He studied medicine and natural sciences in Berlin, and later moved to Jena, where he furthered his studies with Ernst Haeckel (1834–1919) and William Thierry Preyer (1841–1897). In 1895 he became a professor at the University of Jena, and in 1901 a professor at the physiological institute at Göttingen. Later, as successor to Eduard Pflüger (1829-1910), he became a professor at the University of Bonn (1910). In 1902 he founded the journal Zeitschrift für Allgemeine Physiologie (Journal of General Physiology), and was its publisher until his death in 1921.
Max Verworn is remembered for his research in the field of experimental physiology, and especially for his work involving cellular physiology. He did extensive studies of the elementary physiological processes that take place in muscle tissue, nerve fibers and sensory organs. He conducted research in the fields of phylogenesis and ontogenesis — Verworn was influenced by Haeckel's theory of evolutionism, and considered that all physiological phenomena seen in higher animals may already be recognizable in the most basic forms of life.
He undertook investigations into human creativity and thought processes. In his studies of art, he believed that there were two types of style and aims of artistic representation. These two concepts he called "physioplastic" and "ideoplastic". He described physioplastic as direct reproduction of the object or its immediate image in memory, and ideoplastic as an intutitive attempt to create what the eye sees.
He was the first recipient of the Carus Prize from the "Deutsche Akademie der Naturforscher Leopoldina" (or the National Academy of Germany) in 1896 for his work in the area of physiology.
Selected written works
- Psychophysiologische Protistenstudien, 1889 - Psychophysiological protist studies.
- Die Bewegung der lebendigen Substanz, 1892 - Movement of the living substances.
- Allgemeine Physiologie, 1895 - General physiology.
- Die Biogenhypothese, 1903 - The biogenic hypothesis.
- Naturwissenschaft und Weltanschauung, 1904 - Science and philosophy.
- Die Mechanik des Geisteslebens, 1907 - Mechanics of spiritual life.
- Zur Psychologie der primitiven Kunst, 1907 - Psychology of primitive art.
- Die Frage nach den Grenzen der Erkenntnis, 1908 - The question on the limits of knowledge.
- C., E. P. (1922-02-06). "Obituary: Prof. Max Verworn". Nature 109 (2729): p. 213. doi:10.1038/109213a0.
- Google Books The Psychology of Jung: An Introduction with Illustrations by Jolande Székács Jacobi
- Science, Technology, and the Art of Medicine: European-American Dialogues edited by C. Delkeskamp-Hayes, Mary Ann Gardell Cutter
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- Brief biography in the Virtual Laboratory of the Max Planck Institute
- "Parts of this article are based on a translation of an equivalent article at the French Wikipedia".
- Theories of Art: From Impressionism to Kandinsky by Moshe Barasch
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