"N.Y. State of Mind" is a song by American hip hop recording artist Nas, taken from his debut studio album Illmatic (1994). The song's production was handled by DJ Premier who sampled two jazz songs: "Mind Rain" by Joe Chambers and "Flight Time" by Donald Byrd. Premier additionally scratches vocals from Eric B. & Rakim's "Mahogany" for the song's chorus. Nas raps two verses on the song in which he talks about his rapping talent and describes the dangerous environment that is the city of New York. Nas has attributed the song "Streets of New York" by Kool G Rap as one of the song's primary influences (Kool G Rap would later sample this song, plus give Nas a guest spot on his album 4,5,6). A sequel to "N.Y. State of Mind" can be found on Nas' 1999 album I Am.... An early version of the song can be found on Nas' demo tape under the name "I'm a Villain." It was rumored that a track entitled "N.Y. State Of Mind Pt. III" was scheduled to be released in Nas' upcoming album "The Lost Tapes 2", but it is unknown if this is true.
"N.Y. State of Mind" ranks #74 on About.com's Top 100 Rap Songs.
Rolling Stone magazine placed the song on its list of "The 50 Greatest Hip-Hop Songs of All Time."
Marc L. Hill of PopMatters describes "N.Y. State of Mind" as a standout track on Illmatic claiming that it "provides as clear a depiction of ghetto life as a Gordon Parks photograph or a Langston Hughes poem." The song is also one of a few rap songs to be featured in the Norton Anthology of African American Literature. It is featured on Nas' 2007 greatest hits album as the only non-single song in the album, and on the 1999 compilation Best of D&D Studios, Vol. 1. Steve 'Flash' Juon of RapReviews.com states:
"[Illmatic] was to be an album steeped in the rich traditions of hip-hop history, mixed with the most advanced verbal styles and fat beats that could be put on wax. And if it couldn't be set off any more right already, the DJ Premier produced "N.Y. State of Mind" was designed to knock you right off your feet. Primo's knack for finding the illest piano loops and matching them to pounding beats was perfected in this track, and paired with a Rakim sample on the chorus that provided the mental link for an analogy most rap heads had already made by now: Nas was the NEW Rakim on the block.