Massacre of the Innocents (Rubens)

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Peter Paul Rubens. Massacre of the Innocents, 1611–12 (Art Gallery of Ontario).
Peter Paul Rubens. Massacre of the Innocents, 1636–38 (Alte Pinakothek).

The Massacre of the Innocents is the subject of two paintings by Peter Paul Rubens depicting the episode of the biblical Massacre of the Innocents of Bethlehem, as related in the Gospel of Matthew.

The lost masterpiece[edit]

The first version painted by Rubens dates from around 1611–12.[1][2] At the end of the seventeenth century, the painting became part of the Liechtenstein Collection in Vienna, Austria, along with another Rubens masterpiece, Samson and Delilah. The Forchondt brothers sold both paintings to Hans-Adam I, Prince of Liechtenstein whom they knew through his father Karl Eusebius, Prince of Liechtenstein around 1700.[3] The paintings were given the Liechtenstein family seal and are recorded in the collection until the 19th century, where drawings in 1815 show they hung side by side in the Garden Palace in Vienna.[3]

After being catalogued by Vincenzio Fanti as a Franciscus de Neve (II) in 1767,[4] the Massacre was attributed in an anonymous inventory of the Liechtenstein Collection dated 1780 to one of Rubens' assistants, Jan van den Hoecke, after Rubens. Under that attribution it remained until it was sold to an Austrian family in 1920. It was subsequently loaned in 1923 to Stift Reichersberg, a monastery in northern Austria.

In 2001, the painting was seen by George Gordon, an expert in Flemish and Dutch paintings at Sotheby's in London. He was persuaded that it was indeed a Rubens by its similar characteristics and style to the Samson and Delilah painted around the same time. The work was sold at auction at Sotheby's, London on July 10, 2002 for £49.5 million (CAD $117 Million)[5][6] to Canadian businessman and art collector Kenneth Thomson, 2nd Baron Thomson of Fleet.

Following the auction the painting was loaned to the National Gallery, London for a period before its transfer in 2008 to the Art Gallery of Ontario in Toronto, to whom Thomson had donated it, and which was undergoing a major rebuilding and expansion during those years. [7]

Analysis[edit]

It is widely regarded as a demonstration of the artist's learnings from his time spent in Italy between 1600 and 1608, where he observed first-hand the works of Italian Baroque painters like Caravaggio. These influences are seen in this painting through the sheer drama and emotive dynamism of the scene, as well as the rich colour. There is also evidence of the use of chiaroscuro.

Later version[edit]

Towards the end of his life, between 1636 and 1638, Rubens painted a second version of the Massacre of the Innocents.[8] This version was acquired by the Alte Pinakothek, Munich by 1706, and it continues to hang there today.[9]

A copy of this later version was made as an engraving in 1643 by Paulus Pontius.[10]

Notes[edit]

External links[edit]