Melody Time

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Melody Time
Melody Time poster.jpg
Original theatrical release poster
Directed by Jack Kinney
Clyde Geronimi
Hamilton Luske
Wilfred Jackson
Produced by Walt Disney
Written by Winston Hibler
Harry Reeves
Ken Anderson
Erdman Penner
Homer Brightman
Ted Sears
Joe Rinaldi
William Cottrell
Jesse Marsh
Art Scott
Bob Moore
John Walbridge
Starring Roy Rogers
Trigger
Dennis Day
The Andrews Sisters
Fred Waring and the Pennsylvanians
Freddy Martin
Ethel Smith
Frances Langford
Buddy Clark
Bob Nolan
Sons of the Pioneers
The Dinning Sisters
Bobby Driscoll
Luana Patten
Jerry Colonna
The King's Men
Mel Blanc
Thurl Ravenscroft
Bill Lee
Music by Eliot Daniel
Paul J. Smith
Edited by Donald Halliday
Thomas Scott
Production
  company
Walt Disney Productions
Distributed by RKO Radio Pictures, Inc.
Release date(s) May 27, 1948 (1948-05-27)
Running time 75 minutes
Language English

Melody Time (working title All in Fun), a 1948 film, is the 10th theatrically released animated feature produced by Walt Disney and released to theatres by RKO Radio Pictures on May 27, 1948. Made up of several sequences set to popular music and folk music, the film is, like Make Mine Music before it, the popular music version of Fantasia (an ambitious film that proved to be a commercial disappointment upon its original theatrical release). Melody Time, while not meeting the artistic accomplishments of Fantasia, was mildly successful. It is the tenth animated feature in the Walt Disney Animated Classics series and the fifth package film following Saludos Amigos, The Three Caballeros, Make Mine Music, and Fun and Fancy Free.

Production[edit]

In late 1947, Disney announced he would be releasing a "regrouping of various cartoons at his studio under two titles, 'Melody Time' and 'Two Fabulous Characters'", to be released in August 1948 and 1949, respectively.[1] Melody Time ended up being a released a few months earlier than planned, in May.

Melody Time is considered to be the last anthology feature made by the Walt Disney Animation Studios (the next film to be released was The Adventures of Ichabod and Mr. Toad, which featured two stories). These package features were "little-known short-film compilations that Disney produced and released as feature films during World War II". They were "financially (and artistically) lightweight productions meant to bring in profits [to allow the studio to] return to fairy tale single-narrative feature form", a endeavour which they successfully completed two years later with Cinderella. While the shorts "contrast in length, form, and style", a common thread throughout is that each "is accompanied by song[s] from musicians and vocalists of the '40s"[2] - both popular and folk music.[3] This sets it apart from the similarly structured Fantasia, whose segments were set to classical music instead.[4] As opposed to Fun and Fancy Free, whose story was bound to the tales of Bongo and Jack and the Beanstalk, in this film "Walt Disney has let his animators and his color magicians have free rein".[5]

Melody Time was the last film The Andrews Sisters took part in. They sang throughout the 10 minute segment known as Little Toot. Andrews Sisters member Maxine said: "It was quite an experience. On the wall at the studio they had the whole story in picture form. Two songwriters played the score and Walt Disney explained it to us. It was a new thing for Disney. We sang the narrative. It was very exciting to work with Disney-he was such a gentleman".[6]

The two children who hear the story of Pecos Bill (Bobby Driscoll and Luana Patten) also appear together in Song of the South and So Dear to My Heart.[7]

Melody Time was the last feature film to include Donald Duck & José Carioca until the 1988 movie Who Framed Roger Rabbit.[7]

Marketing[edit]

The various taglines of the film were: "For Your All-Time Good Time !", "7 HIT SONGS! 11 MUSICAL STARS!", and "Walt Disney's GREAT NEW MUSICAL COMEDY".

Collectible items for the film include books, figures, and posters.[4]

Plot and background information of film segments[edit]

According to Disney, the film's plot is as follows: "In the grand tradition of Disney's greatest musical classics, such as FANTASIA, MELODY TIME features seven classic stories, each enhanced with high-spirited music and unforgettale characters...[A] feast for the eyes and ears [full of] wit and charm...a delightful Disney classic with something for everyone".[8] Rose Pelswick, in a 1948 review for The News-Sentinel, described the film as an 'adventure into the intriguing make-believe world people by Walk Disney's Cartoon characters". It also explains that "with the off-screen voice of Buddy Clark doing the introductions, the...episodes include fantasy, folklore, South American rhythms, poetry, and slapstick".[9] A 1948 review by the Pittsburgh Post-Gazette described it as a "mixture of fantasy, abstraction, parable, music, color, and movement".[10]

The seven "mini-musical"[7] stories are outlined below:

Once Upon a Wintertime[edit]

This segment features Frances Langford singing the title song about two romantic young lovers in December. It was named Jenny and Joe (unlike in most films, Jenny and Joe do not have spoken dialogue in this cartoon). Joe shows off on the ice for his lover, Jenny, and near-tragedy and a timely rescue ensues. Like several other segments of these package films, Once Upon a Wintertime was later released theatrically as an individual short, in this case on September 17, 1954.[11] This short is also featured in Very Merry Christmas Songs, which is part of Disney Sing Along Songs, as a background movie for the song Jingle Bells.

Bumble Boogie[edit]

This segment presents a surrealistic battle for a solitary bumble bee as he tries to ward off a visual and musical frenzy. The music is courtesy of Freddy Martin And His Orchestra (with Jack Fina playing the piano) and is a swing-jazz variation of Rimsky-Korsakov's Flight of the Bumblebee, which was one of the many pieces considered for inclusion in Fantasia.

The Legend of Johnny Appleseed[edit]

This segment is a retelling of the story of John Chapman (Bobby Driscoll), who spent most of his life roaming Mid-Western America (mainly Illinois and Indiana) in the pioneer days, and planting apple trees, thus earning his famous nickname. Dennis Day narrates and provides all the voices, but Bobby Driscoll provides the voice of Johnny Appleseed. This segment was released independently on December 25, 1955 as Johnny Appleseed.[12] The piece has a running time of "17 minutes [making it] the film's second-longest piece".[2] Before being adapted as a segment in Melody Time, the story of Johnny Appleseed was "first immortali[s]ed around campfires", then later turned into "storybook form".[13]

Little Toot[edit]

This segment is based on the story of the same name by Hardie Gramatky, in which the title protagonist, a small tugboat, wanted to be just like his father Big Toot, but couldn't seem to stay out of trouble. The Andrews Sisters provide the vocals.

Trees[edit]

This segment featured the a recitation of the 1913 poem "Trees" by Joyce Kilmer poem performed by Fred Waring and the Pennsylvanians with the lyrical setting accompanying animation of bucolic scenes seen through the changing of the seasons.

Blame It on the Samba[edit]

This segment has Donald Duck and José Carioca meeting the Aracuan Bird, who introduces them to the pleasures of the samba. The accompanying music is the 1914 polka Apanhei-te, Cavaquinho by Ernesto Nazareth, fitted with English lyrics. The Dinning Sisters provide the vocals while organist Ethel Smith plays the organ.

Donald Duck, Jose Carioca, and the Aracuan bird reprise their roles from The Three Caballeros. The animated short includes some live-action footage.[14]

Pecos Bill[edit]

The film's final segment is about Texas' famous hero Pecos Bill. He was raised by coyotes (similar to how Mowgli was raised by wolves in The Jungle Book) the biggest and best cowboy that ever lived. It also features his horse Widowmaker, and recounts how Pecos was brought back down to earth by a woman named Slue-Foot Sue. This retelling of the story features Roy Rogers, Bob Nolan, and the Sons of the Pioneers to Bobby Driscoll and Luana Patten. This segment was later edited on the film's NTSC video release (but not the PAL release) to remove all scenes of Bill smoking. The entire scene on the tornado with Bill rolling his cigarette and lighting it with a lightning bolt was cut, and all other shots of the offending cigarette hanging from his lips were digitally removed.[15] With a total running time of "22 minutes, [it] is the lengthiest piece".[2]

Cast[edit]

The cast is listed below:[8]

Songs[edit]

The songs in Melody Time were all "largely based around (then) contemporary music and musical performances".[16]

Song Writer(s) Performer(s)
Melody Time George David Weiss and Bennie Benjamin Buddy Clark
Once Upon a Wintertime Bobby Worth and Ray Gilbert Frances Langford
Bumble Boogie Nikolai Rimsky-Korsakov (arranged by Jack Fina) Freddy Martin and His Orchestra (with Jack Fina on piano)
Johnny Appleseed Kim Gannon and Walter Kent Dennis Day
Little Toot Allie Wrubel The Andrews Sisters
Trees Joyce Kilmer (poem) and Oscar Rasbach (music) Fred Waring and His Pennsylvanians
Blame It on the Samba Ernesto Nazareth and Ray Gilbert Ethel Smith and The Dinning Sisters
Pecos Bill Eliot Daniel and Johnny Lange Roy Rogers and the Sons of the Pioneers
Blue Shadows on the Trail Eliot Daniel and Johnny Lange Roy Rogers and the Sons of the Pioneers

Release[edit]

The film was originally released in USA, Brazil, and Argentina in 1948, and in 1950 in Mexico. From 30 January 1951 (UK) to 15 September 1954 (Denmark) the film was released across Europe. The film was known by a variety of names including Време за музика in Bulgaria, Mélodie cocktail in France, Musik, Tanz und Rhythmus in Germany, and Säveltuokio in Finland.

Disney later released a package film entitled Music Land, a nine-segment film which "recycled sequences from both Make Mine Music and Melody Time". Five selections were from Melody Time while another was the short Two For the Record, which consisted of two segments produced under Benny Goodman's direction.[17]

Melody Time was unusual in that, until 1998 (50 years after its initial release), it remained "one of the handful of Disney's animated features yet to be released on videocassette". Some of the segments "have been re-released as featurettes", and Once Upon a Wintertime has "been included on other Disney video cartoon compilations".[18]

Critical reception[edit]

At the time of its release, the film received "generally unfavorable reviews".[19] However, Disney Discourse: Producing the Magic Kingdom notes that an article in Time Magazine around that time "celebrated the global scope of the Disney product",[19] and a 1948 review for The News-Sentinel said the "charm and skill" that one had to expect from Disney is "delightful entertainment" for all children.[9] A 1940 review of the film for The Los Angeles Times said the "acts" Johnny Appleseed and Pecos Bill, which the "new variety show from Walt Disney [gave] special attention to" are "'human' sagas" and as a result "more endearing" than the rest of the segments.[20] The Andrews Sisters: A Biography and Career Record notes that "the public liked the film and it was a box-office success".[6]

A 1948 review by the Pittsburgh Post-Gazette said the film was a "visual and auditory delight" and added that if Disney were able to reach his audience's other senses, "there's no doubt he'd be able to please them too". It says a "tuneful and functional soundtrack rounds out the Disney art". It said that Bumble Boogie "reverted back to fantasia-like interpretive technique". It also notes that the abstraction ends after Trees, and the final three shorts are "story-sequences". It says the simple story of Johnny Appleseed is done with "touching perception". It said Little Toot "is destined to become a fable of our time" and adds "the Andrew Sisters tell the story in lilting song". The review ended with the author saying "deserving accolades will go to [Walt Disney] and his whole production staff, as well as to the staff whose voices he has used as well".[10]

A 1948 review of the film for The News-Sentinel described Pecos Bill as the best segment, and said it "caused a stir among the small fry in the audience".

Contemporary reviews are more mixed, noting film's faults, but also praising it for various technical achievements.

DVDizzy notes that in regard to the mix of shorts and 1940s music, "the marriage often does not work, and the melodies are not particularly the film's forte", however it adds that this is a modern day opinion, and that paying audiences at the time the film was released probably "felt better about the music". The site then reviewed each segment in turn, saying: Once Upon a Wintertime is "physical slapstick" that doesn't match the "dramatic singing by Frances Langford", Bumble Boogie is "fun but forgettable", The Legend of Johnny Appleseed is the "most enjoyable" of the segments, Little Toot is "rather generic", Trees features "some nice imagery", Blame it on the Samba "involve[s] Latin dancing and nothing more", and Pecos Bill has "Disney...go[ing] back and us[ing] today's technology to alter [Bill's smoking,] what admittedly is a minor point in one short of a film that's predominantly going to be watched and purchased by animation enthusiasts/historians". It explains the "video quality is consistently satisfying" and that the "audio has the dated feel of other '40s Disney films".[2]

The film received a score of 77.06 out of 100 based on 50 votes, on the site Disney Movies Guide.[21]

In his book The Animated Movie Guide, Jerry Beck gave Melody Time a rating of 2/5 stars, and described the film as "odds and ends from a studio geared up towards revival". He said that by this time the post-war formula of releasing anthologies had become "tired", with only a few of the segments being interesting, and feeling as if the animators kept "pushing for something more creative to do". He commented that the film, a "vast underachievement" for Disney, felt dated like its predecessor Make Mine Music, and added that he found it hard to believe that the artists who made this film had also made Pinocchio eight years before. He praised the "exceptional designs and palettes" by stylist Mary Blair, including the "flat styli[s]ed backgrounds" of Wintertime, and the Impressionist painting/folk art look of The Legend of Johnny Appleseed. He highlighted the "slapstick...impressive montage of Bill's impressive feats" as a "true treat". He described the "manic interpretation" of Flight of the Bumblebee known as Bumble Boogie, in which a bee terrorised by musical instruments and notes "change[s] colors and outlines from one moment to the next as the backgrounds seamlessly dissolve, change or morph around him", as "Disney's best piece of surealism since the 'Pink Elephant on Parade' sequence in Dumbo". He also spoke about the "stellar special effects" involved in the dynamite exploding Ethel Smith's organ instrument, in the segment Blame it on the Samba. However, he added that the rest of Melody time was "sad[ly]...forgettable".[14]

In The Magic Kingdom: Walt Disney and the American Way of Life, Steven Watts explains that while Pecos Bill "recaptured some of the old magic", the film as a whole, along with the other "halfhearted...pastiche[s] of short subjects" came across as "animated shorts surrounded with considerable filler and stuff into a concocted package". He adds that as a result they "never caught fire" due to their "varying wildly in quality", with moments of creativity being outweighed by the "insipid, mediocre, stale stretches of work".[22]

The authors of The Cartoon Music Book said Melody Time was "much better" than the other post-Fantasia Disney package films of the era, adding that it was "beautifully designed and scored", paving the way for the "'populuxe' style" of Disney's first renaissance (starting with Cinderella in 1950). They stated that Trees and Blame it on the Samba (which they described as a "psychedelic Latin American sequence") are "charming, if still obscure, entries in the Disney pop song catalog[ue].[23]

The Andrews Sisters: A Biography and Career Record author H. Arlo Nimmo said "in general, [the Andrew Sisters-sung] Melody Time holds up well, and the story of 'Little Toot' is as appealing to today as when it originally appeared fifty-some years ago". He described the singing as "unremarkable but narrat[ing] the...story cleverly". He adds Variety's quote: "'Little Toot,'...is colorful and engrossing. Andrew Sisters give it popular vocal interpretation", and said that although The New York Times preferred the film to Make Mine Music the magazine added "The Andrew Sisters sing the story...not very excitingly". He also included Metronome's indifferent comment: "The Andrew Sisters sing a silly song about a tugboat". The article The Walt Disney Classics Collection Gets "Twitterpatted" For Spring deemed Little Toot one of Melody time's highlights.[24]

In a review of the 2004 Disney film Home on the Range, the article Frisky 'Range' doesn't measure up: Disney delivers fun said that the "sendup of the Wild West...has some fitful comic vitality and charm - [but] it can't hold a candle to the 'Pecos Bill' segment of the studio's late-'40s anthology, 'Melody Time'".[25]

A 1998 Chicago Tribute review of the film, in honour of its VHS release, described the film as a "sweet, old-fashioned delight and one of the few Disney animated films that pre-schoolers can watch alone without danger of being traumatized", but also added that the younger generation might be bored by it due to their being "attuned to the faster, hipper rhythms of the post-'Mermaid' era".[18]

Controversy[edit]

Due to the controversy surrounding the smoking in Pecos Bill, the segment was "heavily edited" when the film was released onto DVD in 1998. While the character of Bill is shown "smoking a cigarette in several sequences", the edited version cuts these scenes, "resulting in the removal of almost the entire tornado sequence, and [creating] some odd hand and mouth movements for Bill throughout". In a review at DVDizzy, it is noted that if one has an interest in the shorts, one will "probably be upset to know that Disney has decided to digitally edit out contents of the 50-plus-year-old frames of animation".[2] In the Melody Time section of the Your Guide To Disney's 50 Animated Features feature at Empire Online, the review said of the editing: "at least, it was [done] for the US releases, but not for the rest of the world. Go figure."[16] The scenes are removed on the Golden Collection DVD release[14] although the Japanese laserdisc and the version of the DVD released in the United Kingdom are uncut.

According to a source, upon reviewing the music that Ken Darby had composed for "Johnny Appleseed", Walt Disney "scorned the music", describing it as "like New Deal music". Darby was "enraged", and said to Disney "THAT is just a cross-section of one man's opinion!". Darby was only employed at The Walt Disney Company for a short while after this supposed incident.

Jerry Beck, in his book The Animated Movie Guide, comments on a risqué joke in Pecos Bill that somehow made it past the censors, when Bill kisses Sue and his guns rise from their holsters and begin to fire by themselves, simulating ejaculation. He adds jokingly that "perhaps Roy Rogers was covering the eyes of Bobby Driscoll and Luana Patten during this scene".[14]

Legacy[edit]

Many of the seven segments were later released as shorts, and some of them became "more successful than the original film". "Bumble Boogie" was among the few segments to receive huge popularity upon individual release.[21] The article The Walt Disney Classics Collection Gets "Twitterpatted" For Spring notes that "the 'Little Toot' segment of the film was so popular that it was re-released on its own as a short cartoon in 1954, and was subsequently featured on Walt Disney's popular weekly television series".[24]

There are many references to the Pecos Bill segment in the Frontierland part of Magic Kingdom: there is a sign of Bill outside the Pecos Bill Tall Tale Inn and Cafe, as well as various images of him, the other characters, and their accessories around the cafe. A pair of gloves with the inscription "To Billy, All My Love, Slue Foot Sue" is located in a glass display case. In the World of Disney, Jose Carioca from Blame it on the Samba appears in a mural on the ceiling among many other characters. In a glass case, behind the windows of the All-Star Movies, there is a script for Melody Time.[7]

Home video and DVD[edit]

Melody Time was first released on January 25, 1987, in Japan, on laserdisc. And then on VHS on June 2, 1998, under the Walt Disney Masterpiece Collection title.[26]

Its latest release was on June 6, 2000, on VHS and DVD under the Walt Disney Gold Classic Collection, released by Buena Vista Home Entertainment.

The DVD has bonus features in the form of the following 3 cartoons: "Casey Bats Again", "Lambert the Sheepish Lion", and "Donald Applecore".[8]

References[edit]

  1. ^ "DISNEY ANNOUNCES TWO NEW PROJECTS; ' Melody Time' to Be Released in August and Two Fabulous Characters' in 1949". Retrieved January 12, 2013. 
  2. ^ a b c d e "Melody Time". DVDizzy. Retrieved January 11, 2013. 
  3. ^ World War II and the Postwar Years in America: Volume 1. p. 276. Retrieved January 12, 2013. 
  4. ^ a b Farrell, Ken (2006). Warman's Disney Collectibles Field Guide: Values and Identification. Kreuse Publications. pp. 171–3. Retrieved January 12, 2013. 
  5. ^ Crowther, Bosley (May 28, 1948). "Disney's Newest Cartoon Array, 'Melody Time,' Opens at Astor -- Seven Scenes Featured". The New York Times. Retrieved January 12, 2013. 
  6. ^ a b c Nimmo, H. Arlo (2004). The Andrews Sisters: A Biography and Career Record. pp. 150–1. Retrieved January 12, 2013. 
  7. ^ a b c d Dodge, Brent (2010). From Screen to Theme. pp. 46–9. Retrieved January 12, 2013. 
  8. ^ a b c "Walt Disney Studios Home Entertainment: Melody Time". Retrieved January 10, 2013. 
  9. ^ a b Pelswick, Rose (July 20, 1948). "Walk Disney's "Melody Time" Better Than Ever". The News-Sentinel. Retrieved January 12, 2013. 
  10. ^ a b E. F. J. (July 26, 1948). "Melody Time". Pittsburgh Post-Gazette. Retrieved January 12, 2013. 
  11. ^ "Melody Time" (in French). Retrieved 2010-12-03. 
  12. ^ "Johnny Appleseed" (in French). Retrieved 2010-12-03. 
  13. ^ Susan Veness and Simon Veness (2012). The Hidden Magic of Walt Disney World Planner. p. 118. Retrieved January 12, 2013. 
  14. ^ a b c d Beck, Jerry (2005). The Animated Movie Guide. pp. 165–6. Retrieved January 12, 2013. 
  15. ^ "Melody Time DVD Review". Ultimatedisney.com. Retrieved 2014-04-13. 
  16. ^ a b "Your Guide To Disney's 50 Animated Features: Melody Time". Empire Online. Retrieved January 11, 2013. 
  17. ^ Daniel Goldmark and Yuval Taylor (2002). The Cartoon Music Book. A Capella Books. pp. 126–9. Retrieved January 12, 2013. 
  18. ^ a b Liebenson, Donald (June 11, 1998). "THE FULL COMPOSITION DISNEY'S 50-YEAR-OLD 'MELODY TIME' FINALLY RELEASED IN WHOLE ON VIDEO". Chicago Tribute. Retrieved January 12, 2013. 
  19. ^ a b Smoodin, Eric Loren (1994). Disney Discourse: Producing the Magic Kingdom. Routledge. p. 11. Retrieved January 12, 2013. 
  20. ^ Scheuer, Philip K. (July 30, 1948). "Disney's 'Melody Time' Diverting Show". The Los Angeles Times. Retrieved January 12, 2013. 
  21. ^ a b "Melody Time". Disney Movies Guide. Retrieved January 10, 2013. 
  22. ^ Watts, Steven (1997). The Magic Kingdom: Walt Disney and the American Way of Life. First University of Missouri Press. p. 249. Retrieved January 12, 2013. 
  23. ^ Daniel Goldmark and Yuval Taylor (2002). The Cartoon Music Book. A Capella Books. pp. 32–3. ISBN 9781569764121. Retrieved January 12, 2013. 
  24. ^ a b "The Walt Disney Classics Collection Gets "Twitterpatted" For Spring". Retrieved January 12, 2013. 
  25. ^ "Frisky 'Range' doesn't measure up: Disney delivers fun, but it won't fulfill fans of old 'Pecos Bill'". Retrieved January 12, 2013. 
  26. ^ "NEW DISNEY VIDEO IN STORES TUESDAY". Retrieved January 12, 2013. 

External links[edit]