Metro (1997 film)

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Metro
Metro movie eddie murphy.jpg
Metro movie poster
Directed by Thomas Carter
Produced by Roger Birnbaum
Eddie Murphy
Written by Randy Feldman
Starring Eddie Murphy
Michael Wincott
Donal Logue
Michael Rapaport
Carmen Ejogo
Denis Arndt
Music by Steve Porcaro
Cinematography Fred Murphy
Edited by Peter E. Berger
John Wright
Production
  company
Touchstone Pictures
Caravan Pictures
Distributed by Buena Vista Pictures
Release date(s) January 17, 1997
Running time 117 minutes
Country United States
Language English
Budget $55 million
Box office $31,987,563 (USA)

Metro is a 1997 American action-comedy film which was directed by Thomas Carter, produced by Roger Birnbaum, and starring Eddie Murphy as Scott Roper, a hostage negotiator and inspector for the San Francisco Police Department who immediately seeks revenge against a psychotic jewel thief, Michael Korda (Michael Wincott), who murdered Roper's best friend, Lt. Sam Baffert (Art Evans). It was released in the United States on January 17, 1997. Metro was a commercial failure, generating over $31,987,563 during its run, and therefore did not make an effort in recovering its $55,000,000 budget. It was panned by critics as well.

Plot[edit]

Scott Roper (Eddie Murphy) is the best hostage negotiator in San Francisco. His girlfriend Veronica "Ronnie" Tate (Carmen Ejogo) is a newspaper reporter.

While listening to a horse race on his car stereo, Scott is called downtown where a man named Earl (Donal Logue) is holding 17 hostages in a bank. Scott rescues the hostages by shooting Earl, though Earl's wound is non-fatal.

Scott is then assigned a partner – sharpshooter Kevin McCall (Michael Rapaport). That night, Scott takes his friend, Lieutenant Sam Baffert (Art Evans), to see a man named Michael Korda (Michael Wincott).

Scott waits downstairs while Sam is in Korda's apartment. Sam asks Korda about a man who deals in stolen jewellery, because Sam suspects that some of the dealer's jewels came from Korda, who is a professional jewel thief. Sam's visit with Korda ends with Korda violently stabbing Sam to death in an elevator. When Scott hears a woman in the building scream at the sight of Sam's body, Scott rushes to the elevator and witnesses Sam's corpse.

Scott wants revenge on Korda, but Captain Frank Solis (Denis Arndt) refuses to let Scott work the case, so Scott decides to work the case on his own.

Scott and Kevin later are called to a downtown jewellery store where hostages are being held. When Scott sees that Korda is the hostage taker, Korda grabs a hostage and leaves in a truck. Scott and Kevin use Captain Solis's car to chase Korda. Korda wrecks the truck, and boards a trolley car, shoots the operator when he challenges Korda, the trolley accelerates to runaway speed, while Scott and Kevin chase the trolley car. While up close, Scott jumps onto the trolley, leaving Kevin to drive Solis's car.

Scott and Kevin manage to stop the trolley car, and they chase Korda into a parking garage, where Korda tries to run Scott over with a car. Scott and Kevin still manage to apprehend Korda.

During visitation at the jail with his cousin Clarence Teal (Paul Ben-Victor), Korda orders Teal to kill Ronnie as a way to seek revenge on Scott. Teal shows up at Ronnie's apartment and attacks Ronnie. Scott arrives just in time and chases Teal down the fire escape, and after a knife fight, Teal is hit and killed by a car. An angry Scott visits Korda in jail and warns him to stay away from Ronnie, showing him an autopsy picture of Teal, which enrages Korda.

Some time later, Korda escapes from the jail. Soon after, he kidnaps Ronnie, luring Scott and McCall into a confrontation at an abandoned shipyard. Korda threatens to kill Ronnie by decapitating her on the cutting machine she is pinned to if Scott doesn't follow his instructions. While all of this is going on, McCall is situated atop a building outside with his sniper rifle watching the action. During the sequence, Korda prepares to run over Scott with his sports car. However, as he is charging towards Scott, Korda is shot at by McCall, causing him to miss Scott completely and crash through the front of the warehouse building. Scott then goes to free Ronnie from the cutting machine. After a shoot-out between Korda and McCall, the latter is shot once in the abdomen but survives. Scott then chases after Korda in Scott's truck, and after a lengthy battle over control of the truck, Scott leaps out of the way as Korda rams into a stack of explosive barrels and is killed in a massive explosion.

The movie ends with Scott and Ronnie relaxing on their vacation at a Tahitian beach resort.

Cast[edit]

Release[edit]

Reception[edit]

The movie received generally negative reviews from critics who felt that Murphy had done the film many times previously. It has 15% on Rotten Tomatoes, despite Roger Ebert giving the film a favorable review; he said "[t]he big action scenes are cleverly staged and Eddie Murphy is back on his game again, with a high-energy performance and crisp dialogue."[1] Another negative review came from Stephen Holden of The New York Times, who called the film "aimless" and stated that "[t]he vehicular pirouettes and ski jumps are so exaggerated that they correspond neither to the urban geography nor to the laws of physics. And the jiggling camera can't blur the careless mechanical stitching in a sequence that tries to make up for in length what it lacks in inventiveness. After all, when you've seen one spinning car, haven't you seen them all? And hasn't this demolition derby been staged several times before on the same streets with infinitely more pizazz and zest for destruction?"[2] Michael Wilmington agreed, saying "If it weren't for all the jokes [...] the movie might be unintentionally funny," and that "For most of the people who made "Metro," shamelessness is probably a virtue, like good muscle tone. At the end, writer Feldman has actually dreamed up a variation on the old silent movie chestnut, where the mustache-twirling villain has the heroine tied to a sawmill plank. I'm not even sure this scene is intended humorously; the actors and director all milk it dry. And, except for Murphy's rapid-fire badinage, "Metro" has the kind of writing that suggests a mind filled with heroines tied to sawmill planks."[3]

Box office[edit]

The movie debuted with $9.3 million.[4] It had $11,411,107 during its opening weekend. At the end of its run, Metro has grossed over $31,987,563 on a budget of $55 million, making the film a box office flop.

References[edit]

External links[edit]