Monologue

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For the Soviet film, see Monologue (film). For the Malayalam film, see Anantaram.

In theatre, a monologue is presented by a single character, most often to express their mental thoughts aloud, though sometimes also to directly address another character or the audience. Monologues are common across the range of dramatic media (plays, films,[1] etc.), as well as in non-dramatic media such as poetry.[2] Monologues share much in common with several other literary devices including soliloquies, apostrophes, and aside. There are, however, distinctions between each of these devices.

Similar literary devices[edit]

Monologues are similar to poems, epiphanies[clarification needed], and others. But there are differences between them. For example, a soliloquy involves a character relating his or her thoughts and feelings to him/herself and to the audience without addressing any of the other characters. A monologue is or the thoughts of a person spoken out loud.[3] Monologues are also distinct from apostrophes, in which the speaker or writer addresses an imaginary person, inanimate object, or idea.[4] Asides differ from each of these not only in length (asides are shorter) but also in that asides are not heard by other characters even in situations where they logically should be (e.g. two characters engaging in a dialogue interrupted by one of them delivering an aside).[4]

History[edit]

In ancient Greek theatre, the origin of western drama,[citation needed] the conventional three actor rule was preceded by a two actor rule, which was itself preceded by a convention in which only a single actor would appear on stage, along with the chorus.[5] The origin of the monologue as a dramatic device, therefore, is not rooted in dialogue. It is, instead, the other way around; dialogue evolved from monologue.

Ancient Roman theatre featured monologues extensively, more commonly than either Ancient Greek theatre or modern theatre.[6] One of the key purposes of these monologues was to indicate the passage of significant amounts of time (that would be tedious to actually play out in real time) within scenes. This type of monologue is referred to as a linking monologue.[7] Other monologue types included "entrance monologues"[7] and exit monologues.[8] In each of these cases a primary function is indicating the passage of time.[7]

From Renaissance theatre onward, monologues generally focused on characters using the extended speech to pursue their dramatic need. Postmodern theatre, on the other hand, often embraces the performative aspects of the monologue, even to the point of challenging the boundary between character portrayal (e.g. acting) and autobiographical speeches.[9]

Types of monologues[edit]

Interior monologues involve a character externalizing their thoughts so that the audience can witness experiences that would otherwise be mostly internal. In contrast, a dramatic monologue involves one character speaking to another character.[10] Monologues can also be divided along the lines of active and narrative monologues. In an active monologue a character is using their speech to achieve a clear goal. Narrative monologues simply involve a character telling a story and can often be identified by the fact that they are in the past tense.[11]

Example[edit]

Macbeth's monologue Tomorrow and tomorrow and tomorrow after he learns that Lady Macbeth has killed herself:

She should have died hereafter;
There would have been a time for such a word.
Tomorrow, and tomorrow, and tomorrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury
Signifying nothing.
— Macbeth (Act 5, Scene 5, lines 17-28)

Audition monologues[edit]

Theatre actors may be called upon to use monologues for audition purposes. Audition monologues demonstrate an actor's ability to prepare a piece and deliver a performance. These pieces are usually relegated to two minutes (sometimes less) and are often paired with a contrasting monologue. This can be a comic monologue paired with a dramatic monologue or it can mean classical paired with contemporary. The choice of monologues for an audition can often depend on the play in question or the role the actor wants to land. The audition monologue is a rite of passage with theatre actors and a tradition that continues today.

See also[edit]

References[edit]

  1. ^ http://www.imdb.com/list/Bf4eKcczgnk/
  2. ^ "Dramatic Monologue: An Introduction". Victorianweb.org. 2003-03-10. Retrieved 2013-08-16. 
  3. ^ "Soliloquy - Definition and More from the Free Merriam-Webster Dictionary". Merriam-webster.com. Retrieved 2013-08-16. 
  4. ^ a b "The Tragedy of Romeo and Juliet by William Shakespeare". Pleasanton.k12.ca.us. Retrieved 2013-08-16. 
  5. ^ Kuritz, Paul (1988). The Making of Theatre History. ISBN 978-0-13-547861-5. Retrieved 27 May 2014. 
  6. ^ http://www.jstor.org/pss/264065
  7. ^ a b c http://www.jstor.org/pss/264823
  8. ^ http://www.jstor.org/pss/264367
  9. ^ Geis, Deborah R. (December 1993). Postmodern theatric(k)s: monologue in contemporary American drama. University of Michigan Press. ISBN 978-0-472-10467-3. Retrieved 27 May 2014. 
  10. ^ "monologue (drama and literature) - Encyclopedia Britannica". Britannica.com. Retrieved 2013-08-16. 
  11. ^ "Monologue Information". Angelfire.com. Retrieved 2013-08-16. 

External links[edit]

Transmission of ideas
1 person to themselves, mental 1 person to themselves or to another without reply, verbal 2 or more people, verbal
Thought Monologue Dialogue