Metal: A Headbanger's Journey

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Metal: A Headbanger's Journey
METAL POSTER.jpg
Original Theatrical poster
Directed by Jessica Joy Wise
Sam Dunn
Scot McFadyen
Produced by Sam Dunn
Scot McFadyen
Sam Feldman
Starring Sam Dunn
Distributed by Seville Pictures
Warner Home Video
Release dates
  • 2005 (2005)
Running time 96 min.
Language English

Metal: A Headbanger's Journey is a 2005 documentary directed by Sam Dunn with Scot McFadyen and Jessica Wise. The film follows 31-year-old Dunn, a Canadian anthropologist, who has been a heavy metal fan since the age of 12. Dunn sets out across the world to uncover the various opinions on heavy metal music, including its origins, culture, controversy, and the reasons it is loved by so many people. The film made its debut at the 2005 Toronto International Film Festival, and was released as a two-disc special edition DVD in the US on September 19, 2006.

A follow-up to the film titled Global Metal premiered at the Bergen International Film Festival on October 17, 2007, and saw limited release in theatres in June 2008.[1] Dunn has also elaborated upon his "Heavy Metal Family Tree" in the VH1 series Metal Evolution, which focuses on one sub-genre per episode.

Contents[edit]

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture. Notable segments include Dunn taking a trip to the Wacken Open Air festival, an interview with Dee Snider providing an analysis of the PMRC attack on heavy metal music, and an interview with several Norwegian black metal bands.

Interviews[edit]

The most insightful information given in the film comes from candid interviews with popular artists from metal's past and present. Notable interviews come from:

Artist Band Birthplace
Angela Gossow Arch Enemy Germany Cologne, Germany
Ann Boleyn Hellion United States Centralia, Washington
Tom Morello Rage Against the Machine United States New York City, New York
Ronnie James Dio Dio, Black Sabbath, Rainbow United States Portsmouth, New Hampshire
Tony Iommi Black Sabbath United Kingdom Aston, England
Alice Cooper Alice Cooper United States Detroit, Michigan
George "Corpsegrinder" Fisher Cannibal Corpse United States Baltimore, Maryland
Alex Webster Cannibal Corpse United States Akron, New York
Ihsahn Emperor Norway Notodden, Norway
Samoth Emperor Norway Tromsø, Norway
Grutle Kjellson Enslaved Norway Rogaland, Norway
Kim McAuliffe Girlschool United Kingdom London, England
Jackie Chambers Girlschool United Kingdom London, England
Gaahl Gorgoroth Norway Espedal, Norway
Jørn Inge Tunsberg Hades Almighty Norway Norway
Bruce Dickinson Iron Maiden United Kingdom Worksop, England
Mercedes Lander Kittie Canada London, Ontario
Morgan Lander Kittie Canada London, Ontario
James "Munky" Shaffer Korn United States Rosedale, California
Randy Blythe Lamb of God United States Richmond, Virginia
Mark Morton Lamb of God United States Richmond, Virginia
Blasphemer Mayhem Norway Norway
Necrobutcher Mayhem Norway Norway
Vince Neil Mötley Crüe United States Los Angeles, California
Lemmy Motörhead United Kingdom Stoke-on-Trent, England
Geddy Lee Rush Canada Willowdale, Ontario
Tom Araya Slayer Chile Viña del Mar, Chile
Kerry King Slayer United States Los Angeles, California
Joey Jordison Slipknot / Murderdolls United States Des Moines, Iowa
Corey Taylor Slipknot / Stone Sour United States Des Moines, Iowa
John Kay Steppenwolf Germany Tilsit, Germany
Dee Snider Twisted Sister United States Massapequa, New York
Snake Voivod Canada Jonquière, Quebec
Piggy Voivod Canada Jonquière, Quebec
Doro Pesch Warlock, Doro Germany Düsseldorf, Germany
Rob Zombie White Zombie, Rob Zombie United States Haverhill, Massachusetts

Non-musicians[edit]

Soundtrack[edit]

"Definitive metal family tree"[edit]

The chart from the film documents Dunn's view on the progression of subgenres of metal that have spawned over time as well as other styles of rock (i.e. hard rock, shock rock, punk rock, and hardcore) that have influence these styles of metal, while also attempting to list the prime examples of bands that fall into each category. Below is a typed version of that chart, which can be found on the second disc of the film's special edition DVD package. A new version was presented in the related TV series Metal Evolution which included a new "Pre-Metal" field that listed non-metal bands that had an influence on heavy metal and also listed additional bands as examples of the various subgenres.

The film's flow chart of metal genres
Cream; Jimi Hendrix; Blue Cheer; Deep Purple; Led Zeppelin; MC5; Mountain; The Stooges; Black Sabbath
Thin Lizzy; Blue Öyster Cult; Aerosmith; AC/DC; Ted Nugent
Arthur Brown; Alice Cooper; New York Dolls; Kiss; Ozzy Osbourne; W.A.S.P.
The Ramones; The Damned; Sex Pistols; The Clash; The Dead Boys
Scorpions; Judas Priest; Rainbow; Accept; Manowar; Dio; Helloween; Blind Guardian; HammerFall; Primal Fear
Motörhead; Saxon; Iron Maiden; Angel Witch; Girlschool; Tygers of Pan Tang; Diamond Head
Uriah Heep; Rush; Queensrÿche; Savatage; Fates Warning; Voivod; Dream Theater; Meshuggah; Symphony X; Evergrey
Slade; Sweet; Hanoi Rocks; Mötley Crüe; Twisted Sister; Poison; Cinderella; Skid Row
Quiet Riot; Van Halen; Whitesnake; Def Leppard; Europe; Dokken; Lita Ford; Ratt; Guns N' Roses; Winger; Warrant; Doro; The Darkness
Witchfinder General; Trouble; Candlemass; Cathedral; Kyuss; Today Is The Day
Agnostic Front; D.O.A.; The Exploited; Bad Brains; Misfits; GBH; Discharge; Dead Kennedys; Minor Threat; Black Flag
Metallica; Slayer; Anthrax; Megadeth; Exodus; Overkill; Kreator; Destruction; Sodom; Testament; Nuclear Assault; Death Angel; Pantera; Sepultura; Children of Bodom
Venom; Bathory; Mercyful Fate; Celtic Frost
Mayhem; Darkthrone;Immortal; Gorgoroth; Emperor; Satyricon; Enslaved; Dimmu Borgir; Cradle Of Filth (UK)
Napalm Death; Carcass; Repulsion; Exhumed; Extreme Noise Terror; Cephalic Carnage; Brutal Truth
Possessed; Death; Morbid Angel; Obituary; Deicide; Cannibal Corpse; Immolation; Autopsy; Nile; Dying Fetus
Grave; Entombed; At the Gates; Unleashed; Dismember; Arch Enemy; Soilwork; In Flames; Dark Tranquillity; The Haunted
Paradise Lost; Tiamat; Therion; Type O Negative; My Dying Bride; Anathema; Theatre of Tragedy; Katatonia; Opeth
Corrosion of Conformity; Suicidal Tendencies; Dirty Rotten Imbeciles; Machine Head; Stormtroopers of Death; Hatebreed; The Dillinger Escape Plan
Green River; The Melvins; Soundgarden; Mudhoney; Nirvana; Alice in Chains; Mother Love Bone; Stone Temple Pilots; Pearl Jam
Ministry; White Zombie; Godflesh; Nine Inch Nails; Fear Factory; Marilyn Manson; Static-X
Faith No More; Jane's Addiction; Prong; Living Colour; The Smashing Pumpkins; Rage Against the Machine; Tool
Biohazard; KoЯn; Limp Bizkit; Slipknot; Godsmack; Coal Chamber; System of a Down; Disturbed; Kittie
Shadows Fall; Lamb of God; Darkest Hour; Chimaira; Killswitch Engage; Unearth; God Forbid

Reception[edit]

The film received mostly positive reviews. It currently holds an 90% approval rating on Rotten Tomatoes, with an average rating of 6.9/10 and the critical consensus being: "Made by a metalhead, this documentary of the musical genre both informs and entertains with its range of interviewees."[2]

Criticism[edit]

Some brief controversy arose over the film's depiction of black metal, which many fans of the genre saw as being one-sided and biased during a screening documented in the film. In the special features to the DVD of the film, Dunn attempted a restitution to the concerns of the black metal fans by including an additional featurette.

References[edit]

External links[edit]