Max Richter

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Max Richter
Born 1966
Germany
Occupations Composer, pianist, producer
Years active 1990s–present
Labels Fat Cat Records
Website maxrichtermusic.com

Max Richter (born 1966) is a German-born British composer.

Contents

[edit] Early career

Richter studied composition and piano at University of Edinburgh, the Royal Academy of Music and with Luciano Berio in Florence.[1] After finishing his studies, Richter co-founded the contemporary classical ensemble Piano Circus.[2] He stayed with the group for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich. The ensemble was signed to Decca/Argo, producing five albums.

In 1996, Max collaborated with Future Sound of London on their album Dead Cities, beginning as a pianist, but ultimately working on several tracks, as well as co-writing one track (titled "Max"). Richter subsequently worked with the band over a period of two years, also contributing to the albums The Isness and The Peppermint Tree and Seeds of Superconsciousness. In 2000, Richter worked with Mercury Prize winner Roni Size on the Reprazent album In the Mode. Richter produced Vashti Bunyan's 2005 album Lookaftering[3] and Kelli Ali's 2008 album Rocking Horse.[4]

[edit] Solo work

[edit] Memoryhouse (2002)

In 2002, Richter released his solo debut Memoryhouse, an experimental album of "documentary music" recorded with the BBC Philharmonic Orchestra, which explores real and imaginary stories and histories.[5] It combines ambient sounds, voices, and poetry readings. The album went out of print several years later, but was re-released in 2009. Four tracks—"Europe, After the Rain", "The Twins (Prague)", "Fragment", and "Embers"—were used in the six-part 2005 BBC documentary Auschwitz: The Nazis and the Final Solution produced by Laurence Rees.[6]

[edit] The Blue Notebooks (2004)

On his second album The Blue Notebooks, released in 2004, actress Tilda Swinton reads from Kafka’s Blue Octavo and other "shadow journals".[7]

[edit] Songs from Before (2006)

In 2006, he released his third solo album, Songs from Before, which features Robert Wyatt reading texts by Haruki Murakami.[8]

[edit] 24 Postcards in Full Colour (2008)

Richter released his fourth solo album 24 Postcards in Full Colour, a collection of 24 classically-composed miniatures for ringtones, in 2008.[9] The pieces are a series of variations on the basic material, scored for strings, piano and electronics.

[edit] Infra (2010)

Richter's latest album, Infra, is an extension of his 25-minute score for a ballet choreographed by Wayne McGregor which was staged at the Royal Opera House.[10] Infra is composed of music written for piano, electronics and string quintet, the full performance score, as well as material that subsequently developed from the construction of the album.[11]

[edit] Film and television work

Richter has composed numerous film soundtracks. He executed the score to Ari Folman’s Golden Globe-winning film Waltz with Bashir in 2007,[12] supplanting the standard orchestral soundtrack with synth-based sounds. Max Richter also composed music for the independent feature film Henry May Long, starring Randy Sharp and Brian Barnhart, back in 2008. Richter wrote the music for Feo Aladag's film Die Fremde (with additional music by Stéphane Moucha).[13]

In 2010, Dinah Washington's "This Bitter Earth" was remixed with Richter's "On the Nature of Daylight" for the Martin Scorsese film Shutter Island.[14] In July 2010, "On The Nature Of Daylight" and "Vladimir's Blues" featured throughout the BBC Two two-part drama Dive, which was co-written by Bafta award winning Dominic Savage and Simon Stevens. "On The Nature Of Daylight" was also featured in an episode of HBO's television series Luck[15]. Richter also wrote the soundtrack to Peter Richardson’s documentary, How to Die in Oregon,[16] and the score to Les Impardonnables (2011) directed by André Téchiné.[17] Films featuring Max's music which go on release in 2011 include French drama Elle s’appelait Sarah by Gilles Paquet-Brenner, and David MacKenzie's romantic thriller Perfect Sense. Richter is currently composing the score to Ari Folman’s new film The Congress which is set for release in 2012-13.

[edit] Collaborations

Richter wrote the score to Infra as part of a Royal Ballet-commissioned collaboration with dancer Wayne McGregor and artist Julian Opie. The production was staged at the Royal Opera House in London in 2008. In 2010, Richter's soundscape The Anthropocine formed part of Darren Almond’s film installation at the White Cube gallery in London.

[edit] Solo discography

[edit] Film scores

Film Year Director Notes
Gender Trouble 2003 Roz Mortimer
Geheime Geschichten 2003 Christine Wiegand
Soundproof 2006 Edmund Coulthard
Work 2006 Jim Hosking
Butterfly 2007 Tracey Gardiner
Nadzieja 2007 Stanislaw Mucha
Frankie Howerd: Rather You Than Me 2008 John Alexander
Henry May Long 2008 Randy Sharp
Waltz with Bashir
(Vals Im Bashir)
2008 Ari Folman Won "Best Composer" at the 21st Annual European Awards
Lost and Found 2008 Philip Hunt
Penelope
(Penelopa)
2009 Ben Ferris
La vie sauvage des animaux domestiques
(Die wilde Farm)
2009 Dominique Garing & Frédéric Goupil
The First Line
(La prima linea)
2009 Renato De Maria
My Words, My Lies - My Love
(Lila, Lila)
2009 Alain Gsponer
When We Leave
(Die Fremde)
2010 Feo Aladağ With Stéphane Moucha
My Trip to Al-Qaeda 2010 Alex Gibney
Womb 2010 Benedek Fliegauf
Sarah's Key
(Elle s'appelait Sarah)
2010 Gilles Paquet-Brenner
The Gift 2010 Andrew Griffin With Hildur Guðnadóttir
How to Die in Oregon 2010 Peter D. Richardson
Perfect Sense 2011 David Mackenzie
Impardonnables 2011 André Téchiné
Nach der Stille 2011 Stephanie Bürger, Jule Ott
& Manal Abdallah
With Sven Kaiser
Edwin Boyd: Citizen Gangster 2011 Nathan Morlando
Spanien 2012 Anja Salomonowitz

[edit] Awards and nominations

[edit] References

  1. ^ "Max Richter". FatCat Records. http://fat-cat.co.uk/fatcat/artist.php/max+richter. Retrieved 19 August 2011. 
  2. ^ Mark Pappenheim (24 November 1993). "MUSIC / Many hands make light work". London: The Independent. http://www.independent.co.uk/arts-entertainment/music--many-hands-make-light-work-piano-circus-had-a-problem-six-keyboards-but-only-one-piece-to-play-what-could-they-do-without-steve-reich-1506360.html. Retrieved 2011-10-19. 
  3. ^ Adam Park (11 October 2006). "The Richter Scale". Boomkat. http://www.boomkat.com/article.cfm?id=10. Retrieved 2011-10-19. 
  4. ^ "Biography Kelli Ali". London: The Guardian. http://www.guardian.co.uk/music/artist/e91466e9-e518-4b02-9198-a6c338694c9d. Retrieved 2011-10-21. 
  5. ^ "Max Richter Memoryhouse". http://fat-cat.co.uk/fatcat/release.php?id=299. Retrieved 2011-10-21. 
  6. ^ http://www.imdb.com/title/tt0941057/
  7. ^ Paul Tingen (January 2005). "Max Richter Recording The Blue Notebooks". Sound On Sound. http://www.soundonsound.com/sos/jan05/articles/ritcher.htm. Retrieved 2011-10-21. 
  8. ^ "SONGS FROM BEFORE • Max Richter". Puremusic. http://www.puremusic.com/71max.html. Retrieved 2011-10-21. 
  9. ^ Michael Crumsho (22 October 2008). "Max Richter - "Berlin By Overnight" (24 Postcards In Full Colour)". Dusted Magazine. http://www.dustedmagazine.com/reviews/4621. Retrieved 2011-10-21. 
  10. ^ Gilbert, Jenny (16 November 2008). The Independent (London). http://www.independent.co.uk/arts-entertainment/theatre-dance/reviews/royal-ballet-royal-opera-house-londonbrrambert-dance-company-sadlers-wells-london-1020245.html. 
  11. ^ http://drownedinsound.com/releases/15534/reviews/4140557
  12. ^ http://www.pbs.org/newshour/art/blog/2009/02/richters-scale-scoring-waltz-with-bashir.html
  13. ^ http://www.discogs.com/Max-Richter-Stéphane-Moucha-Die-Fremde-Original-Soundtrack/release/2412419
  14. ^ http://newcityfilm.com/2010/02/17/a-life-in-the-mind-with-shutter-island-scorsese-goes-for-baroque-review/
  15. ^ http://www.hbo.com/luck/episodes/01/04-episode-04/music.html
  16. ^ http://criterioncast.com/2011/03/26/joshua-reviews-peter-richardsons-how-to-die-in-oregon-sxsw-2011-review/
  17. ^ http://www.arte.tv/de/3911890,CmC=3913052.html

[edit] External links

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