Miklós Radnóti

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Miklós Radnóti
Radnoti1.jpg
Miklós Radnóti
Born (1909-05-05)5 May 1909
Budapest, Austria-Hungary
Died 10 November 1944(1944-11-10) (aged 35)
near Abda, Hungary
Occupation Poet
Language Hungarian
Nationality Hungarian
Spouse(s) Fanni Gyarmati

Miklós Radnóti, birth name Miklós Glatter (5 May 1909 – 10 November 1944) was a Hungarian poet who died in The Holocaust. His ordeal during WWII was the subject of the feature film Forced March.

Personality and early life[edit]

Radnóti was born in Budapest into an assimilated Jewish family. His life was considerably shaped by the fact that both his mother and his twin brother died at his birth. He refers to this trauma in the title of his compilation Ikrek hava ("Month of Gemini"/"Month of the Twins").

In his last years, Hungarian society rejected Radnóti as a Jew, but in his poems he identifies himself very strongly as a Hungarian. His poetry mingles avant-garde and expressionist themes with a new classical style, a good example being his eclogues. His romantic love poetry is notable as well. Some of his early poetry was published in the short-lived periodical Haladás ("Progress"). His 1935 marriage to Fanni Gyarmati (1912–2014) was exceptionally happy.

Radnóti converted to Catholicism in 1943. Numerous Jewish writers converted to Christianity at that time due to the antisemitism that was pervasive in Hungarian society at the time.[1] Radnóti also admired his former professor of literature, the Piarist priest Sándor Sík.[citation needed]

In the Holocaust[edit]

In the early forties Radnóti was conscripted by the Hungarian Army, but being a Jew he was assigned to an unarmed (munkaszolgálat) ("labour battalion"). The battalion assigned to the Ukrainian front, and then in May 1944 the Hungarian Army retreated and his battalion was transferred to the copper mines in Bor, Serbia. In August 1944 as Yugoslav Partisans led by Josip Tito advanced, Radnóti's group of 3,200 Hungarian Jews was force-marched to central Hungary. On the march most of them died, including Radnóti.[2]

In these last months of his life Radnóti continued to write poems in a small notebook and scraps of paper he kept with him. His last poem was dedicated to his friend Miklós Lorsi, who was shot to death during their death march.[1] According to witnesses, in early November 1944, Radnóti was severely beaten by a drunken militiaman who had been tormenting him for "scribbling". Too weak to continue, he was murdered, together with other young Jews, and buried in a mass grave near the village of Abda, near Győr in northwestern Hungary.[3] Today, a statue next to the road commemorates his place of death.

Posthumous discovery of his last works[edit]

Eighteen months after his death, the mass grave was exhumed and in the front pocket of Radnóti's overcoat his small notebook of final poems was found, with instructions in several languages to deliver the notebook to the Budapest University lecturer Gyula Ortutay. The final poems are poignantly lyrical and constitute not only one of the few surviving works of literature written under the Holocaust but masterpieces, such as 'The Seventh Eclogue',[4] and 'Neither Memory Nor Magic,' that rank with the greatest poetry of the century. Possibly his best known poem is the fourth stanza of the Razglednicák (Postcards), where he describes the shooting of another man and then envisions his own death.

These poems serve as one of the most chilling pieces of Holocaust literature. From the touching love poems written to a wife he would never see again to the gruesomely accurate descriptions of Nazi barbarism, Radnoti's words help convey the thoughts and emotions of a man facing one of history's greatest evils. Edward Hirsch calls the posthumous collection of Radnoti's internment poems, Clouded Sky (1946), "one of the pinnacles of Central European poetry this century."[5] "Postcard 4" which was written days before his own death, describes the horror of seeing "his friend, the violinist Miklós Lorsi" executed.[6] What follows is the poem in its translated version:

Postcard 4

I fell next to him.His body rolled over.

It was tight as a string before it snaps.

Shot in the back of the head- "This is how 

you'll end." "Just lie quietly," I said to myself.

Patience flowers into death now.

"Der springt noch auf," I heard above me.

Dark filthy blood was drying on my ear.

Szentkiralyszabadja October 31, 1944[7]


Radnóti's body was later re-interred in Budapest's Kerepesi Cemetery.

Books[edit]

  • Pogány köszöntő (Pagan Greeting) - 1930
  • Újmódi pásztorok éneke (Modern shepherds' song) - 1931
  • Lábadozó szél (Convalescent Wind) - 1933
  • Újhold (New Moon) - 1935
  • Járkálj csak, halálraítélt! (Walk On, Condemned!) - 1936
  • Meredek út (Steep Road) - 1938
  • Naptár (Calendar) - 1942
  • Tajtékos ég (Frothy Sky) - 1946
  • Radnóti Miklós művei (Works of Miklos Radnoti) - 1978, ISBN 963-15-1182-0

His works were translated into Croatian language by Hungarian Croat poet Stjepan Blažetin. Croatian literatury critics describe Radnóti as "the Hungarian Šimić".

Movie[edit]

  • Forced March - was a "film within a film" feature drama, with Academy Award-nominated actor Chris Sarandon playing Miklos Radnoti, and Dutch star Renee Soutendijk playing his wife Fanni. Sarandon stars as an actor struggling to depict the horrors of the Holocaust in WWII Hungary. He begins to merge with his character of Radnoti, blurring the boundaries of truth & illusion, as he must choose to portray hero or victim, and what legacy to leave. The movie was shot on location in Hungary and Los Angeles. It was produced by Dick Atkins, directed by Rick King, and written by Dick Atkins & Karl Bardosh. Forced March was first released in October, 1989 at Cinema I in New York City. Then, coinciding with the 25th anniversary of its filming in 1988, the movie had a new digital transfer, was re-edited, and re-opened at the Quad Cinema in New York on November 1, 2013 and showed through November 7, 2013.

References[edit]

  1. ^ a b Ozsváth, Zsuzsanna (2000). In the Footsteps of Orpheus: The Life and Times of Miklós Radnóti. Indiana University Press. pp. 37–40. ISBN 978-0-253-33801-3. 
  2. ^ Gilbert, Martin (2002). The Routledge Atlas of the Holocaust. Psychology Press. p. 10. ISBN 978-0-415-28145-4. 
  3. ^ Rubin Suleiman, Susan (2006). Crises of memory and the Second World War. Harvard University Press. p. 129. ISBN 978-0-674-02206-5. 
  4. ^ Christopher Kelen http://books.google.com.au/books?id=wSoevN1dPboC&pg=PA70 Poetry, Consciousness and Community, Rodopi 2009 pp.70-71
  5. ^ Hirsch, Edward. How to read a Poem and fall in Love with Poetry, San Diego. Harvest Book. 1999. Pg 147.
  6. ^  (http://blog.smu.edu/ponyexpressions/non-fiction/miklos-radnoti-the-poetry-of-witness-and-prophesy/ (accessed 3 April 2012))
  7. ^ Hirsch, Edward. How to read a Poem and fall in Love with Poetry. San Diego. Harvest Book. 1999. Pg 147.

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