Music of El Salvador
|This article relies largely or entirely upon a single source. (June 2014)|
|Music of El Salvador Topics|
|Timeline and Samples|
|Central American music|
|Belize - Costa Rica - El Salvador - Guatemala - Honduras - Nicaragua - Panama|
The music of El Salvador has a mixture of Lenca, Pipil, and Spanish influences. This music includes religious songs (mostly Roman Catholic) used to celebrate Christmas and other holidays, especially feast days of the saints with Tubular bells Chimes. Satirical and rural lyrical themes are common and played with Xylophone. Popular styles in modern El Salvador include Salvadoran Cumbia, Salvadoran hip hop, Rock and Native Mesoamerican Indigenous music which historically have had a long and large significance and impact to modern El Salvador music styles.
Musical repertoire consists of Xuc, danza, pasillo, marcha and canciones. The Xylophone is a representative folk music instrument. Some of the most well known songs is (El Carbonero) and (El Torito Pinto).
Native American Indigenous music
Indigenous music inspired by the Native American Indigenous Lenca and Pipil of El Salvador, and the Mayan of the Mesoamerican region in Central America, are a staple in Salvadoran music. Many indigenous music groups such as (Talticpac), have rose in El Salvador, especially after the civil war. Many groups get inspirations by native Indigenous music or themes from South and North America, for example (The Last of the Mohican theme song) or the (FSU marching chiefs war chant massacre theme), also (By the Waters of Minnetonka) and even Pocahontas (Steady as the beating drum) song can be very inspirational to indigenous music groups in El Salvador. Staple music such as Salvadoran cumbia and romanic songs have indigenous tunes in them, two of El Salvador most recognizable songs considered secondary anthems of El Salvador such as Patria Querida by Alvaro Torres and Sombrero Azul by Salsa Clave have indigenous tunes in them. American singer John Trudell's (But This isn't El Salvador) is a solidarity song for the long oppressed Indigenous peoples of El Salvador.
Salvadoran Marching bands
School and military marching bands are a staple in El Salvador and it is a vital and crucial part of Salvadoran youth culture, whether in town or cities. Salvadoran marching bands are present in any kind of Salvadoran events, celebrations, and even in smallest activities, they become present along with their (cachiporristas) cheerleaders. Marching bands are a representative of Salvadoran culture and tradition, music tunes will include anything from national anthem, folkloric music to "the ants go marching one by one". Marching bands in El Salvador were once called (War Bands) however after the peace accords that ended the civil war were signed, the named was changed to (Peace Bands). The Salvadoran marching bands have even made international appearances in events such as the Rose Parade in the U.S city of Pasadena in New Years, the first time in 2008 and the most recent in 2013, where the Salvadoran marching bands of boys and girls have been able to embrace their talents to the world.
Salvadoran Civil War songs
Salvadoran Civil War songs located in the nueva cancion movement and genre, have been very popular since the 1970- to present day. They were broadcast through Radio Venceremos station and appealed to the majority of the peasant Salvadoran population. One of the most well known songs is (El Salvador ta venciando) by Yolocamba Ita. As well as American songs like (U.S get out of El Salvador) dedicated to the U.S involvement.
Salvadoran cumbia is a staple in Salvadoran music. Groups such as Orquesta San Vicente who sing (Soy Salvadoreño), the Bravo group who sing (Sabrosa Cumbia) and the Hermanos Flores group who sing (Mi Pais) are three well known cumbia music groups in El Salvador.
Salvadoran Rock and Salvadoran Hip Hop/Rap
Salvadoran rock and Salvadoran hip hop/rap are very well established music genres in Salvadoran culture. Salvadoran rock has a longer history dating back before the civil war while Salvadoran hipo hop/rap arrived after the civil war and it is seen as a legacy of the Salvadoran exodus, diaspora, immigration and deportation from the United States, especially from cities such as Los Angeles and Washington D.C. Joaquin Santos who sings (No Señor), Crooked Stilo who sing (Mi Tierra) and Code Blue who sing (Blood Spilled) are just some of the most well known Salvadoran hip hop/rap groups. Young Salvadoran rockers and hip hop/rappers usually reject, stigmatize and are hostile towards bachata and reggae music and listeners because those Caribbean genres are seen as queer and non-Salvadoran. Mexican music is also rejected and seen with hostility by rockers and hip hop/rap listeners. However foreign hip hop/rap groups such as Calle 13, are very welcomed and listened by Salvadorans. Foreign Rock bands from the U.S and other parts of the world are also very welcomed and listened in El Salvador. Many foreign rock groups dedicated songs to El Salvador and the Salvadoran people during the civil war, songs such as (Bullet the Blue Sky) by U2, (El Salvador) by White lion, and (Weapons for El Salvador) by The Ex were all inspired by the U.S involvement in the El Salvador War.
Popular music and instruments
Popular music in El Salvador uses Xylophones, Tubular bells, Fanfare trumpets, guitars, Double bass Harmonica, Glass harmonica, pianos, flutes, drums, scrapers, gourds, and Theremin. Indigenous instruments such as drum and flutes are a standard in all Salvadoran music used as a solidarity with El Salvador indigenous ancestry, "El Sombrero Azul" for example, is a cumbia song by Salsa Clave which starts with an indigenous tune. Tubular bells are a cue for El Salvador's Christianity and majestic fanfare trumpets for El Salvador's national pride, the national anthem itself start off with majestic fanfare trumpets.
Music from Colombian mainly and other Caribbean, South American and Central American music has infiltrated the country, especially salsa and cumbia. For example, the very famous Favorited La Sonora Dinamita is a Colombian salsa group with one Salvadoran vocalist (Susana Velasques). As one of the first Cumbia groups to reach international success, it is credited with helping to popularize the genre throughout Latin America, and the world.
Political chaos tore the country apart in the early 20th century, and music was often suppressed, especially those with strong native influences. In the 1940s, for example, it was decreed that a dance called "Xuc" was to be the "national dance" which was created and led by Paquito Palaviccini's and his "Orquesta Internacional Polio." That was one of the many orchestras he led during and in the mid 40's, his other hit was known throughout the country. "Carnaval En San Miguel" was commonly known to the whole country as the first Salvadoran band that went on to receive numerous awards in the years to come. Paquito Palaviccini, being known throughout Central and South America, made tours to Cuba, Buenos Aires, where Paquito Studied, and other Latin American countries.
The inspiration came to Paquito to develop the "Xuc" and "El Baile del Torito" in a tour they had in Cuba. The 1960s saw an influx of American and British pop and rock, inspiring like-minded Salvadoran bands, while the following two decades were dominated by a wave of popular genres from across Latin America, mostly folk-based singer-songwriter genres like Chile and Nueva Canción. This new type of Salvadoran rock music was called "Guanarock" (portmanteau of Guanaco, a nickname demonym slang Salvadorans use to refer to themselves which means "brother" in native American indigenous Poton Lanca language of northern and eastern El Salvador, Guanaco comes from the word Guanacasco which means "gathering brotherhood" in Poton Lenca Mesoamerican language), which inspired bands such as Ayutush.
Dominican merengue and Bachata also became very popular. In the last ten years, hip hop and reggaeton has influenced the majority of the Salvadoran youth, which has formed groups like Pescozada and Mecate. Also former Reggaeton producers like Wilfredo Rivas (Dj Emsy) and Jose Castaneda (Mambo King) who had worked with vary of famous Reggaeton and Hip hop artists such as: Dj Flex, Cheka, The Black Eyed Peas, Nicky Jam, El Torito and many others.
Salvadoran cumbia is related to but very distinct from Colombian cumbia, which is better known outside of El Salvador. Chanchona ensembles, led by a pair or a single violin, are popular, especially among the immigrant community in the Washington D.C. area.
El Salvador has prominent heavy metal, reggae, ska, dubstep, punk and electronic dance scenes due to its prolific local bands and venues; and the recent increase in local concerts by international bands that include San Salvador as a frequent destination in their international tours.
The main composer of the 19th century was José Escolástico Andrino (born in Guatemala). Wenceslao García was the first native composer. Important military bands composers and arrangers include Jesús Alas, Alejandro Muñoz and Domingo Santos. María de Baratta was the main ethnomusicologist and composer in the 20th century.
- El sitio de musica de El Salvador (The El Salvador Music Site) – Spanish
- Cantante Salvadorena Roxana Damas
- Electronic music from El Salvador
- Erick Gudiel - Saxofonista El Salvador