Natalia Romanovna Makarova (Russian: Наталья Романовна Макарова, born 21 November 1940) is a Soviet-Russian-born prima ballerina and choreographer. The History of Dance, published in 1981, notes that “her performances set standards of artistry and aristocracy of dance which mark her as the finest ballerina of her generation in the West.”
When she first arrived in the West, Makarova was eager to expand her choreography by dancing ballets by modern choreographers. At the same time, she remained most identified with classical roles such as Odette/Odile in Swan Lake and Giselle. In December 1975, she and her dance partner Mikhail Baryshnikov featured prominently in an episode of the BBC television series Arena. She was featured in the 1976 live American Ballet Theatre production of Swan Lake, simulcast from Lincoln Center on both PBS and NPR.
Makarova continued to excel in many different roles, most notably, her title role in Giselle. In 1989, she returned to her home theater of the Kirov Ballet and was reunited with her family and with former colleagues and teachers. Her emotional homecoming was documented in the film Makarova Returns. After her performance at the Kirov, she retired from dancing, donating her shoes and costumes to the Kirov Museum. Today Makarova stages ballets such as Swan Lake, La Bayadère, and Sleeping Beauty for companies across the world. She retired from dancing due to accumulating injuries, especially to her knees. Makarova won a Tony Award, as well as numerous other stage awards for her performances in Broadway revival of On Your Toes. She played "Lydia Lopokova (Lady Keynes)" in Wooing in Absence, compiled by Patrick Garland. It was first performed at Charleston Farmhouse and then at the Tate Britain.
In 1976, Makarova married industrialist Edward Karkar; the couple has a son, Andrei. Karkar died December 22, 2013 at the age of 81. Janet Sassoon said the following about Makarova, "When I began teaching in San Francisco, through Madam Bali, I got to work with all these great Russian first dancers when they were there. So I got Natalia (Natasha) Makarova, a prima ballerina assoluta. There was only one prima ballerina assoluta up until the time she danced. And here I had her in my hands for five months after the birth of her child!"
Royal Ballet: - Manon; Song of the Earth; A Month in the Country; Concerto; Cinderella; Voluntaries; Dances at a Gathering; Serenade; Elite Syncopations; Concerto; Checkmate; Les Biches; Kenneth MacMillan's Romeo and Juliet; Swan Lake, Giselle, The Sleeping Beauty, Les Sylphides, Van Manen’s Adagio Hammerklavier; MacMillan's Pas de Deux and Ashton's Dream Pas de Deux.
As Guest Artist with ballet companies throughout the world her repertoire included: the classical repertoire (Giselle, Swan Lake, Les Sylphides, La Sylphide) as well as Onegin (Cranko); Notre Dame de Paris, Carmen, Proust, Le Jeune Homme et la Mort (Petit); Romeo and Juliet (Cranko), Swan Lake (Cranko), Neumeier's Illusions - Like Swan Lake 2nd Act, Bach Sonata (Bejart); Nutcracker (Neumeier); Romeo & Juliet (full-length version Tchernishov); Le Rossignol (Ashton); Rosalinda (Hynd); Tchaikovsky Pas de Deux (Balanchine); Apparitions (Ashton); Afternoon of a Faun (Robbins); Meditation (Haigen) The Real McCoy (Feld) The Lesson (Flindt), The Toreador (Bourneville); Dying Swan; Corsaire Pas de Deux & Don Quixote Pas de Deux.
Original productions staged and directed by Makarova
1974 – Kingdom of the Shades – American Ballet Theatre