The Alameda Central park is a green garden with paved paths and decorative fountains and statues, and is frequently the center of civic events. The area used to be an Aztec marketplace. The park was created in 1592, when Viceroy Luis de Velasco decided to create green space here as a public park. The name comes from the Spanish word álamo, which means poplar tree, that were planted here. This park was part of the viceroy's plan to develop what was, at that time, the western edge of the city. It has become a symbol of a traditional Mexican park and many other parks in the country take on the name "Alameda" as well.
The original park was less than half the size of the current one, reaching only from where the Palacio de Bellas Artes is now to the location of the Hemiciclo de Juárez. What is now the western section of the park originally was a plain plaza built during the Inquisition in Mexico and known as El Quemadero or The Burning Place. Here witches and others convicted by the Inquisitors were publicly burned at the stake. By the 1760s, the Inquisition had nearly come to an end and in 1770, viceroy Marqués de Croix had this plaza torn up to expand the park. The park was expanded again in 1791, when the Count of Revillagigedo built a wooden fence around the park to make it exclusive for the nobility. However, when Mexican Independence was won in 1821, the Alameda was the center of popular celebrations. In 1846, when President Santa Anna rode triumphantly into Mexico City, he ordered the fountains in the park be filled with alcohol.
The five classical fountains are of French design and inspired by Greco-Roman mythology. More statues were added to the park in the 19th century. Gas lamps were installed in 1868, which were replaced by electrical lighting 1892. By the end of the 19th century, the park had become popular with all social classes in Mexico. Much of the current layout of the park, with its starburst pattern of paths around fountains and the central kiosk dates from the late 19th and early 20th centuries.
By the late 19th century, the park included a bandstand and gas (now electric) lamps. On the south side of the park, facing toward the street is the Hemiciclo a Juárez, which is a large white semi-circular monument to Benito Juárez, who is one of Mexico's most beloved presidents.
The park's statues include Despoire and Malgre Tout, by Jesús Fructuoso Contreras, and a monument donated by the German community which is dedicated to Beethoven in commemoration of the centenary of his 9th Symphony.
In 2012, the park went through a rehabilitation which began in May and was completed in December. The renewal included replacing the damaged pavement with marble, the improvement of the vegetation (including the planting of new trees), new light posts, and improvement of existing park features (e.g. benches and the fountains). As part of the rehabilitation, the once ubiquitous street vendors are no longer allowed to operate within the park.
Alameda Central can be accessed by Metro Bellas Artes.
Detail of Diego Rivera's Sueño de una Tarde Dominical en la Alameda Central
|Wikimedia Commons has media related to Mexico City Alameda Central.|
- Noble, John (2000). Lonely Planet Mexico City. Oakland CA: Lonely Planet. ISBN 1-86450-087-5.
- Humphrey, Chris (2005). Moon Handbooks Mexico City. Emeryville, CA: Avalon Travel Publishing. pp. 46–47. ISBN 1-56691-612-7.
- "Rehabilitación de la Alameda Central y su Entorno". http://www.obrasenmiciudad.df.gob.mx. Retrieved October 3, 2014.