Mudvayne

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Mudvayne
Mudvayne band members.jpg
Left to right: Chad Gray (singer), Greg Tribbett (guitarist) and Ryan Martinie (bassist), three of Mudvayne's four members; the fourth is drummer Matthew McDonough.
Background information
Origin Peoria, Illinois, United States
Genres Alternative metal,[1][2][3][4][5][6] progressive metal,[6][7][8][9] heavy metal,[10][11][12][13]
nu metal[14][15][16][17][18]
Years active 1996–2010
Labels Epic
Associated acts Hellyeah, Sprung, Broken Altar
Members Greg Tribbett
Matthew McDonough
Chad Gray
Ryan Martinie
Past members Shawn Barclay

Mudvayne is an American heavy metal band known for its sonic experimentation, innovative album art, face and body paint, masks and uniforms. The band has sold over six million records worldwide, including nearly three million in the United States.

The group consists of Chad Gray, Greg Tribbett, Ryan Martinie and Matthew McDonough. Formed in 1996, Mudvayne became popular in the late-1990s Decatur, Illinois underground music scene. The band released an EP, Kill, I Oughtta, in 1997 and a successful debut album, L.D. 50, in 2000. They had global success with The End of All Things to Come, Lost and Found and The New Game.

Since 2010 the band has been on hiatus, with its members performing in other projects and making guest appearances. Chad Gray is the singer for the heavy-metal supergroup Hellyeah, to which Greg Tribbett also belonged until 2014. Gray founded an independent record label, Bullygoat Records, which produces heavy-metal albums.

History[edit]

Early days: 1996–1999[edit]

Formation and debut EP[edit]

Long=haired, tattooed guitarist on stage
Guitarist Greg Tribbett cofounded Mudvayne in 1996.

Mudvayne, formed in 1996 in Bloomington, Illinois, originally consisted of bassist Shawn Barclay, electric guitarist Greg Tribbett and drummer Matthew McDonough.[19][20] The band's original lineup finalized when Chad Gray, who was earning $40,000 a year in a factory, quit his day job to become its singer.[21] In 1997 Mudvayne financed its debut EP, Kill, I Oughtta.[19][20]

During the EP's recording Barclay was replaced by Ryan Martinie, former bassist for the progressive-rock band Broken Altar.[22] After self-distributing Kill, I Oughtta,[19][20] Mudvayne adopted stage names and face paint.[20][23][24]

L.D. 50[edit]

In April 1998 local promoter Steve Soderstrom introduced Mudvayne to its original manager, Chuck Toler, who helped obtain a contract with Epic Records and record the 2000 debut studio album L.D. 50.[24][25] For the album, Mudvayne experimented with a ragged, dissonant sound;[26] a sound collage, prepared for the album, was used as a series of interludes.[20][27] L.D. 50 was produced by Garth Richardson,[28] with executive production by Slipknot member Shawn Crahan.[20][25]

Mainstream success: 2000-2005[edit]

L.D. 50 peaked at No. 1 on the Billboard Top Heatseekers chart and No. 85 on the Billboard 200.[29] The singles "Dig" and "Death Blooms" peaked at No. 33 and No. 32 on the Mainstream Rock Tracks chart.[29] Although the album was praised,[30] some critics found the band hard to take seriously.[31]

To promote L. D. 50, Mudvayne played on the Tattoo the Earth tour with Nothingface, Slayer, Slipknot and Sevendust. Nothingface guitarist Tom Maxwell became friends with Mudvayne vocalist Chad Gray, and they explored the possibility of a supergroup. The following year, Nothingface again toured with Mudvayne; although plans for a supergroup continued, they were put on hold due to scheduling conflicts. Gray and Maxwell had discussed five names for the group, and Mudvayne guitarist Greg Tribbett approached Maxwell "out of the blue" to join it. Although Nothingface drummer Tommy Sickles played on the group's demo, the search for another drummer began.[32]

The End of All Things to Come: 2001–2002[edit]

In 2002 Mudvayne released The End of All Things to Come, which the band considers its "black album" due to its largely-black artwork.[33] Isolation inspired the album's songs.[34] During its mixing, Gray and McDonough stopped at Bob's Big Boy and Gray remembered overhearing someone "say something like, ' ... and he's got to cut his own eye out'". When he asked McDonough if he heard the conversation McDonough said he hadn't, and Gray thought it was someone discussing a scene from a screenplay.[35]

The album expanded on L.D. 50, with a wider range of riffs, tempos, moods and vocals.[26] Because of this experimentation, Entertainment Weekly called this album more "user-friendly" than its predecessor[36] and it was one of 2002's most acclaimed heavy-metal albums.[37] The music video for the single "Not Falling" demonstrated the Mudvayne's change in appearance from L. D. 50, with the musicians transformed into veined creatures with white, egg-colored bug eyes.[38]

Lost and Found: 2003–2005[edit]

In 2003 Mudvayne participated in the Summer Sanitarium Tour, headlined by Metallica,[34] and in September Chad Gray appeared on V Shape Mind's debut studio album Cul-De-Sac.[39] The following year the band began work on its third album, produced by Dave Fortman.[34][40] As for the previous album, Mudvayne withdrew to write songs; they moved into a house, writing the album in four months before recording began.[34][41] In February Gray and Martinie expressed an interest in appearing on Within The Mind - In Homage To The Musical Legacy Of Chuck Schuldiner, a tribute to the founder of the metal band Death,[42] but the album was never produced.

Tattooed man in shorts singing onstage
Mudvayne singer Chad Gray's independent record label, Bullygoat Records, was founded in 2005.[43]

In 2005 Chad Gray established independent record label Bullygoat Records and Bloodsimple's debut album, A Cruel World (with a guest appearance by Gray), appeared in March.[43] On April 12, Mudvayne released Lost and Found. The album's first single, "Happy?", featured complex guitar work and Gray described "Choices" as "the eight-minute opus".[34]

In August former Mudvayne bassist Shawn Barclay released his band Sprung's debut album, mastered by King's X guitarist Ty Tabor.[19] That month rumors spread that Bullygoat Records would release We Pay Our Debt Sometimes: A Tribute to Alice In Chains, with performances by Mudvayne, Cold, Audioslave, Breaking Benjamin, Static-X and the surviving members of Alice in Chains. A spokesperson for Alice in Chains told the press that the band was unaware of any tribute album, and Mudvayne's manager said that reports of the album were only rumors.[44]

In September the band met with director Darren Lynn Bousman, whose film Saw II was in production and would include "Forget to Remember" from Lost and Found. Bousman showed them a scene of a man cutting his eye out of his skull to retrieve a key. When Gray told Bousman about the conversation at Bob's Big Boy two years earlier, Bousman said he holds his production meetings at the restaurant and Saw II was based on a screenplay he wrote years earlier.[35] Gray appeared briefly in the film, and the music video for "Forget to Remember" contained clips from Saw II.[35]

Continued work and side project: 2006-2009[edit]

In 2006, Gray, Tribbett and Tom Maxwell were joined by former Pantera and Damageplan drummer Vinnie Paul for the supergroup Hellyeah. On March 8, when Mudvayne and Korn performed at the KBPI Birthday Bash in Denver, Thornton waitress Nicole LaScalia was injured during Mudvayne's set.[13] Two years later, LaScalia filed a lawsuit against radio-station owner Clear Channel Broadcasting, concert promoter Live Nation, the University of Denver and members of Mudvayne and Korn.[13]

During the summer, Gray, Tribbett, Maxwell and Paul recorded an album as Hellyeah.[45] After a tour with Sevendust, Mudvayne released the 2007 retrospective By the People, for the People (compiled from selections chosen by fans on the band's website).[46] The album debuted at number 51 on the U.S. Billboard 200 chart, selling about 22,000 copies in its first week.[35][47]

The New Game and self-titled album[edit]

After Gray and Tribbett returned from touring with Hellyeah, Mudvayne began recording The New Game with Dave Fortman.[48] After the album's 2008 release, Fortman told MTV that it would be followed in six months by another full-length record.[49]

For its self-titled fifth album Mudvayne hoped to create a "white album", describing its cover art.[33] Mudvayne was recorded in the summer of 2008 in El Paso, Texas.[50] The album, printed with blacklight paint, was only visible under a black light (a light whose wavelength is primarily ultraviolet).[51]

Hiatus: 2010-present[edit]

In 2010 Mudvayne again paused to allow Gray and Tribbett to tour with Hellyeah, and because of the supergroup's album releases the band will be on hiatus until at least 2014.[52] With Hellyeah, Gray and Tribbett have recorded three albums: Stampede, Band of Brothers and Blood for Blood.[53] In 2012 Ryan Martinie toured with Korn as a temporary replacement for bassist Reginald Arvizu, who remained home during his wife's pregnancy.[54] The following year Martinie played bass on Kurai's debut EP, Breaking the Broken,[55] and in 2014 Tribbett left Hellyeah.[56]

Style[edit]

Music and inspirations[edit]

Young man playing bass in front of a display of other guitars
Mudvayne bassist Ryan Martinie is noted for his complex playing.[22]

Mudvayne is noted for its musical complexity.[57][58] The band's music contains what McDonough calls "number symbolism", where certain riffs correspond to lyrical themes.[24] Mudvayne has incorporated elements of death metal,[24][26] jazz fusion[26][59] and progressive rock.[24][26] In addition to these styles, L.D. 50 featured world music[31][60] and speed metal.[24] Although Mudvayne has been inspired by Obituary,[61] Emperor,[10] Mötley Crüe,[61] Alice in Chains,[61] Pearl Jam,[61] King Crimson,[10] Porcupine Tree[10] and Metallica,[61] according to them they are not influenced by other metal bands.[10] They have repeatedly expressed admiration for Stanley Kubrick's 2001: A Space Odyssey, and were influenced by the film during the recording of L.D. 50.[62]

Although the band has described its style as "math rock"[63] and "math metal",[10][60] drummer Matt McDonough said in 2009: "I honestly don't know what 'math metal' is. I made a joke early on in Mudvayne's career that we used an abacus in writing. It seems I should be careful making jokes in interviews. I don't really see Mudvayne as an innovator in anything."[64] Music critics and journalists have categorized the band as alternative metal,[2][3][4][5][6][65] experimental metal,[6] extreme metal,[6][66] hard rock,[67][68] heavy metal,[10][11][12][13] industrial metal,[60] mathcore,[69] math metal,[6] metalcore,[70] neo-progressive metal,[6] neo-progressive rock,[71] nu metal,[14][15][16][17][18] progressive rock,[7][72][73] progressive metal,[6][7][8][9] shock rock[68] and thrash metal.[74][75]

Appearance[edit]

Although Mudvayne was known for its appearance, Gray described its aesthetic as "music first, visuals second".[34] When L.D. 50 was released, the band performed in horror film-style makeup.[25] Epic Records initially promoted Mudvayne without focusing on its members; early promotional materials featured a logo instead of photos of the band, but its appearance and music videos publicized L. D. 50.[25] The members of Mudvayne were originally known by the stage names Kud, sPaG, Ryknow and Gurrg.[20] At the 2001 MTV Video Music Awards (where they won the MTV2 Award for "Dig"), the band appeared in white suits with bloody bullet-hole makeup on their foreheads.[76] After 2002, Mudvayne changed makeup styles (from multicolored face paint to extraterrestrials) and changed their stage names to Chüd, Güüg, Rü-D, and Spüg.[26] According to the band, the extravagant makeup added a visual aspect to their music and set them apart from other metal bands.[77] Since 2003 Mudvayne has largely abandoned makeup, but said that a future return to it is not out of the question.[78]

Band members[edit]