Mishima: A Life in Four Chapters

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Mishima: A Life in Four Chapters
Mishima.jpg
Theatrical release poster
Directed by Paul Schrader
Produced by Mataichiro Yamamoto
Francis Ford Coppola
George Lucas
Tom Luddy
Leonard Schrader
Mata Yamamoto
Written by Leonard Schrader
Paul Schrader
Chieko Schrader
Starring Ken Ogata
Masayuki Shionoya
Junkichi Orimoto
Kenji Sawada
Music by Philip Glass
Cinematography John Bailey
Edited by Michael Chandler
Production
  company
American Zoetrope
Lucasfilm Ltd.
M Company
Tristone Entertainment Inc.
Distributed by Warner Bros.
Release date(s)
  • October 4, 1985 (1985-10-04)
Running time 120 minutes
Country United States
Language Japanese
Budget $5,000,000 (estimated)

Mishima: A Life in Four Chapters is an American/Japanese film co-written and directed by Paul Schrader in 1985. Francis Ford Coppola and George Lucas served as executive producers.

The film is based on the life and work of Japanese writer Yukio Mishima, interweaving episodes from his life with dramatizations of segments from his books The Temple of the Golden Pavilion, Kyoko's House, and Runaway Horses.

Plot[edit]

The film sets in on November 25 1970, the last day in Mishima's life. He is shown finishing a manuscript. Then, he puts on a uniform he designed for himself and meets with four of his most loyal followers from his private army.

In flashbacks highlighting episodes from his past life, the viewer sees Mishima's progression from a sickly young boy to one of Japan's most acclaimed writers of the post-war era (who keeps himself in perfect physical shape, owed to a narcissistic body cult). His loathing for the materialism of modern Japan has him turn towards an extremist traditionalism. He sets up his own private army and proclaims the reinstating of the emperor as head of state.

The biographical sections are interwoven with short dramatizations of three of Mishima's novels: In The Temple of the Golden Pavilion, a stuttering aspirant sets fire to the famous Zen Buddhist temple because he feels inferior at the sight of its beauty. Kyoko's House depicts the sadomasochistic (and ultimately fatal) relationship between an elderly woman and her young lover, who is in her financial debt. In Runaway Horses, a group of young fanatic nationalists fails to overthrow the government, with its leader subsequently committing suicide. Frame story, flashbacks and dramatizations are segmented into the four chapters of the film's title, named Beauty, Art, Action, and Harmony of Pen and Sword.

The film culminates in Mishima and his followers taking a general of the Japanese armed forces as hostage. He addresses the garrison's soldiers, asking them to join him in his struggle to reinstate the Emperor as the nation's sovereign. His speech is largely ignored and ridiculed. Mishima then returns to the generals office and commits seppuku.

Production[edit]

Although Mishima only visualizes three of the writer's novels by name, the film also uses segments from his autobiographical novel Confessions of a Mask. At least two scenes, showing the young Mishima being aroused by a painting of the Christian martyr Sebastian, and his secret love for a fellow pupil at school, also appear in this book. The use of one further Mishima novel, Forbidden Colors, which describes the marriage of a homosexual man to a woman, was denied by Mishima's widow.[1] As Schrader wanted to visualize a book illustrating Mishima's narcissism and sexual ambiguity, he chose the novel Kyoko's House (which he had translated for him exclusively) instead. Kyoko's House contains four equally ranking storylines, featuring four different protagonists, but Schrader picked out only the one which he considered convenient.[2]

Mishima uses different colour palettes to differentiate between frame story, flashbacks and scenes from Mishima's novels: The (1970) contemporary scenes are shot in subdued colours, the flashbacks in black-and-white, the The Temple of the Golden Pavilion-episode is dominated by golden and green, Kyoko's House by pink and grey, and Runaway Horses by orange and black.[3]

Roy Scheider was the narrator in the original movie version and on the early VHS release. On the 2001 DVD release, Scheider's voice-over was substituted with a narration by an uncredited actor. The 2008 DVD re-release contains both Scheider's and the alternate narration (plus Ken Ogata's for the Japanese version). In a commentary on Amazon.com, Schrader explained this was a manufacturing error in 2001 and that the voice belonged to Paul Jasmin (not the actor of the same name).[4]

The film closes with Mishima's suicide (which actually took longer than the seppuku ritual dictates). His confidant Morita, unable to behead Mishima, also failed in killing himself according to the ritual. A third group member beheaded both, then the conspirators surrendered without resistance.[5] Roger Ebert approved of Schrader's decision not to show the suicide in bloody detail, which he thought would have destroyed the film's mood.[6]

The film was withdrawn from the Tokyo International Film Festival and never officially released in Japan, mostly due to threats by far right wing groups opposed to Mishima's portrayal as a homosexual.[3] In an interview with Kevin Jackson, Schrader commented on the fact that his film has still not been shown in Japan: "[Mishima] is too much of a scandal. […] When Mishima died people said, ‘Give us fifteen years and we'll tell you what we think about him,’ but it's been more than fifteen years now and they still don't know what to say. Mishima has become a non-subject."[2]

Schrader considers Mishima the best film he has directed. "It's the one I'd stand by – as a screenwriter it's Taxi Driver, but as a director it's Mishima."[2]

Reception[edit]

"Ambitious, highly stylized drama […] Long, difficult, not always successful, but fascinating." – Leonard Maltin[7]

"[…] a triumph of concise writing and construction […] The unconventional structure of the film […] unfolds with perfect clarity, the logic revealing itself." – Roger Ebert[8]

"Schrader may have finally achieved the violent transfiguration that he seeks along with his protagonists; the film has all the ritual sharpness and beauty of that final sword. […] There is nothing quite like it." – Chris Peachment, Time Out Film Guide[9]

Awards[edit]

The film premiered at the 1985 Cannes Film Festival on May 15 1985 where it won the award for Best Artistic Contribution by cinematographer John Bailey, production designer Eiko Ishioka and music composer Philip Glass.[10]

Home media releases[edit]

Mishima has been released twice on DVD in the US.

  • The 2001 Warner Bros. release included a behind-the-scenes documentary, an audio commentary by Paul Schrader and a deleted scene. This edition did not, like the theatrical version, feature the narration of Roy Scheider but of an uncredited actor.
  • The 2008 Criterion Collection release offered both English narrations by Roy Scheider and (according to Paul Schrader[4]) Paul Jasmin from the 2001 release. Also, it featured new audio commentaries, video interviews with the film makers and experts on the writings of Mishima, plus The Strange Case of Yukio Mishima, a BBC documentary about the author.

A French DVD was released by Wild Side Video in 2010 titled Mishima – une vie en quatre chapitres in Japanese, English and French language with French subtitles.

A Spanish Blu-ray Disc was released in 2010 titled Mishima – Una Vida en Cuatro Capítulos. It features Scheider's narration with optional Spanish and Catalan, but no English subtitles.

Philip Glass' music score, in parts performed by the Kronos quartet, was released on vinyl record and Audio CD in 1985.

See also[edit]

11:25 The Day He Chose His Own Fate, a 2012 Japanese film by Kōji Wakamatsu about Mishima's last months and death.

References[edit]

  1. ^ Interview with Paul Schrader on Efilmcritic.com, retrieved 2011-10-31.
  2. ^ a b c Kevin Jackson: Schrader on Schrader and Other Writings, Faber & Faber, 2004, p. 172–184.
  3. ^ a b Informations on the production included with the Criterion Collection DVD, 2008.
  4. ^ a b "Kerry: It took some years but I finally figured it out. The orginal [sic] WB print and VHS contain Roy's narration. When we returned to Lucasfilm some years later to do the DVD, Paul Jasmin's narration (which I'd been using as a temp track during editing) was inadvertently used in the place of Scheider's. The WB DVD has the wrong narration. When Criterion came to do their DVD, this was all unraveled. They included Ogata's narration with a choice of Jasmin's (from the WB DVD) or Scheider's (from the WB VHS). Phew! Paul S." – Commentary by Paul Schrader in the 2001 Mishima DVD customer reviews section on Amazon.com, retrieved 2011-10-31. (Please also see the discussion section of this article on this topic.)
  5. ^ Marguerite Yourcenar, Mishima: A Vision of the Void, University Of Chicago Press, 2001.
  6. ^ Review by Roger Ebert in the Chicago Sun-Times, October 11 1985, retrieved 2011-10-31.
  7. ^ Leonard Maltin's 2008 Movie Guide, Signet/New American Library, New York, 2007.
  8. ^ Roger Ebert, The Great Movies III, University of Chicago Press, 2010.
  9. ^ Time Out Film Guide, Seventh Edition 1999, Penguin Books, London, 1998.
  10. ^ "Festival de Cannes: Mishima: A Life in Four Chapters". festival-cannes.com. Retrieved 2009-06-28. 

External links[edit]