Michael Crichton

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Michael Crichton
MichaelCrichton 2.jpg
Michael Crichton at Harvard University
(April 18, 2002)
Born John Michael Crichton
(1942-10-23)October 23, 1942
Chicago, Illinois, U.S.
Died November 4, 2008(2008-11-04) (aged 66)
Los Angeles, California, U.S.
Pen name John Lange
Jeffery Hudson
Michael Douglas
Occupation Author, film producer, film director, screenwriter, television producer
Language English
Nationality American
Education Harvard College
Harvard Medical School
Period 1966–2008
Genres Action, adventure, science fiction, techno-thriller
Notable award(s) 1969 Edgar Award
Spouse(s) Joan Radam (1965–1970)
Kathy St. Johns (1978–1980)
Suzanne Childs (1981–1983)
Anne-Marie Martin (1987–2003)
Sherri Alexander (2005–2008)
Children Taylor Anne Crichton
John Michael Todd Crichton

Signature "Michael Crichton"

www.crichton-official.com

John Michael Crichton /ˈɒn ˈmkəl ˈkrtən/, MD (October 23, 1942 – November 4, 2008) was an American best-selling author, physician, producer, director, and screenwriter, best known for his work in the science fiction, medical fiction, and thriller genres. His books have sold over 200 million copies worldwide, and many have been adapted into films. In 1994 Crichton became the only creative artist ever to have works simultaneously charting at No. 1 in US television, film, and book sales (with ER, Jurassic Park, and Disclosure, respectively).[1]

His literary works are usually based on the action genre and heavily feature technology. His novels epitomize the techno-thriller genre of literature, often exploring technology and failures of human interaction with it, especially resulting in catastrophes with biotechnology. Many of his future history novels have medical or scientific underpinnings, reflecting his medical training and science background. He was the author of, among others, The Andromeda Strain, Jurassic Park, Congo, Travels, Sphere, Rising Sun, Disclosure, The Lost World, Airframe, Timeline, Prey, State of Fear, Next (the final book published before his death), Pirate Latitudes (published November 24, 2009), and a final unfinished techno-thriller, Micro, which was published in November 2011.[2]

Early life and education[edit]

John Michael Crichton ("rhymes with frighten"[3]) was born on October 23, 1942 in Chicago, Illinois,[4][5][6][7] to John Henderson Crichton, a journalist, and Zula Miller Crichton. He was raised on Long Island, in Roslyn, New York.[3] Crichton showed a keen interest in writing from a young age and at the age of 14 had a column related to travel published in The New York Times.[1] Crichton had always planned on becoming a writer and began his studies at Harvard College in 1960.[1] During his undergraduate study in literature, he conducted an experiment to expose a professor whom he believed to be giving him abnormally low marks and criticizing his literary style.[8] Informing another professor of his suspicions,[9] Crichton plagiarized a work by George Orwell and submitted it as his own. The paper was returned by his unwitting professor with a mark of "B−".[10] His issues with the English department led Crichton to switch his concentration to biological anthropology as an undergraduate, obtaining his bachelor's degree summa cum laude in 1964.[11] He was also initiated into the Phi Beta Kappa Society.[11] He received a Henry Russell Shaw Traveling Fellowship from 1964 to 1965 and was a Visiting Lecturer in Anthropology at the University of Cambridge in the United Kingdom in 1965.[11]

Crichton later enrolled at Harvard Medical School, when he began publishing work.[12] By this time he had become exceptionally tall; by his own account he was approximately 6 feet 9 inches (2.06 m) tall in 1997.[13][14] In reference to his height, while in medical school, he began writing novels under the pen names "John Lange"[15] and "Jeffrey Hudson"[16] ("Lange" is a surname in Germany, meaning "long", and Sir Jeffrey Hudson was a famous 17th-century dwarf in the court of Queen Consort Henrietta Maria of England).

He later described his Lange books as "my competiton is inflight movies. One can read the books in and hour and a half and be more satisfactorily amused than watching Doris Day. I write them fast and the reader reads them fast and I get things off my back."[17]

In Travels, he recalls overhearing doctors who were unaware that he was the author, discussing the flaws in his book The Andromeda Strain. A Case of Need, written under the Hudson pseudonym, won him his first Edgar Award for Best Novel in 1969.[18] He also co-authored Dealing with his younger brother Douglas under the shared pen name "Michael Douglas". The back cover of that book carried a picture, taken by their mother, of Michael and Douglas when very young.[citation needed]

During his clinical rotations at the Boston City Hospital, Crichton grew disenchanted with the culture there, which appeared to emphasize the interests and reputations of doctors over the interests of patients.[12] Crichton graduated from Harvard, obtaining an M.D. in 1969,[19] and undertook a post-doctoral fellowship study at the Salk Institute for Biological Studies in La Jolla, California, from 1969 to 1970.[citation needed] He never obtained a license to practice medicine, devoting himself to his writing career instead.

Reflecting on his career in medicine years later, Crichton concluded that patients too often shunned responsibility for their own health, relying on doctors as miracle workers rather than advisors. He experimented with astral projection, aura viewing, and clairvoyance, coming to believe that these included real phenomena that scientists had too eagerly dismissed as paranormal.[12]

In 1988, Crichton was a visiting writer at the Massachusetts Institute of Technology.[20]

Writing career[edit]

Fiction[edit]

Odds On was Michael Crichton's first published novel. It was published in 1966, under the pseudonym of John Lange. It is a 215-page paperback novel which describes an attempted robbery in an isolated hotel on Costa Brava. The robbery is planned scientifically with the help of a critical path analysis computer program, but unforeseen events get in the way.

The following year, he published Scratch One. The novel relates the story of Roger Carr, a handsome, charming and privileged man who practices law, more as a means to support his playboy lifestyle than a career. Carr is sent to Nice, France, where he has notable political connections, but is mistaken for an assassin and finds his life in jeopardy, implicated in the world of terrorism.

In 1968, he published two novels, Easy Go and A Case of Need, the second of which was re-published in 1993, under his real name. Easy Go relates the story of Harold Barnaby, a brilliant Egyptologist, who discovers a concealed message while translating hieroglyphics, informing him of an unnamed Pharaoh whose tomb is yet to be discovered. A Case of Need, on the other hand, was a medical thriller in which a Boston pathologist, Dr. John Berry, investigates an apparent illegal abortion conducted by an obstetrician friend, which caused the early demise of a young woman. The novel would prove a turning point in Crichton's future novels, in which technology is important in the subject matter, although this novel was as much about medical practice. The novel earned him an Edgar Award in 1969.

In 1969, Crichton published three novels. The first, Zero Cool, dealt with an American radiologist on vacation in Spain who is caught in a murderous crossfire between rival gangs seeking a precious artifact. The second, The Andromeda Strain, would prove to be the most important novel of his career and establish him as a best-selling author. The novel documented the efforts of a team of scientists investigating a deadly extraterrestrial microorganism that fatally clots human blood, causing death within two minutes. The novel became an instant success, and it was turned into a 1971 film. Crichton's third novel of 1969, The Venom Business relates the story of a smuggler who uses his exceptional skill as a snake handler to his advantage by importing snakes to be used by drug companies and universities for medical research. The snakes are simply a ruse to hide the presence of rare Mexican artifacts. In 1969, Crichton also wrote a review for The New Republic (as J. Michael Crichton), critiquing Slaughterhouse Five by Kurt Vonnegut.[citation needed]

In 1970, Crichton again published three novels: Drug of Choice, Grave Descend and Dealing: or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues with his younger brother Douglas Crichton. "Dealing", was written under the pen name 'Michael Douglas', using their first names. This novel was adapted to the big screen and set a wave for his brother Douglas as well as himself. Grave Descend earned him an Edgar Award nomination the following year.[21]

In 1972, Crichton published two novels. The first, Binary, relates the story of a villainous middle-class businessman, who attempts to assassinate the President of the United States by stealing an army shipment of the two precursor chemicals that form a deadly nerve agent. The second, The Terminal Man, is about a psychomotor epileptic sufferer, Harry Benson, who in regularly suffering seizures followed by blackouts, conducts himself inappropriately during seizures, waking up hours later with no knowledge of what he has done. Believed to be psychotic, he is investigated; electrodes are implanted in his brain, continuing the preoccupation in Crichton's novels with machine-human interaction and technology. The novel was adapted into a film directed by Mike Hodges and starring George Segal, Joan Hackett, Richard A. Dysart and Donald Moffat, released in June 1974. However, neither the novel nor the film was well received by critics.[citation needed]

In 1975, Crichton ventured into the nineteenth century with his historical novel The Great Train Robbery, which would become a bestseller. The novel is a recreation of the Great Gold Robbery of 1855, a massive gold heist, which takes place on a train traveling through Victorian era England. A considerable proportion of the book was set in London. The novel was later made into a 1979 film directed by Crichton himself, starring Sean Connery and Donald Sutherland. The film would go on to be nominated for Best Cinematography Award by the British Society of Cinematographers, also garnering an Edgar Allan Poe Award for Best Motion Picture by the Mystery Writers Association of America.

In 1976, Crichton published Eaters of the Dead, a novel about a tenth-century Muslim who travels with a group of Vikings to their settlement. Eaters of the Dead is narrated as a scientific commentary on an old manuscript and was inspired by two sources. The first three chapters retell Ahmad ibn Fadlan's personal account of his journey north and his experiences in encountering the Rus', the early Russian peoples, whilst the remainder is based upon the story of Beowulf, culminating in battles with the 'mist-monsters', or 'wendol', a relict group of Neanderthals. The novel was adapted into film as The 13th Warrior, initially directed by John McTiernan, who was later fired with Crichton himself taking over direction.

In 1980, Crichton published the novel Congo, which centers on an expedition searching for diamonds in the tropical rain forest of Congo. The novel was loosely adapted into a 1995 film, starring Laura Linney, Tim Curry, and Ernie Hudson.

Seven years later, Crichton published Sphere, a novel which relates the story of psychologist Norman Johnson, who is required by the U.S. Navy to join a team of scientists assembled by the U.S. Government to examine an enormous alien spacecraft discovered on the bed of the Pacific Ocean, and believed to have been there for over 300 years. The novel begins as a science fiction story, but rapidly changes into a psychological thriller, ultimately exploring the nature of the human imagination. The novel was adapted into the film Sphere in 1998, directed by Barry Levinson, with a cast including Dustin Hoffman as Norman Johnson, (renamed Norman Goodman), Samuel L. Jackson, Liev Schreiber and Sharon Stone.

Crichton's novel Jurassic Park and its sequels made into films would become a part of popular culture, with related parks established in places as far afield as Kletno, Poland.

In 1990, Crichton published the novel Jurassic Park. Crichton utilized the presentation of "fiction as fact", used in his previous novels, Eaters of the Dead and The Andromeda Strain. In addition, chaos theory and its philosophical implications are used to explain the collapse of an amusement park in a "biological preserve" on Isla Nublar, an island west of Costa Rica. Paleontologist Alan Grant and his paleobotanist graduate student, Ellie Sattler, are brought in by billionaire John Hammond to investigate. The park is revealed to contain genetically recreated dinosaur species, including Dilophosaurus, Velociraptor, Triceratops, Stegosaurus, and Tyrannosaurus rex, among others. They have been recreated using damaged dinosaur DNA, found in mosquitoes that sucked saurian blood and were then trapped and preserved in amber.

Crichton had originally conceived a screenplay about a graduate student who recreates a dinosaur, but decided to explore his fascination with dinosaurs and cloning until he began writing the novel.[22] Spielberg learned of the novel in October 1989, while he and Crichton were discussing a screenplay that would become the television series ER. Before the book was published, Crichton demanded a non-negotiable fee of $1.5 million as well as a substantial percentage of the gross. Warner Bros. and Tim Burton, Sony Pictures Entertainment and Richard Donner, and 20th Century Fox and Joe Dante bid for the rights,[23] but Universal eventually acquired them in May 1990, for Spielberg.[24] Universal paid Crichton a further $500,000 to adapt his own novel,[25] which he had completed by the time Spielberg was filming Hook. Crichton noted that because the book was "fairly long", his script only had about 10–20 percent of the novel's content.[26] The film, directed by Spielberg, was eventually released in 1993, starring Sam Neill as Dr. Alan Grant, Laura Dern as Dr. Ellie Sattler, Jeff Goldblum as Dr. Ian Malcolm (the chaos theorist), and Richard Attenborough, as John Hammond, the billionaire CEO, of InGen. The film would go on to become extremely successful.

A mosquito preserved in amber. A specimen of this sort was the source of dinosaur DNA in Jurassic Park.

In 1992, Crichton published the novel Rising Sun, an international best-selling crime thriller about a murder in the Los Angeles headquarters of Nakamoto, a fictional Japanese corporation. The book was instantly adapted into a film, released the same year of the movie adaption of Jurassic Park in 1993, and starring Sean Connery, Wesley Snipes, Tia Carrere and Harvey Keitel.

His next novel, Disclosure, published in 1994, addresses the theme of sexual harassment previously explored in his 1972 Binary. Unlike that novel however, Crichton centers on sexual politics in the workplace, emphasizing an array of paradoxes in traditional gender functions, by featuring a male protagonist who is being sexually harassed by a female executive. As a result, the book has been harshly criticized by feminist commentators and accused of anti-feminism. Crichton, anticipating this response, offered a rebuttal at the close of the novel which states that a "role-reversal" story uncovers aspects of the subject that would not be as easily seen with a female protagonist. The novel was made into a film the same year by Barry Levinson, and starring Michael Douglas, Demi Moore and Donald Sutherland.

Crichton then published The Lost World in 1995, as the sequel to Jurassic Park. It was made into a film sequel two years later in 1997, again directed by Spielberg and starring Jeff Goldblum, Julianne Moore, Vince Vaughn and Pete Postlethwaite.

Then, in 1996, Crichton published Airframe, an aero-techno-thriller which relates the story of a quality assurance vice-president at the fictional aerospace manufacturer Norton Aircraft, as she investigates an in-flight accident aboard a Norton-manufactured airliner that leaves three passengers dead and fifty-six injured. Again, Crichton uses the false document literary device, presenting numerous technical documents to create a sense of authenticity. In the novel, Crichton draws from real life accidents to increase its sensation of realism, including American Airlines Flight 191 and Aeroflot Flight 593; the latter flew from Moscow's Sheremetyevo International Airport and crashed on its way to Hong Kong's Kai Tak Airport in 1994. Crichton challenges the public perception of air safety and the consequences of exaggerated media reports to sell the story. The book also continues Crichton's overall theme of the failure of humans in human-machine interaction, given that the plane itself worked perfectly and the accident would not have occurred had the pilot reacted properly.

In 1999, Crichton published Timeline, a science fiction novel which tells the story of a team of historians and archaeologists studying a site in the Dordogne region of France, where the medieval towns of Castelgard and La Roque stood. They time travel back to 1357 to uncover some startling truths. The novel, which continues Crichton's long history of combining technical details and action in his books, addresses quantum physics and time travel directly and received a warm welcome from medieval scholars, who praised his depiction of the challenges in studying the Middle Ages.[27]

The novel quickly spawned Timeline Computer Entertainment, a computer game developer that created the Timeline PC game published by Eidos Interactive in 2000. A film based on the book was released in 2003, by Paramount Pictures, with a screen adaptation by Jeff Maguire and George Nolfi, under the direction of Richard Donner. The film stars Paul Walker, Gerard Butler and Frances O'Connor.

In 2002, Crichton published Prey, a cautionary tale about developments in science and technology; specifically nanotechnology. The novel explores relatively recent phenomena engendered by the work of the scientific community, such as artificial life, emergence (and by extension, complexity), genetic algorithms, and agent-based computing. Reiterating components in many of his other novels, Crichton once again devises fictional companies, this time Xymos, a nanorobotics company which is claimed to be on the verge of perfecting a revolutionary new medical imaging technology based on nanotechnology and a rival company, MediaTronics.

In 2004, Crichton published State of Fear, a novel concerning eco-terrorists who attempt mass murder to support their views. Global warming serves as a central theme to the novel, although a review in Nature found it "likely to mislead the unwary".[28] The novel had an initial print run of 1.5 million copies and reached the No. 1 bestseller position at Amazon.com and No. 2 on The New York Times Best Seller list for one week in January 2005.[29][30]

The last novel published while he was still living was Next, printed in 2006. The novel follows many characters, including transgenic animals, in the quest to survive in a world dominated by genetic research, corporate greed, and legal interventions, wherein government and private investors spend billions of dollars every year on genetic research.

Pirate Latitudes was found as a manuscript on one of his computers after his death. Additionally, an unfinished novel, titled Micro,[31] was published on November 22, 2011. The novel has been co-written by Richard Preston.[2]

Non-fiction[edit]

Crichton's first published book of non-fiction, Five Patients, recounts his experiences of practices in the late 1960s at Massachusetts General Hospital and the issues of costs and politics within American health care.

Aside from fiction, Crichton wrote several other books based on medical or scientific themes, often based upon his own observations in his field of expertise. In 1970, he published Five Patients, a book which recounts his experiences of hospital practices in the late 1960s at Massachusetts General Hospital in Boston, Massachusetts. The book follows each of five patients through their hospital experience and the context of their treatment, revealing inadequacies in the hospital institution at the time. The book relates the experiences of Ralph Orlando, a construction worker seriously injured in a scaffold collapse; John O'Connor, a middle-aged dispatcher suffering from fever that has reduced him to a delirious wreck; Peter Luchesi, a young man who severs his hand in an accident; Sylvia Thompson, an airline passenger who suffers chest pains; and Edith Murphy, a mother of three who is diagnosed with a life-threatening disease. In Five Patients, Crichton examines a brief history of medicine up to 1969, to help place hospital culture and practice into context, and addresses the costs and politics of American health care.

As a personal friend of the artist Jasper Johns, Crichton compiled many of his works in a coffee table book, published as Jasper Johns. It was originally published in 1970, by Harry N. Abrams, Inc. in association with the Whitney Museum of American Art, and again in January 1977, with a second revised edition published in 1994.

In 1983, Crichton authored Electronic Life, a book that introduces BASIC programming to its readers. The book, written like a glossary, with entries such as "Afraid of Computers (everybody is)", "Buying a Computer", and "Computer Crime", was intended to introduce the idea of personal computers to a reader who might be faced with the hardship of using them at work or at home for the first time. It defined basic computer jargon and assured readers that they could master the machine when it inevitably arrived. In his words, being able to program a computer is liberation; "In my experience, you assert control over a computer—show it who's the boss—by making it do something unique. That means programming it....If you devote a couple of hours to programming a new machine, you'll feel better about it ever afterwards".[32] In the book, Crichton predicts a number of events in the history of computer development, that computer networks would increase in importance as a matter of convenience, including the sharing of information and pictures that we see online today which the telephone never could. He also makes predictions for computer games, dismissing them as "the hula hoops of the '80s", and saying "already there are indications that the mania for twitch games may be fading." In a section of the book called "Microprocessors, or how I flunked biostatistics at Harvard", Crichton again seeks his revenge on the medical school teacher who had given him abnormally low grades in college. Within the book, Crichton included many self-written demonstrative Applesoft (for Apple II) and BASICA (for IBM PC compatibles) programs.

Then, in 1988, he published Travels, which also contains autobiographical episodes covered in a similar fashion to his 1970 book Five Patients.

Literary techniques[edit]

Crichton's novels, including Jurassic Park, have been described by The Guardian as "harking back to the fantasy adventure fiction of Sir Arthur Conan Doyle, Jules Verne, Edgar Rice Burroughs, and Edgar Wallace, but with a contemporary spin, assisted by cutting-edge technology references made accessible for the general reader".[33] According to The Guardian, "Michael Crichton wasn't really interested in characters, but his innate talent for storytelling enabled him to breathe new life into the science fiction thriller".[33] Like The Guardian, The New York Times has also noted the boys' adventure quality to his novels interfused with modern technology and science. According to The New York Times,

All the Crichton books depend to a certain extent on a little frisson of fear and suspense: that's what kept you turning the pages. But a deeper source of their appeal was the author's extravagant care in working out the clockwork mechanics of his experiments — the DNA replication in Jurassic Park, the time travel in Timeline, the submarine technology in Sphere. The novels have embedded in them little lectures or mini-seminars on, say, the Bernoulli principle, voice-recognition software or medieval jousting etiquette ... The best of the Crichton novels have about them a boys' adventure quality. They owe something to the Saturday-afternoon movie serials that Mr. Crichton watched as a boy and to the adventure novels of Arthur Conan Doyle (from whom Mr. Crichton borrowed the title The Lost World and whose example showed that a novel could never have too many dinosaurs). These books thrive on yarn spinning, but they also take immense delight in the inner workings of things (as opposed to people, women especially), and they make the world — or the made-up world, anyway — seem boundlessly interesting. Readers come away entertained and also with the belief, not entirely illusory, that they have actually learned something"

The New York Times on the works of Michael Crichton[34]

Crichton's works were frequently cautionary; his plots often portrayed scientific advancements going awry, commonly resulting in worst-case scenarios. A notable recurring theme in Crichton's plots is the pathological failure of complex systems and their safeguards, whether biological (Jurassic Park), military/organizational (The Andromeda Strain), technical (Airframe) or cybernetic (Westworld). This theme of the inevitable breakdown of "perfect" systems and the failure of "fail-safe measures" can be seen strongly in the poster for Westworld (slogan: "Where nothing can possibly go worng ..." (sic) ) and in the discussion of chaos theory in Jurassic Park.

The use of author surrogate was a feature of Crichton's writings from the beginning of his career. In A Case of Need, one of his pseudonymous whodunit stories, Crichton used first-person narrative to portray the hero, a Bostonian pathologist, who is running against the clock to clear a friend's name from medical malpractice in a girl's death from a hack-job abortion.

Some of Crichton's fiction used a literary technique called false document. For example, Eaters of the Dead is a fabricated recreation of the Old English epic Beowulf in the form of a scholarly translation of Ahmad ibn Fadlan's 10th century manuscript. Other novels, such as The Andromeda Strain and Jurassic Park, incorporated fictionalized scientific documents in the form of diagrams, computer output, DNA sequences, footnotes and bibliography. Some of his novels included authentic published scientific works to illustrate his point, such as in The Terminal Man and State of Fear.

Crichton sometimes used a premise in which a diverse group of “experts” or specialists are assembled to tackle a unique problem requiring their individual talents and knowledge. This was done in “Andromeda Strain” as well as “Sphere,” “Jurassic Park,” and to a far lesser extent “Timeline.” Sometimes the individual characters in this dynamic work in the private sector and are suddenly called upon by the government to form an immediate response team once some incident or discovery triggers their mobilization. This premise or plot device has been imitated and used by other authors and screenwriters in several books, movies and television shows since.

At the prose level, one of Crichton's trademarks was the single word paragraph: a dramatic question answered by a single word on its own as a paragraph.

Works[edit]

Novels[edit]

Year Title Notes
1966 Odds On[35] as John Lange
1967 Scratch One[36] as John Lange
1968 Easy Go[37] as John Lange (also titled as The Last Tomb)
1968 A Case of Need[38] as Jeffery Hudson (re-released as Crichton in 1993)
1969 Zero Cool[39] as John Lange
1969 The Andromeda Strain[40]
1969 The Venom Business[41] as John Lange
1970 Drug of Choice[42] as John Lange (also titled Overkill)
1970 Dealing[43] as Michael Douglas (with brother Douglas Crichton)
1970 Grave Descend[44] as John Lange
1972 Binary[45] as John Lange (re-released as Crichton in 1993)
1972 The Terminal Man[46]
1975 The Great Train Robbery[47]
1976 Eaters of the Dead[48] also titled The 13th Warrior
1980 Congo[49]
1987 Sphere[50]
1990 Jurassic Park[51]
1992 Rising Sun[52]
1994 Disclosure[53]
1995 The Lost World[54]
1996 Airframe[55]
1999 Timeline[56]
2002 Prey[57]
2004 State of Fear[58]
2006 Next[59]
2009 Pirate Latitudes[60] posthumous publication
2011 Micro[61] posthumous publication (completed by Richard Preston)

Non-fiction[edit]

Year Title
1970 Five Patients
1977 Jasper Johns
1983 Electronic Life
1988 Travels

Short stories[edit]

Year Title Originally published Notes
1957 "Johnny at 8:30" First Words (1993) poem
1960 "[Untitled]" First Words (1993) fan titled Well, Nothing.
1961 "Life Goes to a Party" First Words (1993)
1961 "The Most Important Part of the Lab" First Words (1993)
1968 "Villa of Assassins" Stag Annual (1968) as John Lange; excerpted from Scratch One (1967)
1968 "How Does That Make You Feel?" Playboy (November 1968) as Jeffrey Hudson
1970 "The Death Divers" Man's World (December 1970) as John Lange; excerpted from Grave Descend (1970)
1971 "The Most Powerful Tailor in the World" Playboy (September 1971)
1984 "Mousetrap: A Tale of Computer Crime" Life (January 1984)
2003 "Blood Doesn't Come Out" McSweeney's Mammoth Treasury of Thrilling Tales (2003)

As a film director and screenwriter[edit]

Crichton wrote or directed several motion pictures and episodes of TV series. In the 1970s in particular he was intent on being a successful filmmaker. Crichton wrote several episodes for the television series Insight in the early 1970s. His first film, Pursuit (1972), was a TV movie both written and directed by Crichton that is based on his novel Binary.

Westworld was the first feature film that used 2D computer-generated imagery (CGI).

Crichton directed the film Coma, adapted from a Robin Cook novel. There are other similarities in terms of genre and the fact that both Cook and Crichton had medical degrees, were of similar age, and wrote about similar subjects.

Other major releases directed by Crichton include The Great Train Robbery (1979), Looker (1981), Runaway (1984), and Physical Evidence (1989). The middle two films were science fiction, set in the very near future at the time, and included particularly flashy styles of filmmaking, for their time.

He wrote the screenplay for the films Extreme Close-Up (1973) and Twister (1996), the latter co-written with Anne-Marie Martin, his wife at the time. While Jurassic Park and The Lost World were both based on Crichton's novels, Jurassic Park III was not (though scenes from the Jurassic Park novel were incorporated into the third film, such as the aviary).

Crichton was also the creator and executive producer of the television drama ER. He had written what became the pilot script in 1974. Twenty years later Steven Spielberg helped develop the show, serving as a producer on season one and offering advice (he insisted on Julianna Margulies becoming a regular, for example). It was also through Spielberg's Amblin Entertainment that John Wells was contacted to be the show's executive producer. In 1994, Crichton achieved the unique distinction of having a No. 1 movie, Jurassic Park,[citation needed] a No. 1 TV show, ER,[citation needed] and a No. 1 book, Disclosure.[62][63]

Crichton wrote only the pilot episode of ER, "24 Hours".[citation needed]

Computer games[edit]

Amazon is a graphical adventure game created by Crichton and produced by John Wells. Trillium released it in the United States in 1984, and the game runs on Apple II, Atari 8-bit, Atari ST, Commodore 64, and DOS. Amazon sold more than 100,000 copies, making it a significant commercial success at the time. It featured plot elements similar to those previously used in Congo.[64]

In 1999, Crichton founded Timeline Computer Entertainment with David Smith. Despite signing a multi-title publishing deal with Eidos Interactive, only one game was ever published, Timeline. Released on December 8, 2000, for the PC, the game received negative reviews and sold poorly.

Speeches[edit]

Crichton delivered a number of notable speeches in his lifetime.

Intelligence Squared "Global Warming is Not a Crisis" debate[edit]

On March 14, 2007, Intelligence Squared held a debate in New York City titled Global Warming is Not a Crisis, moderated by Brian Lehrer. Crichton was on the for the motion side along with Richard Lindzen and Philip Stott against Gavin Schmidt, Richard Somerville, and Brenda Ekwurzel. Before the debate, the audience were largely on the Against the motion side at 57% vs 30% in favor of the for side, with a 12% undecided.[65] At the end of the debate, there was a notable shift in the audience vote at 46% vs 42% in favor of the for the motion side leaving the debate with the conclusion that Crichton's group won.[65] Schmidt later described the debate in a RealClimate blog posting, "Crichton went with the crowd-pleasing condemnation of private jet-flying liberals – very popular, even among the private jet-flying Eastsiders present) and the apparent hypocrisy of people who think that global warming is a problem using any energy at all." While those against the motion had presented the agreed scientific consensus of IPCC reports, the audience was "apparently more convinced by the entertaining narratives from Crichton and Stott (not so sure about Lindzen) than they were by our drier fare. Entertainment-wise it’s hard to blame them. Crichton is extremely polished and Stott has a touch of the revivalist preacher about him. Comparatively, we were pretty dull." Even though Crichton inspired a lot of blog responses and it was considered one of his best rhetorical performances, reception to his message was mixed.[65][66]

In the debate, although he admitted that man must have at some point contributed to global warming but not necessarily caused it, Crichton argued that most of the media and attention of the general public are being dedicated to the uncertain anthropogenic global warming scares instead of the more urgent issues like poverty. He also suggested that private jets be banned as they add more carbon dioxide in the atmosphere for the benefit of the few who could afford them.

Other speeches[edit]

Mediasaurus: The Decline of Conventional Media

A 1993 speech which predicted the decline of mainstream media delivered at the National Press Club in Washington, D.C. on April 7, 1993.[67]

Ritual Abuse, Hot Air, and Missed Opportunities: Science Views Media

The AAAS invited Crichton to address scientists' concerns about how they are portrayed in the media, delivered to the American Association for the Advancement of Science in Anaheim, California on January 25, 1999[citation needed]

Environmentalism as Religion

This was not the first discussion of environmentalism as a religion, but it caught on and was widely quoted. Crichton explains his view that religious approaches to the environment are inappropriate and cause damage to the natural world they intend to protect.[68] The speech was delivered to the Commonwealth Club in San Francisco, California on September 15, 2003.

Science Policy in the 21st century

Crichton outlined several issues before a joint meeting of liberal and conservative think tanks. The speech was delivered at AEI-Brookings Institution in Washington, D.C. on January 25, 2005[citation needed]

The Case for Skepticism on Global Warming

On January 25, 2005 at the National Press Club Washington, D.C., Crichton delivered a detailed explanation of why he criticized the consensus view on global warming. Using published UN data, he argued that claims for catastrophic warming arouse doubt; that reducing CO2 is vastly more difficult than is commonly presumed; and why societies are morally unjustified in spending vast sums on a speculative issue when people around the world are dying of starvation and disease.[68]

Caltech Michelin Lecture

"Aliens Cause Global Warming" January 17, 2003. In the spirit of his science fiction writing Crichton details research on nuclear winter and SETI Drake equations relative to global warming science.[69]

Testimony before the United States Senate

Together with climate scientists, Crichton was invited to testify before the Senate in September 2005, as an expert witness on global warming.[70] The speech was delivered to the Committee on Environment and Public Works in Washington, D.C.

Complexity theory and environmental management

In previous speeches, Crichton criticized environmental groups for failing to incorporate complexity theory. Here he explains in detail why complexity theory is essential to environmental management, using the history of Yellowstone Park as an example of what not to do. The speech was delivered to the Washington Center for Complexity and Public Policy in Washington, D.C. on November 6, 2005.[71][72]

Genetic research and legislative needs

While writing Next, Crichton concluded that laws covering genetic research desperately needed to be revised, and spoke to Congressional staff members about problems ahead. The speech was delivered to a group of legislative staffers in Washington, D.C. on September 14, 2006.[73]

Reception[edit]

Criticism of Crichton's environmental views[edit]

Many of Crichton's publicly expressed views, particularly on subjects like the global warming controversy, have been contested by a number of scientists and commentators.[74] An example is meteorologist Jeffrey Masters' review of State of Fear:

Flawed or misleading presentations of global warming science exist in the book, including those on Arctic sea ice thinning, correction of land-based temperature measurements for the urban heat island effect, and satellite vs. ground-based measurements of Earth's warming. I will spare the reader additional details. On the positive side, Crichton does emphasize the little-appreciated fact that while most of the world has been warming the past few decades, most of Antarctica has seen a cooling trend. The Antarctic ice sheet is actually expected to increase in mass over the next 100 years due to increased precipitation, according to the IPCC."[75]

Peter Doran, author of the paper in the January 2002, issue of Nature which reported the finding referred to above that some areas of Antarctica had cooled between 1986 and 2000, wrote an opinion piece in the July 27, 2006, The New York Times in which he stated "Our results have been misused as 'evidence' against global warming by Michael Crichton in his novel State of Fear."[29] Al Gore said on March 21, 2007, before a U.S. House committee: "The planet has a fever. If your baby has a fever, you go to the doctor [...] if your doctor tells you you need to intervene here, you don't say 'Well, I read a science fiction novel that tells me it's not a problem'." This has been recognized by several commentators as a reference to State of Fear.[76][77][78][79]

Michael Crowley[edit]

In 2006, Crichton clashed with journalist Michael Crowley, a senior editor of the liberal magazine The New Republic. In March 2006, Crowley wrote a strongly critical review of State of Fear, focusing on Crichton's stance on global warming.[80] In the same year, Crichton published the novel Next, which contains a minor character named "Mick Crowley", who is a Yale graduate and a Washington, D.C.-based political columnist. The character was portrayed as a child molester with a small penis.[81] The character does not appear elsewhere in the book.[81] The real Crowley, also a Yale graduate, alleged that by including a similarly named character Crichton had libeled him.[82]

Awards[edit]

Associations[edit]

Personal life[edit]

As an adolescent Crichton felt isolated because of his height (6'9"). As an adult he was acutely aware of his intellect, which often left him feeling alienated from the people around him. During the 1970s and 1980s he consulted psychics and enlightenment gurus to make him feel more socially acceptable and to improve his karma. As a result of these experiences, Crichton practiced meditation throughout much of his life. He was a deist.[87]

Crichton was a workaholic. When drafting a novel, which would typically take him six or seven weeks, Crichton withdrew completely to follow what he called "a structured approach" of ritualistic self-denial. As he neared writing the end of each book, he would rise increasingly early each day, meaning that he would sleep for less than four hours by going to bed at 10 pm and waking at 2 am.[1] In 1992, Crichton was ranked among People magazine's 50 most beautiful people.[84]

Marriages and children[edit]

He married five times; four of the marriages ended in divorce. He was married to Joan Radam (1965–1970), Kathleen St. Johns (1978–1980), Suzanna Childs (1981-1983), and actress Anne-Marie Martin (1987–2003), the mother of his daughter Taylor Anne (born 1989). At the time of his death, Crichton was married to Sherri Alexander (2005-2008), who was six months pregnant with their son. John Michael Todd Crichton was born on February 12, 2009.

Intellectual property cases[edit]

In November 2006, at the National Press Club in Washington, D.C., Crichton joked that he considered himself an expert in intellectual property law. He had been involved in several lawsuits with others claiming credit for his work.[88] In 1985, the Ninth Circuit Court of Appeals heard Berkic v. Crichton, 761 F.2d 1289 (1985). Plaintiff Ted Berkic wrote a screenplay called Reincarnation Inc., which he claims Crichton plagiarized for the movie Coma. The court ruled in Crichton's favor, stating the works were not substantially similar.[89] In the 1996 case, Williams v. Crichton, 84 F.3d 581 (2d Cir. 1996), Geoffrey Williams claimed that Jurassic Park violated his copyright covering his dinosaur-themed children's stories published in the late 1980s. The court granted summary judgment in favor of Crichton.[90] In 1998, A United States District Court in Missouri heard the case of Kessler v. Crichton that actually went all the way to a jury trial, unlike the other cases. Plaintiff Stephen Kessler claimed the movie Twister was based on his work Catch the Wind. It took the jury about 45 minutes to reach a verdict in favor of Crichton. After the verdict, Crichton refused to shake Kessler's hand.[91] At the National Press Club in 2006, Crichton summarized his intellectual property legal problems by stating, "I always win."[88]

Illness and death[edit]

In accordance with the private way in which Crichton lived his life, his cancer was not made public until his death. According to Crichton's brother Douglas, Crichton was diagnosed with lymphoma in early 2008.[92] He was undergoing chemotherapy treatment at the time of his death, and Crichton's physicians and family members had been expecting him to make a recovery. He died on November 4, 2008, at the age of 66.[93][94][95]

Michael's talent outscaled even his own dinosaurs of Jurassic Park. He was the greatest at blending science with big theatrical concepts, which is what gave credibility to dinosaurs again walking the earth. In the early days, Michael had just sold The Andromeda Strain to Robert Wise at Universal and I had recently signed on as a contract TV director there. My first assignment was to show Michael Crichton around the Universal lot. We became friends and professionally Jurassic Park, ER, and Twister followed. Michael was a gentle soul who reserved his flamboyant side for his novels. There is no one in the wings that will ever take his place.[96]

—Steven Spielberg on Michael Crichton's death.

As a pop novelist, he was divine. A Crichton book was a headlong experience driven by a man who was both a natural storyteller and fiendishly clever when it came to verisimilitude; he made you believe that cloning dinosaurs wasn’t just over the horizon but possible tomorrow. Maybe today.[97]

Stephen King on Crichton, January 22, 2009.

Crichton had an extensive collection of 20th-century American art, which was auctioned by Christie's in May 2010.[98]

Unfinished novels[edit]

On April 6, 2009, Crichton's publisher, HarperCollins, announced the posthumous publication of two of his novels. The first was Pirate Latitudes, found completed on his computer by his assistant after he died. This was the second of a two-novel deal that started with Next.

The other novel, titled Micro, is a techno-thriller that was released in November 2011. The novel explores the outer edges of new science and technology.[99] The novel is based on Michael Crichton's notes and files, and was roughly a third of the way finished when he died. HarperCollins publisher Jonathan Burnham, and Crichton's agent Lynn Nesbit, looked for a co-writer to finish the novel.[2] Ultimately, Richard Preston was chosen to complete the book.[31]

Film and television[edit]

Novels adapted into films[edit]

Year Title Filmmaker/Director
1971 The Andromeda Strain Robert Wise
1972 Dealing: or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues Paul Williams
1972 The Carey Treatment (A Case of Need) Blake Edwards
1974 The Terminal Man Mike Hodges
1979 The First Great Train Robbery Michael Crichton
1993 Jurassic Park Steven Spielberg
1993 Rising Sun Philip Kaufman
1994 Disclosure Barry Levinson
1995 Congo Frank Marshall
1997 The Lost World: Jurassic Park Steven Spielberg
1998 Sphere Barry Levinson
1999 The 13th Warrior (Eaters of the Dead) John McTiernan
2003 Timeline Richard Donner
2008 The Andromeda Strain (TV miniseries) Mikael Salomon

As a screenwriter or director[edit]

Year Title Notes
1972 Pursuit (TV film) Co-writer/Director
1973 Extreme Close-Up also titled Sex Through A Window Writer
1973 Westworld Writer/Director
1978 Coma Writer/Director
1979 The First Great Train Robbery Writer/Director
1981 Looker Writer/Director
1984 Runaway Writer/Director
1989 Physical Evidence Director
1993 Jurassic Park Co-writer
1993 Rising Sun Co-writer
1996 Twister Co-writer/Producer
2001 Jurassic Park III Based on characters created by

Television series[edit]

Year Title Notes
1980 Beyond Westworld Creator/Writer
1994–2009 ER Creator/Writer/Executive producer

See also[edit]

References[edit]

  1. ^ a b c d "Michael Crichton:Novelist and screenwriter responsible for 'Jurassic Park', 'Westworld' and the TV series 'ER'". The Daily Telegraph (London). November 10, 2008. Retrieved December 18, 2008. 
  2. ^ a b c Rich, Motoko (2009-04-05). "Posthumous Crichton Novels on the Way". The New York Times. Retrieved 2009-07-18. 
  3. ^ a b "Q & A with Michael Crichton", michaelcrichton.com, 2005. Retrieved December 11, 2005.
  4. ^ "Michael Crichton's Mark on the Science Fiction World"
  5. ^ "Michael Crichton"
  6. ^ Featured Filmmaker: Michael Crichton. IGN. May 19, 2003.
  7. ^ Michael Crichton at the Internet Movie Database
  8. ^ Travels, p. 4
  9. ^ “Michael Crichton’s Convictions”, Boston Globe, Wednesday, May 11, 1988
  10. ^ "King of the techno-thriller", The Observer, December 3, 2006
  11. ^ a b c "About Michael Crichton"
  12. ^ a b c Crichton, Michael. Travels, 1989, page 73
  13. ^ "Michael Crichton". The Oprah Winfrey Show. Archived from the original on 2005-03-25. Retrieved 2008-11-05. 
  14. ^ Mean Body Weight, Height, and Body Mass Index 1960–2002
  15. ^ http://www.amazon.com/Binary-Michael-Crichton-John-Lange/dp/0394479874 Binary Authors John Lange, Michael Crichton Publisher Knopf, 1972 Original from the University of California Digitized Jun 11, 2008 Length 213 pages
  16. ^ "Michael Crichton". Famous Authors. Retrieved 24 March 2014. 
  17. ^ Michael Crichton (rhymes with frighten): Michael Crichton By ISRAEL SHENKER. New York Times (1923-Current file) [New York, N.Y] 08 June 1969: BR5
  18. ^ [url=http://www.theedgars.com/edgarsDB/index.php "Edgar Awards throughout time"]. TheEdgars.com. Archived from the original on 2013-11-19. Retrieved 2013-11-19. 
  19. ^ "Michael Crichton, novelist and filmmaker, Harvard College (Anthropology, 1964) and Harvard Medical School (1969) graduate." Harvard University Department of Global Health & Social Medicine
  20. ^ "Michael Crichton Biography", official Crichton website
  21. ^ "Edgar Award: Best Paperback Original". Cozy-Mystery.Com. Archived from the original on 2008-12-16. Retrieved 2008-12-16. 
  22. ^ Michael Crichton (2001). Michael Crichton on the Jurassic Park Phenomenon (DVD). Universal. 
  23. ^ Joseph McBride (1997). Steven Spielberg. Faber and Faber, 416–9. ISBN 0-571-19177-0
  24. ^ DVD Production Notes
  25. ^ Appelo, Tim (1990-12-07). "Leaping Lizards". Entertainment Weekly. Retrieved 2007-02-17. 
  26. ^ Biodrowski, Steve. "Jurassic Park: Michael Crichton". Cinefantastique 24 (2): 12. 
  27. ^ Linda Bingham, "Crossing the Timeline: Michael Crichton's Bestseller as Social Criticism and History," in: Falling into Medievalism, ed. Anne Lair and Richard Utz. Special Issue of UNIversitas: The University of Northern Iowa Journal of Research, Scholarship, and Creative Activity, 2.1 (2006).
  28. ^ Allen, Myles (January 2005). "A novel view of global warming – Book Reviewed: State of Fear". Nature 433 (7023): 198. Bibcode:2005Natur.433..198A. doi:10.1038/433198a. 
  29. ^ a b Doran, Peter (July 27, 2006). "Cold, Hard Facts". The New York Times. 
  30. ^ "Michael Crichton's "Scientific Method"". James Hansen.
  31. ^ a b Zorianna Kit (May 23, 2011). "Michael Crichton posthumous novel to be published". Reuters. Retrieved May 27, 2011. 
  32. ^ Crichton, Michael. Electronic Life, Knopf, 1983, p. 44. ISBN 0-394-53406-9
  33. ^ a b Wootton, Adrian (November 6, 2008). "How Michael Crichton struck fear into the bestseller list". The Guardian (London). Retrieved December 18, 2008. 
  34. ^ McGrath, Charles (November 5, 2008). "Builder of Windup Realms That Thrillingly Run Amok". The New York Times. Retrieved December 18, 2008. 
  35. ^ John Lange. Odds On. 
  36. ^ John Lange. Scratch One. 
  37. ^ John Lange. Easy Go. 
  38. ^ Jeffery Hudson. A Case of Need. ISBN 978-0-525-93802-6. 
  39. ^ John Lange. Zero Cool. ISBN 978-0-8439-5959-8. 
  40. ^ Michael Crichton. The Andromeda Strain. ISBN 978-0-394-41525-3. 
  41. ^ John Lange. The Venom Business. 
  42. ^ John Lange. Drug of Choice. ISBN 978-0-451-04116-6. 
  43. ^ Michael Douglas. Dealing. ISBN 978-0-394-42168-1. 
  44. ^ John Lange. Grave Descend. ISBN 978-0-8439-5597-2. 
  45. ^ John Lange. Binary. ISBN 978-0-394-47987-3. 
  46. ^ Michael Crichton. The Terminal Man. ISBN 978-0-394-44768-1. 
  47. ^ Michael Crichton. The Great Train Robbery. ISBN 978-0-394-49401-2. 
  48. ^ Michael Crichton. Eaters of the Dead. ISBN 978-0-394-49400-5. 
  49. ^ Michael Crichton. Congo. ISBN 978-0-394-51392-8. 
  50. ^ Michael Crichton. Sphere. ISBN 978-0-394-56110-3. 
  51. ^ Michael Crichton. Jurassic Park. ISBN 978-0-394-58816-2. 
  52. ^ Michael Crichton. Rising Sun. ISBN 978-0-345-38037-1. 
  53. ^ Michael Crichton. Disclosure. ISBN 978-0-679-41945-7. 
  54. ^ Michael Crichton. The Lost World. ISBN 978-0-679-41946-4. 
  55. ^ Michael Crichton. Airframe. ISBN 978-0-679-44648-4. 
  56. ^ Michael Crichton. Timeline. ISBN 0-679-44481-5. 
  57. ^ Michael Crichton. Prey. ISBN 978-0-679-44481-7. 
  58. ^ Michael Crichton. State of Fear. ISBN 978-0-06-621413-9. 
  59. ^ Michael Crichton. Next. ISBN 978-0-06-087298-4. 
  60. ^ Michael Crichton. Pirate Latitudes. ISBN 978-0-06-192937-3. 
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  63. ^ Publishers Weekly list of bestselling novels in the United States in the 1990s#1994
  64. ^ Amazon at Home of the Underdogs
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  66. ^ Gavin Schmidt (15 March 2007). "RealClimate: Adventures on the East Side". RealClimate. Retrieved 31 October 2012. 
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  69. ^ Michael Crichton. "Aliens Cause Global Warming". Caltech. Retrieved 2003-01-17. 
  70. ^ p.8 Johansen, Bruce Elliott Silenced!: Academic Freedom, Scientific Inquiry, and the First Amendment Under Siege in America Greenwood Publishing Group, 2007
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  72. ^ "Michael Crichton – Fear and Complexity and Environmental Management in the 21st Century", video from talk, The Smithsonian Associates and the Washington Center for Complexity and Public Policy, Washington, D.C., November 6, 2005
  73. ^ A Talk to Legislative Staffers http://web.archive.org/web/20080513233120/www.michaelcrichton.com/speech-legislativestaffers.html
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  75. ^ Masters, Jeffery M. "Review of Michael Crichton's State of Fear". Weather Underground. Retrieved 2007-10-14. 
  76. ^ Knights of the Limits Ansible 237, April 2007
  77. ^ Glenn, Joshua (April 1, 2007). "Climate of fear". The Boston Globe. 
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  82. ^ Columnist Accuses Crichton of ‘Literary Hit-and-Run’. Felicia R. Lee. New York Times, December 14, 2006
  83. ^ a b Edgar Award Winners and Nominees Database
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  85. ^ Michael Crichton Academy of Motion Picture Arts and Sciences
  86. ^ "Previous Nominees & Winners". The Writers Guild Awards. 
  87. ^ http://www.adherents.com/people/pc/Michael_Crichton.html The Religious Affiliation of Michael Crichton popular science fiction author. Retrieved December 8, 2013
  88. ^ a b "Michael Crichton" FORA.tv.
  89. ^ Berkic v. Crichton, 761 F. 2d 1289 – Court of Appeals, 9th Circuit 1985
  90. ^ Williams v. Crichton, 84 F. 3d 581 – Court of Appeals, 2nd Circuit 1996
  91. ^ Spielberg, Crichton Win 'twister' Copyright Case | Business solutions from AllBusiness.com
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  95. ^ "'Jurassic Park' author, 'ER' creator Crichton dies". CNN. November 5, 2008. Retrieved 2008-11-05. 
  96. ^ Itzkoff, Dave (November 5, 2008). "Michael Crichton Dies". The New York Times. Retrieved December 18, 2008. 
  97. ^ http://www.musingsonmichaelcrichton.com/2009/01/stephen-king-tribute-to-michael.html
  98. ^ "Christie's to sell the collection of Michael Crichton" (Press release). Christie's. March 2, 2010. 
  99. ^ Crichton, Michael. "HarperCollins to Publish Two Posthumous Novels by Michael Crichton", michaelcrichton.com, 2006. Retrieved August 19, 2009.

Bibliography[edit]

  • Golla, Robert Conversations with Michael Crichton, University Press of Mississippi, 2011, ISBN 1-61703-013-9
  • Hayhurst, Robert Readings on Michael Crichton, Greenhaven Press, 2004, ISBN 0-7377-1662-2
  • Trembley, Elizabeth A. Michael Crichton: A Critical Companion, Greenwood Press, 1996, ISBN 0-313-29414-3

External links[edit]