Mother Russia (Renaissance song)
|Single by Renaissance|
|from the album Turn of the Cards|
|B-side||"I Think of You"|
|Genre||Progressive rock, symphonic rock, classical music, baroque pop|
|Length||9 minutes 30 seconds (album)
3 minutes 7 seconds (single)
|Writer(s)||Michael Dunford (music)
Betty Thatcher (lyrics)
|Renaissance singles chronology|
"Mother Russia" is the closing song on Renaissance's 1974 album Turn of the Cards. It also appears on the 1976 live album Live at Carnegie Hall, the compilation Tales of 1001 Nights, Vol. 1, and several other Renaissance concert albums.
The song is a tribute to Russian writer Aleksandr Solzhenitsyn, who had been forced by the Communist regime to leave the Soviet Union earlier in 1974. Written as usual by poet Betty Thatcher, the lyrics are based on Solzhenitsyn's famous novel about Soviet repression, One Day in the Life of Ivan Denisovich. Because fans of the band were surprised at the move into topical songwriting, singer Annie Haslam has had often to point out to interviewers that "Mother Russia" really refers to Solzhenitsyn.
Musically, the full version of "Mother Russia" begines with a sparse, string-driven introduction marked by occasional piano crescendos. Around two minutes into the song, Haslam's voice enters, and the next three minutes of the song contain six verses in three pairs describing Solzhenitsyn's plight, in between which are short interludes of strings and acoustic guitar.
The last five minutes of the full song consist of a three-minute instrumental interlude with the full band performing over wordless vocals by Haslam, followed by a repeat of the last two verses to finish. Recording engineer and co-producer Dick Plant stated:
"I think that the real thrust of the music came from John Tout's piano. I don't think Renaissance ever wanted to do anything that they couldn't reproduce on stage."
A version of "Mother Russia" edited down to three minutes and seven seconds was released as a single in the United States only. Although its parent album, Turn of the Cards, peaked at #94 on Billboard, the single did not go anywhere near the Billboard Hot 100.
- Romano, Will (2010). Mountains come out of the sky: an illustrated history of prog rock (1st Ed.). Montclair, NJ: Blackbeat Books. p. 133. ISBN 978-0-87930-991-6
- Whitburn, Joel (1996). Joel Whitburn's top pop albums, 1955-1996 Menomonee Falls, Wisconsin: Record Research Inc. p. 649. ISBN 0-89820-117-9