Edwin Maxwell Fry, CBE, RA, FRIBA, FRTPI, known as Maxwell Fry (2 August 1899 – 3 September 1987), was an English modernist architect of the middle and late 20th century, known for his buildings in Britain, Africa and India.
Originally trained in the neo-classical style of architecture, Fry grew to favour the new modernist style, and practised with eminent colleagues including Walter Gropius, Le Corbusier and Pierre Jeanneret. Fry was a major influence on a generation of young architects. Among the younger colleagues with whom he worked was Denys Lasdun.
In the 1940s Fry designed buildings for west African countries that were then part of the British Empire, including Ghana and Nigeria. In the 1950s he and his wife, the architect Jane Drew, worked for three years on an ambitious development to create a new capital city of Punjab at Chandigarh.
Fry's works in Britain range from railway stations to private houses to large corporate headquarters. Among his best known works in the UK is Kensal House in Ladbroke Grove, London, aimed at providing high quality low cost housing, in which he collaborated with Elizabeth Denby to set new standards.
Fry was born in Liscard, part of Wallasey in Cheshire. His father Ambrose Fry, a chemical manufacturer, later a property developer, was born in Canada, and his mother was Lily Thompson. He had two older sisters, Muriel and Nora, and a younger brother Sydney. To his family and friends he was known as Maxi or Max.
Fry was educated at the Liverpool Institute High School. He served in the King's Liverpool regiment at the end of the First World War. After the war he received an ex-serviceman's grant that enabled him to enter Liverpool University school of architecture in 1920, where he was trained in "the suave neo-Georgian classicism" of Professor Charles Reilly. The curriculum of the course included town planning as an important component, and Fry retained an interest in planning throughout his career. He gained his diploma with distinction in 1923. The next year he worked for a short time in New York before returning to England to join the office of Thomas Adams and F. Longstreth Thompson, specialists in town planning.
His next post was chief assistant in the architect's department of the Southern Railway, where in 1924-6 he was architect of three neo-classically styled railway stations, at Margate, Ramsgate and Dumpton Park.
In 1926 he married his first wife Ethel Leese (née Speakman). She was a divorcee, previously married to Lancashire cricketer Charles Leese, and aged 38 when they married. The marriage was not happy: Max described her as "a too well-bred wife without a frolic in her nature ... with the same determination [as her mother] to be well thought of without trying", and he also noted that she was a chain smoker. They had one daughter, Ann.
He returned to Adams and Thompson in 1930 as a partner.
In a 2006 study of Fry in the Journal of the Society of Architectural Historians, R. W. Liscombe writes that Fry, frustrated at the prevailing conservatism of British architecture and society, renounced Reilly's neo-classicism in favour of "an independent functionalist design idiom modified from the main German and French progenitors of the modern movement". Liscombe adds that the "austere formalism and social idealism" of continental modernism appealed to Fry's moral outlook and his desire for social change. Fry's biographer Alan Powers writes that the change in Fry's aesthetic views came gradually; he continued to design in the neo-classical style for some years: "As a partner in Adams, Thompson and Fry, he designed a garden village at Kemsley near Sittingbourne in 1929, and a house at Wentworth, Surrey, in 1932, in the refined neo-Georgian style typical of the Liverpool school." Wells Coates, a colleague at Adams, Thompson and Fry tried to enthuse Fry with the example of Le Corbusier, but his conversion to modernism, in Powers's words, "came principally through his membership of the Design and Industries Association, which introduced him to modern German housing. ... [Fry] was also influenced by the Congrès Internationaux d'Architecture Moderne, and was closely involved in its English branch, the Modern Architectural Research (MARS) Group, following its establishment in 1933." Even after his espousal of modernism, Fry remained fond of neo-classical architecture, lending his support to a campaign to preserve Nash's Carlton House Terrace in the 1930s.
Fry was one of the few modernist architects working in Britain in the thirties who were British; most were immigrants from continental Europe, where modernism originated. Among them was Walter Gropius, former director of the Bauhaus, who fled from Nazi Germany in 1934 and with whom Fry set up a practice in London in the same year. The partnership lasted until 1936. Among its joint works was Impington Village College, Cambridgeshire. Gropius created the original design, and Fry revised it and supervised construction after Gropius had emigrated to the U.S. Among Fry's other well-known buildings of the 1930s are the Sun House, Frognal Lane, Hampstead (1936), Miramonte in New Malden, Kingston, Surrey (1937) and Kensal House, in Ladbroke Grove, London, completed in 1937, where he worked with the pioneering social reformer Elizabeth Denby to create a spacious estate with modern shared amenities; it set new standards for its time. The Times wrote of this period that "places in Fry's office were much sought after by the eager young men of the profession. Many who later distinguished themselves passed through it and have never forgotten Fry's early influence on them."
From 1937 to 1942 Fry worked as secretary, with Arthur Korn as chairman, on the governing committee of the MARS group plan for the redevelopment of postwar London, the results of which were outlined in his 1944 work Fine Building. The plan was described by Dennis Sharp, one of Fry's collaborators, as "frankly Utopian and Socialistic in concept." In 1939 Fry became a fellow of the Royal Institute of British Architects. During the Second World War he served with the Royal Engineers, ending the war with the rank of major.
1940s and postwar
In 1942, recently divorced from his first wife, Fry married the architect Jane Drew, whom he had met during his work on the MARS plan. She shared Fry's zeal for architectural and social modernisation, and they became professional as well as personal partners, establishing Fry, Drew and Partners, which existed from 1946 to 1973. Their first work together was for the British government in its west African colonies. In 1944 Fry was appointed town planning adviser to Lord Swinton, the resident minister of British West Africa; Drew was engaged as Fry's assistant. Their official postings continued until 1946, when Fry and Drew set up in private practice. Although based in London, most of their work for the next few years continued to be in west Africa for the British colonial authorities. The Frys opened an office in Ghana (then known as the Gold Coast) and worked there and in Nigeria, primarily on educational establishments, and often in temporary partnership with other British architects. The Times considered Fry's most notable work in West Africa to be the University of Ibadan.
In 1951 Fry and Drew joined an ambitious project to create a new city, Chandigarh, from scratch. With the partition of India, the Indian part of Punjab needed a new capital. Fry and his wife were responsible for securing Le Corbusier's participation in the project. He had previously declined invitations, but Fry and Drew visited him in Paris and secured his agreement to join them. He took on the designs of the new capital's major governmental and legal buildings and advised on the master plan for the city. Together with Pierre Jeanneret and a team of local architects, the Frys worked within Le Corbusier's plan to create Chandigarh; they spent three years there, designing housing, a hospital, colleges, a health centre, swimming pools and shops.
Both Fry and Drew often collaborated with and were close friends of Ove Arup, the founder of the engineering firm Arup. As Fry, Drew and Partners, the pair's major British commission was the headquarters of Pilkington Glass in St. Helens, Lancashire. The building includes a number of modernist art commissions with works by Victor Pasmore. Fry and Drew took on a number of younger partners, and the practice eventually grew to a considerable size. However, in the view of The Times's obituarist, "in these new circumstances his personal talent somehow became submerged, and the work of the firm that bore his name, though of acceptable quality, was not easy to distinguish from the competent modern work done by many other firms. Fry's originality, and his sparkle as a designer, were far less evident than in his pre-war buildings."
Fry was also a painter, writer and a poet, and he and Drew had among their friends contemporary artists such as Henry Moore, Barbara Hepworth, Ben and Winifred Nicholson, Victor Pasmore and Eduardo Paolozzi; and the author Richard Hughes. Fry was elected ARA in 1966 and advanced to RA in 1972. He exhibited at the Royal Academy Summer Exhibition, had a one-man show in 1974 at the Drian Gallery in London, and continued painting in his retirement. He served on the council of the Royal Institute of British Architects, of which he was vice-president in 1961–2. He was awarded the institute's Royal Gold Medal in 1964. He also served on the Royal Fine Arts Commission and on the council of the Royal Society of Arts. He was appointed CBE in 1955, was elected a corresponding member of the Acádemie Flamande in 1956, and an honorary Fellow of the American Institute of Architects in 1963. He was an honorary LLD of Ibadan University, and towards the end of his life he became Professor of Architecture at the Royal Academy.
List of works
- 1923–40 many houses and flats including Ridge End at Wentworth, Surrey and Club House at Sittingbourne, Kent
- 1924–26 Margate and Ramsgate railway stations, Kent
- 1933-34 Sassoon House (workers' flats), St. Mary's Road, Peckham, South-East London, Fry's first building in reinforced concrete, in collaboration with Elizabeth Denby
- 1935 Flats on St. Leonard's Hill, Windsor (with Walter Gropius)
- 1935 The Sun House, 9 Frognal Way, Frognal, Hampstead, London
- 1936 Levy House, 66 Old Church Street, Chelsea, London (with Gropius)
- 1936 House at Chipperfield Common, Hertfordshire
- 1936 Miramonte, house in Coombe, New Malden, Kingston, Surrey
- 1937 Kensal House, Ladbroke Grove, Kensington, London, in collaboration with Elizabeth Denby
- 1938 Showrooms for Central London Electricity, Regent Street, London
- 1938 Village College, Histon (with Gropius)
- 1938 Flats at 65 Ladbroke Grove, London
- 1939 Impington Village College, Cambridge (with Gropius)
- 1949–60 University of Ibadan, Nigeria
- 1950 St. Francis College, Ho Hoe, Togoland
- 1951 Work for the Festival of Britain
- 1951 Adisadel College, Ghana
- 1951–54 Housing in Chandigarh, Punjab, India
- 1951–54 Ramsay Hall, London
- 1952 Passfield House and other flats in Lewisham, south-east London
- 1953 School at Mawuli, Ghana
- 1954 School and College at Aburi, Ghana
- 1955–58 Design of the Usk Street Housing Estate at Bethnal Green, London (with Denys Lasdun)
- 1956 Co-operative Bank at Ibadan, Nigeria
- 1958 Teacher Training College in Wudil, Nigeria
- 1958 Oriental Insurance Building, Calcutta, India
- 1959 Schools in Lagos, Nigeria
- 1960 Pilkington Bros. (Glass), office and social housing, St. Helens, Lancashire
- 1960 BP office in Lagos, Nigeria
- 1960 Office building for Dow Agrochemicals Ltd., King's Lynn, Norfolk
- 1970 Crematorium at Coychurch, Mid-Glamorgan
- (with Thomas Adams, Francis Longstreth Thompson and James W. R. Adams) Recent Advances in Town Planning. London: J. & A. Churchill, 1932. OCLC 4377060
- Fine Building. London: Faber & Faber, 1944. OCLC 1984391
- (with Jane Drew) Architecture for Children. London: George Allen and Unwin, 1944. OCLC 559791804 (Republished 1976 as Architecture and the Environment)
- (with Jane Drew and Harry L. Ford) Village Housing in the Tropics: with special reference to West Africa. London: Lund Humphries, 1947. OCLC 53579274
- (with Jane Drew) Tropical Architecture in the Humid Zone. London: Batsford, 1956. OCLC 718056727
- (with Jane Drew) Tropical Architecture in the Dry and Humid Zones. London: Batsford, 1964. OCLC 155707318
- Art in a Machine Age: A Critique of Contemporary Life through the Medium of Architecture. London: Methuen, 1969. ISBN 0-416-04080-2
- Tapestry and Architecture: An Address Given at the Opening of an Exhibition of Tapestries by Miriam Sacks at the Ben Uri Gallery October 22, 1969. London: Keepsake P., 1970. ISBN 0-901924-09-1
- Autobiographical Sketches, London: Elek, 1975. ISBN 0-236-40010-X
- (with Jane Drew) Architecture and the Environment, London: George Allen and Unwin, 1976. ISBN 978-0-04-720020-5 (Republication of 1944 Architecture for Children)
- "African experiment – building for an educational programme in the Gold Coast". London: The Architectural Review, No. 677 Vol. CXIII, May 1953, pp. 299–310. OCLC 638313897
- (with Jane Drew) "Chandigarh and Planning Development in India." I. The Plan, by E. Maxwell Fry, II. Housing, by Jane B. Drew. London: Journal of the Royal Society of Arts, No.4948, 1 April 1955, Vol.CIII, pp. 315–333. OCLC 34739832
- England and Wales census 1901
- Powers, Alan. "Fry, (Edwin) Maxwell (1899–1987)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edition, May 2010, accessed 29 April 2011 (subscription required)
- Liscombe, Rhodri Windsor. "Modernism in Late Imperial British West Africa: The Work of Maxwell Fry and Jane Drew, 1946-56", Journal of the Society of Architectural Historians, Vol. 65, No. 2 (June 2006), pp. 188–215 (subscription required)
- Obituary, The Daily Telegraph, 9 September 1987
- GRO ref. 1911 Sep, Prestwich 8d 795
- GRO ref. 1926 Jun, Chelsea 01a 902
- Autobiographical Sketches, p. 130
- "Carlton House Terrace", The Times, 11 January 1933, p. 8
- Miramonte, New Malden, Kingston, Surrey (The Twentieth Century Society)
- Maxwell Fry and Kensal House
- Obituary, The Times, 5 September 1987, p. 10
- Korn, Arthur, Maxwell Fry and Dennis Sharp. "The M.A.R.S. Plan for London", Perspecta, Vol. 13 (1971), pp. 163-173, accessed 29 April 2011 (subscription required)
- Drew, Jane. "An Indian city well worth listing", The Independent, 21 July 1994, p. 17
- The partnership began as Maxwell Fry and Jane Drew, 1945–50, and was later Fry, Drew, Drake, & Lasdun, 1951–58; and later Fry, Drew, Knight & Creamer. See "Fry, E(dwin) Maxwell", Who Was Who, A & C Black, 1920–2008; online edition, Oxford University Press, December 2007, accessed 30 April 2011 (subscription required)
- "Fry, E(dwin) Maxwell", Who Was Who, A & C Black, 1920–2008; online edition, Oxford University Press, December 2007, accessed 30 April 2011 (subscription required)
- Structural Concrete, the Journal of the Reinforced Concrete Association, Vol.2 No.7 Jan/Feb 1965, page N10, from notes on remarks made by Fry in his speech made 4 November 1974 on the occasion of his award of the Royal Gold Medal for architecture
- Brenda Martin and Penny Sparke, Women's Places: Architecture and Design 1860–1960, London: Routledge, 2003 ISBN 0-415-28448-1
- The Twentieth Century Society: New Ways of mourning: Coychurch Crematorium (1970)
- Fry, Maxwell (1975). Autobiographical Sketches. London: Elek. ISBN 0-236-40010-X
- From Here to Modernity: Maxwell Fry
- Kiran Joshi, Documenting Chandigarh: The Indian Architecture of Pierre Jeanneret, Edwin Maxwell Fry, Jane Beverly Drew, Grantha Corporation, 1999 ISBN 1-890206-13-X
- (Edwin) Maxwell Fry (1899-1978), Architect, painter and writer - bronze head and photographs
- "Maxwell Fry's Sun House". solarhousehistory.com.
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