Miller Puckette

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Miller Smith Puckette is the associate director of the Center for Research in Computing and the Arts as well as a professor of music at the University of California, San Diego, where he has been since 1994. Puckette is known for authoring Max, a graphical development environment for music and multimedia synthesis, which he developed while working at IRCAM in the late 1980s. He is also the author of Pure Data (Pd), a real-time performing platform for audio, video and graphical programming language for the creation of interactive computer music and multimedia works, written in the 1990s with input from many others in the computer music and free software communities.


He is a Putnam Fellow, an honor he earned in 1979.

He got involved into computer music first in 1979 at MIT with Barry Vercoe.[1] [3] from Society for Electro-Acoustic Music in the United States Newsletter.</ref>

He used Max to complete his first work, which is called Pluton from the second work of Manoury' series called Sonus ex Machina.[2]

He is the 2008 SEAMUS Award Recipient.[3]

He earned a Ph.D. in mathematics from Harvard University in 1986 after completing an undergraduate degree at MIT in 1980. He was a member of the MIT Media Lab from its opening in 1985 until 1987 before continuing his research at IRCAM, and since 1997 has been a part of the Global Visual Music project.

On May 11, 2011, he received the title of Doctor Honoris Causa from the University of Mons.[4]

On July 21, 2012, he received an Honorary Degree from Bath Spa University in recognition of his extraordinary contribution to computer music research.[5]

Selected publications[edit]

For a full list, see:


  1. ^ ...
  2. ^ [1] from Society for Electro-Acoustic Music in the United States Newsletter.
  3. ^ [2] from Society for Electro-Acoustic Music in the United States Newsletter.
  4. ^ UMONS Press release on
  5. ^ Compute Scotland Article on


External links[edit]