|Born||November 20, 1915
Ise, Mie, Japan
|Died||February 13, 2008
|Other names||Giichi Ichikawa|
Early life and career
Ichikawa was born in Ise, Mie Prefecture as Giichi Ichikawa (市川儀一). His father died when he was four years old, and the family kimono shop went bankrupt, so he went to live with his sister. He was given the name "Kon" by an uncle who thought the characters in the kanji 崑 signified good luck, because the two halves of the Chinese character look the same when it is split in half vertically. As a child he loved drawing and his ambition was to become an artist. He also loved films and was a fan of "chambara" or samurai films. In his teens he was fascinated by Walt Disney's "Silly Symphonies" and decided to become an animator. He attended a technical school in Osaka. Upon graduation, in 1933, he found a job with a local rental film studio, J.O Studio, in their animation department. Decades later, he told the American writer on Japanese film Donald Richie, "I'm still a cartoonist and I think that the greatest influence on my films (besides Chaplin, particularly The Gold Rush) is probably Disney."
In the early 1940s J.O Studio merged with P.C.L. and Toho Film Distribution to form the Toho Film Company. Ichikawa moved to Tokyo. His first film was a puppet play short, A Girl at Dojo Temple (Musume Dojoji 1946), which was confiscated by the interim U.S. Occupation authorities under the pretense that it was too "feudal", though some sources suggest the script had not been approved by the occupying authorities. Thought lost for many years, it is now archived at the Cinémathèque Française.
It was at Toho that he met Natto Wada. Wada was a translator for Toho. They agreed to marry sometime after Ichikawa completed his first film as director. Natto Wada's original name was Yumiko Mogi (born 13 September 1920 in Himeji, Hyōgo Prefecture, Japan); the couple both had failed marriages behind them. She graduated with a degree in English Literature from Tokyo Woman's Christian University. She married Kon Ichikawa on April 10, 1948, and died on February 18, 1983 of breast cancer.
It was after Ichikawa's marriage to Wada that the two began collaborating, first on Design of a Human Being (Ningen moyo) and Endless Passion (Hateshinaki jonetsu) in 1949. The period 1950–1965 is often referred to as Ichikawa's Natto Wada period. It's the period that contains the majority of Ichikawa's most highly respected works, such as Tokyo Olympiad (Tōkyō Orinpikku), and it is during this period that Wada wrote 34 screenplays, most of which were adaptations.
He gained western recognition during the 1950s and 1960s with two anti-war films, The Burmese Harp and Fires on the Plain, and the technically formidable period-piece An Actor's Revenge (Yukinojo henge) about a kabuki actor.
Among his many literary adaptations were Jun'ichirō Tanizaki's The Key (Kagi), Natsume Sōseki's The Heart (Kokoro) and I Am a Cat (Wagahai wa neko de aru), in which a teacher's cat critiques the foibles of the humans surrounding him, and Yukio Mishima's Conflagration (Enjo), in which a priest burns down his temple to save it from spiritual pollution.
After Tokyo Olympiad, Wada retired from screenwriting and it marked a significant change in Ichikawa's films from that point onward. Concerning her retirement, he spoke, "She doesn't like the new film grammar, the method of presentation of the material; she says there's no heart in it anymore, that people no longer take human love seriously."
The Magic Hour marked Ichikawa's last appearance and was dedicated to his memory. (This message can be seen in the end of this film.) In this film, a movie director played by Ichikawa is shooting Kuroi Hyaku-ichi-nin no Onna (a hundred and one dark women), a parody of Ten Dark Women.
Ichikawa's films are marked with a certain darkness and bleakness, punctuated with sparks of humanity.
It can be said that his main trait is technical expertise, irony, detachment and a drive for realism married with a complete spectrum of genres. Some critics class him with Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu as one of the masters of Japanese cinema.
- Yowamushi Chinsengumi (1935)
- A Girl at Dojo Temple (1946)
- A Thousand and One Nights with Toho (東宝千一夜 Toho senichi-ya) (1947)
- The Lovers (1951)
- The Woman Who Touched the Legs (Ashi ni sawatta onna) (1951)
- Mr. Pu (1953)
- Ghost Story of Youth (Seishun kaidan) (1955)
- The Heart (1955 film) (Kokoro) (1955)
- The Burmese Harp (1956) - black and white version
- Punishment Room (1956)
- Bridge of Japan (1956)
- The Men of Tohoku (1957)
- The Hole (1957)
- Enjo (1958)
- Odd Obsession (1959)
- Fires on the Plain (1959)
- A Woman's Testament (1960) - together with Kōzaburō Yoshimura and Yasuzo Masumura
- Her Brother (1960)
- Ten Dark Women (1961)
- The Sin (AKA The Broken Commandments)(1962)
- Being Two Isn't Easy (1962)
- An Actor's Revenge (1963)
- Alone Across the Pacific (1963)
- Money Talks (1963)
- Tokyo Olympiad (documentary) (1965)
- The Tale of Genji (1966)
- Topo Gigio and the Missile War (1967)
- To Love Again (1971)
- Visions of Eight (1973) - documentary; anthology film
- The Wanderers (1973)
- I Am a Cat (1975)
- The Inugamis (1976)
- Rhyme of Vengeance (1977)
- Hi no Tori (The Phoenix) (1978)
- The Devil's Island (1978)
- Koto (AKA Koto, the Ancient City) (1980)
- Kofuku (1981)
- The Makioka Sisters (AKA Fine Snow, 細雪 Sasame-yuki) (1983)
- Ohan (1984)
- The Burmese Harp (1985) - color remake
- Princess from the Moon (1987)
- 47 Ronin (1994)
- The 8-Tomb Village (1996)
- Shinsengumi (2000)
- Dora-heita (2000)
- Yume jûya (2006)
- Inugamike no ichizoku (2006)
- Ichikawa Kon Film Book (in Japanese). Nihon Eiga Senmon Channeru. March 2012.
- Richie, Donald. "The Several Sides of Kon Ichikawa". in Quandt (2001). p.53.
- James Quandt (ed.), Kon Ichikawa, Cinematheque Ontario, Toronto, 2001, page 35.
- James Quandt (ed.), Kon Ichikawa, Cinematheque Ontario, Toronto, 2001, p40.
- "29th Moscow International Film Festival (2007)". MIFF. Retrieved 2013-05-31.
- Compiled from Kyodo Associated Press (February 2008). "Director Ichikawa, 92, dies". The Japan Times. Retrieved 2008-07-09.
- James Quandt (ed.), Kon Ichikawa, Cinematheque Ontario, Toronto, 2001 (ISBN 0-9682969-3-9).
- Kon Ichikawa at the Internet Movie Database
- Senses of Cinema: Great Directors Critical Database
- Strictly Film School: Kon Ichikawa
- Kon Ichikawa at the Japanese Movie Database (Japanese)