Mission: Impossible (film)

For other uses, see Mission: Impossible (disambiguation).

Mission: Impossible
Theatrical release poster
Directed by	Brian De Palma
Produced by	Paul Hitchcock Tom Cruise Elias Badra Paula Wagner
Screenplay by	David Koepp Robert Towne
Story by	David Koepp Steven Zaillian
Starring	Tom Cruise Jon Voight Emmanuelle Béart Kristin Scott Thomas Jean Reno Ving Rhames Vanessa Redgrave Marcel Iureş
Music by	Danny Elfman Main theme: Lalo Schifrin
Cinematography	Stephen H. Burum
Editing by	Paul Hirsch
Studio	Cruise/Wagner
Distributed by	Paramount Pictures
Release date(s)	May 22, 1996 (1996-05-22)
Running time	110 minutes
Country	United States
Language	English
Budget	$80,000,000
Box office	$457,696,359 (worldwide)

Mission: Impossible (also known in the new Blu-ray release as M:I) is a 1996 action thriller directed by Brian De Palma and starring Tom Cruise. Following on from the television series of the same name, the plot follows a new agent, Ethan Hunt and his mission to uncover the mole within the CIA who has framed him for the murders of his entire IMF team. Work on the script had begun early with filmmaker Sydney Pollack on board, before De Palma, Steven Zaillian, David Koepp, and Robert Towne were brought in. In fact, the film went into pre-production without a shooting script. De Palma came up with some action sequences, but neither Koepp nor Towne were satisfied with the story that leads up to these events. The Film is part of the Mission: Impossible (film series).

U2 band members Larry Mullen, Jr. and Adam Clayton produced their own version of the original theme song. The song went into top ten charts around the world and was nominated for a Grammy Award for Best Pop Instrumental Performance. The movie was the third highest grossing of the year and was followed by three sequels, Mission: Impossible II (2000), Mission: Impossible III (2006), and, Mission: Impossible – Ghost Protocol, which was released on December 16th, 2011.

Plot

Ethan Hunt (Tom Cruise) is a member of the Impossible Missions Force (IMF), an unofficial branch of the CIA, and part of a small team of agents. Led by Jim Phelps (Jon Voight), the team assembles for a mission in Prague to prevent an American diplomat from selling the Non-Official Cover (NOC) list, a comprehensive list of all covert agents in Eastern Europe. The mission goes hopelessly wrong, resulting in the deaths of the entire team except for Hunt. Technician Jack Harmon (Emilio Estevez) is crushed in an elevator shaft, Phelps is shot on a bridge by an unknown assailant, Hannah (Ingeborga Dapkunaite) and Phelps' wife Claire (Emmanuelle Beart) are killed by a car bomb and Sarah Davies (Kristin Scott Thomas) is stabbed by an unknown assailant.

After fleeing the scene, Hunt meets with IMF Director Eugene Kittridge (Henry Czerny) at a café. Kittridge discloses that the operation was a setup meant to draw out a mole in the IMF who has made a deal to sell the list to an arms dealer known as "Max" as part of an operation called "Job 314". The NOC list taken in the mission was in fact a fake and the computer disk is rigged with a tracking device. After being confronted by Kittridge about the events of that night, and Kittridge's suspicions about his role, Hunt blows up the floor-to-ceiling aquarium in the café and flees.

Hunt returns to the IMF safe house where, realizing that "Job 314" refers to a Bible verse in the book of Job (and presumably the mole's codename as well), Hunt begins email correspondence with Max (Vanessa Redgrave) over a Biblical correspondence web site and warns Max about the fake NOC list. Hunt then encounters Claire and discovers that she has survived the mission, having gotten out of the car in which she was waiting before it exploded.

Max arranges a meeting with Hunt where he offers to deliver the real NOC list in exchange for $10 million and a face-to-face meeting with the real Job. Max agrees and she and Hunt then escape moments before a CIA team, alerted by the tracking device, arrives in search of the fake NOC list.

The iconic scene of Hunt hanging from a cable inches above a pressure-sensitive floor. This sequence has been noted for its similarity to the 1964 heist film Topkapi.

Hunt assembles a team of disavowed agents: computer expert Luther Stickell (Ving Rhames) and pilot Franz Krieger (Jean Reno). Hunt, Stickell, Krieger, and Claire infiltrate the heavily fortified CIA headquarters in Langley and successfully steal the full NOC list before escaping to a safe house in London.

While in London, Hunt discovers that his uncle and mother have been falsely arrested for drug trafficking in an attempt by Kittridge to lure him out of hiding. This infuriates Hunt, and he contacts Kittridge who offers to drop the charges if Hunt surrenders. Hunt stays on the line long enough for Kittridge to trace him to London and then hangs up, only to find Phelps standing next to him.

Phelps, presumed dead in the Prague operation and following Ethan ever since, tells Hunt that Kittridge is the mole and is trying to tie up loose ends. Hunt listens, mentally piecing together the operation and realizes that Phelps, having become disillusioned with his work, is actually Job and that Krieger - who uses the same distinctive make of knife that was used to kill Davies – has assisted Phelps. However, Hunt is still doubtful about Claire's place in the conspiracy.

The next day, Max and Hunt arrange to meet aboard the TGV en route to Paris, with Claire and Stickell aboard to provide backup. Kittridge is also aboard, having received tickets and a watch from Hunt. Aboard the train, Hunt delivers the NOC list to Max, who directs him to the baggage car to find his money and Job. Claire arrives in the baggage car to meet with Phelps, revealing her complicity as she suggests that they leave with the money and let Ethan take the blame. Phelps suddenly peels his face away, revealing himself to be Hunt in disguise. They are interrupted by the arrival of the real Jim Phelps: unhinged, armed and demanding that Hunt hand over the money. Hunt does so, but then slowly puts on a pair of glasses from the original operation in Prague, with a camera built into the bridge. The image of Phelps, alive, is transmitted to a video watch sent to Kittridge by Hunt, exposing Job's true identity.

Claire tries to intervene, but Phelps kills her and climbs up to the roof of the train, while Krieger approaches in a helicopter to extract him. Hunt follows him onto the roof, impeding him and tethering Krieger's helicopter to the train, dragging it into the Channel Tunnel. In the tunnel, Phelps leaps to the helicopter. Hunt follows, climbing the helicopter's landing skids and attaching explosive chewing gum, a final relic of Prague, to the windshield. He leaps back to the train just as the ensuing explosion kills Phelps and Krieger.

Now with custody of the NOC list, Max, and Job's true identity, Kittridge reinstates Stickell and drops his investigation against Hunt, who resigns from the IMF. As he flies home, a flight attendant approaches him and asks, through a coded phrase, if he is ready to take on a new mission. Post credits they are making love

Cast

• Tom Cruise as Ethan Hunt
• Jon Voight as Jim Phelps
• Emmanuelle Béart as Claire Phelps
• Henry Czerny as Eugene Kittridge
• Jean Reno as Franz Krieger
• Ving Rhames as Luther Stickell
• Kristin Scott Thomas as Sarah Davies
• Vanessa Redgrave as Max
• Ingeborga Dapkunaite as Hannah
• Karel Dobrý as Matthias
• Dale Dye as Frank Barnes
• Emilio Estevez as Jack Harmon (uncredited)

Production

Several scenes were filmed at Liverpool Street station

Paramount Pictures owned the rights to the television series and had tried for years to make a film version but had failed to come up with a viable treatment. Tom Cruise had been a fan of the show since he was young and thought that it would be a good idea for a film. The actor chose Mission: Impossible to be the first project of his new production company and convinced Paramount to put up a $70 million budget. Cruise and his producing partner, Paula Wagner, worked on a story with filmmaker Sydney Pollack for a few months when the actor hired Brian De Palma to direct. They went through two screenplay drafts that no one liked. De Palma brought in screenwriters Steve Zaillian, David Koepp, and finally Robert Towne. According to the director, the goal of the script was to "constantly surprise the audience." Reportedly, Koepp was paid $1 million to rewrite an original script by Willard Huyck and Gloria Katz. According to one project source, there were problems with dialogue and story development. However, the basic plot remained intact.

The film went into pre-production without a script that the filmmakers wanted to use. De Palma designed the action sequences but neither Koepp or Towne were satisfied with the story that would make these sequences take place. Towne ended up helping organize a beginning, middle and end to hang story details on while De Palma and Koepp worked on the plot. De Palma convinced Cruise to set the first act of the film in Prague, a city rarely seen in Hollywood films at the time. Reportedly, studio executives wanted to keep the film's budget in the $40–50 million range, but Cruise wanted a "big, showy action piece" that took the budget up to the $62 million range. The scene that takes place in a glass-walled restaurant with a big lobster tank in the middle and three huge fish tanks overhead was Cruise's idea. There were 16 tons in all of the tanks and there was a concern that when they detonated, a lot of glass would fly around. De Palma tried the sequence with a stuntman, but it did not look convincing and he asked Cruise to do it, despite the possibility that the actor could have drowned.

The script that Cruise approved called for a final showdown to take place on top of a moving train. The actor wanted to use the famously fast French train the TGV but rail authorities did not want any part of the stunt performed on their trains. When that was no longer a problem, the track was not available. De Palma visited railroads on two continents trying to get permission. Cruise took the train owners out to dinner and the next day they were allowed to use it. For the actual sequence, the actor wanted wind that was so powerful that it could knock him off the train. Cruise had difficulty finding the right machine that would create the wind velocity that would look visually accurate before remembering a simulator he used while training as a skydiver. The only machine of its kind in Europe was located and acquired. Cruise had it produce winds up to 140 miles per hour so it would distort his face. Most of the sequence, however, was filmed on a stage against a blue screen for later digitizing by the visual effects team at Industrial Light & Magic.

The filmmakers delivered the film on time and under budget with Cruise doing most of his own stunts. Initially, there was a sophisticated opening sequence that introduced a love triangle between Phelps, his wife and Ethan Hunt that was removed because it took the test audience "out of the genre", according to De Palma. There were rumors that the actor and De Palma did not get along and they were fueled by the director excusing himself at the last moment from scheduled media interviews before the film's theatrical release.

Apple Computer had a $15 million promotion linked to the film that included a game, print ads and television spot featuring scenes from the TV show turned into the feature film; dealer and in-theater promos; and a placement of Apple personal computers in the film. This was an attempt on Apple's part to improve their image after posting a $740 million loss in its fiscal second quarter.

Reaction

Original cast

Several cast members of the original 1966-73 TV series reacted negatively to the film.

Actor Greg Morris, who portrayed Barney Collier in the original television series, was reportedly disgusted with the film's treatment of the Phelps character, and he walked out of the theater before the film ended. Peter Graves, who played Jim Phelps in the original series as well as in the late-1980s revival, also disliked how Phelps turned out in the film. Graves had been offered a role playing Phelps, but turned it down when he learned his character was going to be revealed to be a traitor.

Martin Landau, who portrayed Rollin Hand in the original series, expressed his own disgust concerning the film. In an MTV interview in October 2009, Landau stated, "When they were working on an early incarnation of the first one-–not the script they ultimately did-–they wanted the entire team to be destroyed, done away with one at a time, and I was against that. It was basically an action-adventure movie and not Mission. Mission was a mind game. The ideal mission was getting in and getting out without anyone ever knowing we were there. So the whole texture changed. Why volunteer to essentially have our characters commit suicide? I passed on it." He added, as a condemnation of the writers, "The script wasn't that good either."

Box office

Mission: Impossible opened on May 22, 1996 in 3,012 theaters—the most ever up to that point—and broke the record for a film opening on Wednesday with US$11.8 million, beating the $11.7 million Terminator 2 made in 1991. The film also set house records in several theaters around the United States. Mission: Impossible grossed $75 million in its first six days, surpassing the previous record holder, Jurassic Park and took in more than $56 million over the four-day Memorial Day weekend, beating out previous record holder, The Flintstones. Cruise deferred his usual $20 million fee for a significant percentage of the box office. The film went on to make $180.9 million in North America and $276.7 million in the rest of the world for a worldwide total of $457.6 million.

Reviews

Despite the large revenues, the film received mixed to positive reviews from critics and has a 61% fresh rating on Rotten Tomatoes and a 60 metascore for Metacritic. Chicago Sun-Times film critic Roger Ebert gave the film three out of four stars and wrote, "This is a movie that exists in the instant, and we must exist in the instant to enjoy it." In his review for the New York Times, Stephen Holden addressed the film's convoluted plot: "If that story doesn't make a shred of sense on any number of levels, so what? Neither did the television series, in which basic credibility didn't matter so long as its sci-fi popular mechanics kept up the suspense." USA Today gave the film three out of four stars and said that it was "stylish, brisk but lacking in human dimension despite an attractive cast, the glass is either half-empty or half-full here, though the concoction goes down with ease." However, Hal Hinson, in his review for the Washington Post, wrote, "There are empty thrills, and some suspense. But throughout the film, we keep waiting for some trace of personality, some color in the dialogue, some hipness in the staging or in the characters' attitudes. And it's not there." Time magazine's Richard Schickel wrote, "What is not present in Mission: Impossible (which, aside from the title, sound-track quotations from the theme song and self-destructing assignment tapes, has little to do with the old TV show) is a plot that logically links all these events or characters with any discernible motives beyond surviving the crisis of the moment." Entertainment Weekly gave the film a "B" rating, and Owen Gleiberman wrote, "The problem isn't that the plot is too complicated; it's that each detail is given the exact same nagging emphasis. Intriguing yet mechanistic, jammed with action yet as talky and dense as a physics seminar, the studiously labyrinthine Mission: Impossible grabs your attention without quite tickling your imagination."

American Film Institute recognition:

• AFI's 100 Years...100 Heroes and Villains:
  • Ethan Hunt - Nominated Hero

Music

Main article: Mission: Impossible (soundtrack)

Incidental score

This film utilizes the original Lalo Schifrin television theme music. However, originally Alan Silvestri was earmarked to do the incidental music and had, in fact, recorded somewhere around 23 minutes of the score. During post production, due to creative differences, Silvestri's music was rejected and replaced by new music by composer Danny Elfman. Silvestri's music does exist and bootlegs of this have been released on CD. In addition, clips of the film with the original Silvestri score in appropriate places were available on the Internet. According to some sources Silvestri had to quit because of Tom Cruise.

Score album

Point Music released a CD of Elfman's score on June 28, 1996. (Some cues are also included on the song album.)

1. Sleeping Beauty (2:28)
2. Mission: Impossible Theme - Lalo Schifrin (1:02)
3. Red Handed (4:21)
4. Big Trouble (5:33)
5. Love Theme? (2:21)
6. Mole Hunt (3:02)
7. The Disc (1:54)
8. Max Found (1:02)
9. Looking For "Job" (4:38)
10. Betrayal (2:46)
11. The Heist (5:46)
12. Uh-Oh! (1:28)
13. Biblical Revelation (1:33)
14. Phone Home (2:25)
15. Train Time (4:11)
16. Menage a Trois (2:55)
17. Zoom A (1:53)
18. Zoom B (2:54)

Theme song

U2 bandmates Larry Mullen, Jr. and Adam Clayton were fans of the TV show and knew the original theme song well, but were nervous about remaking Lalo Schifrin's legendary theme song. Clayton put together his own version in New York City and Mullen did his in Dublin on weekends between U2 recording sessions. The two musicians were influenced by Brian Eno and the European dance club scene sound of the recently finished album Passengers. They allowed Polygram to pick its favorite and they wanted both. In a month, they had two versions of the song and five remixed by DJs. All seven tracks appeared on a limited edition vinyl release.

The song went to the top 10 on charts around the world, was nominated for a Grammy Award for Best Pop Instrumental Performance in 1997, and was a critical and commercial success.

External links

• Mission: Impossible at the Internet Movie Database
• Mission: Impossible at AllRovi
• Mission: Impossible at Rotten Tomatoes
• Mission: Impossible at Metacritic
• Mission: Impossible at Box Office Mojo