Nathaniel Hone the Elder
The son of a Dublin-based Dutch merchant, Hone moved to England as a young man and, after marrying in 1742, eventually settled in London, by which time he had acquired a reputation as a portrait-painter. While his paintings were popular, his reputation was particularly enhanced by his skill at producing miniatures and enamels. He interrupted his time in London by spending two years (1750–1752) studying in Italy.
As a portrait painter, several of his works are now held at the National Portrait Gallery in London. His sitters included magistrate Sir John Fielding and Methodist preacher John Wesley, and General Richard Wilford and Sir Levett Hanson in a double portrait.
He courted controversy in 1775 when his satirical picture The Conjurer (National Gallery of Ireland, Dublin) was seen to attack the fashion for Italian Renaissance art and to ridicule Sir Joshua Reynolds (it also included a nude caricature of fellow Academician Angelica Kauffman, later painted out by Hone), and was rejected by the Royal Academy. To show his reputation was undamaged, Hone organised a one-man retrospective in London – the first such solo exhibition of an artist’s work.
His great-grand-nephew shared the same name and was also a notable Irish painter, known as Nathaniel Hone the Younger (1831–1917).
- Double Portrait of General Richard Wilford and Sir Levett Hanson, 1777, Nathaniel Hone (R.A.), Artfact.com
- Thomas Gainsborough and Picture Framing, Jacob Simon, The National Portrait Gallery, npg.org.uk
- "Portrait of Harry Earl Aged 15". Paintings & Drawings. Victoria and Albert Museum. Retrieved 2007-10-14.
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