Mass Appeal

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For other uses, see Mass Appeal (disambiguation).

Mass Appeal is a two-character play by Bill C. Davis. The comedy-drama focuses on the conflict between a complacent Roman Catholic pastor and the idealistic young deacon who is assigned to his affluent, suburban parish.

Plot[edit]

Father Tim Farley is highly popular with his parishioners due to his charm, wit, easy-going manner, and entertaining (but unchallenging) sermons. One Sunday, seminarian Mark Dolson interrupts Farley's sermon to challenge his stance on the ordination of women. The pastor is outraged yet intrigued by the young man, and asks to have him assigned to work with him.

Dolson is a firebrand eager to change the Church. He enjoys attacking Farley's "song and dance theology" and questioning why he drinks so much. Dolson feels it's his job to shake parishioners out of their complacency. Farley likes Dolson, but sees that he'll never succeed as a priest if all he does is irritate people and make enemies. Each man has something to teach the other about how to perform his priestly duties.

Productions[edit]

Mass Appeal was first performed in many small theatres, including The No Smoking Playhouse in Manhattan, produced by Pearl Tisman Minsky and Ken Berman, with Berman playing the role of Farley and Bill Davis playing the role of Dolson. At the suggestion of the pastor of The Actors' Church, Minsky brought the play to Geraldine Fitzgerald, with whom she was acquainted. When Fitzgerald agreed to direct the play, Minsky was about to bring the play to Lynn Meadows at the Manhattan Theatre Club. Fitzgerald suggested that she would bring the play to her as she was better acquainted with her. Minsky and Berman met with other producers and put together a package for Broadway. At that point, Davis and Fitzgerald dropped Minsky and Berman, and had the play produced on Broadway. The Broadway playbill for Mass Appeal notes that the play was produced by arrangement with Minsky and Berman.

The play originally was produced by the Manhattan Theatre Club. Directed by Geraldine Fitzgerald and starring Milo O'Shea as Tim Farley and Eric Roberts as Mark Dolson, it opened at the Off-Broadway Stage 73 on April 22, 1980 and ran for 104 performances. Fitzgerald won the Outer Critics Circle Award for Outstanding New Director.

The Broadway production, again directed by Fitzgerald and starring O'Shea as Tim Farley but with Michael O'Keefe as Mark Dolson, opened at the Booth Theatre on November 12, 1981 after 16 previews. It closed on May 16, 1982 after 212 performances.

The play premiered in the United Kingdom at the Lyric Hammersmith in London in 1982 with Gordon Jackson as Father Farley and Rupert Everett as Mark Dolson. It received its first British revival at the Finborough Theatre in London in 2006 with Kevin Colson and Brendan Patricks.

In 1982 the play was performed at Sydney's Seymour Centre theatre, and starred real-life father and son actors Michael and Christopher Pate. Actor/Director Will Stutts toured the United States as Farley in the mid 1980s.

Awards and nominations[edit]

Michael and Christopher Pate, toured Australia. Returning to the Sydney Opera House.

Film adaptation[edit]

Davis adapted his play for a 1984 feature film starring Jack Lemmon as Tim Farley and Zeljko Ivanek as Mark Dolson.

External links[edit]