Metropolis (anime)
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| Metropolis | |
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| Directed by | Rintaro |
| Produced by | Shinji Komori Masao Maruyama Satoshi Yamaki |
| Written by | Katsuhiro Otomo |
| Starring | Kei Kobayashi Yuka Imoto Kōki Okada Tarō Ishida Kōsei Tomita |
| Music by | Toshiyuki Honda |
| Cinematography | Hitoshi Yamaguchi |
| Studio | Toho Company Ltd. Bandai Visual Madhouse Studios |
| Distributed by | TriStar Pictures |
| Release date(s) |  January 25, 2002 May 26, 2001 March 1, 2002 January 11, 2002 February 13, 2002 March 21, 2002 June 5, 2002 May 24, 2002 October 31, 2002 January 17, 2003 |
| Running time | 104 minutes (United States) 112 minutes (Japan) |
| Country | Japan |
| Language | Japanese |
| Budget | $14.5 million |
| Gross revenue | Japan: $4,035,192 World: $95,789,342 |
Metropolis (メトロポリス Metoroporisu) is an anime film released in Japan in 2001 and loosely based on the 1949 Metropolis manga created by the early Osamu Tezuka and also a loose adaptation of the famous silent German film of the same name. The film had an all star production team including renowned anime director Rintaro, Akira creator Katsuhiro Otomo as script writer, and animation by Madhouse Studios with conceptual support from Tezuka Productions.[1] The film was given a PG-13 rating by the MPAA for violence and images of destruction and TV-14-LV rating when it aired on Adult Swim.
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[edit] Summary
Metropolis is a futuristic city-state where humans and robots uneasily coexist. While the robots are heavily segregated throughout the city's districts and are destroyed for straying from their designated areas, many impoverished humans complain that the robots leave them unemployed. Duke Red, the de facto ruler of Metropolis, has overseen the construction of a towering skyscraper called the Ziggurat, which will allow mankind to further extend its power across the planet. During the Ziggurat's opening ceremony, a wayward robot disrupts the event, only to be shot down by Rock, Duke Red's adoptive son and the head of the Marduk Party, an anti-robot vigilante group.
Private detective Shunsaku Ban and his nephew, Kenichi, travel to Metropolis from Japan with an arrest warrant for Dr. Laughton, a mad scientist wanted for illegally trafficking human organs. Dr. Laughton has been secretly hired by Duke Red to construct a robot modeled and named after Red's deceased daughter, Tima, to sit on the throne within the Ziggurat and "complete" it. Rock, however, does not want a robot to overshadow his adoptive father. He shoots Dr. Laughton and sets fire to his laboratory. Investigating the fire, Shunsaku enters the burning factory and discovers the dying Laughton, who gives him his notebook. Kenichi, meanwhile, encounters Tima, who was newly activated during the chaos. The two fall into the sewers and are separated from Shunsaku.
While Shunsaku searches for his nephew, Kenichi and Tima search for a way out of the bowels of the city. During this time, they grow close to each other as Kenichi teaches Tima the basics of language and grammar. Neither of them, however, are aware that she is a robot. The two -- who are hunted relentlessly by Rock and his Marduk subordinates -- encounter Fifi, an underground cleaning robot, and a group of unemployed human laborers who attempt to stage a revolution against Duke Red and the robots. The president of Metropolis attempts to use the revolution to justify arresting Duke Red for treason, only to be betrayed and assassinated by his military commander, who had turned to Duke Red. This allows Duke Red to impose martial law and suppress the revolution.
Kenichi reunites with Shunsaku, only to be cornered by Rock. He manages to dispatch both Shunsaku and Kenichi, and reveals to Tima that she is a robot. However, Rock is then confronted by Duke Red, who disowns him and strips him of his command of the Marduks for trying to kill Tima. Duke Red takes Tima away to the Ziggurat while Shunsaku and Kenichi are treated. Still determined to dispose of Tima and regain his father's affections, Rock kidnaps and deactivates Tima, who is now confused about her identity as either a human or a robot. Shunsaku rescues and, after following instructions left in Laughton's notebook, reactivates Tima. The two discover that Kenichi is being held within the Ziggurat, and are captured by Duke Red and the Marduks on their way to save him.
Inside the Ziggurat, Tima questions Duke Red about whether or not she is a human or a robot; Duke Red tells her she is a "superhuman" destined to rule the world from her throne inside the tower. However, Rock enters the throne room disguised as a maid and shoots Tima, exposing her circuitry through the bullet wound. Upon realizing that she is a robot who has been misused, Tima goes insane and assimilates with the Ziggurat, ordering a biological and nuclear attack on humanity as revenge. Kenichi confronts Tima in an attempt to free her, while Duke Red is attacked by revolting robots. Rock, deciding that he would rather want his father to die by his own hands instead of those of robots, kills Duke Red and himself by activating the Ziggurat's superweapon, which causes the Ziggurat to collapse.
As the fortress crumbles, Tima advances on Kenichi and attempts to kill him, but they nearly fall off the girders outside. Kenichi attempts to pull Tima to safety as she dangles on a wire. Tima begins to remember the time Kenichi first taught her grammar. She asks Kenichi, "Who am I?" before she slips from his grip and falls to her death. The Ziggurat explodes, destroying Metropolis. By the next morning, Kenichi searches the ruins of Metropolis and encounters a group of robots that have salvaged some of Tima's parts in a possible attempt to rebuild her. Kenichi decides to stay behind to recover more of Tima's parts as Shunsaku and several other human survivors are evacuated. Later, deep within the rubble of the city, a radio plays Tima's voice saying, "Who am I?"
After the credits end, a picture is shown, depicting a shop named "Kenichi and Tima's Robot Company" with Tima visible in a window of the shop, implying that Kenichi managed to rebuild her and they set up the shop together.
[edit] Cast
The Metropolis anime featured many more characters from Osamu Tezuka's Star System than there were in the original manga. Most of the major characters from the manga reprise their roles for the movie, but a few major characters were left out, such as Dr. Yorkshire Bell. Rock was one character who wasn't in the original manga, but given a major part in the anime. Other minor roles were filled by various other characters from Osamu Tezuka's Star System, such as Ham Egg, President Boone, and Acetylene Lamp.
[edit] Main Characters
Kenichi (Kei Kobayashi/Brianne Siddall) — A young boy who comes to Metropolis to aid his uncle in catching the internationally wanted criminal: Dr. Laughton. When he and his uncle find Laughton's laboratory, Kenichi helps save the mysterious Tima who emerges from the burning wreckage. Innocent and a bit naive, he tries to help Tima learn and understand the world around her, and herself as well. Kenichi is based on a character who featured in the early adventures of Tezuka's Astro Boy.[1]
Tima (Yuka Imoto/Rebecca Forstadt) — A robot modeled and named after Duke Red's deceased daughter. She is unique in that she appears human, a trait that no other robot shares. However, after she is activated, she has no memory or knowledge about who or what she is. With the help of Kenichi, she hopes to be able to find the answers to these questions. Unfortunately for her, the answers she finds are not very pleasant. (The concept of a robot replacing a deceased human child had also been the original basis of Tezuka's Astro Boy.) In the original manga, Tima was known as Michi, and had the ability to switch genders from a button in his/her throat.
Duke Red (Tarō Ishida/Jamieson K. Price) — The villain of the story and the plutocrat who founded the Marduk, an organization with which he secretly hopes to take over Metropolis. He builds the Ziggurat with claims that it will be a modern masterpiece for the city of Metropolis. However, the Ziggurat is actually a massive weapon with which he intends to use for world domination. As part of his plan, he hopes that Tima, a robotic duplicate of his deceased daughter, will control the Ziggurat and follow along with his master plan.
Shunsaku Ban (Kōsei Tomita/Tony Pope) — A Japanese private detective who has come to Metropolis with a warrant for Dr. Laughton. He is accompanied to Metropolis by his nephew, Kenichi, and is assigned a robot assistant by Superintendent Notarlin. While he appears clumsy and somewhat carefree, he is actually a brilliant detective and knows more about what is going on around him than he lets on. He spends a good portion of the movie searching for Kenichi when they get separated at Laughton's laboratory.
Rock (Kōki Okada/Michael Reisz) — The antagonist of the story. An orphan, he was adopted by Duke Red to help fill the empty void of Duke Red's broken heart when his only child, Tima, died. However, with the notion that Tima can be brought back by building a robotic duplicate, Duke Red has since refused to acknowledge Rock as his son or return his love. Obsessed with regaining his father's affection and infuriated that Duke Red wants to give a robot the "throne" of the Ziggurat, Rock intends to kill Tima so that Duke Red will sit on the throne instead. However, his assassination attempts are foiled by Kenichi who protects Tima. Driven by his need to be accepted by Duke Red, Rock is willing to murder anyone that gets in his way. (While Rock did not feature in the original manga, Duke Red's comments about adopting him after "the last war" allude to another Tezuka manga from the same period, Nextworld, although this manga was actually released after Metropolis.)
Makeru Butamo as Dr. Laughton (Junpei Takiguchi/Simon Prescott) — A mad scientist who is on the run from the law for his illegal experiments and the charge of human organ trafficking. A scientific genius, he is commissioned by Duke Red to build Tima in a secret lab within Metropolis. However, Dr. Laughton has other ideas and doesn't want to hand his greatest creation over to Duke Red. When Rock finds his lab, he shoots Laughton and attempts to destroy everything in the lab. Trapped in the burning wreckage, Dr. Laughton is found by Detective Shunsaku Ban right before he dies. Unlike in the original manga, the film version of Laughton is a cyborg, possibly as a reference to the Fritz Lang version's Rotwang & his mechanical arm.
[edit] Minor Characters
Notaarin as Superintendent Notarlin (Shun Yashiro/William Knight) - Superintendent of the Metropolis police force, Superintendent Notarlin spends most of his time handling paperwork behind his desk in the police department. When Shunsaku Ban and Kenichi come to him with their request for the Metropolis Police's cooperation in apprehending Dr. Laughton, he unfortunately is only able to give them a robotic assistant. With the recent activity in Metropolis, he can't spare any officers to Detective Ban's search. He simply gives them the paperwork needed to be assigned a trench-coat wearing robot to guide them around Metropolis. In the original manga, Notarlin has a much larger role, serving as a rival/comic foil to Duke Red, a role which he would later reprise in several other Tezuka manga featuring both characters including Nextworld. His name is a play on the Japanese word "No-tarin" which means stupid, or literally translated "lacks brain".
Pero (Norio Wakamoto/Dave Mallow) - A robot assigned to Shunsaku Ban by Superintendent Notarlin to aid in his investigation. Amazed at the advanced technology of Metropolis, Shunsaku Ban often asks the robot questions to try and understand him a bit better. However, as robot protocol forbids him to have a human name, Shunsaku Ban addressed him as "Pero" instead of his more formal identification number 803-D-RP-DM-497-3-C. (He accepts this name as it is a name more associated for pets and not humans) He eventually makes a brave sacrifice for Shunsaku Ban later in the movie. Pero first appeared in the Astroboy manga story "The Hot Dog Corps" as a cyborg created from a dog of the same name that was once owned by Ban.
Ham And Egg as Himself (Masashi Ebara/Robert Axelrod) - Ham Egg is a police officer who guards the entrance to Zone 3, a section of Metropolis that is used for power production. Entrance to Zone 3 is restricted to robots and authorized personnel only due to its dangerous factory-like atmosphere. However, when Rock insists that he gain entrance to Zone 3, Ham Egg escorts him in personally. When he witnesses Rock's attempt to assassinate Tima, he tries to stop him, only to be shot and killed intentionally by Rock. In the manga, Ham Egg is one of Duke Red's henchmen and appears more frequently.
Atlas as Himself (Norihiro Inoue/Scott Weinger) - The leader of resentful unemployed labourers who reside in the slums of Zone 1. He and his rebel organization have a strong hatred for robots, blaming them for putting them out of work. Since Duke Red and his companies are primarily responsible for the construction and manufacturing of most, if not all, robots, Atlas hopes to lead his group to victory in displacing Duke Red and restoring jobs to the people and not the robots. Note that this Atlas has little to nothing to do with the Atlas of Astroboy, although his distinctive dreadlocks appear to have been inspired by the original manga Atlas' bizarre "headplugs".
Boon Marukubi as President Boone (Masaru Ikeda/Richard Plantagenet as "Steve McGowan")
Acetylene Lamp as Himself (Shigeru Chiba/Steven Jay Blum as "David Lucas")
Skunk Kusai as General Skunk (Toshio Furukawa/Dan Woren) - A military general who is in charge of the Metropolis army. While he appears to be loyal to President Boone, he is secretly working for Duke Red and the Marduk. When Duke Red begins the Coup to overthrow President Boone, Skunk shoots and kills Acetylene Lamp when he tries to stop Duke Red. After killing him, Skunk envisions a future of war and destruction, showing that his deepest desire is constant and everlasting war and death.
Mayor Lyon (Takaya Hashi/Peter Spellos)
Dr. Ponkotsu (Takeshi Aono/Doug Stone) - A scientist who works within the Ziggurat and monitors its functions and operations. He is responsible for the testing and working functions of the weapon that is the true Ziggurat, and reports directly to Duke Red. Dr. Ponkotsu also knows that the weapon can not be fully controlled unless Tima is able to take the "throne". He originally appeared in the same Astroboy story as Pero.
Emmy (Mami Koyama/Barbara Goodson) - A maid within Duke Red's home who is assigned the task of watching over Tima when Duke Red finds her and discovers that she is still alive. While disturbed at Tima's obsession of finding this "Kenichi", she tricks Tima into meeting a disbarred Rock after he bribes her to bring Tima to him. Like Notarlin, Emmy is also a major character from the manga who only has a brief cameo in the anime version.[2]
[edit] Differences between manga and anime
In Tezuka's original manga, the story revolves around a humanoid named Mitchi who has the ability to fly and swap sexes. Mitchi is pursued by Duke Red and his "Red Party" who intend to use Mitchi for destructive purposes. However, Shunsaku Ban and his nephew Kenichi find Mitchi after her creator, Dr. Charles Laughton, is killed and protect her as they search for her parents.
However, this cinematic adaptation of Tezuka's story integrates far more elements from the Fritz Lang film Metropolis. When making the original Metropolis manga, Tezuka said that the only real inspiration he got from Fritz Lang's Metropolis was a still image from the movie where a female robot was being born.[3] In addition to adopting set designs of the original film, this version has more emphasis on a strong and pervasive theme of class struggle in a dystopian, plutocratic society and expands it to examine the relationship of robots with their human masters. (This relationship was explored by Tezuka in great detail with his popular series Astro Boy.) The anime adaptation also removes many of the more fanciful elements out of Tezuka's manga, such as a flying, gender swapping humanoid. Here, Mitchi is replaced with "Tima", who is permanently female and cannot fly.
In an interview Rintaro has said that had Tezuka been alive he most likely wouldn't have approved the idea of adapting such an old story of his.
[edit] Missing ending picture
The Japanese release of the film shows a picture after the credits depicting a shop named "Kenichi & Tima Robot Company," with Tima visible in the window (or possibly driving the truck as the person looks similar to Tima). This implies that Kenichi succeeded in rebuilding Tima and they set up the shop together. This picture was included in the English Theatrical release of the film, however was not present on the DVD release for unknown reasons.
[edit] Soundtrack
Metropolis' soundtrack consists mainly of New Orleans-style jazz music composed by Toshiyuki Honda and features Atsushi Kimura's cover of "St. James Infirmary Blues" and the ending theme "There'll Never Be Good-Bye" by Minako "Mooki" Obata. The soundtrack album is available on King Records.[4]
During the film's climatic scene, the song "I Can't Stop Loving You" performed by Ray Charles was used as most of the audio when the Ziggurat was destroyed, with sound effects only audible later on in the scene. The song is not included in the soundtrack album.
[edit] Reception
Based on 56 reviews from Rotten Tomatoes, Metropolis receives an overall 91% Certified Fresh approval. Rotten Tomatoes' Top Critics gives the movie an 88% approval rating.
[edit] References
- ^ *Metropolis (anime) at Anime News Network's Encyclopedia Accessed on 2007-06-05.
- ^ Metropolis Cast Credits at IMDB.com Accessed on 2007-06-04
- ^ Explanation section on the Metropolis manga section of TezukaOsamu@World Accessed on 2007-06-05.
- ^ Anime News Network - Metropolis (movie)
[edit] See also
[edit] External links
- Metropolis at the Internet Movie Database
- Metropolis at Allmovie
- Exhibition of the Metropolis anime at TezukaOsamu@World
- Metropolis at MetaCritic
- Metropolis official site
- Anime Prime report showing the cut picture
- TezukaInEnglish.com: "Rock Holmes Transformation" - analytical essay treating the film
- "メトロポリス (Metoroporisu)" (in Japanese). Japanese Movie Database. http://www.jmdb.ne.jp/2001/dy001420.htm. Retrieved 2007-07-21.
- [2]
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