Nebraska State Capitol
Nebraska State Capitol
The Nebraska State Capitol
|Architectural style||Gothic Revival|
|Governing body||State of Nebraska|
|NRHP Reference #||70000372|
|Added to NRHP||October 16, 1970|
|Designated NHL||January 7, 1976|
Dimensions and features
The structure is anchored by a three-story, 437-foot (133 m) square base. This square base houses offices most frequently visited by the public. The second floor (main floor) is home to the Nebraska Supreme Court, the Nebraska Court of Appeals, and the Nebraska Legislature.
From the center of the base, a tower rises 362 feet (110 m), crowned by a gold-tiled dome. The finial—The Sower and its pedestal—add an additional 32 feet (9.8 m) to the building’s height. Common measurements list the capitol at 400 feet (120 m), making it the second-tallest U.S statehouse, surpassed only by the 450-foot (140 m) Louisiana State Capitol.
As the tower was intended for expansion of the Nebraska State Library, the 17-foot (5.2 m) tower floors were originally designed to include loft-like stacks for book storage. By 1925, with government increasing in size, the State of Nebraska decided to redesign the tower to house offices. Tower floors continue to house various offices today.
In total, there are 15 full floor stories in the capitol (three mezzanines also exist within the tower). The 14th floor, Memorial Chamber, is the highest publicly accessible level. At this level, four observatory decks offer views of Lincoln from 245 feet (75 m) above the ground.
Chapter 27.56 of the Lincoln Municipal Code places height restrictions on structures within the designated Capitol Environs District. This code helps to maintain the capitol’s title as the tallest building in Lincoln. The capitol held the title of tallest building in Nebraska until 1969 with the completion of the 478-foot (146 m) Woodmen Tower in downtown Omaha. With the completion of Omaha’s 634-foot (193 m) First National Bank Tower in 2002, the capitol became the third-tallest building in Nebraska.
Capital cities, capitol buildings
With the passage of the Kansas-Nebraska Act of 1854, Congress officially opened Nebraska Territory. Almost instantly a factional divide between North and South Platters arose over the question of capital location. Much to the chagrin of the South Platters, Acting Governor Thomas B. Cuming, selected the small northern village of Omaha City for the seat of government. As Cuming was an Iowa man, and as his political allies were investors in the Council Bluffs and Nebraska Ferry Company, Omaha as capital would be beneficial to his personal political career. But seeing that the more populous South Platters would be able to legislatively remove the capital to the south, Cuming rigged the territory’s first census, giving North Platters greater political power, along with the promise of keeping Omaha as the capital.
In Omaha, two structures served the Territory of Nebraska. The first was a two-story brick building donated by the Council Bluffs and Nebraska Ferry Company. This building, formerly located on 9th Street between Douglas and Farnam, served the Territorial Legislature for the sessions of 1855 and 1857. A second building, constructed in 1857–58 on the site of present-day Omaha Central High School, served until 1868.
In the city of Lincoln, there have been two previous capitol buildings. Completed in 1868 and 1889 respectively, both had structural problems and were razed. The 1889 building was a classical design by the architect William H. Willcox.
The legislature authorized the Capitol Commission to be responsible for the construction of the building. The commission included the governor, the state engineer, and three commissioners appointed by the governor. The appointed commissioners were W. E. Hardy of Lincoln, W. H. Thompson of Grand Island, and Walter W. Head of Omaha. Samuel R. McKelvie, Charles W. Bryan, Adam McMullen and Arthur J. Weaver each chaired the commission as governor.
|Governor Samuel R. McKelvie||chair, ex officio||1919–1923|
|Governor Charles W. Bryan||chair, ex officio||1923–1925, 1931–1935|
|Governor Adam McMullen||chair, ex officio||1925–1929|
|Governor Arthur J. Weaver||chair, ex officio||1929–1931|
|State Engineer George E. Johnson||secretary, ex officio||1919–1923|
|State Engineer Robert L. Cochran||secretary, ex officio||1923–1935|
|William E. Hardy||citizen member (Lincoln)||1919–1935|
|Walter W. Head||citizen member (Omaha)||1919–1935|
|William H. Thompson||citizen member (Grand Island)||1919–1935|
The architectural competition program was written by Omaha architect Thomas R. Kimball, then president of the American Institute of Architects. The competition guidelines were innovative because they did not define plan, style, or material for the building. The program did specify, however, that they wanted an architect who would assemble a team (including a sculptor, a painter, and a landscaper) to create a unified appearance. The Commission chose well-known architects to enter the competition anonymously for a three-judge panel. Firms competing included Paul Cret and Zantzinger, Borie and Medary; McKim, Mead, and White; H. Van Buren Magonigle; John Russell Pope; John Latenser & Sons; and Bertram Grosvenor Goodhue. Goodhue was selected as the winner. His design exemplified the Classical principles of austerity, abstract geometrical form, and hierarchical arrangements of parts, but did not use columns, pediment, or dome.
The capitol is often considered the first major expression of what has been termed Goodhue's "freely interpreted classical style". The cross-axial plan is similar to a traditional Catholic church or cathedral. The building's four wings radiate from a central domed rotunda, architecturally separating the parts of government. The unarticulated windows and flat surfaces anticipate modern skyscrapers. It is also the first U.S. state capitol with usable tower space.
The 10-year construction process cost the state $9,800,449.07, funded by a special assessment tax. The building was paid off by the end of construction.
Preparation for construction began in the early 1920s with the building of a railroad from Lincoln’s Burlington yards to the statehouse block. The electric line ran from 7th to 14th Streets along H Street. The state-owned spur created an easy means for delivery of construction materials. Then on April 15, 1922, Governor Samuel R. McKelvie broke ground, thus beginning the first phase of a four-phase construction process that would last a decade.
|First||1922–1924||After groundbreaking, the north and south sections of the square base were built around the former capitol allowing state operations to continue inside. This saved the state money in temporary off-campus rental. With completion of first-phase building in late 1924, the state moved its offices from the old capitol to the new. Then in 1925, the previous statehouse was razed.|
|Second||1925–1928||Construction continued with the completion of the east side of the square base, along with the north, east, and south arms of the inner cross. The tower was also constructed to the 6th floor—the level above the main rotunda.|
|Third||1928–1930||The tower was completed. On April 24, 1930, thousands of spectators gathered around the west side of the capitol to watch the ascent of the tower’s finial—The Sower.|
|Fourth||1930–1932||The west side of the square base and inner cross were completed.|
|Landscaping||1932–1934||The grounds were sodded, and trees and bushes were planted.|
Integrated Art Program
The sculptural elements of the building were designed by sculptor Lee Lawrie. Hartley Burr Alexander, a Lincoln native and professor of philosophy, served as "thematic consultant." It was Alexander's influence that resulted in the strong American Indian symbology, despite the wishes of Goodhue, who was from the East Coast region. He felt that the incorporation of Indian designs into the Capitol would make the building look like a tipi and would therefore be "ruinous to the architectural design". However, in April 1924, two years after groundbreaking, Goodhue died. The sudden death of the architect allowed Alexander to exert greater influence over the artistic designs, and thereafter Indian images were incorporated.
The building has an elaborate iconographic program. The large square base is emblematic of the quarters of the Earth and the historic course of human experience. The vertical tower symbolizes the heavens and more abstract conceptions of life derived from historic experience. The massive balustrade flanking the main stairway is ornamented with bison inscribed with American Indian poems translated artistically by Alexander. Over the entrance is a gilded frieze showing the "Spirit of the Pioneers." Other exterior sculptural ornaments include a series of friezes depicting the history of law from the Ten Commandments to a celebration of Nebraska's statehood. Ten great lawgivers, Minos, Hammurabi, Moses, Akhnaton, Solon, Solomon, Julius Caesar, Justinian I, Charlemagne, and Napoleon are depicted emerging from pylonic masses. The eight ideals of culture represented by Pentaour (dawn of history), Ezekiel (cosmic tradition), Socrates (birth of reason), Marcus Aurelius (reign of law), St. John the Apostle (glorification of faith), Louis IX (age of chivalry), Isaac Newton (discovery of nature), and Abraham Lincoln (liberation of peoples) are also represented.
The tower is crowned by a golden dome with a 19-foot (5.8 m) sculpture of The Sower, by Lawrie, which faces northwest (most of Nebraska is north and west of Lincoln). The dome is symbolic of the sun, and its reflective surface changes color with the weather. The frieze around the drum depicts thunderbirds, an American Indian symbol of thunder. Altogether, the golden dome, Sower, and drum represent weather and agriculture. More symbolically, they are an homage to the civilizations of yesteryear, such as the American Indians, Egyptians (The Sower is modeled after an Egyptian), and European settlers who created productive farmlands and propagated life around the world.
The majority of the models for the sculpture program were created by Lee Lawrie, and executed by Edward Ardolino's stone carvers in situ in Lincoln. Alesandro Beretta, employed by Ardolino's firm, was the actual craftsman that carved all of the 18 History of Law panels, using as many as 70 different tools. He would often take as long as ten weeks per panel. The carving was completed in November 1934. The Nebraska Capitol job was Lawrie's largest commission in his nearly seventy-year career as an architectural sculptor.
Hildreth Meière, a New York-based tile and mosaic designer, working with Alexander, was responsible for much of the original interior design. She collaborated closely with the Guastavino Company of New York to create the elaborate tile vaulting, which is both structural and decorative. Buffaloes, corn, wheat, sunflowers, and wild native animals motifs are repeated throughout the building’s ornament. The theme of Meière's work is nature and the cultivation of the prairie.
For the decoration of the East Chamber (the original Senate chamber) Alexander sent Meière numerous samples of Plains Indian art. Specifically, Alexander sent Meière photographs of the work of Amos Bad Heart Bull, known to Alexander as Amos Bad Heart Buffalo. Alexander was in possession of these works until they were interred with the artist's sister at her death, but he had the Bull's ledger book drawings photographed and published. Meière used these images as inspiration for her designs, especially with the large tapestry that graces the east Chamber.
The doors to the East Chamber, designed by Lee Lawrie and executed by Keats Lorenz of Lincoln, are a product of master craftsmanship. The doors weigh more than 750 pounds (340 kg) each, and took Lorenz more than six months to carve. They commemorate the cultural contributions of Plains Indians. Augustus Vincent Tack completed the building's earliest fresco-style murals. Ernst Herminghaus was responsible for the landscape architecture.
Goodhue designed 20 recessed mural spaces for the main hallways of the Capitol. In May 1933, under ever-worsening economic conditions, the Nebraska Legislature re-appropriated the Capitol Commission’s unexpended budget. With depleted funds, the Commission resolved to terminate its own existence, leaving the mural project incomplete.
In 1951, the Nebraska Legislature created the Capitol Mural Commission and empowered it to complete the mural program. Over the next 50 years, the Capitol Mural Commission held a series of competitions to select artists for the remaining murals. The Commission also used details from Dr. Hartley Burr Alexander’s original thematic plan to guide the execution of the murals.
|Charles Clement||The U.S. Survey||1966||Great Hall|
|Elizabeth Dolan||The Spirit of the Prairie||1930||Law Library|
|Kenneth Evett||The Labors of the Hand||1954||Rotunda|
|Kenneth Evett||The Labors of the Head||1956||Rotunda|
|Kenneth Evett||The Labors of the Heart||1956||Rotunda|
|Reinhold Marxhausen||The Spirit of Nebraska||1966||Great Hall|
|Reinhold Marxhausen||The Building of the Capitol||1966||Great Hall|
|F. John Miller||The Coming of the Railroad||1966||Great Hall|
|James Penney||The Homesteaders Campfire||1963||Vestibule|
|James Penney||The First Furrow||1963||Vestibule|
|James Penney||The House Raising||1963||Vestibule|
|Jeanne Reynal||The Blizzard of 1888||1965||Great Hall|
|Jeanne Reynal||The Tree Planting||1966||Great Hall|
|Stephen Roberts||The Ideal of International Law||1996||Memorial Chamber|
|Stephen Roberts||The Perils of Fire||1996||Memorial Chamber|
|Stephen Roberts||The Ideal of Freedom||1996||Memorial Chamber|
|Stephen Roberts||The Scourge of Poverty||1996||Memorial Chamber|
|Stephen Roberts||The Ideal of Universal Peace||1996||Memorial Chamber|
|Stephen Roberts||The Scourge of Plague||1996||Memorial Chamber|
|Stephen Roberts||The Ideal of Self-Determination||1996||Memorial Chamber|
|Stephen Roberts||The Scourge of Famine||1996||Memorial Chamber|
|Augustus Vincent Tack||Governor's Suite Series||1927||Governor's Suite|
|Wikimedia Commons has media related to Nebraska State Capitol.|
- "National Register Information System". National Register of Historic Places. National Park Service. 2007-01-23.
- "Nebraska State Capitol". National Historic Landmark summary listing. National Park Service. Retrieved 2008-06-27.
- * Hoak, Edward Warren and Willis Humphry Church. Masterpieces of American Architecture: Museums, Libraries, Churches and Other Public Buildings. Mineola, New York: Dover Publications, Inc., 2002. pp.115
- "Capitol to be dressed in green". Lincoln Journal Star. 4 April 2014. Retrieved 7 April 2014.
On Saturday and Sunday, the Capitol will be illuminated in green light to help raise awareness of Money Smart Week, a public awareness campaign designed to help consumers better manage their personal finances.
The long-term goal of Money Smart Week, which is organized by the Nebraska Financial Education Coalition, is for all residents to achieve long-term personal financial health.
- "Lincoln Municipal Code" (PDF). City of Lincoln. Retrieved 2014-06-24.
- "Capitol Hill", text of historical marker. Nebraska State Historical Society. Retrieved 2014-06-09.
- "Program and Commission Statement". Nebraska State Government. January 16, 1920. Retrieved 2008-01-18.
- "Program and Commission Statement". Nebraska State Capitol website. Retrieved 2012-09-10.
- "Raising the Sower (1930)". Nebraska State Historical Society. April 24, 1930. Retrieved 2014-06-24.
- Kinsler, Carolyn. (1999). "Native American Influences in the Nebraska State Capitol." unpublished manuscript, University of Michigan, Ann Arbor, MI.
- 1933 Neb. Laws 110 (Nebraska Session Laws, 1933)
- 1951 Neb. Laws (Nebraska Session Laws, 1951)
- Luebke, Frederick C., ed. A Harmony of the Arts: The Nebraska State Capitol. Lincoln, NE: University of Nebraska Press, 1990. pp. 88.
- Brown, Elinor L. Architectural Wonder of the World: Nebraska’s State Capitol Building. Ceresco, NE: Midwest Publishing Company, 1965. 180 pp; illustrations (some color); appendix. Reprinted. Lincoln: Nebraska State Building Division, 1978.
- Grossman, Elizabeth G. “Two Postwar Competitions: The Nebraska State Capitol and the Kansas City Liberty Memorial.” The Journal of the Society of Architectural Historians vol. 45, no. 3 (September 1986): 244-269. 31 illustrations.
- Hoak, Edward Warren and Willis Humphry Church. Masterpieces of American Architecture: Museums, Libraries, Churches and Other Public Buildings. Mineola, New York: Dover Publications, Inc., 2002. pp. 115–125, illustrations.
- Luebke, Frederick C., ed. A Harmony of the Arts: The Nebraska State Capitol. Lincoln, NE: University of Nebraska Press, 1990. x + 119 pp.; 64 illustrations (some color), appendix: the Iconography of the Capitol, bibliography, index.
- McCready, Eric Scott. “The Nebraska State Capitol: Its Design, Background and Influence.” Nebraska History vol. 55, no. 3 (Fall 1974): 325-461. 28 illustrations, bibliography, appendix (including the text of the competition program). Cover image: The Capitol of the State of Nebraska, by James Perry Wilson, 1924, oil on canvas, Nebraska Statehood Memorial at the Kennard House in Lincoln, NE.
- Whitaker, Charles Harris and Hartley Burr Alexander. The Architectural Sculpture of the State Capitol at Lincoln, Nebraska, Bertram Grosvenor Goodhue: architect, Lee Lawrie: sculptor, architects after Mr. Goodhue’s death in 1924: Bertram Grosvenor Goodhue associates. New York: Press of the American Institute of Architects, 1926. 16 pp.; 45 illustrations.
- Zabel, Orville H. "History in Stone: The Story in Sculpture on the Exterior of the Nebraska Capitol". Nebraska History, published by the Nebraska Historical Society, vol. 62, no. 3 (Fall 1981), pp. 285–372, illustrations.
- Nebraska State Capitol site
- 360-degree QT displays inside the capitol
- Illustrations of Hartley Burr Alexander's History of Law Sculptural program at the Capitol