

Inspired by her friendship with Max, Mary studies psychology at university, writing her doctoral dissertation on Asperger syndrome with Max as her test subject. She plans to have her dissertation published as a book; but when Max receives a copy from her, he is infuriated that she has taken advantage of his condition, which he sees as an integral part of his personality and not a disability that needs to be cured. He breaks off communication with Mary (by removing the letter "M" from his typewriter), who, heartbroken, has the entire run of her book pulped, effectively ending her budding career. She sinks into depression and begins drinking cooking sherry, as her mother had done. While searching through a cabinet, she finds a can of condensed milk, and sends it to Max as an apology. She checks the mail daily for a response and one day finds a note from Damien, informing her that he has left her for his own pen friend, Desmond, a sheep farmer in New Zealand.

Meanwhile, after an incident in which he nearly chokes a homeless man (Ian "Molly" Meldrum) in anger, Max realizes Mary is an imperfect human being, like himself, and sends her a package containing his Noblet figurine collection as a sign of forgiveness. Mary, however, has sunken into despair after Damien's departure, and fails to find the package on her doorstep for several days. Finding some Valium that had belonged to her mother, and unaware that she is pregnant with Damien's child, Mary decides to commit suicide. As she takes the Valium and is on the verge of hanging herself, Len knocks on her door, having conquered his agoraphobia to alert her of Max's package. Inside, she finds the Noblet figurines and a letter from Max, in which he tells her of his realization that they are not perfect and expresses his forgiveness. He also states how much their friendship means to him, and that he hopes their paths will cross one day.

One year later, Mary travels to New York with her infant son to finally visit Max. Entering his apartment, Mary discovers Max on his couch, gazing upward with a smile on his face, having passed away earlier that morning. Looking around the apartment, Mary is awestruck to find all the letters she had sent to Max over the years, laminated and taped to the ceiling. Realizing Max had been gazing at the letters when he died, and seeing how much he had valued their friendship, Mary cries tears of joy and joins him on the couch.

Cast[edit]

Themes[edit]

The film deals with themes including childhood neglect, friendship, the obscurity of life, teasing, loneliness, autism (Asperger syndrome in particular), obesity, suicide, depression, isolation, and anxiety.[5]

Production[edit]

According to the opening credits, the film is based on a true story. In an interview given in April 2009, writer-director Elliot clarified that the character of Max was inspired by "a pen-friend in New York who I've been writing to for over twenty years."[6][7]

Principal photography lasted over 57 weeks, using 133 separate sets, 212 puppets, and 475 miniature props, "including a fully functioning Underwood typewriter which apparently took 9 weeks to design and build."[8]

Music[edit]

The music in the film features Simon Jeffes and the Penguin Cafe Orchestra's "Perpetuum Mobile" (the opening theme) and "Prelude and Yodel", as well as "Russian Rag" by Elena Kats-Chernin. The closing-credits music is "A Swingin' Safari" by Bert Kaempfert and his Orchestra.

Other artists include Nana Mouskouri, Dale Cornelius, Leroy Anderson, Pink Martini, London Pops Orchestra, James Last and his Orchestra, The King's Consort and Choir, the Sydney Alpha Ensemble, and the ABC Radio Orchestra.[9]

Reception[edit]

Mary and Max received generally very positive reviews.[10][11][12] As of August 2014, 95% (57 of 60) of the critics at the film review aggregator Rotten Tomatoes rate Mary and Max fresh, with eleven of the fourteen "Top Critic" reviews agreeing.[13]

Matt Ravier, writing for In Film Australia,[8] said the "story is paper-thin and some stretches of it are simply too long, yet whenever the narrative thread threatens to tear the sheer authenticity and bold honesty of the characters save the day." The Los Angeles Times called it a "remarkable and poignant" film depicting a "film noir world of blacks, whites and grays for Max and a sepia suburbia for Mary."[14]

After the film was released on DVD in the United States, Slant said "Adam Elliot's dry wit is pervasive throughout Mary and Max and it's nice to see that this unique sense of humor extends to the extras. The writer-director gives a funny and informative audio commentary and a set of hilarious making-of episodes reflects the sardonic tone of the production. The big prize here, however, is the addition of Elliot's Oscar-winning short Harvie Krumpet. This Geoffrey Rush-narrated tale of the titular Tourette syndrome sufferer is a wonderful introduction both to Elliot's sensibilities and to Mary and Max's specific tone."[15]

Box office[edit]

Mary and Max grossed $1,444,617 at the Australian box office.[16]

The film received no general theatrical release in the United States, though it was showcased at several American film festivals,[17] and was briefly shown at one of the Laemmle Theatres in the Los Angeles area.[14] The film's U.S. distributor (IFC Films) made the film available through video on demand.[15]

The film was released in France by Gaumont[18] and in Germany by MFA[19] to significant critical and box office success.

Awards[edit]

It was awarded the Grand Prize for Best Animated Feature at the 2009 Ottawa International Animation Festival[20] and co-winner (with Coraline) of the "Cristal" for Best Feature at the 2009 Annecy International Animation Film Festival.[21][22] The film was also short-listed for the Academy Award for Best Animated Feature at the 82nd Academy Awards, but was ultimately not nominated. Mary and Max was commended in the Best Australian Film category in the Australian Film Critics Association awards for 2009. The film won the Asia Pacific Screen Award for the Best Animated Feature Film 2009.[23]

Related exhibition[edit]

An exhibit of artefacts and clips from the film were presented in France and Australia. In France the exhibition was hosted by Gaumont as part of the release.[18]

In Australia initially at the Australian Centre for the Moving Image for three months starting in March 2010.[24] and then touring around Australia throughout 2010/2011.[25]

See also[edit]

References[edit]

  1. ^ Dent, Nick. "Mary and Max". Time Out Sidney. Retrieved 30 August 2010. 
  2. ^ Mary & Max, Box office mojo .
  3. ^ Jones, Michael (19 November 2008). "'Mary and Max' to open Sundance". Variety. Retrieved 10 May 2010. 
  4. ^ a b c d Thomas, Archie (1 October 2008). "Philip Seymour Hoffman joins 'Mary'". Variety. Retrieved 10 May 2010. 
  5. ^ Schembri, Jim (13 April 2009). "Mary and Max (review)". The Age. Retrieved 10 May 2010.  5/5 stars
  6. ^ Milfull, Tim (5 April 2009). "Cinema: An Interview with Adam Elliot". Retrieved 10 May 2010. 
  7. ^ Milfull, Tim (6 April 2009). "Informer Cinema: Adam Elliot – Mary And Max Interview". Rave Magazine. Retrieved 10 May 2010. 
  8. ^ a b Ravier, Matt (12 February 2009). "Review: Mary and Max (2009)". In Film Australia. Retrieved 24 September 2010. 
  9. ^ "Dale Cornelius". nativetongue.com.au. Retrieved 10 May 2010. 
  10. ^ Pomeranz, Margaret (8 April 2009). "Mary and Max". At the Movies (Australian Broadcasting Corporation). Retrieved 10 May 2010.  4/4 stars
  11. ^ "International Competition / Jury Statements". Stuttgart, Germany: International Trickfilm Festival. Retrieved 10 May 2010. 
  12. ^ Dunks, Glenn (7 April 2009). "Review: Mary & Max". Stale Popcorn. Retrieved 10 May 2010. 
  13. ^ "Mary and Max (2009)". Rotten Tomatoes. Retrieved 20 August 2014. 
  14. ^ a b Thomas, Kevin (25 September 2009). "A love letter to pen pals' power". Capsule Movie Reviews. Los Angeles Times. Retrieved 24 September 2010. 
  15. ^ a b "Mary and Max". 19 July 2010. Retrieved 24 September 2010. 3.5/5 stars
  16. ^ "Australian Films at the Australian Box Office", Film, Victoria .
  17. ^ Release dates for Mary and Max (2009), Internet Movie Database .
  18. ^ a b Mary & Max, FR: Gaumont .
  19. ^ Mary and Max, DE: MFA .
  20. ^ "2009 Award Winners". Ottawa International Animation Festival. Retrieved 10 May 2010. 
  21. ^ Moody, Annemarie (15 June 2009), Coraline, Mary & Max Win Annecy Cristal Award, Animation World Network .
  22. ^ Keslassy, Elsa (13 June 2009), "'Coraline', 'Max' share Annecy prize", Variety 
  23. ^ "Winners", The awards, Asia Pacific Screen Awards, 2009 .
  24. ^ "Mary and Max: The Exhibition". Australian Centre for the Moving Image. Retrieved 10 May 2010. 
  25. ^ Nets Victoria, AU .

External links[edit]