|Also known as||Lightforce|
|Origin||Moorabbin, Victoria, Australia|
|Genres||Christian metal, death metal, thrash metal, groove metal, grindcore|
|Labels||Intense, Nuclear Blast, Rowe|
|Past members||Jayson Sherlock
Mortification is an Australian Christian extreme metal band which was formed in 1987 as a heavy metal group, Lightforce, by mainstay Steve Rowe on bass guitar and vocals. By 1990, in the Melbourne suburb of Moorabbin, they were renamed as Mortification with the line-up of Rowe, Michael Carlisle on guitar and Jayson Sherlock on drums. Mortification has released over twenty albums and several videos on major record labels such as Nuclear Blast. As one of the earliest internationally successful Christian death metal bands from Australia, they served as an inspiration for later similar groups.
During the early 1990s Mortification played death metal, thrash, and grindcore, and "belonged to the elite of the death metal movement," especially with their 1992 album Scrolls of the Megilloth. After the departure of Sherlock, Mortification began experimenting with groove metal, hardcore punk and power metal. They achieved commercial success with Blood World in 1994 and received critically acclaim for 1996's EnVision EvAngelene. Despite the lack of subsequent commercial success or mainstream critical recognition, "the band, in spite of their extreme sound, are some kind of superstars in the 'White Metal' scene", and have been described as "a legend in the death metal scene." In late 1996, Rowe was diagnosed with acute lymphatic leukaemia and took 18 months to recover. Mortification issued their tenth album, Triumph of Mercy in August 1998 and accompanied it with a tour of North America. By August 1999, the band had sold a total of a quarter of a million albums across Europe and the US. They returned to their death/thrash roots for the 2004 album, Brain Cleaner.
- 1 History
- 2 Reception and legacy
- 3 Band members
- 4 Discography
- 5 References
- 6 External links
In 1987, bass guitarist and vocalist Steve Rowe formed the Australian power metal band LightForce with Murray Adams on guitar, Steve Johnson on vocals and Errol Willenberg on drums. The group played on the local metal scene and signed with United States label, Pure Metal Records to release their debut album, Mystical Thieves in May 1989. They supported US Christian glam metallers, Stryper on their 1989 tour of Australia. In 1990, Rowe, was determined to play heavy music with a Christian message, and was joined by drummer Jayson Sherlock and guitarist Cameron Hall under the LightForce name to record the demo, Break the Curse. The group had changed musically towards thrash metal with a death metal influence and when Michael Carlisle replaced Hall on guitar, they were renamed as Mortification. According to Rowe, the name comes from the King James Bible, "Mortify therefore the deeds of the flesh." Break the Curse was released in 1991 as Mortification's second album.
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In early 1991, they released their self-titled debut album on the US Christian label Intense Records. The direction of the music had changed once again. A lot of the songs were taken from their demo Break the Curse, but the band tuned their guitars down, and the feel to the songs was a lot more heavy and doomy than on previous material. Also, Rowe proved to be an excellent death metal vocalist, presenting his "Grind Baritone vocals of extreme reality" throughout the album. According to Allmusic, the band "sought to provide a positive alternative to traditional death metal acts such as Carcass, Death, and Obituary. On the strength of their self-titled 1990 debut, Mortification quickly gained a reputation in their native Australia for being one of the loudest and fastest bands around."
In 1992, the band signed a deal with Nuclear Blast Records in Germany, which had many European death metal groups on their roster. Mortification released their third album, Scrolls of the Megilloth, which had great success and, in the Christian metal scene, is considered a classic as well as a piece of Australian metal history. The line-up had outdone themselves, playing some fast death metal with a few doom metal influences on a couple of tracks. According to Allmusic, the album contains "some of the most frightening vocals ever recorded." A video-compilation titled Grind Planets which featured eight Mortification music-videos shot by film maker Neil Johnson was also released. Grind Planets, the title is a word play of the term 'Rock Star'. It presented a more humorous side of Mortification on the "On the Road" material in contrast with their serious message about spiritual warfare - a common theme among Christian extreme metal bands during the early 1990s when anti-Christian bands such as Deicide and Morbid Angel gained popularity.
The band conquered new ground with their 1993 release Post Momentary Affliction. Most notably, the vocal style shifted, adding some thrash-like screams to the already-familiar metal growls. The band also experimented with the industrial style. The album also featured one of Mortification's most popular songs, "Grind Planetarium". Jayson Sherlock had his last concert with the band at the Black Stump Festival '93, and the concert was released both on CD and also VHS under the name Live Planetarium. A big US major magazine cited the Live Planetarium video as the best live album and video they have ever seen and heard. Jayson joined Paramæcium, and Phil Gibson replaced him as Mortification's drummer.
The band released a new album in 1994 called Blood World. They leaned more towards modern groove/thrash with classic metal and hardcore punk influence rather than death metal, and Steve mainly used his shouts rather than growling. Phil and Michael left the band, and Steve stood by himself. The strange combination of extreme styles began setting Mortification apart from the crowd of same sounding bands and widened the band's audience as they became quickly recognised as innovators and not imitators. Blood World received rave reviews in America and Europe. Horror Infernal Magazine gave the album 13 out of 13 points. Blood World eventually became their best selling album.
1994 also saw the birth of Steve's own record label, "Rowe Productions." Also, Break the Curse was remixed and re-released by Nuclear Blast Records with a bonus track called "Butchered Mutilation".
Together with numerous friends, Steve recorded the album Primitive Rhythm Machine which was released in 1995. The sound of the album is really nasty and messy with a tribal-percussion to it. Musically, Steve mixed all the styles Mortification had played in the past, death metal, thrash metal and groove metal.
Also, Mortification's The Best of Five Years were released. A compilation album of older material. 2 songs from each previous release made a good introduction to new fans, and showed the bands innovation. This was the last album to be released by Mortification through Intense Records.
In 1996, Steve Rowe started his search for a new drummer and guitarist. The drum position was filled by long time roadie Keith Bannister, who had become a Christian during the first Mortification tour back in 1990. He learned how to play the drums while Mortification was on tour, and when they came back, Steve saw that he had been practicing, and was amazed at his progress, and instantly chose him to fill the spot as the drummer of the band. The guitar position was filled by guitarist Lincoln Bowen. Together, they recorded the album EnVision EvAngelene. This disc mixed elements of classic metal, thrash metal and added a punk feel to some of the songs. The first cut is an epic 18+ minute about Christ's crucifixion from the angels point of view.
Two live EPs were also released, Noah Sat Down and Listened to the Mortification Live EP While Having a Coffee and Live without Fear. Unlike their first live album Live Planetarium from the Black Stump Music and Arts Festival, this was recorded at a small club, with a raw sound.
A video compilation called EnVidion was released, containing numerous music-videos and interviews. Also released this year was a novel by Steve Rowe titled "Minstrel."
In 2006, their song "Livin like a Zombie" was played in the background of the BME Pain Olympics: Final Round.
Rowe diagnosed with leukaemia
In late 1996, Steve Rowe was diagnosed with acute lymphatic leukaemia, and after 18 months he was in remission despite a seemingly failed bone marrow transplant. Soon after, Mortification recorded their tenth album, Triumph of Mercy, and released it in August 1998. It was issued by Rowe Productions in the US and Nuclear Blast Germany in Europe. Lyrically, the album focused on the experiences of Rowe and the band during the previous two-years. The style of the album was a mixture of groove and thrash. They followed with a North American tour.
1999 saw the release of Hammer of God, also a mix of thrash and groove. The death metal elements had vanished, but the religious message of the lyrics remained. The band's line-up was Rowe, with Keith Bannister on drums and Lincoln Bowen on guitar. They undertook another European tour to promote Hammer of God. By August that year, the group had sold a total of a quarter of a million albums across Europe and the US.
In 2000, Mortification released another live album, recorded at Black Stump Festival in 1999, called 10 Years Live Not Dead, which mainly featured material from their newer albums plus a new song called "Dead Man Walking". Keith Bannister left the band, and a replacement was found in the very young drummer Adam Zaffarese.
The new line-up released the album The Silver Cord is Severed in 2000 and the band went on its first world tour. The music continued to be thrash and groove. While many fans thought the album was the weakest effort in the band's career, The Silver Cord is Severed sold well like its precessors. This was due to the fact that - like Nuclear Blast founder Markus Staiger stated in a newsletter - had become "some kind of superstars in the Christian metal scene". At the end of 2000 Lincoln Bowen left, and the band was split, which seemed like it was the end of Mortification.
A collection of Mortification songs was released in 2002 on the compilation-album Ten Years 1990 - 2000 Power, Pain, and Passion.
However, things changed when the guitarists Jeff Lewis and Mick Jelinic joined the band, and in 2002 they released Relentless. The band went in a slightly more heavy direction with a good dose of thrash and classic metal. The band played live as a 4-piece only a couple of times, as Jeff Lewis left the band.
Return to death/thrash roots
2004 saw the released of Brain Cleaner, now with ex-Cybergrind and current Martyrs Shrine drummer Mike Forsberg. This was the heaviest release from the band in 10 years, and fast thrash dominates the album with lots of groove and death metal influences.
In 2006, Mortification released a new album. It was originally titled Impaling the Goblin, but after many complaints that in some cultures this term had a sexual connotation to it, they changed the name to Erasing the Goblin. The album, with a cover which features a warrior throwing a sword into a goblin sitting on a rocking chair in a cave, is said to be a take on their older death/thrash sound around the time of their first 2-3 albums.
In early 2008, the band's nine early records were re-released by Polish Metal Mind Productions. In July 2008 Steve Rowe announced on his website that drummer Damien Percy was leaving after 3 years in the band and has been replaced by Dave Kilgallon, who is also the drummer for Australian Christian metal bands Grave Forsaken and Scourged Flesh.
On 6 June, it was announced that Mortification will record a new album in 2009 On 5 August, the band stated that they would record a demo for the new album. On 4 February, Rowe announced that the album titled The Evil Addiction Destroying Machine was partially completed, and it was released early June. Confusing many fans, Steve Rowe has reportedly called the new musical direction "easy-listening thrash." Rowe noted in a message for The Metal Resource about the reception of The Evil Addiction Destroying Machine: "With all new Mort releases there have been mixed response; pretty black and white. Some Really Like It and some really Don't Like It. But I knew with presenting the band in a reinvented way it was an excitingly dangerous move!"
Reception and legacy
Mortification was described by Australian rock music historian, Ian McFarlane in his Encyclopedia of Australian Rock and Pop in 1999: "During the early 1990s, Mortification became internationally known as Australia's foremost Christian-inspired death metal band. Christian death metal: surely a contradiction in terms; but only for the uninitiated. Mortification successfully infused the down-tuned, sledgehammer riffs and gruff vocal style usually associated with the death/thrash metal genre with positive and spiritually uplifting lyric themes."
Records released after Steve Rowe's leukemia have received poor reviews from critics, though they kept selling well. A critic wrote that "The weakest link of current Mortification are the lyrics. They are just somewhat naive and cheesy. On the old albums sinners screamed in pain in the fiery pits of hell, Satan was slaughtered; the rhetorics fit the spirit of the brutal music better. Apparently the fatherhood and going through the disease has calmed Rowe down too much, although on the early records the previous members Jayson Sherlock and Mick Carlisle wrote a lot of the lyrics." The different singing style Rowe did for many years after Post Momentary Affliction was another target for criticism, being called "poor screaming".
According to Australian writers Gary Garson and Peter Schultz, Mortification is the world's most successful Christian extreme metal band. Their first three albums are respected efforts of death metal. Blood World was a commercial hit and EnVision EvAngelene gained some respect for its music. During the tour for Blood World they played with Napalm Death, Sick of It All and Entombed for audiences consisting of thousands of people, and sold more merchandise than the other bands in the venues. Several Mortification tribute albums have been released by Christian metal bands that have been influenced by Mortification.
In Raised by Wolves, author John J. Thompson pointed out that upon forming Mortification, Rowe "suddently had one of the most credible Christian death metal bands in the world on his hands." Thompson defined Mortification as "one of the heaviest bands ever to hit the Christian scene" and described its albums as "a blatantly evangelistic work of shredding death metal."
Discussing the social aspects of the extreme metal scene, author Keith Kahn-Harris wrote that overt Christian bands like Mortification are often "strongly criticized if their commitment to music is perceived to be subordinate to their commitment to politics." Kahn-Harris observed that "with a very few exceptions, overt Christian bands tend to be confined to their own, largely autonomous scenes." But he acknowledges that "music and scene can never be detached from flows of power and capital and hence a non-political scene is an impossibility. [...] The scene is enmeshed in relations of power and capital, despite its relative autonomy as a field."
- Current members
- Steve Rowe – vocals, bass (1990–present)
- Lincoln Bowen – guitars (1996–2001, 2011–present)
- Andrew Esnouf – drums (2011–present)
- Former members
- Cameron Hall – guitars (1990)
- Jayson Sherlock – drums (1990–1993)
- Michael Carlisle – guitars (1991–1994)
- Phil Curlis–Gibson – drums (1994)
- George Ochoa – guitars (1994–1996)
- Keith Bannister – drums (1996–1999)
- Adam Zaffarese – drums (2000–2003, 2008–2011)
- Jeff Lewis – guitars (2002)
- Michael Jelinic – guitars (2002–2011)
- Mike Forsberg – drums (2003–2005)
- Damien Percy – drums (2005–2008)
- Dave Kilgallon – drums (2008)
- Troy Dixon – guitars (2011)
- Mortification (1991)
- Scrolls of the Megilloth (1992)
- Post Momentary Affliction (1993)
- Blood World (1994)
- Primitive Rhythm Machine (1995)
- EnVision EvAngelene (1996)
- Triumph of Mercy (1998)
- Hammer of God (1999)
- The Silver Cord is Severed (2001)
- Relentless (2002)
- Brain Cleaner (2004)
- Erasing the Goblin (2006)
- The Evil Addiction Destroying Machine (2009)
- Break the Curse (1990)
- Scribe of the Pentateuch (2012)
- Live Planetarium (1993)
- Noah Sat Down and Listened to the Mortification Live EP While Having a Coffee (1996, EP)
- Live Without Fear (1996)
- 10 Years Live Not Dead (2000)
- Live Humanitarian (2006)
- The Best of Five Years (1996)
- Ten Years 1990 - 2000 Power, Pain, and Passion (2002)
- Twenty Years in the Underground (2010)
- Australia Live (1992)
- Distarnished Priest (1995)
- Live Planetarium 2 (1995)
- Triumph of Mercy (1998)
- Conquer The Stump (2003)
- Total Thrashing Death (2004)
- Death Is Just The Beginning Vol. 2 1993
Scrolls of the Megilloth - Mortification (previously unreleased)
- Nuclear Blast Presents! Summer Blast 1994
- Hot Metal V: Screaming Truth
- Track 7- An interview with Mortification
- Track 8- Distarnish Priest
- Godspeed: Australian Metal Compilation- Time Crusaders (Studio Demo Version)
- Tourniquet/Mortification collector's edition CD single
- Track 9- Your Life
- Track 10- J.G.S.H.
- Track 11- Love Song
- Track 12- A Short Interview with Steve Rowe on the History of Mortification
- Metal Missionaries (1991, video)
- Grind Planets (1993, video, 55 minutes)
- The History of Mortification (1994, video)
- Live Planetarium (1994, video, 60 minutes)
- EnVidion (1996, video, 60 minutes)
- Conquer The World (2002, DVD, 95 minutes)
- Grind Planets Reissue (2005, DVD, 89 minutes)
- Live Planetarium (2006, DVD, 90 minutes)
- McFarlane, Ian (1999). "Whammo Homepage". Encyclopedia of Australian Rock and Pop. St Leonards, NSW: Allen & Unwin. ISBN 1-86508-072-1. Archived from the original on 5 April 2004. Retrieved 17 August 2011. Note: Archived [on-line] copy has limited functionality.
- Garson, Gary (interviewer); Schultz, Peter (interviewer); Grym, J. (translator); Ollila, Mape (additional notes) (2007). "Maailman Metalli: Australia" [Metal World: Australia]. Imperiumi.Net (in Finnish). Retrieved 18 August 2011. Google translation back to English is available here .
- "Press Release by Nuclear Blast for Triumph of Mercy". Nuclear Blast Records. Archived from the original on 28 September 2007. Retrieved 18 August 2011. Quoted on German Mortification fansite: Mortification.de
- Eleven years on the last verse. Vårt Land. 12.11.2007
- McFarlane, 'Mortification' entry. Archived from the original on 13 August 2004. Retrieved 17 August 2011.
- Wheat, Brad. "Mortification interview". Christian Xtreme. Retrieved 18 August 2011. Full passage from King James Bible is "For if ye live after the flesh, ye shall die: but if ye through the Spirit do mortify the deeds of the body, ye shall live." (Romans 8:13)
- Dombek, Kirk. "Mortification". Allmusic. Rovi Corporation. Retrieved 17 August 2011.
- The term, 'Grind Planets', is explained in the video credits: "We thought it was funny when people came up to us and said 'What's it like being a Rock Star?' After the funny aspect departed we realised that many people became easily prideful through human admiration. We are glad that people enjoy our music and appreciate the comments but wish to draw our identity from Christ and point the listener in his direction. He is the only way to eternal life. We are Grind Planets...the opposite of Rock Stars." Grind Planets DVD Reissue (SM007)
- "Mortification". Australian Music Online (AMO). Australia Council for the Arts (Government of Australia). Archived from the original on 10 August 2008. Retrieved 18 August 2011.
- MORTIFICATION: Nine Titles To Be Reissued. Blabbermouth.net.
- MORTIFICATION To Release New Album In 2009, 20th-Anniversary CD In 2010 Blabbermouth.net
- "MORTIFICATION To Record New Demo". Roadrunnerrecords.com. Retrieved 2 May 2012.
- "Mortification: New album title revealed". Roadrunnerrecords.com. Retrieved 2 May 2012.
- A Message from Steve Rowe. The Metal Resource. 5 June 2009.
- Ryhanen, Pekka. Mortification Brain Cleaner. Imperiumi.net
- Thompson, John J. (2000). Raised by Wolves: The Story of Christian Rock & Roll. ECW Press. p. 163. ISBN 1-55022-421-2.
- Kahn-Harris, Keith (2007). Extreme Metal: Music and Culture on the Edge. Berg Publishers. p. 155. ISBN 978-1-84520-399-3.
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