Nanopunk

From Wikipedia, the free encyclopedia
Jump to: navigation, search
An artist's depiction of nanotechnology.

Nanopunk refers to an emerging genre of speculative science fiction (sci-fi) still very much in its infancy in comparison to other genres like that of cyberpunk or steampunk.[1]

The genre is similar to biopunk, but describes the world where the use of biotechnologies are limited or prohibited, so only nanites and nanotechnologies are widely use (while in biopunk, bio- and nanotechnologies often coexist).

Currently the genre is more concerned with the artistic and physiological impact of nanotechnology, than of aspects of the technology itself which is still in its infancy. Unlike the cyberpunk protagonist, a low-life yet technologically advanced character, the personification of a nanopunk can be set 'hard' or 'soft', depending on your views of the impact nanotechnology will have on our future.

Literature[edit]

Kathleen Ann Goonan (Queen City Jazz) and Linda Nagata were some of the earliest writers to feature nanotech as the primary element in their work.[2]

Linda Nagata's Tech Heaven is a futuristic thriller about Katie, a woman whose husband is about to die of injuries sustained in a helicopter crash. Instead of dying, he gets his body cryogenically preserved so that he can be reawakened when med-tech is advanced enough to heal him. The problem is that it winds up taking far more than the estimated few years for this to happen.[3]

Another famous example of this genre is Neal Stephenson's The Diamond Age. Some novels of Stanislaw Lem, including Weapon System of the Twenty First Century or The Upside-down Evolution, The Invincible and Peace on Earth could also be considered precursors of nanopunk.

Another example is the Michael Chricton novel Micro.

Film and Television[edit]

Video games[edit]

See also[edit]

References[edit]