National Film Award for Best Feature Film in Marathi
| National Film Award for Best Feature Film in Marathi | ||
| Award Information | ||
|---|---|---|
| Type | National | |
| Category | Movies | |
| Instituted | 1955 | |
| First Awarded | 1955 | |
| Last Awarded | 2011 | |
| Awarded by | Directorate of Film Festivals, India | |
| Description | Highest honor for Marathi films | |
| First Awardee(s) | Mahatma Phule | |
| Last Awardee(s) | Shala | |
The National Film Awards, established in 1954, are the most prominent film awards in India that merit the best of the Indian cinema. The ceremony also presents awards for films in various regional languages.
Awards for films in seven regional language (Bengali, Hindi, Kannada, Malayalam, Marathi, Tamil and Telugu) started from 2nd National Film Awards which were presented on December 21, 1955. Three awards of "President's Silver Medal for Best Feature Film", "Certificate of Merit for the Second Best Feature Film" and "Certificate of Merit for the Third Best Feature Film" were instituted. The later two certificate awards were discontinued from 15th National Film Awards (1967).
Directed by P. K. Atre, the 1954 film Mahatma Phule, based on life of a Maharashtrian social reformer Jyotiba Govindrao Phule, was honoured with the first President's Silver Medal for Best Feature Film in Marathi. Following is the list of Silver Lotus Award (Rajat Kamal) recipient films produced in Marathi language.
[edit] Winners
| Awards legends | |||||
|---|---|---|---|---|---|
| President's Silver Medal for Best Feature Film | Certificate of Merit for the Second Best Feature Film | Certificate of Merit for the Third Best Feature Film | |||
| Year (Award Ceremony) |
Film | Producer(s) | Director(s) | Citation |
|---|---|---|---|---|
| 1954 (2nd) |
Mahatma Phule | Atre Pictures | Pralhad Keshav Atre | |
| 1955 (3rd) |
Me Tulas Tujhya Angani | Nav Chitra | Raja Thakur | |
| Shevagyachya Shenga | Sadashiv Row J. Kavi | Shantaram Athavale | ||
| 1956 (4th) |
No Award | |||
| 1957 (5th) |
Gruhdevta | Surel Chitra | Madhav Shinde | |
| 1958 (6th) |
Dhakti Jau | Sarvashri Wamanrao Kulkarni Vishnupant Chavan |
Anant Mane | |
| 1959 (7th) |
No Award | |||
| 1960 (8th) |
Kanyadan | Surel Chitra | Madhav Shinde | |
| Umaj Padel Tar | Narayan Baburao Kamat | Dinkar D. Patil | ||
| 1961 (9th) |
Manini | Kala Chitra | Anant Mane | |
| Vaijayanta | Rekha Films | Gajanan Jagirdar | ||
| Manasala Pankh Astat | Madhav Shinde | Madhav Shinde | ||
| 1962 (10th) |
Rangalya Ratree Ashya | The Maharashtra Film Industrial Co-Operative Society Ltd. | Raja Thakur | |
| Jaawai Majha Bhala | Maneesha Chitra Pvt Ltd. | Neelkanth Magdum | ||
| Gariba Gharchi Lek | Shivaji Gulabrao Katkar | Kamlakar Vishnu Torne | ||
| 1963 (11th) |
Ha Majha Marg Ekla | Sudhir Phadke | Raja Paranjape | |
| Te Majhe Ghar | Ravindra Bhat | Ganesh Bhat | ||
| 1964 (12th) |
Pathlaag | Raja Paranjape | Raja Paranjape | |
| Tuka Jhalasi Kalas | N. G. Datar | Raja Nene | ||
| Sawaal Majha Aika | Anant Govind Mane | Anant Govind Mane | ||
| 1965 (13th) |
Sadhi Manasa | Lilabai Bhalji Pendharkar | Bhalji Pendharkar | |
| Nirmom (Konkani) | Frank Fernand | A. Salam | ||
| Yuge Yuge Me Vaat Pahili | Babasaheb S. Fatehlal | C. Vishwanath | ||
| 1966 (14th) |
||||
| 1967 (15th) |
Santh Wahate Krishnamai | Sahakari Chitrapath Sanstha Ltd | M. G. Pathak | |
| 1968 (16th) |
Ektee | G. Chaugle | Raja Thakur | |
| 1969 (17th) |
Tambdi Mati | Lilabai Bhalji Pendharkar | Bhalji Pendharkar | |
| 1970 (18th) |
Mumbaicha Jawai | Tushar Pradhan | Raja Thakur | |
| 1971 (19th) |
||||
| 1972 (20th) |
Pinjra | V. Shantaram | V. Shantaram | |
| 1973 (21st) |
No Award | |||
| 1974 (22nd) |
No Award | |||
| 1975 (23rd) |
Saamna | Ramdas Phutane | Dr. Jabbar Patel | |
| 1976 (24th) |
||||
| 1977 (25th) |
Jait Re Jait | Usha Mangeshkar | Dr. Jabbar Patel | For consistently transferring to the film medium a successful fictional work (Thakurwadi by G. N. Dandekar); for high lightening the mutual inconsistencies of love, of the fear of God and of superstition in a simple, innocent community of tribal, for the memorable use of the drum in evoking presence of the God and expressing the inexorable demands of love for a cinematic form which captures the lyricism, the cadence and the lilt of folk culture. |
| 1978 (26th) |
No Award | |||
| 1979 (27th) |
No Award | |||
| 1980 (28th) |
No Award | |||
| 1981 (29th) |
Umbartha | Dr. Jabbar Patel D. V. Rao |
Dr. Jabbar Patel | For a sincere cinematic statement on the theme of a woman seeking to establish her identity by pursuing a career, even at the risk of alienation from her family. |
| 1982 (30th) |
Shaapit | Madhukar Rupji Sudha Chitale Vinay Newalkar |
Arvind Deshpande Rajdutt |
For dealing with several dimensions of feudalism. |
| 1983 (31st) |
Smruti Chitre | Vinayak Chaskar | Vijaya Mehta | For its compassionate portrayal of an early woman writer and its compelling study of a tormented soul coming to terms with her social condition. |
| 1984 (32nd) |
Mahananda | Mahesh Satoskar | K. G. Koregaonkar | |
| 1985 (33rd) |
Pudhche Paool | Madhukar Rupji Sudha A. Chitle Vinay Newalkar |
Rajdutt | For a film with powerful social content, exposing the evil of dowry and underlining that the only solution is social censure. |
| 1986 (34th) |
No Award | |||
| 1987 (35th) |
Sarja | Seema Deo | Rajdutt | For its patriotic vigour in the retelling of a story set during the turbulent times of Shivaji. |
| 1988 (36th) |
No Award | |||
| 1989 (37th) |
Kalat Nakalat | Smita Talwalkar | Kanchan Nayak | For its delicate description of the tension of love in various facets - wife, mistress and children - and the resolution of tensions in favour of keeping a family together. |
| 1990 (38th) |
No Award | |||
| 1991 (39th) |
No Award | |||
| 1992 (40th) |
Ek Hota Vidushak | National Film Development Corporation of India | Dr. Jabbar Patel | For its humane portrait of simple tamash clown sucked in by the glittering world of show business and exploited by politicians. |
| 1993 (41st) |
Lapandav | Sachin Parekar Sanjay Parekar |
Shravani Devdhar | For its clever portrayal of comedy of errors, cutting across the generation gap and for its charming depiction of puppy-love, extending from the campus to the homes of today's youth, in a refreshing directorial debut. |
| 1994 (42nd) |
No Award | |||
| 1995 (43rd) |
Bangarwadi | National Film Development Corporation of India Doordarshan |
Amol Palekar | For its realistic portrayal of a Maharashtrian village in the thirties through the experience of a young school teacher who tries to fight against all odds and superstition. |
| 1996 (44th) |
Rao Saheb | K. B. Joshi Ravindra Surve |
Sanjay Surve | For depicting the struggle for power of ambitious politicians in a most effective manner. |
| 1997 (45th) |
||||
| 1998 (46th) |
Tu Tithe Mee | Sanjay Surkar | ||
| 1999 (47th) |
Gharabaher | Sanjay Surkar | ||
| 2000 (48th) |
Astitva | Rahul Sughand | Mahesh Manjrekar | |
| 2001 (49th) |
No Award | |||
| 2002 (50th) |
Vaastuprush | Sumitra Bhave Sunil Sukthankar |
||
| 2003 (51st) |
Not Only Mrs. Raut | Aditi Deshpande | Gajendra Ahire | For its treatment of two women's struggle against male exploitation and domination. |
| 2004 (52nd) |
Uttarayan | Bipin Nadkarni Sanjay Shetty |
Bipin Nadkarni | |
| 2005 (53rd) |
Dombivali Fast | Ramakant Gaikwad | Nishikant Kamat | For its portrayal of an urban middle class man who breaks down under tremendous stress and pressures of life in a corrupt modern city. |
| 2006 (54th) |
Shevri | Nina Kulkarni | Gajendra Ahire | For an empathetic portrayal of the struggles of middle class married woman estranged from her family. |
| 2007 (55th) |
Nirop | Aparna Dharmadhikari | Sachin Kundalkar [1][2] | An original offbeat film that gives a fresh perspective of the internal landscapes of the human mind |
| 2008 (56th) |
Harishchandrachi Factory | UTV Motion Pictures | Paresh Mokashi [3] | For its original of stylized recreation of a slice of history. |
| 2009 (57th) |
Natarang | Zee Entertainment Enterprises Ltd. | Ravindra Harischandra Jadhav [4] | For depicting the passion of an artiste, who despite social ostracism, political oppression and personal failures, pursues his dream. |
| 2010 (58th) |
Mala Aai Vhhaychy! | Samruddhi Porey | Samruddhi Porey | For an emotional presentation of the story of a surrogate mother who is torn between love and sacrifice for the child. |
| 2011 (59th) |
Shala | Vivek Wagh Nilesh Navalkar |
Sujay Dahake | |
[edit] References
- ^ "55th NATIONAL FILM AWARDS FOR THE YEAR 2007". Press Information Bureau (Govt. of India). http://pib.nic.in/archieve/others/2009/sep/r2009090707.pdf.
- ^ "Nirop' adjudged best Marathi film at 55th national film awards". The Times of India. 8 September 2009. http://timesofindia.indiatimes.com/news/city/pune/Nirop-adjudged-best-Marathi-film-at-55th-national-film-awards/articleshow/4983916.cms.
- ^ "56th National Awards". Buzzine. http://bollywood.buzzine.com/2010/03/56th-national-film-awards/.
- ^ "57th National Awards". Glamsham.com. http://www.glamsham.com/movies/scoops/10/sep/15-57th-national-film-awards-for-the-year-2009-announced-091014.asp.