Mohammad, Messenger of God
|The Message (aka Mohammad, Messenger of God)|
'"The Message promotional film poster
|Directed by||Moustapha Akkad|
|Produced by||Moustapha Akkad|
|Written by||H.A.L. Craig
A.B. Jawdat al-Sahhar
A.B Rahman al-Sharkawi
Mohammad Ali Maher
|Screenplay by||H.A.L. Craig|
|Based on||The Islamic prophet Muhammad|
|Narrated by||Richard Johnson|
|Music by||Maurice Jarre|
|Edited by||John Bloom
Filmco International Productions Inc.
|Distributed by||Tarik Film Distributors
Anchor Bay Entertainment
|Running time||178 minutes English
198 min Arabic
|Box office||$15 million|
The Message (Arabic: الرسالة Ar-Risalah; other titles: Mohammad, Messenger of God and The Message: The Story of Islam) is a 1976/1977 film and Quranic epic directed by Moustapha Akkad chronicling the life and times of Muhammad, the prophet of Islam. Released in Arabic(1976) and English (1977), Mohammad, Messenger of God serves as an introduction to early Islamic history.
The film follows Muhammad starting with Islam's beginnings in Mecca in which the Muslims are persecuted for their beliefs, the exodus to Medina, and ending with the Muslims' triumphant return to Mecca. A number of crucial events, such as the Battle of Badr and Battle of Uhud are depicted, and the majority of the story is told from the point of view of peripheral individuals such as Hamza ibn `Abd al-Muttalib (Muhammad's uncle), Bilal and Zaid (Two of the Prophet's close companions), and on the other side Abu Sufyan (the leader of Mecca) and his wife Hind bint Utbah (enemies of Islam who later become Muslims themselves).
While creating "Muhammad, Messenger of God", Director Al Akkad, who is originally Muslim, consulted Islamic clerics in a thorough attempt to be respectful toward Islam and its views on portraying the Prophet Muhammad. He received Approval from "Al Azhar" in Egypt but was rejected by Muslim World League in Mecca, Saudi Arabia. Al Akkad had to go outside the United States to raise the production money for the film. Lack of financing nearly shut down the film as the initial backers pulled out. At last, financing was finally provided by the Government of Kuwait, Libya and Morocco to support the film financially, but when it was rejected by the Muslim World League, Kuweit's 2nd Emir Sabah III Al-Salim Al-Sabah withdrew the financial support, but King Hassan II of Morocco gave Al Akkad full support for the production of the film, King Khalid bin Abdulaziz of Saudi Arabia and then-Libyan leader Muammar al-Gaddafi provided financial support too. The film was shot in Libya and Morocco, with production taking four and a half months to build the cities of Mecca and Medina as they looked in Muhammad's time.
The production took one year, Akkad filmed 6 months in Morocco, but had to stop when the Saudi Government exerted a great pressure on Morocco to stop the production. Akkad went to al-Gaddafi of Libya for support to complete the project, al-Gaddafi allowed him to move the filming to Libya for the remaining 6 months until the film was finalized.
Director Akkad saw the film as a way to bridge the gap between the Western and Islamic world, stating in a 1976 interview:
"I did the film because it is a personal thing for me. Besides its production values as a film, it has its story, its intrigue, its drama. Beside all this I think there was something personal, being Muslim myself who lived in the west I felt that it was my obligation my duty to tell the truth about Islam. It is a religion that has a 700 million following, yet it's so little known about it which surprised me. I thought I should tell the story that will bring this bridge, this gap to the west."
Akkad also filmed an Arabic version of the film (in which Muna Wassef played Hind) simultaneously with an Arab cast, for Arabic-speaking audiences. He felt that dubbing the English version in Arabic would not be enough, as the Arabic acting style differs significantly from that of Hollywood. The actors took turns doing the English and Arabic versions in each scene. Both the English and Arabic versions are now sold together on some DVDs.
In a film review, The New York Times reported that "when the film was scheduled to premier in the U.S., another Muslim extremist group staged a siege against the Washington D.C. chapter of the B'nai B'rith under the mistaken belief that Anthony Quinn played Mohammed in the film, threatening to blow up the building and its inhabitants unless the film's opening was cancelled. The standoff was resolved" after the deaths of a journalist and policeman, but "the film's American box office prospects never recovered from the unfortunate controversy."
Depiction of Muhammad
In accordance with Muslim beliefs regarding depictions of Muhammad, he was not depicted on-screen nor was his voice heard as the muslim tradition holds that the impersonation of the prophet offends against the spirituality of his message. At the beginning of the film, a statement is displayed, "The makers of this film honour the Islamic tradition which holds that the impersonation of the Prophet offends against the spirituality of his message. Therefore, the person of Mohammad will not be shown (or heard)."
This rule extended to his wives, his daughters, his sons-in-law, and the first caliphs (Abu Bakr, Umar, Uthman, and Ali ibn Talib his paternal cousin). This left Muhammad's uncle Hamza (Anthony Quinn) and his adopted son Zayd (Damien Thomas) as the central characters. During the battles of Badr and Uhud depicted in the movie, Hamza was in nominal command, even though the actual fighting was led by Muhammad.
Whenever Muhammad was present or very close by, his presence was indicated by light organ music. His words, as he spoke them, were repeated by someone else such as Hamza, Zayd or Bilal. When a scene called for him to be present, the action was filmed from his point of view. Others in the scene nodded to the unheard dialogue or moved with the camera as though moving with Muhammad.
The closest the film comes to a depiction of Muhammad or his immediate family are the view of Ali's famous two-pronged sword Zulfiqar during the battle scenes, a glimpse of a staff in the scenes at the Kaaba or in Medina, and Muhammad's camel, Qaswa.
- Anthony Quinn as Hamza
- Irene Papas as Hind
- Michael Ansara as Abu Sufyan
- Johnny Sekka as Bilal
- Michael Forest as Khalid
- André Morell as Abu Talib
- Garrick Hagon as Ammar
- Damien Thomas as Zayd
- Martin Benson as Abu Jahl
- Robert Brown as Utbah
- Rosalie Crutchley as Sumayyah
- Bruno Barnabe as Umayyah
- Neville Jason as Ja`far
- John Bennett as Ibn Saloul
- Donald Burton as `Amr
- Earl Cameron as Al-Najashi
- George Camiller as Al-Waleed
- Nicholas Amer as Suhayl
- Ronald Chenery as Mus`ab
- Michael Godfrey as Bara'
- John Humphry as Ubada
- Ewen Solon as Yasir
- Habib Ageli as Hudhayfah
- Abdullah Lamrani as Ikrimah
- Elaine Ives-Cameron as Arwa
- Wolfe Morris as Abu Lahab
- Ronald Leigh-Hunt as Heraclius
- Leonard Trolley as Silk Merchant
- Gerard Hely as Poet Sinan
- Peter Madden as Toothless Man
- Hassan Al-Jundi as Kisra
- Mohammad Al Gaddary as Money Lender
Cast of the Arabic version
- Abdullah Gaith as Hamza
- Muna Wassef as Hind
- Hamdi Gaith as Abu Sufyan
- Ali Ahmed Salem as Bilal
- Mahmud Saeed as Khalid
- Ahmed Marey as Zayd
- Mohammed Al-Arabi as Ammar
- Hassan Al-Jundi as Abu Jahl
- Sana' Jamil as Sumayyah
Awards and nominations
The musical score of The Message was composed and conducted by Maurice Jarre, and it was performed by the London Symphony Orchestra.
Track Listing for the First Release on LP
- The Message (03:01)
- Hegira (04:24)
- Building the First Mosque (02:51)
- The Sura (03:34)
- Presence of Mohammad (02:13)
- Entry to Mecca (03:15)
- The Declaration (02:38)
- The First Martyrs (02:27)
- Fight (04:12)
- Spread of Islam (03:16)
- Broken Idols (04:00)
- The Faith of Islam (02:37)
Track Listing for the First Release on CD
- The Message (03:09)
- Hegira (04:39)
- Building the First Mosque (02:33)
- The Sura (03:32)
- Presence of Mohammad (02:11)
- Entry to Mecca (03:14)
- The Declaration (02:39)
- The First Martyrs (02:26)
- Fight (04:11)
- The Spread of Islam (03:35)
- Broken Idols (03:40)
- The Faith of Islam (02:33)
In October 2008, producer Oscar Zoghbi revealed plans to "revamp the 1976 movie and give it a modern twist," according to the Internet Movie Database and the World Entertainment News Network. He hopes to shoot the remake, tentatively titled The Messenger of Peace, in the cities of Mecca and Medina in Saudi Arabia.
In February 2009, the producer of the The Matrix and The Lord of the Rings film trilogy Barrie M. Osborne was attached to produce a new movie about Muhammad. The film is to be financed by a Qatari media company and will be supervised by Sheikh Yusuf al-Qaradawi.
- Mohammad: Messenger of God Review by Mark Deming of the New York Times
- "1977 Oscars - 50th Annual Academy Awards Oscar Winners and Nominees". Popculturemadness.com. 1978-04-03. Retrieved 2012-03-25.
- "The Message Gets A Modern Remake," IMDB, 28 October 2008.
- Irvine, Chris (2008-10-28). "Prophet Mohammed film The Message set for remake". The Daily Telegraph (London). Retrieved 2010-05-13.
- Brooks, Xan (2008-10-27). "Controversial biopic of Muhammad set for remake". The Guardian (London). Retrieved 2010-05-13.
- "Prophet Muhammad film announced". BBC News. 2008-10-28. Retrieved 2010-05-13.
- "‘Matrix’ And ‘Lord of the Rings’ Producer To Make Movie About The Founder Of Islam". Moviesblog.mtv.com. Retrieved 2012-03-25.
|Wikimedia Commons has media related to Mohammad, Messenger of God.|
- Mohammed: Messenger of God at the Internet Movie Database
- Mohammed: Messenger of God at Rotten Tomatoes
- Mohammed: Messenger of God at AllMovie