July 12, 1908
New York City, New York, U.S.
|Died||March 27, 2002
Los Angeles, California, U.S.
|Cause of death||Colon cancer|
|Resting place||Hillside Memorial Park Cemetery|
|Residence||Los Angeles, California|
|Other names||Mr. Television
|Education||Professional Children's School|
|Influenced by||Charlie Chaplin, Ted Healy, Groucho Marx|
|Influenced||Don Rickles, Johnny Carson, Larry the Cable Guy, Nipsey Russell|
|Spouse(s)||Joyce Mathews (1941–1947; 1949–1950)
Ruth Cosgrove Rosenthal (1953–1989)
Lorna Adams (1991–2002)
Milton Berle (born Milton Berlinger; July 12, 1908 – March 27, 2002) was an American comedian and actor. As the host of NBC's Texaco Star Theater (1948–55), he was the first major American television star and was known to millions of viewers as "Uncle Miltie" and "Mr. Television" during TV's golden age.
Early life 
Milton Berlinger was born into a Jewish family in a five-story walkup at 68 W. 118th Street in the Harlem neighborhood of Manhattan. He chose Milton Berle as his professional name when he was 16. His father, Moses Berlinger (1873–1938), was a paint and varnish salesman. His mother, Sarah (Sadie) Glantz Berlinger (1877–1954), eventually became stagestruck and changed her name to Sandra Berle when Milton became famous.
Child actor 
Berle entered show business at the age of five when he won an amateur talent contest. He appeared as a child actor in silent films, beginning with The Perils of Pauline, filmed in Fort Lee, New Jersey. The director told Berle that he would portray a little boy who would be thrown from a moving train. In Milton Berle: An Autobiography, he explained, "I was scared shitless, even when he went on to tell me that Pauline would save my life. Which is exactly what happened, except that at the crucial moment they threw a bundle of rags instead of me from the train. I bet there are a lot of comedians around today who are sorry about that."
By Berle's account, he continued to play child roles in other films: Bunny's Little Brother, Tess of the Storm Country, Birthright, Love's Penalty, Divorce Coupons and Ruth of the Range. Berle recalled, "There were even trips out to Hollywood—the studios paid—where I got parts in Rebecca of Sunnybrook Farm, with Mary Pickford; The Mark of Zorro, with Douglas Fairbanks, Sr., and Tillie's Punctured Romance, with Charlie Chaplin, Mabel Normand and Marie Dressler."
However, Berle's claims to have appeared in many of these films, particularly the 1914 Chaplin Keystone comedy Tillie's Punctured Romance, are hotly disputed by some, who cite the lack of supporting evidence that Berle even visited the West Coast until much later. The newsboy role often claimed by Berle in Tillie was unquestionably played by resident Keystone child actor Gordon Griffith. In 1916, Berle enrolled in the Professional Children's School.
Around 1920, at age 12, Berle made his stage debut in a revival of the musical comedy Florodora in Atlantic City, New Jersey which later moved to Broadway. By the time he was 16, he was working as a Master of Ceremonies in vaudeville, intruding into everyone's act and creating the brash style that would become his trademark. By the early 1930s he was a successful stand-up comedian, patterning himself after one of vaudeville's top comics, Ted Healy.
Rising star 
In 1933, he was hired by producer Jack White to star in the theatrical featurette Poppin' the Cork, a topical musical comedy concerning the repealing of Prohibition. Berle also co-wrote the score for this film, which was released by Educational Pictures. Berle continued to dabble in songwriting. With Ben Oakland and Milton Drake, Berle wrote the title song for the RKO Radio Pictures release Li'l Abner (1940), an adaptation of Al Capp's comic strip, featuring Buster Keaton as Lonesome Polecat. Berle wrote a Spike Jones B-side, "Leave the Dishes in the Sink, Ma."
In 1934–36, Berle was heard regularly on The Rudy Vallee Hour, and he attracted publicity as a regular on The Gillette Original Community Sing, a Sunday night comedy-variety program broadcast on CBS from September 6, 1936 to August 29, 1937. In 1939, he was the host of Stop Me If You've Heard This One with panelists spontaneously finishing jokes sent in by listeners.
In the late 1940s he canceled well-paying nightclub appearances to expand his radio career. Three Ring Time, a comedy-variety show sponsored by Ballantine Ale, was followed by a 1943 program sponsored by Campbell's Soups. The audience participation show Let Yourself Go (1944–1945) could best be described as "slapstick radio" with studio audience members acting out long suppressed urges—often directed at host Berle. Kiss and Make Up, on CBS in 1946, featured the problems of contestants decided by a jury from the studio audience with Berle as the judge. Berle also made guest appearances on many comedy-variety radio programs during the 1930s and 1940s.
Berle would revive the structure and routines of his vaudeville shows for his debut on TV. Scripted by Hal Block and Martin Ragaway, The Milton Berle Show brought Berle together with Arnold Stang, later a familiar face as Berle's TV sidekick. Others in the cast were Pert Kelton, Mary Schipp, Jack Albertson, Arthur Q. Bryan, Ed Begley, Brazilian singer Dick Farney, and announcer Frank Gallop. Sponsored by Philip Morris, it aired on NBC from March 11, 1947 until April 13, 1948.
His last radio series was The Texaco Star Theater, which began September 22, 1948 on ABC and continued until June 15, 1949 with cast members Stang, Kelton and Gallop, along with Charles Irving, Kay Armen, and double-talk specialist Al Kelly. Writers included (Nat Hiken, brothers Danny and Neil Simon, Leo Fuld, and Aaron Ruben). Berle later described this series as "the best radio show I ever did ... a hell of a funny variety show". It served as a springboard for Berle's emergence as television's first major star.
Mr. Television 
In 1948 NBC brought Texaco Star Theater to TV. The show began with Berle rotating hosting duties with three other comedians, but in October he became the permanent host. Berle's highly visual style, characterized by vaudeville slapstick and outlandish costumes, proved ideal for the new medium. Berle modeled the show's structure and skits directly from his vaudeville shows, and hired writer Hal Collins to revive his old routines.
The show dominated Tuesday night television for the next several years, reaching the number one slot in the Nielsen ratings with as much as an 80% share of the viewing audience. Berle and the show each won Emmy Awards after the first season. Fewer movie tickets were sold on Tuesdays. Some theaters, restaurants and other businesses shut down for the hour or closed for the evening so their customers would not miss Berle's antics. Berle's autobiography notes that in Detroit, "an investigation took place when the water levels took a drastic drop in the reservoirs on Tuesday nights between 9 and 9:05. It turned out that everyone waited until the end of the Texaco Star Theater before going to the bathroom."
Television set sales more than doubled after Texaco Star Theater's debut, reaching two million in 1949. Berle's stature as the medium's first superstar earned him the sobriquet "Mr. Television". He also earned another nickname after ending a 1949 broadcast with a brief ad-libbed remark to children watching the show: "Listen to your Uncle Miltie and go to bed." Francis Craig and Kermit Goell's Near You became the theme song that closed Berle's TV shows.
Berle risked his newfound TV stardom at its zenith to challenge Texaco when the sponsor tried to prevent black performers from appearing on his show:
|“||I remember clashing with the advertising agency and the sponsor over my signing the Four Step Brothers for an appearance on the show. The only thing I could figure out was that there was an objection to black performers on the show, but I couldn't even find out who was objecting. "We just don't like them," I was told, but who the hell was "we"? Because I was riding high in 1950, I sent out the word: "If they don't go on, I don't go on." At ten minutes of eight—ten minutes before showtime—I got permission for the Step Brothers to appear. If I broke the color-line policy or not, I don't know, but later on I had no trouble booking Bill Robinson or Lena Horne.||”|
Berle's mother Sadie was often in the audience for his broadcasts; she had long served as a "plant" to encourage laughter from his stage show audiences. Her unique, "piercing, roof-shaking laugh" would stand out, especially when Berle made an entrance in an outrageous costume. After feigning surprise he would "ad lib" a response; for example: "Lady, you've got all night to make a fool of yourself. I've only got an hour!"
Berle asked NBC to switch from live broadcasts to film, which would have made possible reruns (and residual income from them); he was angered when the network refused. NBC did consent to make a kinescope of each show, however. Later, Berle was offered 25% ownership of a company manufacturing the teleprompter by its inventor, Irving Berlin Kahn, if he would simply use the new gadget on his program. He turned the offer down.
Berle's TV decline 
NBC signed him to an exclusive, unprecedented 30-year television contract in 1951. The problem with Berle's 30-year deal was that NBC could not have realized the relatively short lifespan of a comedian on television, compared to radio, where some careers had thrived for two decades. In part, this was due to the more ephemeral nature of visual comedy (those who do not adapt quickly do not survive), and a single television appearance could equal years of exposure on the nightclub circuit. It has also been said that Berle had less appeal with audiences outside the Borscht Belt as television expanded from big East Coast markets to smaller cities. It is also possible that the positioning of the television set itself was a factor. When Berle's program first hit the airwaves, so few people owned the apparatus that many audiences watched it in public places such as bars, clubs and even in appliance store windows; these were perfect venues for Berle's out-sized personality. However, as more and more people acquired their own televisions, they may have adjusted their tastes to suit the privacy of home.
Texaco pulled out of sponsorship of the show in 1953. Buick picked it up, prompting a renaming to The Buick-Berle Show, and the program's format was changed to show the backstage preparations to put on a variety show. Critics generally approved of the changes, but Berle's ratings continued to fall and Buick pulled out after two seasons. By the time the again-renamed Milton Berle Show finished its only full season, Berle was already becoming history—though his final season was host to two of Elvis Presley's earliest television appearances, April 3 and June 5, 1956. The final straw during that last season may have come from CBS scheduling The Phil Silvers Show (aka You'll Never Get Rich and Sergeant Bilko) opposite Berle. Ironically, Silvers was one of Berle's best friends in show business and had come to CBS's attention in an appearance on Berle's program. Bilko's creator-producer, Nat Hiken, had been one of Berle's radio writers.
Berle knew that NBC had already decided to cancel his show before Presley appeared. Berle later appeared in the Kraft Music Hall series from 1958 to 1959, but NBC was finding increasingly fewer showcases for its one-time superstar. By 1960, he was reduced to hosting a bowling program, Jackpot Bowling, delivering his quips between the efforts of bowling contestants.
Life after The Milton Berle Show 
In Las Vegas, Berle played to packed showrooms at Caesars Palace, the Sands, the Desert Inn and other casino hotels. Berle had appeared at the El Rancho, one of the first Vegas hotels, in the late 1940s. In addition to constant club appearances, Berle performed on Broadway in Herb Gardner's The Goodbye People in 1968. He also became a commercial spokesman for the thriving Lums restaurant chain.
He appeared in numerous films, including Always Leave Them Laughing (Released in 1949, shortly after his tv debute) with Virginia Mayo and Bert Lahr, Let's Make Love with Marilyn Monroe and Yves Montand, It's a Mad, Mad, Mad, Mad World, The Loved One, The Oscar, Who's Minding the Mint?, Lepke, Woody Allen's Broadway Danny Rose and Driving Me Crazy.
Freed in part from the obligations of his NBC contract, Berle was signed in 1966 to a new, weekly variety series on ABC. The show failed to capture a large audience and was cancelled after one season. He later appeared as guest villain Louie the Lilac on ABC's Batman series. Other memorable guest appearances included stints on The Barbara Stanwyck Show, The Lucy Show, The Jackie Gleason Show, Get Smart, Laugh-In, The Sonny & Cher Comedy Hour, The Hollywood Palace, Ironside, F Troop, Fantasy Island, and The Jack Benny Program.
Like his contemporary Jackie Gleason, Berle proved a solid dramatic actor and was acclaimed for several such performances, most notably his lead role in "Doyle Against The House" on The Dick Powell Show in 1961, a role for which he later received an Emmy nomination. He also played the part of a blind survivor of an airplane crash in Seven in Darkness, the first in ABC's popular Movie of the Week series. (He also played it straight as an agent in The Oscar (1966), and was one of the few actors in that infamous flop to get good notices from critics.)
During this period, Berle was named to the Guinness Book of World Records for the greatest number of charity performances made by a show-business performer. Unlike the high-profile shows done by Bob Hope to entertain the troops, Berle did more shows, over a period of 50 years, on a lower-profile basis. Berle received an award for entertaining at stateside military bases in World War I as a child performer, in addition to traveling to foreign bases in World War II and Vietnam. The first charity telethon (for the Damon Runyon Cancer Research Foundation) was hosted by Berle in 1949. A permanent fixture at charity benefits in the Hollywood area, he was instrumental in raising millions for charitable causes.
Late career 
On April 14, 1979, Berle guest-hosted NBC's Saturday Night Live. Berle's long reputation for taking control of an entire television production—whether invited to do so or not—was a cause of stress on the set. One of the show's writers, Rosie Shuster, described the rehearsals for the Berle SNL show and the telecast as "watching a comedy train accident in slow motion on a loop." Upstaging, camera mugging, inserting old comedy bits, and climaxing the show with a maudlin performance of "September Song" complete with pre-arranged standing ovation (something producer Lorne Michaels had never sanctioned), resulted in Berle being banned from the show.
As a guest star on The Muppet Show, Berle was memorably upstaged by the heckling theatre critics Statler and Waldorf. The Statler and Waldorf puppets were inspired by a character named Sidney Spritzer, played by comedian Irving Benson, who regularly heckled Berle from a box seat during episodes of the 1960s ABC series. Milton Berle also made a cameo appearance in "The Muppet Movie" as a used car dealer, taking Fozzie Bear's 1951 Studebaker in trade for a station wagon.
Another well-known incident of upstaging occurred during the 1982 Emmy Awards, when Berle and Martha Raye were the presenters of the Emmy for Outstanding Writing. Berle was reluctant to give up the microphone to the award's recipients, from Second City Television, and interrupted actor Joe Flaherty's acceptance speech several times. After Flaherty would make a joke, Berle would reply sarcastically "Oh, that's funny". However, the kindly, smiling Flaherty's response of "Go to sleep, Uncle Miltie" flustered Berle, who could only reply with a stunned "What...?" SCTV later created a parody sketch of the incident, in which Flaherty beats up a Berle look-alike, shouting, "You'll never ruin another acceptance speech, Uncle Miltie!"
One of his most popular performances in his later years was guest starring in 1992 in The Fresh Prince of Bel-Air as womanizing, wise-cracking patient Max Jakey. Most of his dialogue was improvised and he shocked the studio audience by mistakenly blurting out a curse word. He also appeared in an acclaimed and Emmy-nominated turn on Beverly Hills, 90210 as an aging comedian befriended by Steve Sanders, who idolizes him but is troubled by his bouts of senility due to Alzheimer's Disease. He also appeared in 1995 as a guest star in an episode of The Nanny in the part of her lawyer and great uncle.
As "Mr. Television," Berle was one of the first seven people to be inducted into the Television Academy Hall of Fame in 1984. The following year, he appeared on NBC's Amazing Stories (created by Steven Spielberg) in an episode called "Fine Tuning". In this episode, friendly aliens from space receive TV signals from the Earth of the 1950s and travel to Hollywood in search of their idols, Lucille Ball, Jackie Gleason, The Three Stooges, Burns and Allen—and Milton Berle. (When he realizes the aliens are doing his old material, Uncle Miltie is thunderstruck: "Stealing from Berle? Is that even possible?") Speaking gibberish, Berle is the only person able to communicate directly with the aliens.
Berle was again on the receiving end of an onstage jibe at the 1993 MTV Video Music Awards where RuPaul responded to Berle's reference of having once worn dresses himself (during his old television days) with the quip that Berle now wore diapers. A surprised Berle replied by recycling a line he had delivered to Henny Youngman on his Hollywood Palace show in 1966: "Oh, we're going to ad lib? I'll check my brain and we'll start even".
Uncle Miltie offstage 
In 1947, Milton Berle founded the Friars Club of Beverly Hills at the old Savoy Hotel on Sunset Boulevard. Other founding members included Jimmy Durante, George Jessel, Robert Taylor, and Bing Crosby. In 1961, the club moved to Beverly Hills. The club is a private show business club famous for its celebrity members and roasts, where a member is mocked by his club friends in good fun.
Unlike many of his peers, Berle's off-stage lifestyle did not include drugs or drinking, but did include cigars, a "who's who" list of beautiful women, and a lifelong addiction to gambling, primarily horse racing. Some felt his obsession with "the ponies" was responsible for Berle never amassing the wealth or business success of others in his position.
Berle was also famous within show business for the rumored size of his penis. Phil Silvers once told a story about standing next to Berle at a urinal, glancing down, and quipping, "You'd better feed that thing, or it's liable to turn on you!" In the short story 'A Beautiful Child', Truman Capote wrote Marilyn Monroe as saying: "Christ! Everybody says Milton Berle has the biggest schlong in Hollywood." At a memorial service for Berle at the New York Friars' Club, Freddie Roman solemnly announced, "On May 1st and May 2nd, his penis will be buried." Radio shock jock Howard Stern also barraged Berle with an endless array of penis questions when the comedian appeared on Stern's morning talk show on Aug 5, 1988 (Berle was also a guest on the Stern show on Oct 30, 1996). In Berle's 1988 appearance, when fielding phone calls, Stern purposely asked his producer to only air callers whose questions dealt with Berle's penis.
Berle was known to have a colorful vocabulary and few limits on when it was used. Surprisingly, however, he "worked clean" for his entire onstage career, except for the infamous Friars Club all-male, private celebrity roasts. Berle often criticized younger comedians like Lenny Bruce and George Carlin about their X-rated humor, and challenged them to be just as funny without the four-letter words.
Hundreds of younger comics, including several comedy superstars, were encouraged and guided by Berle. Despite some less than flattering stories told about Berle being difficult to work with, his son, Bill, maintains that Berle was a source of encouragement and technical assistance for many new comics. Uncle Miltie's son Bob backs up his brother's statement. He was present many times during Berle's Las Vegas shows and television guest appearances. Milton aided Fred Travalena, Ruth Buzzi, John Ritter, Marla Gibbs, Lily Tomlin, Dick Shawn and Will Smith. At a taping of a Donny & Marie, for example, Donny and Marie Osmond recited a scripted joke routine to a studio audience, to little response. The director asked for a retake, and the Osmonds repeated the act, word for word, to even less response. A third attempt, with no variation, proved dismal—until Milton Berle, off-camera, went into the audience, pantomiming funny faces and gestures. Ever the professional, Berle timed each gesture to coincide with an Osmond punchline, so the dialogue seemed to be getting the maximum laughs.
Personal life 
After twice marrying and divorcing Joyce Mathews, a showgirl, Berle married Ruth Cosgrove, a onetime publicist on December 9, 1953; she died in 1989. In 1989, Berle stated that his mother was behind the breakup of his marriage to Mathews. He also said that she managed to damage his previous relationships: "My mother never resented me going out with a girl, but if I had more than three dates with one girl, Mama found some way to break it up." He was married for a fourth time in 1992 to Lorna Adams, a fashion designer 30 years younger than he was, whom he credited for 'keeping him young'. He had two children, Victoria (adopted by Berle and Mathews) and William (adopted by Berle and Cosgrove). Berle also had two stepdaughters from his marriage to Lorna Adams—Leslie and Susan Brown, who is married to actor Richard Moll. He also had three grandsons, James and Mathew, the sons of his daughter, Vicki, and Sgt. Tyler Roe (US Army Iraq/Afghanistan wars), the son of his son, William.
In later life, Berle found solace in Christian Science and called himself a Jew and a Christian Scientist. Oscar Levant, commenting to Jack Paar about Berle's conversion, quipped, "Our loss is their loss."
In 2000, Berle guest starred in the Kenan & Kel special "Two Heads are Better than None" as Uncle Leo, a grandfather traveling with his grandchildren. This TV special would be his last in his acting career.
In April 2001, Berle announced that he was suffering from a cancerous tumor in his colon, but would not undergo surgery. At the time of the announcement, Berle's wife said the tumor was growing so slowly that it would take ten to twelve years to affect him in any significant or life-threatening way. Less than one year after the announcement, Berle died on March 27, 2002 in Los Angeles, California from colon cancer.
Berle left detailed arrangements to be buried with his second wife, Ruth, at Mount Sinai Memorial Park Cemetery in Burbank. However, his last wife, Lorna Adams, altered the plan so that he was cremated and interred at Hillside Memorial Park Cemetery in Culver City, California. In addition to his wife, Berle was survived by a daughter, Victoria, born in 1945; son, William, born in 1961; and Bob Williams, a son, born in 1951.
Other awards 
- On December 5, 2007, California Governor Arnold Schwarzenegger and First Lady Maria Shriver inducted Berle into the California Hall of Fame, located at The California Museum for History, Women and the Arts.
- Earl Carroll's Vanities of 1932 (1932) — revue — in the roles of "Mortimer" in the sketch "Mourning Becomes Impossible", "Joe Miller, Jr." in "What Price Jokes", "Frank" in "Two Sailors", "Paul" in "The Cabinet of Doctor X", the "Announcer" in "Studio W.M.C.A." the "Defendant" in "Trial by Jury" and "Milton" in "The Bar Relief"
- Saluta (1934) — musical, co-lyricist and performer cast in the role of "'Windy' Walker"
- See My Lawyer (1939) — play — performer cast in the role of "Arthur Lee"
- Ziegfeld Follies of 1943 (1943) — revue — performer in the role of "Cecil" in Counter Attack, "J. Pierswift Armour" in The Merchant of Venison, "Perry Johnson" in Loves-A-Poppin, "Escamillio" in Carmen in Zoot, "Charlie Grant" Mr Grant Goes To Washington, "'The Micromaniac' Singer" and "'Hold That Smile' Dancer"
- I'll Take the High Road (1943) — play — co-producer
- Seventeen (1951) — musical — co-producer
- The Goodbye People (1968) — performer cast in the role of "Max Silverman"
In popular culture 
In the episode titled "The One with the 'Cuffs" of the sitcom Friends, Rachel promises Chandler that she will make him "This generation's Milton Berle", hinting that he had a large penis but "not compared to (Chandler)".
For the initial production of Robert Sherwood's Idiot's Delight starring Alfred Lunt and Lynn Fontanne in 1936, Lunt went to see Berle perform many times and took lessons from him in joke delivery and soft shoe for his characterization of tenth rate vaudeville performer Harry Van. After Lunt had seen Berle perform numerous times and went backstage to meet him, before any introductions could be made, Berle snapped, "Now look here, nobody steals from me. That's my line of work!" After finding out that his fan was none other than the American stage's most gifted and prestigious actor, Berle was flattered and showed Lunt everything he knew. — From Design for Living, Margot Peters' biography of the Lunts.
In the episode of "Archer" titled "Training Day," following a high speed car chase between Lana and Archer and Cyril, Lana is lecturing Cyril for lying to her as Archer listens off to the side. Having seemingly forgiven Cyril, they get into Lana's car to depart, leaving Archer incredulous and exclaiming, "Oh, so he just gets a pass! Like Milton Berle!"
- 1914: The Perils of Pauline
- 1917: Rebecca of Sunnybrook Farm
- 1920: The Mark of Zorro (uncredited), Birthright
- 1921: Little Lord Fauntleroy (uncredited)
- 1922: Tess of the Storm Country (uncredited)
- 1923: Ruth of the Range (uncredited)
- 1933: Poppin' the Cork
- 1937: New Faces of 1937
- 1938: Radio City Revels
- 1940: Li'l Abner (title song with Ben Oakland and Milton Drake)
- 1941: Tall, Dark and Handsome, The Great American Broadcast, Sun Valley Serenade, Rise and Shine
- 1942: A Gentleman at Heart, Whispering Ghosts, Over My Dead Body
- 1943: Margin for Error
- 1949: Always Leave Them Laughing
- 1960: The Bellboy
- 1960: Let's Make Love
- 1963: It's a Mad, Mad, Mad, Mad World
- 1965: The Loved One
- 1966: The Oscar, Don't Worry, We'll Think of a Title
- 1967: The Happening, Who's Minding the Mint?
- 1968: Silent Treatment, Where Angels Go, Trouble Follows, For Singles Only
- 1969: Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?, Seven in Darkness
- 1972: Evil Roy Slade
- 1974: Journey Back to Oz (voice)
- 1975: Lepke
- 1976: Won Ton Ton, the Dog Who Saved Hollywood
- 1976: Let's Make a Deal (playing for a home viewer)
- 1979: The Muppet Movie
- 1985: Pee-wee's Big Adventure
- 1983: Cracking Up
- 1984: Broadway Danny Rose
- 1988: Side by Side
- 1989: Going Overboard
- 1991: Driving Me Crazy
- 1992: The Fresh Prince of Bel-Air
- 1995: Sister, Sister
- 1995: The Nanny
- 1995: Beverly Hills, 90210
- 1995: Storybook
- 1995: Roseanne
- 1999: Mickey's Once Upon a Christmas
- 2000: Two Heads Are Better Than None
- "Broadcast pioneer NBC prepares for cable takeover" Miami Herald, Nov. 16, 2009
- "Milton Berle's Mother Dies". The Tuscaloosa News. 1 June 1954. Retrieved 23 January 2011.
- "The Child Wonder". Time, 16 May 1949.
- Entertainment Magazine: Astor Pictures, Li'l Abner (1940)
- "The Milton Berle Show". RadioArchives. Retrieved 2 February 2011.
- Epstein, Lawrence J. (2002) The Haunted Smile: The Story of Jewish Comedians in America, ch.6 The Magic Box, pp. 86–7, quotation:
Berle had hired the writer Hal Collins to revive old vaudeville, burlesque and radio routines that Berle has used successfully. ... The shows were clearly vaudeville brought into the home. ... Berle was the ringmaster, the master of ceremonies who did his opening monologue and introduced each new act. Keeping to his own vaudeville tradition of entering into the acts of other performers, Berle often interrupted or joined in the act. When "Buffalo Bob" Smith came on, Berle appeared dressed as Howdy Doody.
- Madigan, S.P. Texaco Star Theater entry in Browne, Pat (2001) The guide to United States popular culture, p.833, quotation:
Texaco Star emulated a vaudeville variety hour, with several guests each week, including singers, comedians, ventriloquists, acrobats, dramatic performances, and so forth.
- Sackett, Susan (1993) p.1954 quotation:
When "Texaco" premiered on Tuesday, June 8, 1948, the format was strictly vaudeville, a bill of dancers, jugglers, acrobats, guest stars, and sketches-in short, it was simply a video version of the already successful radio show that Berle had been doing for ABC on Wednesday nights.
- Young, William H. and Young, Nancy K. (2010) World War II and the Postwar Years in America: A Historical and Cultural Encyclopedia, Volume 1, p.706 quotation:
Radio exists as an aural medium, and no matter how physically animated a performer may be or how clownish his or her costume ... Berle's comedic gift shone in slapstick, something he had mastered in his vaudeville experiences. Many radio stars found it difficult to make the transition to TV ... Not so Berle. Radio had confined the comedian, making him reliant on his wealth of jokes and little else. ... Berle clearly considered no costume too outlandish, no stunt too foolish.
- Sackett, Susan (1993) Prime-time hits: television's most popular network programs, 1950 p.1954 quotation:
The city of Detroit was baffled when the reservoir water levels dropped each Tuesday evening shortly after 9:00 pm An investigation revealed that Detroit's citizens were waiting until Berle was off the air to go to the bathroom; the simultaneous flushing of thousands of toilets created havoc with Detroit's water works.
- Milton Berle, Haskel Frankel (1974) Milton Berle: an autobiography, with Haskel Frankel p.271
- Berle, Milton; Frankel, Haskel, eds. (1974). Milton Berle: An Autobiography. Delacorte Press. p. 337. ISBN 0-440-05609-8. Retrieved 23 January 2011.
- Texaco Star Theater (comedy-variety hosted by Milton Berle)
- Milton Berle, Haskel Frankel (1974) Milton Berle: an autobiography, with Haskel Frankel p.285
- Kamm, Herbert (27 August 1958). "'Mr. TV' Is Coming Back". Schenectady Gazette. Retrieved 23 January 2011.
- Humphrey, Hal (13 June 1968). "Berle Recalls Beginning of TV". Toledo Blade. Retrieved 23 January 2011.
- "Berle Traded For Gleason". Prescott Evening Courier. 20 December 1954. Retrieved 23 January 2011.
- Milton Berle — Milton Berle Show
- The Blue Moon Boys — The Story of Elvis Presley's Band. Ken Burke and Dan Griffin. 2006. Chicago Review Press. page 52. ISBN 1-55652-614-8
- Torre, Marie (11 March 1959). "Milton Berle Not Moping". Lawrence Journal-World. Retrieved 23 January 2011.
- Ashe, Isobel (27 November 1960). "Berle's 'Jackpot Bowling' Is A Really Striking Series". Reading Eagle. Retrieved 8 May 2011.
-  damonrunyon.org
- Garlen, Jennnifer C.; Graham, Anissa M. (2009). Kermit Culture: Critical Perspectives on Jim Henson's Muppets. McFarland & Company. p. 218. ISBN 078644259X.
- Milton Berle Vs. Statler & Waldorf — YouTube
- Men In Dresses Dept.: Remembering Milton Berle: The New Yorker
- MarksFriggin.com — Stern Show News — Archive
- Mark's Friggin' Stern Show News — October 1996
- Stern, Howard. Howard Stern Miss America, 1995.
- "Milton Berle's Wife Dies". Merced Sun-Star. 20 April 1989. Retrieved 23 January 2011.
- "Milton had to prove his manhood". The Spokesman-Review. 18 March 1989. Retrieved 23 January 2011.
- "Comedian Ernie Kovacs Is Killed In Traffic Accident". Victoria Advocate. 14 January 1962. Retrieved 23 January 2011.
- "Milton Berle, 'Mr. Television,' Dies at 93". Washington Post. March 28, 2002. Retrieved 2009-01-27. "Milton Berle, 93, the old-time vaudeville comic who earned the nickname "Mr. Television" for introducing millions of Americans to the electronic medium during its infancy and thereby helping to change the country forever, died yesterday at his home in Los Angeles. Berle, who had been under hospice care in recent weeks, learned last year that he had colon cancer, the Associated Press reported."
- Adherents World Religion Statistics: Obituary: Milton Berle
- "'Mr. Television,' Milton Berle, dead at 93". CNN. March 28, 2002. Retrieved 2009-01-27. "Berle, who had been in failing health in recent years, died in his sleep while taking a nap, publicist Roger Neale said. His wife, Lorna, was at home with him when he died. Berle is also survived by a son and a daughter. Funeral arrangements are pending."
- Van Gelder, Lawrence (28 March 2002). "Milton Berle, TV's First Star As 'Uncle Miltie,' Dies at 93". New York Times. Archived from the original on 17 March 2011. Retrieved 23 January 2011.
- Berle inducted into California Hall of Fame, California Museum, Accessed 2007
Further reading 
- Berle, Milton with Haskel Frankel. Milton Berle, an Autobiography. New York: Dell, 1975. ISBN 0-440-15626-2
- Dunning, John. On The Air: The Encyclopedia of Old-Time Radio, Oxford University Press, 1998. ISBN 0-19-507678-8
- McNeil, Alex. Total Television. New York: Penguin Books, 1996. ISBN 0-14-004911-8
- Shales, Tom and James Andrew Miller. Live From New York: An Uncensored History of Saturday Night Live. New York: Little, Brown, 2002. ISBN 0-316-78146-0
- Berle, William and Lewis, Brad. "My Father, Uncle Miltie". New York: Barricade Books, 1999. ISBN 1-56980-149-5
|Wikimedia Commons has media related to: Milton Berle|
|Wikiquote has a collection of quotations related to: Milton Berle|
- Milton Berle at the Internet Movie Database
- Milton Berle Interview at Archive of American Television
- Milton Berle at AllRovi
- Comedy Central's 100 Greatest Stand-ups of All Time
- Milton Berle Internet archive Several entries for free stream or download including Texaco Star Theater and Buick Berle Show.
- Museum of Broadcast Communications: Milton Berle
- Museum of Broadcast Communications: The Milton Berle Show
- Damon Runyon Cancer Research Foundation
- Milton 'Berlinger' Berle's birth certificate
- Milton Berle at Find a Grave
- Lum's TV Commercial with Milton Berle
- Literature on Milton Berle
Listen to 
- Free OTR: Milton Berle Show (two episodes)
- Episodes of the 'Milton Berle Show' on Radio at Internet Archive
- Archival Television Audio on Milton Berle