Middle English literature
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|History of literature
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The term Middle English literature refers to the literature written in the form of the English language known as Middle English, from the 12th century until the 1470s, when the Chancery Standard, a form of London-based English, became widespread and the printing press regularized the language. Between the 1470s and the middle of the following century there is a transition to early Modern English though in literary terms the characteristics of the literary works written does not change radically until the effects of the Renaissance and Reformed Christianity become more apparent in the reign of King Henry VIII. There are three main categories of Middle English Literature: Religious, Courtly love, and Arthurian, though much of Geoffrey Chaucer's work stands outside these. Among the many religious works are those in the Katherine Group and the writings of Julian of Norwich and Richard Rolle.
Early period 
After the Norman conquest of England, the written form of the Anglo-Saxon language continued in some monasteries but few literary works are known from this period. Under the influence of the new aristocracy, Law French became the standard language of courts, parliament, and polite society. As the invaders integrated, their language and literature mingled with that of the natives: the Norman dialects of the ruling classes became Anglo-Norman, and Anglo-Saxon underwent a gradual transition into Middle English. Political power was no longer in English hands, so the West Saxon literary language had no more influence than any other dialect; Middle English literature is written, then, in the many dialects that correspond to the history, culture, and background of the individual writers.
While Anglo-Norman or Latin was preferred for high culture and administration, English literature by no means died out, and a number of important works illustrate the development of the language. Around the turn of the thirteenth century, Layamon wrote his Brut, based on Wace's twelfth century Anglo-Norman epic of the same name; Layamon's language is recognisably Middle English, though his prosody shows a strong Anglo-Saxon influence remaining. Other transitional works were preserved as popular entertainment, including a variety of romances and lyrics. With time, the English language regained prestige, and in 1362 it replaced French and Latin in Parliament and courts of law. Early examples of Middle English literature are the Ormulum and Havelock the Dane.
"For men of the est with men of the west, as it were undir the same partie of hevene, acordeth more in sownynge of speche than men of the north with men of the south, therfore it is that Mercii, that beeth men of myddel Engelond, as it were parteners of the endes, understondeth better the side langages, northerne and southerne, than northerne and southerne understondeth either other…"
Late period 
It was with the fourteenth century that major works of English literature began once again to appear; these include the so-called Pearl Poet's Pearl, Patience, Cleanness, and Sir Gawain and the Green Knight; Langland's political and religious allegory Piers Plowman; Gower's Confessio Amantis; and the works of Chaucer, the most highly regarded English poet of the Middle Ages, who was seen by his contemporaries as a successor to the great tradition of Virgil and Dante.
The latter portion of the 14th century also saw not only the consolidation of English as a written language, taking over from French or Latin in certain areas, but a large shift from primarily theological or religious subject matter to that of a more secular nature. Literature during this period also saw a growth in the amount of (secular) books being copied in English. Thus, the latter portion of the 14th century can be seen as the most significant period in the history of the English language.
The reputation of Chaucer's successors in the 15th century has suffered in comparison with him, though Lydgate and Skelton are widely studied. At this time the origins of Scottish poetry began with the writing of The Kingis Quair by James I of Scotland. The main poets of this Scottish group were Robert Henryson, William Dunbar and Gavin Douglas. Henryson and Douglas introduced a note of almost savage satire, which may have owed something to the Gaelic bardic poetry, while Douglas's version of Virgil's Aeneid is one of the early monuments of Renaissance literary humanism in English.
Caxton and the English language 
William Caxton printed four-fifths of his works in English. He translated a large number of works into English; Caxton translated 26 of the titles himself. Caxton is credited with printing as many as 108 books, 87 of which were different titles. However, the English language was changing rapidly in Caxton's time and the works he was given to print were in a variety of styles and dialects. Caxton was a technician rather than a writer and he often faced dilemmas concerning language standardisation in the books he printed. (He wrote about this subject in the preface to his Eneydos.) His successor Wynkyn de Worde faced similar problems.
Caxton is credited with standardising the English language (that is, homogenising regional dialects) through printing. This facilitated the expansion of English vocabulary, the development of inflection and syntax and the ever-widening gap between the spoken and the written word.
However, Richard Pynson, a Frenchman who started printing in London in 1491 or 1492 and who favoured Chancery Standard, was a more accomplished stylist and consequently pushed the English language further toward standardisation.
See also 
- Elmes, Simon (2005) Talking for Britain: a journey through the nation's dialects . London: Penguin Books (Word 4 word: the voices survey \ BBC).
- Penn, Stephen (2005) “Literacy and Literary Production” in Chaucer: an Oxford guide, ed. Ellis, Steve (New York: Oxford University Press, 2005), pp. 113-130
- Caxton's Chaucer - Caxton's English
Further reading 
- Kaiser, Rolf, ed. (1958) Medieval English: an Old English and Middle English anthology; 3rd ed. Berlin: Rolf Kaiser