Mike McGear

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Mike McGear
Birth name Peter Michael McCartney
Born (1944-01-07) 7 January 1944 (age 70)
Liverpool, Lancashire, England
Genres Rock
Pop rock
Occupations Photographer, musician
Instruments Piano, guitar
Years active 1966–1981 (musician)
1966–present (photographer)
Labels Parlophone
Island
Warner Bros.
Carrere
Conn
Associated acts The Scaffold
Grimms
Paul McCartney
Website Mike McCartney Website

Peter Michael "Mike" McCartney (born 7 January 1944), known professionally as Mike McGear, is a British performing artist and rock photographer and the younger brother of Paul McCartney. He attended the Liverpool Institute two years behind his brother.

Early years[edit]

Main article: Jim & Mary McCartney

Michael and his brother Paul (born 18 June 1942) were both born in the Walton General Hospital in Liverpool, where their mother, Mary McCartney, had previously worked as a nursing sister in charge of the maternity ward.[1][2] Michael was not enrolled in a Catholic school as his father, Jim McCartney, believed that they leaned too much towards religion instead of education.[1] At age 17, McCartney started his first job at 'Jackson's the Tailors' in Ranelagh Street, Liverpool. The year after he took an apprenticeship at 'Andre Bernard', a hairdresser for ladies in the same street.[3]

Musical career[edit]

(L-R) McGough, McGear (McCartney) and Gorman on the album cover.

At the time the Beatles became successful, Mike McCartney was working as an apprentice hairdresser.[4] However, he was also a member of the Liverpool comedy-poetry-music group the Scaffold, which included Roger McGough and John Gorman and had formed in 1962 (the year of the Beatles' first hit). McCartney decided to use a stage name, so as not to appear to be riding his brother's coattails. After first dubbing himself "Mike Blank",[5] he settled on "Mike McGear", "gear" being the Liverpudlian equivalent of "fab".[4] The band was subsequently signed to Parlophone.

The Scaffold recorded a number of UK hit singles between 1966 and 1974, the most successful being the 1968 Christmas number one single, "Lily the Pink". McCartney composed the band's next biggest hit, 1967's "Thank U Very Much". In 1968, he and McGough released a "duo" album (McGough & McGear) that included the usual Scaffold mix of lyrics, poems, and comedy. The Scaffold ended up hosting a TV program, which limited the musical portion of their career, and they were dropped by Parlophone. McCartney then signed to Island Records and released a solo musical album entitled Woman in 1972—About this sound sample —which again included many tracks co-written with McGough, and the Scaffold subsequently released their own album on the label, Fresh Liver.

The Scaffold then added several other members and released two albums on Island in 1973 as Grimms (an acronym for Gorman-Roberts-Innes-McGear-McGough-Stanshall).[4] However, McCartney quit Grimms after the second album due to tension between himself and one of the poets added to the group.

McCartney then signed to Warner Bros. Records and in 1974 released his second "serious" musical album, McGear, in which he collaborated with his brother Paul and Paul's band Wings. Although four singles were released from these sessions, only "Leave It" enjoyed any moderate chart success (No. 36 UK). However, also recorded during McCartney's sessions with Wings was a Scaffold "reunion" song, "Liverpool Lou", which became the Scaffold's last top-ten hit. This led to the group's re-formation in 1974, and they recorded and performed together through 1977.

Individually, McCartney released a few more singles. His final release, while still using the name Mike McGear, was the 1981 release "No Lar Di Dar (Is Lady Di)". This was a satirical tribute to Lady Diana Spencer, released at the time of her wedding to Prince Charles.

In the 1980s, after retiring from music, Mike McCartney decided to end his use of the "McGear" pseudonym and revert to use of his family name.

Photographic career[edit]

McCartney was a photographer during his entire musical career, and has continued with photography since then. Beatles' manager Brian Epstein nicknamed him "Flash Harry" in the early 1960s because he was always taking pictures with a flash gun.[6]

He has published books of pictures that he took of the Beatles backstage and on tour, and he recently brought out a limited edition book of photos he took spontaneously backstage at Live8.[4] In 2005, McCartney premiered and exhibited a collection of photographs that he had taken in the 1960s, called "Mike McCartney's Liverpool Life", both in Liverpool[6] and other venues, such as The Provincial Museum of Alberta.[7] In addition, an exhibition book was published of the collection.[8]

He also took the cover photograph for Paul McCartney's 2005 solo album Chaos and Creation in the Backyard.[5]

Personal life[edit]

McCartney married (in 1968) and later divorced Angela Fishwick. He later married Rowena Horne. He has a step-sister, Ruth, whom his father Jim adopted in 1964.

Solo discography[edit]

Singles[edit]

UK Releases

  • "Woman" / "Kill" (Island WIP 6131) April 1972
  • "Leave It" / "Sweet Baby" (Warner Bros. K 16446) September 1974 – UK #36[9]
  • "Sea Breezes" / "Giving Grease a Ride" (Warner Bros. K 16520) February 1975
  • "Dance the Do" / "Norton" (Warner Bros. K16573) July 1975
  • "Simply Love You" / "What Do We Really Know" (Warner Bros. K 16658) November 1975
  • "Do Nothing All Day" / "A to Z" (EMI 2485) June 1976
  • "All The Whales In The Ocean" / "I Juz Want What You Got – Money!" (Carrere CAR 144) May 1980
  • "No Lar Di Dar (Is Lady Di)" / "God Bless Our Gracious Queen" (Conn CONN 29781) July 1981

US Release

  • "Leave It" / "Sweet Baby" (Warner Bros. WBS 8037) October 1974

Albums[edit]

UK Releases

  • McGough and McGear (Parlophone PMC 7047 [mono], PCS 7047 [stereo]) [LP] May 1968
  • Woman (Island ILPS 9191) [LP] April 1972
  • McGear (Warner Bros. Records K 56051) [LP] September 1974
  • McGough and McGear (Parlophone PCS 7332) [LP] April 1989 [Reissue of the 1968 album]
  • McGough and McGear (EMI CDP 7 91877 2) [CD] April 1989 [Reissue of the 1968 album]
  • McGear (See For Miles SEECD 339) [CD] April 1992 [reissue of the 1974 album, with two additional tracks]
  • Woman (Edsel EDCD 507) [CD] February 1997 [reissue of the 1972 album, with four short tracks omitted]
  • A Collection of Songs for the Young Homeless of Merseyside (Merseyside Accommodation Project), [CD] December 1996 [Multi-artist commemorative release, including one newly recorded track by McGear]

US Releases

  • McGear (Warner Bros. BS 2825) [LP] October 1974
  • McGear (Rykodisc RCD 10192) [CD] September 1990 [Reissue of the 1974 album, with one additional track]
  • McGough and McGear (Real Gone Music RGM-0025) [CD] Feb., 2012 [Reissue of the 1968 album]

Discography notes[edit]

Notes[edit]

  1. ^ a b Miles 1998 p4.
  2. ^ Spitz 2005 p75
  3. ^ Mike McCartney biog on Beatles Ireland iol.ie/~beatlesireland- Retrieved 16 October 2007
  4. ^ a b c d Mike McCartney’s biog mikemccartney.co.uk – Retrieved 6 October 2007
  5. ^ a b Barry O'Brien, "The Scaffold: Airbrushed from History?". Retrieved 17 October 2007.
  6. ^ a b Mike McCartney's Liverpool Life exhibition, Museum of Liverpool Life, 2003. Retrieved 17 October 2007.
  7. ^ ‘Liverpool Life’ Exhibition artvisionexhibitions.com – Retrieved 16 October 2007
  8. ^ Press release for exhibition book, dated March 2004. Retrieved 17 October 2004.
  9. ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 339. ISBN 1-904994-10-5. 

References[edit]

External links[edit]