|This article relies largely or entirely upon a single source. (March 2012)|
||This article may be expanded with text translated from the corresponding article in the Hungarian Wikipedia. (September 2011)|
He was born at Puszta-Nyék (now Kápolnásnyék), of a noble Roman Catholic family. His father was a steward of the Nádasdys. Mihály was educated at Székesfehérvár by the Cistercians and at Pest by the Piarists. The death of the elder Vörösmarty in 1817 left his widow and numerous family extremely poor. As tutor to the Perczel family, however, Vörösmarty contrived to pay his own way and go through his academical course at Pest.
The activities of the diet of 1825 enkindled his patriotism and gave a new direction to his poetry. He had already begun a drama entitled Salomon. He flung himself ever more recklessly into public life until he fell in love with Etelka Perczel, who socially was far above him. Many of his lyrics concern this unrequited love. Meanwhile his patriotism found expression in the heroic epic Zalán futása ("The Flight of Zalán", 1824). This new epic marked a transition from the classical to the romantic school.
Henceforth Vörösmarty was hailed by Károly Kisfaludy and the Hungarian romanticists as one of their own. He had forsaken the law for literature, and his financial situation deteriorated. Between 1823 and 1831 he composed four dramas and eight smaller epics, partly historical, partly fanciful. Of these epics he always regarded Cserhalom (1825) as the best, but modern criticism has given the preference to A két szomszédvár ("Two Neighbouring Castles", 1831).
When the Hungarian Academy was established on November 17, 1830 he was elected a member of the philological section, and ultimately succeeded Károly Kisfaludy as director with an annual pension of 500 florins. He was one of the founders of the Kisfaludy Society, and in 1837 started two periodicals: the Athenaeum and the Figyelmező. The first was the chief bellettristic periodical, and the second was the best critical periodical of Hungary.
From 1830 to 1843 he devoted himself mainly to the drama, including Csongor és Tünde ("Csongor and Tünde", 1830), a five-act play inspired by Albert Gergei's Prince Árgirus and by A Midsummer Night's Dream; and Vérnász ("Blood Wedding", 1833), which won the Academy's 200-gulden prize. Csongor és Tünde was described by György Lukács in 1911 as the best Hungarian play of the nineteenth century. He also published several volumes of poetry. His song Szózat ("Appeal", 1836) was to become a second national anthem, and he wrote Az elhagyott anya ("The Abandoned Mother", 1837) and Az uri hölgyhöz ("To the Noble Lady", 1841). His marriage in 1843 to Laura Csajághy inspired him to compose a new cycle of love poems. They had five children, including Béla and Ilona. In 1848, in conjunction with Arany and Petőfi, he contributed to a translation of Shakespeare's works.
With the support of Lajos Kossuth and Imre Cseszneky, he was elected to represent Jankovác at the diet of 1848, and in 1849 was made one of the judges of the high court. The national catastrophe (the fall of the revolution of 1848-49) profoundly affected him. For a short time he was an exile, and when he returned to Hungary in 1850 he was already in serious decline. In 1854 he wrote his last poem, A vén cigány ("The Old Gypsy"). He moved back to Pest to be close to doctors, and died there, in the same house where Károly Kisfaludy had died twenty-five years before. He was buried in Kerepesi Cemetery. His funeral, on November 21, was a day of national mourning. His penniless children were provided for by a national subscription collected by Ferenc Deák, who acted as their guardian.
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Vörösmarty, Mihály". Encyclopædia Britannica (11th ed.). Cambridge University Press.