Mecca for Moderns
| Mecca for Moderns | ||||
|---|---|---|---|---|
| Studio album by The Manhattan Transfer | ||||
| Released | May 1981 | |||
| Recorded | 1980-1981 | |||
| Genre | Jazz | |||
| Length | 36:12 | |||
| Label | Atlantic | |||
| Producer | Jay Graydon | |||
| The Manhattan Transfer chronology | ||||
|
||||
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| allmusic | |
Mecca For Moderns is the sixth album by The Manhattan Transfer. It was released in 1981 on the Atlantic records label.
This album was the highest charting album to date for the group, peaking on Billboard Magazine's Top Pop Catalog Albums chart at #22. Additionally, the album helped the Manhattan Transfer make music history: they became the first group to win Grammy Awards in both the pop and jazz categories in the same year.
Contents |
[edit] Awards
The song "Boy From New York City" became their first top 10 hit, reaching #7 on Billboard Magazine's Hot 100 chart. This song also won the group the Grammy for "Best Pop Performance by a Duo or Group with Vocal."
The song "Until I Met You (Corner Pocket)" also earned them a Grammy Award for "Best Jazz Performance, Duo or Group."
The song "Spies In The Night'" also charted on Billboard Magazine's Bubbling Under chart, peaking at #103.
The song "A Nightingale Sang In Berkeley Square" which was arranged by Gene Puerling, won the "Best Vocal Arrangement" Grammy in 1981.
[edit] Album name
According to Tim Hauser, he picked up the name for this album from a Duke Ellington album entitled Live At The Blue Note 1952. While reading the cover, he noticed it said "The Blue Note was a haven for the smart set, in fact, the real mecca for moderns." The group agreed that the phrase fit the concept of the album quite well.
[edit] Track listing
- "On The Boulevard" (4:08)
- "Boy From New York City" (3:40)
- "(Wanted) Dead Or Alive" (3:27)
- "Spies In The Night" (3:59)
- "Smile Again" (4:33)
- "Until I Met You (Corner Pocket)" (5:17)
- "(The Word Of) Confirmation" (3:14)
- "Kafka" (4:08)
- "A Nightingale Sang in Berkeley Square" (3:46)
[edit] Personnel
[edit] The Manhattan Transfer
- Cheryl Bentyne, Alan Paul, Janis Siegel, Tim Hauser: Lead & Backing Vocals
[edit] Musicians
- Mike Baird, Steve Gadd: Drums
- Alex Acuña: Percussion
- Andy Narell: Steel Drums, Cowbell
- Abraham Laboriel: Bass
- Jay Graydon: Guitars, Synthesizers
- Al Viola, Dean Parks, Steve Lukather: Guitars
- David Foster: Keyboards, Synthesizers
- Michael Boddicker, Steve George: Synthesizers
- Greg Mathieson: Organ, Synthesizers
- Victor Feldman: Keyboards & Piano
- Milchio Leviev, Yaron Gershovsky: Piano
- Tom Scott: Saxophone & Lyricon
- Don Roberts, Richie Cole: Saxophone
- Jerry Hey: Trumpet
- Jon Hendricks: Scatting
[edit] Production
- Arranged By Jay Graydon & Gene Puerling
- Produced, Engineered & Mixed By Jay Graydon
[edit] References / Sources
- ^ Ginell, Richard S.. Mecca for Moderns at Allmusic
[edit] External links
- The Manhattan Transfer Official Website (requires Flash)
- Mecca for Moderns Retrieved from discogs October 16, 2010
|
|||||||||||||||||
| This 1980s jazz album-related article is a stub. You can help Wikipedia by expanding it. |