Moby Grape

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Moby Grape

Moby Grape in a photo used on their debut album cover. Back (l to r) Peter Lewis and Skip Spence, front (l to r) Jerry Miller, Don Stevenson and Bob Mosley.
Background information
Origin San Francisco, California, US
Genre(s) Rock and roll, folk rock, garage rock, psychedelic rock
Years active 1966 - 1971, sporadically thereafter
Label(s) Columbia Records

Reprise Records

Polydor Records(Germany)

San Francisco Sound Records

Legacy Recordings

Dig Music

Sundazed Records
Members
Peter Lewis
Jerry Miller
Bob Mosley
Skip Spence (d. 1999)
Don Stevenson

Moby Grape is an American rock group from the 1960s, known for having all five members contribute to singing and songwriting[1] and that collectively merged elements of folk music, blues, country, and jazz together with rock and psychedelic music. Due to the strength of their debut album, several critics consider Moby Grape to be the best rock band to emerge from the San Francisco music scene in the late sixties. The group continues to perform occasionally. As described by Jeff Tamarkin, "The Grape's saga is one of squandered potential, absurdly misguided decisions, bad-luck, blunders and excruciating heartbreak, all set to the tune of some of the greatest rock and roll ever to emerge from San Francisco. Moby Grape could have had it all, but they ended up with nothing, and less."[2]

Contents

[edit] 1966-1967; Great Talent Tainted by Hype

The group was formed in late 1966 in San Francisco, at the initiation of Skip Spence and Matthew Katz. Both were previously associated with Jefferson Airplane—Spence as the band's first drummer, playing on their first album, Jefferson Airplane Takes Off, and Katz as the band's manager. Both had been dismissed by the group. Katz encouraged Spence to form a band similar to Jefferson Airplane, with varied songwriting and vocal work by several group members, and with Katz as the manager.[3] According to Peter Lewis, "Matthew (Katz) brought the spirit of conflict into the band. He didn't want it to be an equal partnership. He wanted it all."[4]

The band name, judicially determined to have been chosen by Bob Mosley and Skip Spence, came from the punch line of the joke "What's big and purple and lives in the ocean?".[5] Lead guitarist Jerry Miller and drummer Don Stevenson (both formerly of The Frantics, originally based in Seattle)[6] joined guitarist (and son of actress Loretta Young) Peter Lewis (of The Cornells), bassist Bob Mosley (of The Misfits, based in San Diego)[7] and Spence, now on guitar instead of drums. Jerry Miller and Don Stevenson had moved The Frantics from Seattle to San Francisco after a 1965 meeting with Jerry Garcia, then playing with The Warlocks at a bar in Belmont, California. Garcia encouraged them to move to San Francisco. Once The Frantics were settled in San Francisco, Bob Mosley joined the band.[8]

While Jerry Miller was the principal lead guitarist, all three guitarists played lead at various points, often playing off against each other, in a guitar form associated with Moby Grape as "crosstalk".[9] The other major three-guitar band at the time was Buffalo Springfield. Moby Grape's music has been described by Geoffrey Parr as follows: "No rock and roll group has been able to use a guitar trio as effectively as Moby Grape did on Moby Grape. Spence played a distinctive rhythm guitar that really sticks out throughout the album. Lewis, meanwhile, was a very good guitar player overall and was excellent at finger picking, as is evident in several songs. And then there is Miller. ...The way they crafted their parts and played together on Moby Grape is like nothing else I've ever heard in my life. The guitars are like a collage of sound that makes perfect sense."[10]

All band members wrote songs and sang lead and backup vocals for their debut album Moby Grape (1967). In 2003, it was ranked as number 121 in Rolling Stone's "500 Greatest Albums of All Time".[11] Noted rock critic Robert Christgau listed it as one of The 40 Essential Albums of 1967.[12] In 2008, Skip Spence's song "Omaha", from the first Moby Grape album, was listed as number 95 in Rolling Stone's "100 Greatest Guitar Songs of All Time". The song was described as follows: "On their best single, Jerry Miller, Peter Lewis and Skip Spence compete in a three-way guitar battle for two and a quarter red-hot minutes, each of them charging at Spence's song from different angles, no one yielding to anyone else."[13]

In a marketing stunt, Columbia Records immediately released five singles at once, and the band was perceived as being over-hyped. This was during a period in which mainstream record labels were giving unheard of levels of promotion to what was then considered counter-cultural music genres. Nonetheless, the record was critically acclaimed, and fairly successful commercially, with The Move covering the album's "Hey Grandma" (a Miller-Stevenson composition) on their eponymous first album. More recently, "Hey Grandma" was included in the soundtrack to the 2005 Sean Penn-Nicole Kidman film, The Interpreter. Spence's "Omaha" was the only one of the five singles to chart, reaching number 88 in 1967.[14] Miller-Stevenson's "8:05" became a country rock standard (covered by Robert Plant,[15] Guy Burlage, and others).

In mid June 1967 Moby Grape appeared at the now legendary Monterey Pop Festival. Due to legal and managerial disputes, the group was not included in the D.A. Pennebaker produced film of the event, Monterey Pop. Moby Grape's Monterey recordings and film remain unreleased, allegedly because Matthew Katz demanded one million dollars for the rights.[16] According to Peter Lewis, "[Katz] told Lou Adler they had to pay us a million bucks to film us at the Monterey Pop Festival. So instead of putting us on Saturday night right before Otis Redding, they wound up putting us on at sunset on Friday when there was nobody in the place." [17] The Moby Grape footage was shown in 2007 as part of the 40th anniversary celebrations of the film. Jerry Miller recalls that Laura Nyro was given Moby Grape's original position opening for Otis Redding, "because everybody was arguing. Nobody wanted to play first and I said that would be fine for me."[18] In addition to the marketing backlash, band members found themselves in legal trouble for charges (later dropped) of consorting with underage females, and the band's relationship with their manager rapidly deteriorated.

[edit] 1968: Less Success, Collapse of Spence

The second album, Wow/Grape Jam, released in 1968, was generally viewed as a critical and commercial disappointment, even though the album charted at #20 in the Billboard Pop Albums charts, partially due to the unusual 2 albums for the price of 1 double-album packaging. Though Wow added strings and horns to some songs, their basic sound remained consistent from the debut album, featuring tight harmonies, multiple guitars, imaginative songwriting, and a strong level of musicianship. The album included the track "Just Like Gene Autry, a Foxtrot", a tribute to the ballroom music big band era which was tracked to only be played back properly at the speed of 78 RPM. This gimmick rendered the tune unlistenable on most conventional LP players.

The Grape Jam LP was one of loose improvised studio jams with outside musicians; this detracted from the stronger tunes on Wow, such as the room-shaking shuffle "Can't Be So Bad." Also in 1968, the band contributed to the soundtrack of the movie The Sweet Ride,[19] and appeared, credited,[20] in the film.

Spence was supposedly never the same after ingesting large quantities of LSD (see also the biographies of Peter Green, Syd Barrett, and Roky Erickson). In the words of Miller: "Skippy changed radically when we were in New York. There were some people there that were into harder drugs and a harder lifestyle, and some very weird shit. And so he kind of flew off with those people. Skippy kind of disappeared for a little while. Next time we saw him, he had cut off his beard, and was wearing a black leather jacket, with his chest hanging out, with some chains and just sweating like a son of a gun. I don't know what the hell he got a hold of, man, but it just whacked him. And the next thing I know, he axed my door down in the Albert Hotel.[21] They said at the reception area that this crazy guy had held an ax to the doorman's head." [22] After spending time in the infamous Tombs jail in New York, Spence was committed to New York's Bellevue Hospital, where he spent six months under psychiatric care.

There is an often-repeated myth that on the day of his release, Skip left Bellevue, jumped on a motorcycle dressed only in his pajamas, and headed straight to Nashville for the recording of "Oar." Skip's former wife Pat says that Skip first came home to the Santa Cruz area, and the whole family went out to Nashville together.[citation needed] In Nashville, Skip recorded his only solo album,Oar, playing all of the instruments and producing the album himself.

Peter Lewis's recollections of this time are as follows: "We had to do (the album) in New York because the producer (David Rubinson) wanted to be with his family. So we had to leave our families and spend months at a time in hotel rooms in New York City. Finally I just quit and went back to California. I got a phone call after a couple of days. They'd played a Fillmore East gig without me, and Skippy took off with some black witch afterward who fed him full of acid. It was like that scene in the Doors movie. He thought he was the anti-Christ. He tried to chop down the hotel room door with a fire axe to kill Don [Stevenson] to save him from himself. He went up to the 52nd floor of the CBS building where they had to wrestle him to the ground. And Rubinson pressed charges against him. They took him to the Tombs (and then to Bellevue) and that's where he wrote Oar. When he got out of there, he cut that album in Nashville. And that was the end of his career. They shot him full of Thorazine for six months. They just take you out of the game."[23]

[edit] 1969-1971: Fading; Mosley Gone and Back, Spence Back and Gone

After the forced departure of Spence, the remaining four members continued recording throughout 1968 and released Moby Grape '69 in January 1969. Spence's "Seeing" (also known as "Skip's Song") was finished by the foursome, and it's one of the highlights. Despite the collaborative effort to complete the song, the songwriting credit was left solely with Spence. Mosley and Lewis wrote some of their best songs for this album. Bob Mosley then left the group, shocking the remaining members by joining the Marines.[24] The remaining three released their final album for Columbia, Truly Fine Citizen, in late 1969. The original five members re-united in 1971 and released 20 Granite Creek for Reprise Records. With Spence gone again, the remainder soldiered on for a few years, and later reunited on several occasions, with and without Spence. Notwithstanding continuing to perform on occasion, the group has never returned to the level of popularity enjoyed in the early Avalon Ballroom/Fillmore Auditorium days.

[edit] 1970s-1980s: Sporadic Recordings and Reunions

Bob Mosley and Jerry Miller, together with Michael Been on rhythm guitar (later of The Call) and John Craviotto on drums, recorded an LP that was released in 1976 as Fine Wine on Polydor Records in Germany. Fine Wine was one of several band names used by Moby Grape members during the course of a protracted legal dispute with former manager Matthew Katz over ownership of the Moby Grape name. Other names used for performance or recording purposes included Mosley Grape, Legendary Grape and The Melvilles. The Legendary Grape album, originally released in 1989, is considered by some to be a Melvilles recording.[25] This is because, while it was originally issued as a Moby Grape cassette-only release, former manager Matthew Katz took legal action, with reference to his alleged ownership of the Moby Grape name. The tape was withdrawn, repackaged and reissued as being by The Melvilles.[26] Despite Jerry Miller, Bob Mosley and Peter Lewis continuing to release solo records in the 1990s and 2000s, Moby Grape has not released an album of new material since the release of Legendary Grape in 1989. Jerry Miller considers the 2003 remastered and supplemented CD version of Legendary Grape to be an essential Moby Grape album.[27]

[edit] To End of 1990s: Rereleases and Vintage

The debut album and Wow/Grape Jam were first released on CD during the late 1980s by the San Francisco Sound label, a company owned by their former manager, Matthew Katz. These releases suffer from mediocre sound and poor quality packaging. It is also contended that Moby Grape has never been properly compensated for recordings released by this label. The 2 CD 1993 Legacy Recordings compilation Vintage: The Very Best of Moby Grape includes their entire first album and most of Moby Grape '69, selected tracks from Wow and Truly Fine Citizen, as well as studio outtakes and alternate versions, in much better quality. This compilation attracted new attention to the band and helped to re-introduce their music to a new audience.

[edit] The Litigation Shadow of Matthew Katz; Regaining Rights to Name and Songs; 2007 and Beyond

Moby Grape's success was significantly impeded by decades-long legal disputes with their former manager, Matthew Katz. Legal difficulties originated shortly after the group's formation, when Matthew Katz insisted that an additional provision be added to his management contract, giving him ownership of the group name. At the time, various group members were indebted to Katz, who had been paying for apartments and various living costs prior to the group releasing its first album. Despite objecting, group members signed, based in part on an impression that there would be no further financial support from Katz unless they did so. Neil Young, then of Buffalo Springfield, was in the room at the time, and kept his head down, playing his guitar, and saying nothing. According to Peter Lewis, "I think Neil knew, even then, that was the end. We had bought into this process that we should have known better than to buy into."[4] The dispute with Katz became more acute after the group members' rights to their songs, as well as their own name, were signed away in 1973, in a settlement made without their knowledge between Katz and Moby Grape's then manager (and former producer), David Rubinson. It was also a settlement made at a time when Bob Mosley and Skip Spence were generally recognized as being legally incapacitated from the effects of schizophrenia.[28]

In 1994, the group members commenced an action against Matthew Katz, Sony Music Entertainment and CBS Records (Sony being the successor corporation to Columbia Records), seeking to have the settlement overturned. This settlement from 1973 meant that the group members would receive no royalties whatsoever from the well-regarded Vintage: The Best of Moby Grape, which Sony had released as part of its Legacy Records series in 1993 . At the time of the commencement of the lawsuit, Bob Mosley had been homeless in San Diego since the early 1990s, while Skip Spence was living in a residential care facility in northern California.[29] Production of the Vintage collection soon ceased. In 2006, after three decades of court battles, the band finally won back its name. [30][31].

In September 2007, a reunited Moby Grape performed for over 40,000 fans at the Summer of Love 40th Anniversary Celebration in San Francisco's Golden Gate Park. In October 2007, Sundazed Records reissued the Grape's first five albums (with bonus tracks) on CD and vinyl . The following month, the label was forced to both withdraw and recall Moby Grape, Wow and Grape Jam from print on both vinyl and CD because of a new lawsuit by former manager Katz. Sundazed stated on their website that they were directed to withdraw the three titles by Sony BMG (inheritors of the band's original label, Columbia), from whom Sundazed had licensed the recordings.[32] These developments have resulted in a particular emotional setback for Bob Mosley. [33]

[edit] Later Releases

Subsequent to the withdrawal of Vintage, Sony released Cross Talk: The Best of Moby Grape (2004), followed by Listen My Friends! The Best of Moby Grape (2007). Legendary Grape was issued for the first time in CD by Dig Music in 2003. In 2009, Sundazed Music issued The Place and The Time, a two disc collection of alternate takes, live versions and other previously unreleased material.

[edit] Extremely Dedicated Fans: Tribute Albums

Moby Grape has been the subject of five fan-initiated tribute albums, whereby Moby Grape songs are covered by fans of the band. The series commenced with Mo'Grape (2000) and Even Mo'Grape (2002) and has been followed by Still Mo' Grape, Forever Mo and Just Say Mo. [34]

[edit] Where They Are Now

Homeless for years and suffering from long-term mental illness, alcoholism and a multitude of health ailments, Skip Spence nonetheless experienced a marked improvement in his domestic life in his later years before passing away of lung cancer in 1999, days before his 53rd birthday.

Of the four surviving band members, two still play regularly, Jerry Miller as a solo artist and as a member of the Jerry Miller Band, and Peter Lewis as a solo acoustic artist and in an acoustic duo with David West. Bob Mosley's recent relocation to the Santa Cruz area has been noteworthy for weekly guest appearances with veteran country artist Larry Hosford, a stalwart of the Santa Cruz music scene, and in occasional duos with ex-Doobie Brothers keyboardist Dale Ockerman who played the keyboards on Bob's CD, True Blue, and Jerry Miller's CD Life's Like That. Ockerman, who also plays guitar and writes songs, drummer "Fuzzy John" Oxendine, and ex-Doobie Brothers bassist-vocalist Tiran Porter regularly perform as The Jerry Miller Band in California.

In 2008, Ockerman played lead guitar and organized a tribute to Skip Spence at the bequest of Spence's son Omar, who did the vocals and guitar, along with his son, Nico on drums, Peter Lewis on guitar and vocals and Stephen Krilanovich on lead guitar and vocals. They performed and arranged most of Oar, Skip Spence's brilliant 1969 solo album, and covered all his Moby Grape songs, including some unrecorded rarities, as well as songs he had written for Jefferson Airplane. These performances were recorded multi track but still await mixing and replication.

Mosley has also been a regular for all recent Grape reunions. Don Stevenson, who has rejoined Moby Grape for occasional performances, has developed business interests outside of the music industry, including time share sales of recreational property in Whistler, British Columbia, Canada, where he maintains a residence.[8] Moby Grape continues to perform occasionally, performing with core members Jerry Miller, Bob Mosley and Peter Lewis, and in such incarnations as with Skip Spence's son Omar joining on vocals and Jerry Miller's son Joseph on drums.[35]

[edit] Discography w/Billboard (BB) and Cashbox (CB) chart peak positions

[edit] Singles

  • Changes / Fall On You -- Columbia 44170 -- 1967
  • Sitting By The Window / Indifference (2:46 edit) -- Columbia 44171 -- 1967
  • 8:05 / Mister Blues -- Columbia 44172 -- 1967
  • Omaha (BB #88, CB #70) / Someday -- Columbia 44173 -- 1967
  • Hey Grandma (BB #127, CB #94) / Come In The Morning -- Columbia 44174 -- 1967
  • Can't Be So Bad / Bitter Wind -- Columbia 44567 -- 1968
  • If You Can't Learn From My Mistakes / Trucking Man -- Columbia 44789 -- 1969
  • Ooh Mama Ooh / It's A Beautiful Day Today -- Columbia 44885 -- 1969
  • Gypsy Wedding / Apocalypse -- Reprise 1040 -- 1971
  • Goin' Down To Texas / About Time -- Reprise 1055 -- 1971
  • Gone Fishin' / Gypsy Wedding -- Reprise 1096 -- 1972

[edit] Albums

  • Moby Grape (BB #24, CB #31) -- Columbia CL 2698 (Mono)/CS 9498 (Stereo) -- 1967
  • Wow (BB #20, CB #13) -- Columbia CS 9613 -- 1968
  • Grape Jam -- Columbia MGS 1 -- 1968
  • Wow/Grape Jam -- Columbia CXS 3 -- 1968
Joint release of the two albums under one cover

[edit] See also

[edit] References

  1. ^ A band model adopted with great success in the early 1970s by The Eagles, and involving similar musical diversity. One difference is that most songwriting and lead singing in The Eagles was by Don Henley and Glenn Frey, whereas Moby Grape involved greater band member equivalency in songwriting and lead vocal work.
  2. ^ Jeff Tamarkin, Skip Spence and The Sad Saga of Moby Grape. Chapter extract from Got A Revolution: The Turbulent Flight of Jefferson Airplane.
  3. ^ Moby Grape Profile Wilson & Alroy's Record Reviews. Jefferson Airplane nonetheless remained on good terms with Spence and on decidedly mixed terms with Katz. [support required]
  4. ^ a b Interview with Peter Lewis by Jud Cost, 1995. www.terrascope.co.uk; longer version at www.sundazed.com.
  5. ^ Musician Guide, Moby Grape Biography. See also here for recent California Appelleate Court and Superior Court decisions in relation to Moby Grape litigation and band name ownership.
  6. ^ A profile of The Frantics is available here.
  7. ^ See profile of The Misfits from San Diego Reader.
  8. ^ a b Interview with Jerry Miller by Frank Goodman, June, 2007. www.puremusic.com
  9. ^ As illustrated by the title to their 2004 compilation album, Crosstalk: The Best of Moby Grape.
  10. ^ Geoffrey Parr, In search of Moby Grape: Rock and Roll's great white whale. Review of Moby Grape. The New Hampshire (Student Publication of the University of New Hampshire), January 26, 2007.
  11. ^ Rolling Stone's 500 Greatest Albums of All Time
  12. ^ Robert Christgau, The 40 Essential Albums of 1967
  13. ^ Rolling Stone, The 100 Greatest Guitar Songs of All Time
  14. ^ Robert Christgau, The 40 Essential Albums of 1967
  15. ^ Robert Plant included "8:05" as a B-side to a 1993 single; it is also included on the expanded reissue of his Fate of Nations album on Rhino Records. Robert Plant also performed "Hey Grandma" live when with his pre-Led Zeppelin Band of Joy, during the 1967-1968 period. See Rare and Unrecorded Songs by Robert Plant and Led Zeppelin. See also "Robert Plant albums reborn with nine lives". News Release, Rhino Records, September 20, 2006.
  16. ^ Greg Volpert, commenting on In search of Moby Grape. The New Hampshire, January 26, 2007; comment posted January 28, 2007.
  17. ^ Interview with Peter Lewis by Jud Cost, 1995. www.terrascope.co.uk; longer version at www.sundazed.com.
  18. ^ Interview with Jerry Miller, "Mods & Rockers Festival: Grapeful for Monterey". Huffington Post, July 19, 2007; www.huffingtonpost.com.
  19. ^ Contributing the song "Never Again". A film clip containing the performance is accessible via YouTube; direct link not provided due to potential breach of copyright issues.
  20. ^ Identified in script as "The Moby Grape" band playing that night at the club.
  21. ^ University Place and East 11th Street, New York City. Now an apartment building, it was at the time a famous hotel originally owned by the brother of artist Albert Pinkham Ryder. The hotel was named in his honour. Robert Louis Stevenson used one of the hotel's rooms as his studio. Other famous guests included Leo Tolstoy and Thomas Wolfe. Patrick Bunyan, All Around The Town: Amazing Manhattan Facts and Curiosities. Fordham University Press, 1999.
  22. ^ Interview with Jerry Miller by Jeff Tamarkin. Contained in "Skip Spence and The Sad Saga of Moby Grape", being chapter extract from Got A Revolution: The Turbulent Flight of Jefferson Airplane.
  23. ^ Interview with Peter Lewis by Jud Cost, 1995; www.sundazed.com.
  24. ^ It was during basic training with the Marines that Bob Mosley was first diagnosed as a paranoid schizophrenic. He was discharged from the Marines nine months after basic training. See Profile of Bob Mosley by Steve Leggett, www.allmusic.com.
  25. ^ Information at answers.com
  26. ^ ChrisGoesRock Moby Grape commentary.
  27. ^ The Many Incarnations of Moby Grape Mick Skidmore interview with Jerry Miller, December 29, 2003.
  28. ^ Disabled World, Famous People with Schizophrenia
  29. ^ Entertainment Weekly, What's eating Moby Grape? March 4, 1994,
  30. ^ Copies of the July 7, 2006 California Appellate Court decision and the 2005 California Superior Court decision may be found here.
  31. ^ An earlier victory, in 1996, was apparently short-lived. As described in 1998 by David LaFlamme of It's A Beautiful Day fame, "Yes (Moby Grape) did, eventually they did win their case. In that case and in the (Jefferson) Airplane case, in both cases, the judge determined that (Matthew Katz) did business in a fraudulent and deceptive manner and that over the years he had continued to, what they call, muddy the water by continually firing attorneys, making postponements and that these decisions could have been made years ago but he was making it impossible for that to happen. ...Now they have regained the rights to their songs and so on. Thank God. But most of the money that he has made doing to them what he has been doing to me is money he has already made. You can’t get that. It’s gone! It’s gone! Interview with David LaFlammeby John Barthal, 1998.
  32. ^ The specific November, 2007 news release from Sundazed Records reads as follows: "Sundazed Music, along with the members of Moby Grape and their management, regret to announce that Sundazed has discontinued the sale and distribution of the first three Moby Grape titles, Moby Grape, Wow and Grape Jam. The two remaining albums, Moby Grape '69 and Truly Fine Citizen, will continue to be available from Sundazed. (Editorial emphasis) These titles were manufactured under license for Sundazed by Sony BMG Music Entertainment. It was Sony BMG Music Entertainment' s decision to cease production of the first three titles, as a result of a longstanding and ongoing dispute over control of the Moby Grape album catalog between Sony BMG Music Entertainment and an outside party. As Moby Grape's fans are well aware, the band's career has long been dogged by business disputes far beyond the musicians' control. These issues have contributed to keeping the band's music out of print for lengthy periods, a situation that Sundazed Music had hoped to redress with its exhaustive Moby Grape reissue series. Sony BMG's decision comes as a surprise to Moby Grape and Sundazed, to say the least. Both band and label had invested considerable time, energy and attention into reissuing these albums with the respect and loving care that they have always deserved, and were excited to have the opportunity to make this music available once again to old and new fans. We at Sundazed are disappointed to be unable to continue to distribute the first three Moby Grape titles, but we remain honored to have Moby Grape '69 and Truly Fine Citizen as part of the Sundazed catalog." As reprinted by www.60sgaragebands.com.
  33. ^ Paul Conley, Moby Grape just can't catch a break "All Things Considered" newsletter, December 21, 2007.
  34. ^ Details of these initiatives may be found here and here. It is unclear whether these endeavours are subject to general CD distribution, though the cover songs have been released into the public domain and are freely downloadable. It is assumed, given the non-profit and tribute nature of these endeavours, that these releases are approved by Moby Grape members, who now control all rights to their songs. See California Appellate Court and California Superior Court decisions confirming such control. An additional fan-generated collection, Plucked, appears to be more of collected songs from the 1966-1969 era, rather than specifically Moby Grape songs.
  35. ^ See picture of this version of Moby Grape at Bob Mosley website

[edit] External links

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